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Journal articles on the topic 'Roaring twenties'

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Published: 4 June 2021

Last updated: 27 July 2025

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1

Sueptitz, Wenko. "Roaring Twenties." PhotonicsViews 17, no. 1 (2020): 1. http://dx.doi.org/10.1002/phvs.202070101.

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2

Locksley, Richard M. "The Roaring Twenties." Immunity 28, no. 4 (2008): 437–39. http://dx.doi.org/10.1016/j.immuni.2008.03.009.

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3

Morat, Daniel. "The Roaring Twenties online." Sound Studies 2, no. 1 (2016): 98–100. http://dx.doi.org/10.1080/20551940.2016.1178468.

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4

wha. "Dermatologie in den „Roaring Twenties“." Der Deutsche Dermatologe 65, no. 12 (2017): 917. http://dx.doi.org/10.1007/s15011-017-1702-4.

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5

Thompson, Emily. "Making Noise in The Roaring ’Twenties." Public Historian 37, no. 4 (2015): 91–110. http://dx.doi.org/10.1525/tph.2015.37.4.91.

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The Internet offers an unprecedented bounty of historic sound recordings, and the opportunity to listen in on the past has never been greater. But online sound archives also present new challenges. Public history websites must recover the meaning of sound as well as sound itself, and thereby engender a historicized mode of listening that tunes modern ears to the pitch of the past. The Roaring ’Twenties website attempts this via an interactive multimedia environment of sounds, images, and texts, recreating for its listeners the sonic culture of New York City circa 1929, a place and time defined

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Parshall, Karen Hunger. "The Roaring Twenties in American Mathematics." Notices of the American Mathematical Society 66, no. 01 (2019): 1. http://dx.doi.org/10.1090/noti1773.

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7

M. Granados, Oscar. "AMAZON PORTS DURING THE ROARING TWENTIES." Illes i imperis, no. 24 (November 24, 2022): 15–36. http://dx.doi.org/10.31009/illesimperis.2022.i24.02.

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After a spirited economic performance before the Great War, as well as an unstable evolutionof trade and extracting activities during the war, the Amazon basin continued its pathof trade, life, and transport. The new economic frontiers opened the dynamic structure oftransport and life networks beyond some occasional commodity boom. This article tries toexplain the relevance of Amazon ports during the 1920s in a multi-scale analysis perspective.First, the trade and transport networks between principal ports, and secondly, life, trade,and transport around these ports and their connections with o

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PISTONE, D. "Opera in Paris during the Roaring Twenties." Opera Quarterly 13, no. 2 (1996): 55–67. http://dx.doi.org/10.1093/oq/13.2.55.

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Guyton, John R. "From the editor: The “roaring Twenties” revisited?" Journal of Clinical Lipidology 14, no. 1 (2020): 1–2. http://dx.doi.org/10.1016/j.jacl.2020.02.002.

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10

mr. P.A. de Hoog. "Heroverweging pachtwetgeving: revival of the roaring twenties?" Tijdschrift voor Agrarisch Recht 49, no. 6 (1989): ㅤ. http://dx.doi.org/10.5117/tvar1989.6.011.

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Waibel, Raimund, and Jörg Schweigard. "Rezension von: Schweigard, Jörg, Stuttgart in den Roaring Twenties." Schwäbische Heimat 64, no. 3 (2022): 378–79. http://dx.doi.org/10.53458/sh.v64i3.2541.

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Jörg Schweigard: Stuttgart in den Roaring Twenties. Politik, Gesellschaft, Kunst und Kultur in Stuttgart 1919-1933. Verlag Braun, Karlsruhe 2012. 278 Seiten mit vielen Abbildungen. Hardcover € 24,95. ISBN 978-3-7650-8609-0

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12

Šlaisová, Eva, and Martin Revermann. "'The Roaring Twenties' : theatre of the early 2020s." Theatralia, no. 1 (2023): 7–10. http://dx.doi.org/10.5817/ty2023-1-1.

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13

Diadechko, A. "The Reflection of the Era of the “Roaring Twenties“ in the F.S.Fitzgerald’s Novel «The Great Gatsby»." Fìlologìčnì traktati 12, no. 2 (2020): 7–14. http://dx.doi.org/10.21272/ftrk.2020.12(2)-1.

