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Dissertations / Theses on the topic 'RIVER POETRY'

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1

Hägglund, Rachael. "Blood River." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5419.

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Blood Riveris an exploration of lineage and blood connection as families are made and remade over generations. The poems rise from the physical body, from birth, and again from death. The lyric is used as a mode of investigation as she writes to discover what it means to become a mother, what it means to be a daughter and wife, and finally what it means to remake the self in order to embody all that we are. The poems are born from the heart and explore the connections between us all.
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2

Kiewitz, Susanne. "Poetische Rheinlandschaft : die Geschichte des Rheins in der Lyrik des 19. Jahrhunderts /." Köln ; Weimar ; Wien : Böhlau, 2003. http://catalogue.bnf.fr/ark:/12148/cb38961084c.

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3

Lai, Chiu-Mi. "River and ocean : the third-century verse of Pan Yue and Lu Ji /." Thesis, Connect to this title online; UW restricted, 1990. http://hdl.handle.net/1773/11102.

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4

Alonso, Rosie Angelica. "La Llorona Don't Swim The L.A River: A Trickster's Guide To The Poetics Of The Pit." CSUSB ScholarWorks, 2015. https://scholarworks.lib.csusb.edu/etd/219.

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La Llorona Don’t Swim The LA River is a collection of poems that explore the issues of growing up in East LA as a young, bilingual Chicana. These poems are an attempt to capture my experiences through story telling by blending Spanish, English, street slang, and the casual spoken diction. The speaker embodies several versions of the trickster figure: linguistic tricksterism, cultural tricksterism, gender tricksterism, and religious tricksterism. She navigates linguistic tricksterism through the code switching of English and Spanish, using Spanglish as her main dialect, and often blending in sl
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5

Stevenson, Kylie J. "Creative River Journeys: Using reflective practice to investigate creative practice-led research." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2017. https://ro.ecu.edu.au/theses/2025.

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This ‘Creative River Journey’ doctoral study explored the processes of art practice and knowledge-making by six artist–researchers engaged in creative higher degrees by research (HDR) at Edith Cowan University (ECU) in three arts disciplines—performing arts, visual arts, and creative writing. The study applied the Creative River Journey (CRJ) reflective practice strategy, originally applied as the River Journey tool in music education (Burnard, 2000; Kerchner, 2006), but further developed by the researcher into a three-phase reflective practice strategy for its application in complex practice-
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6

Lorin, Marie. "La poésie orale peule des pêcheurs de la vallée du Fleuve Sénégal (Pékâne) : approche géopoétique." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015INAL0014/document.

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Cette étude propose de mettre en relation une pratique poétique propre à la communauté des pêcheurs du fleuve Sénégal, le Pékâne (Pekaan en poulâr) – en particulier l’une de ses composantes la moins connue, le Diârâlé (jaaraale en poulâr)- et un paysage : la vallée du Fleuve Sénégal. Le Pékâne est une poésie orale en poulâr chantée a capella par des Soubalbés, c’est-à-dire les pêcheurs du Fleuve Sénégal. Le Diârâlé est couramment défini comme de la poésie descriptive. Il s’agit d’une poésie ancrée dans un territoire local qui retrace l’itinéraire des poètes circulant au bord du fleuve Sénégal.
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7

TREVISAN, SARA. "MICHAEL DRAYTON'S 'POLY-OLBION': A STUDY IN PERSPECTIVE." Doctoral thesis, Università degli studi di Padova, 2010. http://hdl.handle.net/11577/3426559.

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This dissertation provides a study of Michael Drayton’s Poly-Olbion (1612;1622), a loco-descriptive poem divided into two parts consisting of eighteenand twelve Songs, respectively, each one being prefaced by anengraved map. The verse describes the topography of the English and Welsh counties and the historical feats that took place in the locations in question: the ”narrators” are local landscape features, such as woodlands, forests, mountains and valleys, but mainly rivers. In the first part only, each Song closes with a learned prose commentary by the antiquarian John Selden. The study’
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8

MacKenzie, Garry Ross. "Landscapes in modern poetry : gardens, forests, rivers, islands." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.

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This thesis considers a selection of modern landscape poetry from an ecocritical perspective, arguing that this poetry demonstrates how the term landscape might be re-imagined in relation to contemporary environmental concerns. Each chapter discusses poetic responses to a different kind of landscape: gardens, forests, rivers and islands. Chapter One explores how, in the poetry of Ian Hamilton Finlay, Douglas Dunn, Louise Glück and David Harsent, gardens are culturally constructed landscapes in which ideas of self, society and environment are contemplated; I ask whether gardening provides a pos
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9

Radloff, Adeline. "A poetry of remembrance : a study of Tatamkhulu Afrika's Nine Lives, Dark Rider and Maqabane." Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/52688.

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Thesis (MA)--Stellenbosch University, 2002.<br>ENGLISH ABSTRACT: This thesis looks closely at three volumes of Tatamkhulu Afrika's poetry (Nine Lives, Dark Rider and Maqabane), to find that his work reflects a deep understanding of South African society and the different forces and conflicts inherent therein. I argue that although Afrika's poetry is presented as a recount of personal experience through the voice of a first person participant and observer, it is more than mere autobiography. This is because his poems resonate further (by means of vividly detailed descriptions, powerful m
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10

Souza, Anderson Ibsen Lopes de. "O eu Ãntimo e o eu social na poesia de Bueno de Rivera." Universidade Federal do CearÃ, 2009. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=2703.

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nÃo hÃ<br>A poesia de Bueno de Rivera apresenta, no conjunto de suas caracterÃsticas, uma acentuada preocupaÃÃo com o fator ontolÃgico, buscando sempre retratar o ser humano tanto de forma lÃrica, atravÃs da poesia subjetiva, quanto em seu cotidiano, expondo-o como um ser-com-os-outros, imerso no meio social, alÃm de apresentar as angÃstias desse homem e o seu compadecimento com o sofrimento da raÃa humana. Tal poesia coaduna-se com os postulados da filosofia existencial-ontolÃgica de Martin Heidegger, pelo que esta tem de analista da vida humana do ponto de vista da angÃstia oriunda da consci
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11

Morris, Colleen, and ms_colleen_morris@hotmail com. "Water paths and the landscape: poetry of water paths watercourses waterways and rivers - fluid links between artists, ecology and the environment." RMIT University. Art, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080702.144923.

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My project is a tribute to all water paths, waterways and rivers. It is an acknowledgement of their global significance, and of their mysterious and mythic presence in legend and history. The main body of the research and studio practice focuses on the Murray-Darling River System. Contained within the research there is a store of personal knowledge and memories of a complex river network. I view this research as my personal tribute. Some of the most important environmental challenges currently faced by us as a community in the twenty first century are water quality and water usage. By understa
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12

Johnson, Kris Erin. "All these rivers (a collection of poetry), &, Beyond the temple, beyond the pond : deep ecology and contemporary writing of the American West." Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3378.

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This thesis comprises a collection of poetry, All These Rivers, and a critical dissertation Beyond the Temple, Beyond the Pond: Deep Ecology and Contemporary Literature of the American West, which collectively explore the relationship between the literature of the American West and Deep Ecology. All These Rivers engages with the themes and tenets of Deep Ecology in its methods and principles of construction. It considers my relationship to the landscape of home, the Pacific Northwest, and how it is maintained and intensified by the process of writing my experiences into existence during a peri
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13

Souza, Anderson Ibsen Lopes de. "O eu íntimo e o eu social na poesia de Bueno de Rivera." http://www.teses.ufc.br:, 2009. http://www.repositorio.ufc.br/handle/riufc/2811.

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SOUZA, Anderson Ibsen Lopes, O eu íntimo e o eu social na poesia de Bueno de Rivera. 2009. 197 f. Dissertação (Mestrado em Letras) – Universidade Federal do Ceará, Departamento de Literatura, Programa de Pós-Graduação em Letras, Fortaleza-CE, 2009.<br>Submitted by Liliane oliveira (morena.liliane@hotmail.com) on 2012-06-21T12:34:49Z No. of bitstreams: 1 2009_DIS_AILSOUZA.pdf: 1023251 bytes, checksum: c081cf6bca023b2deb43a2fa9561669c (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-06-21T15:33:38Z (GMT) No. of bitstreams: 1 2009_DIS_AILSOUZA.pdf: 102
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14

Abdelkader, Yamna. "Poétiques de la rive : la forme en jeu : la poésie de langue française issue du Maghreb (1995-2005)." Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30054.