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The article deals with the portraying “Roaring Twenties” which marked a legendary and unprecedented period in the history of American society. Though this era goes back to the beginning of the 20th century, it has never stopped arousing deep common interest because of its uniqueness. Having been abundantly reflected in numerous pieces of art and literature, “Roaring Twenties”, synonymously named “The Jazz Age”, go on provoking public discussion and reevaluation. If viewed in literary terms, this epoch is certainly linked with the name of Francis Scott Fitzgerald (1896-1940) and with his best k

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Gorsuch, Anne E. "Flappers and Foxtrotters: Soviet Youth in the “Roaring Twenties”." Carl Beck Papers in Russian and East European Studies, no. 1102 (January 1, 1994): 18. http://dx.doi.org/10.5195/cbp.1994.59.

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With the introduction of the New Economic Policy in March 1921, cities such as Moscow and Leningrad appeared to change overnight. Expensive food and clothing stores, flashy nightclubs, gambling casinos, and other manifestations of the changing economic climate resurfaced for the first time since the war. William Reswick, a Russian who had emigrated to the United States before the revolution and returned as a journalist during the Civil War, wrote that as he made the rounds of Moscow, he was astonished by the great change that the NEP, a comparatively free economy, had wrought in a matter of ni

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15

Rockwell, M. R. "Gender Transformations: The Gilded Age and the Roaring Twenties." OAH Magazine of History 19, no. 2 (2005): 31–40. http://dx.doi.org/10.1093/maghis/19.2.31.

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16

Holajter, Stephan J. "Freud, Religion, and the Roaring Twenties. Henry Idema III." Journal of Religion 72, no. 4 (1992): 644. http://dx.doi.org/10.1086/489045.

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Harrison, Sharon, and Mark Weder. "Technological change and the roaring twenties: A neoclassical perspective." Journal of Macroeconomics 31, no. 3 (2009): 363–75. http://dx.doi.org/10.1016/j.jmacro.2009.05.003.

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18

Mazurkiewicz, Michał. "American Sport and the Sports Heroes of the Roaring Twenties." Respectus Philologicus 25, no. 30 (2014): 89–95. http://dx.doi.org/10.15388/respectus.2014.25.30.6.

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The aim of the article is to show the role of sport in American society against the background of a very important—for many reasons—period of great social transformation in the United States, one which visibly gathered pace in the 1920s. The author presents different aspects of popular culture, which was in full bloom on account of the following factors: the joy after World War I, a sense of optimism, the development of the economy and industry, the growth of big cities, and the greater affluence of the citizens. The analysis of that unusual decade corroborates the role of sport and its great

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19

Lefrère, Bertrand, and Emmanuel Bourgogne. "Henry de Monfreid et le triangle du hachich entre Grèce, Égypte et Inde dans les fantastiques années vingt : récit d’une intoxication et de tribulations toxicologiques." Revue d'histoire de la pharmacie 107, no. 405 (2020): 27–36. http://dx.doi.org/10.3406/pharm.2020.23995.

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Henry de Monfreid and the triangle of hashish between Greece, Egypt and India in the roaring twenties : cannabis poisoning narrative and toxicological tribulations – We report here the case of a self-induced accidental intoxication by oral ingestion of cannabis, experienced and described by the writer and adventurer Henry de Monfreid. On the basis of notes contained in his journal, the source material for his numerous novels, we analyse the symptoms experienced by the writer after having consumed Indian hemp, in light of current knowledge. In addition, this “historic” clinical case serves as a

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20

Pemberton, Ian, and Philip P. Mason. "Rumrunning and the Roaring Twenties: Prohibition on the Michigan-Ontario Waterway." Michigan Historical Review 22, no. 2 (1996): 212. http://dx.doi.org/10.2307/20173610.

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21

Heroldová, Helena. "Imperial Dragon in the Roaring Twenties: Qing Dynasty Dress Re-Made." Annals of the Náprstek Museum 38, no. 1 (2017): 29–40. http://dx.doi.org/10.1515/anpm-2017-0019.

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AbstractThe study focuses on the methodology of research on recycled clothing. Two Chinese Dragon Robes from the collection of the Náprstek Museum were remade as a men’s jacket and a woman’s evening dress. Both examples are described, analysed and interpreted from two points of view: as authentic Dragon Robes in its original Imperial China setting, as well as newly made clothes in the context of the early 20thcentury Western culture.

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22

Nicholas, Tom, and Anna Scherbina. "Real Estate Prices During the Roaring Twenties and the Great Depression." Real Estate Economics 41, no. 2 (2012): 278–309. http://dx.doi.org/10.1111/j.1540-6229.2012.00346.x.

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23

RÜHSE, Viola E. "Luxurious Cinema Palaces in the Roaring Twenties and the Twenty-First Century: Critical Analyses of Movie Theatres by Siegfried Kracauer and Their Relevance Today." Cultural Intertexts 10, The Roaring (20)20s (2020): 13–30. https://doi.org/10.5281/zenodo.4322140.

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Impressive cinema palaces with exterior façades illuminated appealingly at night were significant for the big city life of the roaring twenties. The film screenings in the prestigious buildings were framed by a diverse supporting programme. Siegfried Kracauer dealt critically with the formative tendency towards theatricality in the new large cinema buildings such as the Gloria-Palast in Berlin in 1926. He also discussed the supporting programme and the aspect of distraction in the context of modern mass and leisure culture in a progressive and extraordinary way. Over the past decade, lu

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Santos, Jenison Alisson dos, Caio Antônio de Medeiros Nóbrega Nunes Gomes, and Elisa Mariana de Medeiros Nóbrega. "On Booze: a representation of The Roaring Twenties in the great Gatsby." Revista Letras Raras 4, no. 2 (2015): 152–64. http://dx.doi.org/10.35572/rlr.v4i2.431.

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Fitzgerald is considered by many to be the spokesperson of the 1920’s post-World War I, offering his readers a distinctive look into the Golden Age of the U.S.A.. This article focuses on F. Scott Fitzgerald’s masterpiece The great Gatsby (2001) and its representation and criticism of the historical context in which author and novel are inserted: the Jazz Age or the Roaring Twenties of the United States of America. For this purpose, our critical framework is based on Bloom’s (2006) and Heise’s (2001) studies on the subject, targeting a pertinent dialogue with Fitzgerald’ s work. As a result of

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Vaz, Cecília. "Bohemia night and artistic sociability: cabarets in Lisbon during the «roaring twenties»." Revista Estudos do Século XX, no. 9 (2009): 135–51. http://dx.doi.org/10.14195/1647-8622_9_8.

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26

Hoffman, Abraham, and Jules Tygiel. "The Great Los Angeles Swindle: Oil, Stocks, and Scandal during the Roaring Twenties." Western Historical Quarterly 26, no. 1 (1995): 94. http://dx.doi.org/10.2307/971302.

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27

ZELENSKY, NATALIE K. "Club Petroushka, Émigré Performance, and New York's Russian Nightclubs of the Roaring Twenties." Journal of the Society for American Music 14, no. 4 (2020): 480–509. http://dx.doi.org/10.1017/s1752196320000346.

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AbstractIn the midst of the Prohibition era, New York City proliferated with nightclubs that presented patrons with imagined worlds of music and entertainment. This essay explores the role of music in creating such imagined worlds, looking specifically at the Russian-themed nightclubs founded by and employing émigrés recently exiled from Bolshevik Russia. Examining Midtown's Club Petroushka as a prime example of such a space, this essay focuses on the so-called “Russian Gypsy” entertainment that caught the eye and ear of the club's patrons, whose ranks included Charlie Chaplin, Harpo Marx, and

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28

Olien, Roger M., and Jules Tygiel. "The Great Los Angeles Swindle: Oil, Stocks, and Scandal during the Roaring Twenties." American Historical Review 102, no. 2 (1997): 549. http://dx.doi.org/10.2307/2170993.

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29

LOVETT, LAURA L. "“Fitter Families for Future Firesides”: Florence Sherbon and Popular Eugenics." Public Historian 29, no. 3 (2007): 69–85. http://dx.doi.org/10.1525/tph.2007.29.3.69.

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In the 1920s, eugenicists adapted public health contests to create “Fitter Family for Future Firesides” contests. Designed by Mary T. Watts and Dr. Florence Sherbon, these contests were deliberately staged at agricultural fairs. These contests encouraged families to re-imagine their histories as pedigrees subject to scientific analysis and control, while appealing to a deeply rooted sense of nostalgia for the rural family as the nation became increasingly urban, as rural children left farms, and as the culture of the Roaring Twenties challenged “traditional values.” As such, the fitter family

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30

Abate, Michelle Ann. "Not Hoovervilles, But Hooch: Gertrude Chandler Warner’s The Boxcar Children and The Roaring Twenties." Children's Literature in Education 47, no. 3 (2016): 257–66. http://dx.doi.org/10.1007/s10583-016-9275-5.