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La poésie maghrébine francophone demeure peu étudiée notamment en ce qui concerne son fonctionnement esthétique, malgré une production importante et la consécration de certains auteurs. Ce travail de recherche propose d’identifier les traits formels constitutifs du poème situé entre culture première et culture seconde, en s’attachant aux recueils de six poètes originaires du Maghreb qui ont franchi l’autre rive de la Méditerranée pour s’établir en France : Malek Alloula, Jamel Eddine Bencheikh, Abdelwahab Meddeb, Zaghloul Morsy et Amina Saïd. La période retenue, de 1995 à 2005, permet d’interr
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15

Lindeby, Susanna. "I en sovsäck i baksätet : Dikter." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-44712.

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16

Majeed, Masnoon. "Environmental Consciousness in Joachim du Bellay's Divers jeux rustiques and 'Au fleuve de Loire'." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1533077251523474.

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17

Saraswati, Anandashila. "Swamp : walking the wetlands of the Swan Coastal Plain ; and with the exegesis, A walk in the anthropocene: homesickness and the walker-writer." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2012. https://ro.ecu.edu.au/theses/588.

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This project is comprised of a creative work and accompanying exegesis. The creative work is a collection of poetry which examines the history and ecology of the wetlands and river systems of the Swan Coastal Plain, and which utilises the practice of walking as a research methodology. For the creative practitioner walking reintroduces the body as a fundamental definer of experience, placing the investigation centrally in the corporeal self, using the physical senses as investigative tools of enquiry. As Rebecca Solnit comments in her history of walking, ‘exploring the world is one of the best
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18

Marinot-Marchand, Delphine. "Le Rhin suisse dans la littérature de voyage européenne du XVe au XIXe siècle." Phd thesis, Université du Maine, 2011. http://tel.archives-ouvertes.fr/tel-00669625.

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Au coeur de la culture et de l'histoire européennes depuis plus de deux mille ans, le Rhin faitl'objet d'une abondante littérature. La fascination qu'il exerce s'accompagne généralementd'une focalisation sur certains secteurs de son cours dont la Suisse semble exclue, alors que lefleuve prend sa source dans ce pays et qu'il le traverse ou le longe sur environ 250 kilomètres.La Suisse étant, surtout depuis le milieu du XVIIIe siècle, une destination de voyage trèsprisée, l'objectif de notre recherche a été de savoir si l'intérêt apparemment limité pour leRhin helvétique valait également dans le
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19

Siebert, Melanie. "Deepwater vee." Thesis, 2009. http://hdl.handle.net/1828/3351.

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Deepwater Vee began as a meditation on the rivers I have worked on as a wilderness guide—the Nahanni, the Thelon, the Burnside, the Tatshenshini / Alsek, and others. The lyric poems take wobbly bearings and try to track the phenomenal world. This collection of nature poetry also considers two of Canada’s most threatened waterways—the Athabasca, which runs through the heart of the Alberta tar sands, and the North Saskatchewan, the river that ran by my home but which I had never paddled until recently, a river stressed by dams and upgraders, sewage and pesticides. These rivers push the po
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20

House, Veronica Leigh. "Backward to your sources, sacred rivers: a transatlanitic feminist tradition of mythic revision." Thesis, 2006. http://hdl.handle.net/2152/2504.

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21

Jordan, Perrin Robert. "“Rivers and mountains” : the conceptual wedding of the temporal and spatial in the early volumes of John Ashbery." Thesis, 2013. http://hdl.handle.net/2152/24089.

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This paper attempts to recuperate certain early poems by John Ashbery that have typically been ignored or undervalued by critics. Ashbery’s second and third published volumes of poetry, The Tennis Court Oath and Rivers and Mountains, have been unfairly neglected by critics such as Harold Bloom and Helen Vendler. Although the criticisms leveled against Ashbery’s collage poems are valid, these criticisms have caused other, more successful poems from this period of Ashbery’s career to fade into obscurity. Poems such as “Thoughts of a Young Girl,” “Rain,” “Our Youth,” “These Lacustrine Cities,” “I
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22

Chen, Yen-Ling, and 陳彥伶. "A Research on the Liuqin Works, "Melody on a Moonlit River" and "Die Loreley," as the Creations Based on Poetic Lyrics." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/09953664299127783980.

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碩士<br>中國文化大學<br>音樂學系碩士班中國音樂組<br>101<br>The rapid development of the national music in Taiwan includes not only the new elements found by the music composers but also the heterogeneous creations in recent years. These compositions try to express the deep emotions in the music. The composer’s arrangement of the musical elements and themes serve as the imaginational space for the players. On the basis of poetry, there are nowadays more works for erhu fiddle and pipa than those for Liuqin. Among the rare works for Liuqin, “Moonlit River” and “Die Lorelei” are especially touching. Invited by Taipe
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