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31

Mirtschev, Bogdan. "Herzog Hermann, die russische Revolution und der amerikanische Traum. Über einige Mythen der Weimarer Zeit." Études Germaniques 297, no. 1 (2020): 263–73. http://dx.doi.org/10.3917/eger.297.0263.

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En temps de crises et d’événements décisifs, les sociétés qu’elles touchent s’intéressent vivement aux mythes politiques, qui sont perçus comme expliquant les événements et les idées du moment, et provoquent une certaine attitude à leur égard. Dans la brève histoire de ce qu’on a appelé la République de Weimar (1919-1933), trois constructions mythiques ont eu une signification particulière en tant que formes de discours politique irrationnel. L’un repose sur le vieux mythe de l’héroïque guerrier allemand Arminius (ou Hermann). Les deux autres reflètent des représentations mythiques d’événement

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32

Raag, Ms Reeva, Mr Prerak Bansal, and Col Prof Dr J. Satpathy. "Endoscopic Socio: Economic Views on Pandemics." International Journal for Research in Applied Science and Engineering Technology 10, no. 2 (2022): 510–17. http://dx.doi.org/10.22214/ijraset.2022.40324.

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Abstract: Like all the other years, 2020 started with tonnes of people all over the world roaring twenties on the countdown in their respective time zones and partying all night long whilst tuning on their favourite songs. Welcoming the year 2020 with all the grand merriments all around and with a sense of inner gratification as per our age-old heritage was our topmost priority. But, little did we know that, the year had brought along with it, such catastrophic elements that, in the future run, is going to totally change each and every aspect of our life and will turn our lifestyle upside down

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33

Shusil Kumar, Das,. "The Matrix of Tragedy in the Novels of F. Scott Fitzgerald." DIU Journal of Humanities and Social Science 4, no. 1 (2017): 40–56. http://dx.doi.org/10.36481/diujhss.v.04i1.1jabfw21.

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All the five novels by F. Scott Fitzgerald are tragic in the end. The matrix of the tragedy is the essential issue of money in connection with love. The paper attempts to analyze the nature and the factors associated with money and love that cause the tragedy. Money in the life of the protagonists of the novels plays so crucial role that it eventually overrules other things like love. Through an analytical discussion an attempt has been made to establish the thesis that it is the role of money-based culture that functions as the matrix of tragedy in the life of the heroes in the "roaring twent

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Das, Shusil Kumar. "The Matrix of Tragedy in the Novels of F. Scott Fitzgerald." DIU Journal of Humanities & Social Science 4 (October 20, 2024): 39–56. https://doi.org/10.5281/zenodo.13956262.

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All the five novels by F. Scott Fitzgerald are tragic in the end. The matrix of the tragedy is the essential issue of money in connection with love. The paper attempts to analyze the nature and the factors associated with money and love that cause the tragedy. Money in the life of the protagonists of the novels plays so crucial role that it eventually overrules other things like love. Through an analytical discussion an attempt has been made to establish the thesis that it is the role of money-based culture that functions as the matrix of tragedy in the life of the heroes in the "roaring twent

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35

Garrison, Roger W. "The roaring twenties and the bullish eighties: The role of government in boom and bust." Critical Review 7, no. 2-3 (1993): 259–76. http://dx.doi.org/10.1080/08913819308443299.

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36

Hamilton, Sharon. "Jazz Age Giant: Charles A. Stoneham & New York City Baseball in the Roaring Twenties." F. Scott Fitzgerald Review 21 (October 2023): 255–59. http://dx.doi.org/10.5325/fscotfitzrevi.21.0255.

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Mallart, Myriam. "Las voces de Lautréamont." TRANSFER 4, no. 1 (2017): 1–13. http://dx.doi.org/10.1344/transfer.2009.4.1-13.

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The history of the reception in Castilian of Lautréamont’s Chants du Maldoror, a forgotten book then, intertwines with it’s rediscovery by André Breton and the surrealist movement. Both translations of the book, which are very different from a linguistic point of view, above all in what concerns the critical work surrounding the text, happen to coincide with two essential moments of the surrealist’s reception: the “Roaring Twenties”, which were years of an enormous surrealist activity, and the sixties, a decade in which the movement itself became part of the “History of Literature”. In the for

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Curopos, Fernando. "A garçonne: de Paris a ‘‘Lesboa’’." Moderna Språk 116, no. 2 (2022): 167–82. http://dx.doi.org/10.58221/mosp.v116i2.12235.

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In the first decades of the 19th century, French authors modeled the prototype of the Parisienne, a truly fascinating woman who, in turn, became “a modern myth”. After the First World War, the parisienne ended up being confused with the figure of La Garçonne in the path of the eponymous novel by Victor Margueritte. La Garçonne is, in a way, the crystallization and literary transposition of the new woman that emerged in the Roaring Twenties. But, by inverting the male and female codes through the use of clothes or props supposedly of the other sex, the Garçonnes come to be considered as “invert

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Abril Hernández, Ana. "FROM THE WITCH TO THE FAIRY: EDNA ST. VINCENT MILLAY’S EXPLORATION OF WOMEN IN POETRY." ODISEA. Revista de estudios ingleses, no. 21 (December 30, 2020): 89. http://dx.doi.org/10.25115/odisea.v0i21.3698.

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The first decades of the twentieth century in America witnessed the emergence of one of the most famous feminist writers of that time and whose fame disappeared as rapidly as it came: Edna St. Vincent Millay (1892-1959). Her light and transgressive verse soon placed her as one of the poets that best represented the Roaring Twenties transgressing sexual and social taboos in an America dominated by the figure of the flapper that this writer perfectly embodied. This study delves into Edna St. Vincent Millay’s poetry and the representation of women in her works. Las primeras décadas del siglo vein

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Milică, Iulia Andreea. "Fashionable Flappers: Constructing Femininity in F.S. Fitzgerald’s The Offshore Pirate and The Ice Palace." Revista Canaria de Estudios Ingleses, no. 84 (2022): 97–116. http://dx.doi.org/10.25145/j.recaesin.2022.84.08.

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Transition, dynamism, prosperity, freedom, and youth characterize the Roaring Twenties. Women experienced some of the most radical changes in all areas of life, private and public, and fashion reflected this newly gained freedom: shorter dresses, short hair, make-up, deep necklines, and a boyish charm. Francis Scott Fitzgerald’s writings mirror this world of contradictions: its enthusiasm and frivolity, its freedom and failures. This article analyzes two of Fitzgerald’s earliest short stories, The Offshore Pirate and The Ice Palace, in order to point out the writer’s ambiguous way of represent

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Goracci, Giada. "Playing it Fashionably Queer: Mae West’s Performing Sexuality." Pólemos 10, no. 1 (2016): 63–80. http://dx.doi.org/10.1515/pol-2016-0004.

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Abstract “Marriage is a fine institution, but I’m not ready for an institution.” With this challenging innuendo, the American actress and author Mae West offers an insight into gender performativity and heteronormativity through marriage in a period, the “Roaring Twenties,” in which sexual and gender politics could not be put into scrutiny. Her vamp persona and the elaborated iconography that she crafted on her character gave birth to a meticulous semiotics of the body that eventually undermined the American social context of the time fostering on the one hand, an image of heterosexual desire,

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42

Stalter-Pace, Sunny. "Women Adapting: Bringing Three Serials of The Roaring Twenties to Stage and Screen by Bethany Wood." Theatre Journal 74, no. 2 (2022): 263–64. http://dx.doi.org/10.1353/tj.2022.0036.

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Ewing-Pierce, Jennifer. "Women Adapting: Bringing Three Serials of the Roaring Twenties to Stage and Screen by Bethany Wood." Theatre History Studies 40, no. 1 (2021): 211–14. http://dx.doi.org/10.1353/ths.2021.0016.

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Backhouse, Constance. "‘Her protests were unavailing’: Australian legal understandings of rape, consent and sexuality in the ‘roaring twenties’." Journal of Australian Studies 24, no. 64 (2000): 14–33. http://dx.doi.org/10.1080/14443050009387552.

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Hart, Kylo-Patrick R. "Promoting and Containing New Womanhood in the Pages of Photoplay: The Case Of "Little Mary" Pickford and Her Mediated Alter Egos on the Cusp of the Roaring Twenties." Cultural Intertexts 10, The Roaring (20)20s (2020): 31–45. https://doi.org/10.5281/zenodo.4322165.

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Actress Mary Pickford is perhaps best remembered for her silent-screen persona “Little Mary.” But there was another important aspect to her Hollywood career that is frequently overlooked today: Pickford’s rise to power and fame corresponded with the era of the “New Woman” in U.S. society. This article explores the mediated construction of new womanhood as communicated through the coverage of Pickford’s career between 1918 and 1921 in the pages of the fan magazine Photoplay. It demonstrates how Photoplay used coverage of Pickford to promote the ideal of new w

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S.Sureshkumar and S.Leela. "The Flappers and the Faded Values: A Study of Women in the Fiction of Fitzgerald." RESEARCH REVIEW International Journal of Multidisciplinary 4, no. 2 (2019): 794–96. https://doi.org/10.5281/zenodo.2585940.

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The America of the 1920s was distinguished and damned for different reasons. The period was referred as, Roaring Twenties, the Jazz age, the Golden age and every title speaks about the spirit of the age. It was an age of transition with tremendous changes in art, politics, economy, and culture. People of the era viewed life with a new spectacle admiring money, social status, beauty, and freedom. Especially women of the 1920s had many changing roles. In the post war period the image of the Victorian women subsided and the new women appeared with great cultural advancements. Women"s attitude tow

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Ciocoi-Pop, Ana-Blanca. "The Great Gatsby Avant la Lettre: New York City as a Place of Damnation in Willa Sibert Cather’s “Paul’s Case”." East-West Cultural Passage 21, no. 2 (2021): 53–64. http://dx.doi.org/10.2478/ewcp-2021-0013.

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Abstract “Paul’s Case,” suggestively subtitled “A Study in Temperament,” by Willa Sibert Cather, thematizes some of the main concerns regarding the moral decay of American society and the disillusionment with the American Dream that would be addressed twenty years later by F. Scott Fitzgerald in his iconic novel The Great Gatsby. The story provides ample proof of the presence of such skeptical views regarding American society way before the onset of the orgiastic, almost Babylonian, roaring twenties. Published in 1905, Cather’s story is simultaneously an individual and a societal x-ray of the

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Li, Kaizhi. "Economic Depression and Recovering from the Trauma of the World War: The Social Reconstruction of Britain after World War II." Lecture Notes in Education Psychology and Public Media 39, no. 1 (2024): 20–25. http://dx.doi.org/10.54254/2753-7048/39/20240618.

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The passage focuses on the reconstruction of Britain after World War II. The background of the research was the time period after WWII. In order to analyze the situation more precisely, the background information of the research had a time span from the 1920s to approximately the 1950s, starting from the Roaring Twenties to the publication of the Green Belt Policy. The passage focuses on the reorganization of cities and the reconstruction of the welfare system. The two examples listed in the following passage are the Green Belt Policy and the NHS, which represents the reconstruction of cities

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Orlova, Elizaveta. "Character in the Adapted Series “Miss Fisher’s Murder Mysteries”: Playing with Tradition." Stephanos Peer reviewed multilanguage scientific journal 63, no. 1 (2024): 99–108. http://dx.doi.org/10.24249/2309-9917-2024-63-1-99-108.

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The Australian TV-series “Miss Fisher’s Murder Mysteries” follows a trend that has emerged in mystery film genre over the last few decades. On the one hand, it is an old story about a private detective; on the other – a new narrative, that fascinates the viewer with an extraordinary setting. This effect is provided by the intertextual links that the series forms with the texts of its surroundings. This article examines how various intertextual elements form the image of the “Roaring Twenties”, linking the cinema text with the ‘classic detective’, while at the same time referring to modern cine

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MISES, Ludwig von. "O CÁLCULO ECONÔMICO SOB O SOCIALISMO." Revista AKEDIA - Versões, Negligências e Outros Mundos 17 (2025): 15–47. https://doi.org/10.33726/akedia2447-7656v17a112025p15a47.

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Abstract:

Economic Calculation under Socialism was first published in 1920. The text demonstrated the impossibility of implementing costs under socialism. Mises argues that economic planning, as a substitute for the free market, is unfeasible, since in Socialism it is not possible to rationally calculate the true costs of production, nor to promote the natural balance between supply and demand as price regulators. These conditions of unfeasibility were reaffirmed in the Forewords by Yuri Maltsev and Jacek Kochanowicz, both from 1990, and these two authors are often linked to Mises' original text. In thi

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