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Relevant bibliographies by topics / Robber Bridegroom

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Academic literature on the topic 'Robber Bridegroom'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Robber Bridegroom"

1

Wood, Susan. "Eudora Welty’s Challenge to Fascism in The Robber Bridegroom." Eudora Welty Review 7, no. 1 (2015): 25–43. http://dx.doi.org/10.1353/ewr.2015.0011.

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2

Zorzi, Rosella Mamoli. "Eudora Welty's The Robber Bridegroom: A New Use of the Fairy Tale." Eudora Welty Review 3, no. 1 (2011): 23–32. http://dx.doi.org/10.1353/ewr.2011.0011.

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3

Ramirez, Anne. "Gratitude, Greed, and Grace in The Robber Bridegroom: Eudora Welty’s Intricate American Parable." Eudora Welty Review 1, no. 1 (2009): 75–83. http://dx.doi.org/10.1353/ewr.2009.0024.

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Murphy, Terence Patrick. "The pivotal eighth function and the pivotal fourth character: resolving two discrepancies in Vladimir." Language and Literature: International Journal of Stylistics 17, no. 1 (2008): 59–75. http://dx.doi.org/10.1177/0963947007085055.

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In Vladimir Propp's Morphology of the Folktale, uncertainty has continually hovered over the pivotal role occupied by the eighth function in what the Russian theorist suggested was a single invariant wondertale structure. In this article, I suggest that this discrepancy can be resolved: there are in fact two major types of wondertale, with their separate structures pivoting on the choice of one or other of the two eighth function options. By analyzing the Preparation and Complication sections of Charles Perrault's Cinderella, or the Little Glass Slipper and Jacob and Wilhelm Grimm's `The Robbe

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5

Scarano D'Antonio, Carla. "Consuming and Being Consumed." Exchanges: The Interdisciplinary Research Journal 7, no. 2 (2020): 35–57. http://dx.doi.org/10.31273/eirj.v7i2.446.

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The article explores how Margaret Atwood demystifies the romance plot in her first novel The Edible Woman by exposing the world of consumerism as artificial and threatening to the point of cannibalism. This is revealed through references to fairy tales and myths with cannibalistic undertones such as ‘Snow White’, ‘The Robber Bridegroom’ and ‘Goldilocks and the Three Bears’. It is also highlighted in the reference to the theme of the eaten heart in Boccaccio’s Decameron and to Shakespeare’s Titus Andronicus. In the tempting world of advertisements and commercials, women are objectified and trad

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6

Hempen, Daniela. "Bluebeard's Female Helper: The Ambiguous Rôle of the Strange Old Woman in the Grimms' “Castle of Murder” and “The Robber Bridegroom”1." Folklore 108, no. 1-2 (1997): 45–48. http://dx.doi.org/10.1080/0015587x.1997.9715935.

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7

Sponsler, Claire. "Writing the Unwritten: Morris Dance and the Study of Medieval Theatre." Theatre Survey 38, no. 1 (1997): 73–95. http://dx.doi.org/10.1017/s0040557400001848.

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During the course of her summer's progress in 1575, Elizabeth I spent nineteen days at Kenilworth, the Earl of Leicester's Castle in Warwickshire, where she was presented with various entertainments—including plays, fireworks, bear-baitings, water-pageants, acrobatic performances, and dancing—at a cost of over a thousand pounds a day, as part of what has been called “unquestionably sixteenth-century England's grandest and most extravagant party.” Robert Langham, a minor court functionary who wrote an eyewitness account of the party, describes a “lyvely morisdauns” that was featured in this fes

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8

"Animosity towards Women in Eudora Welty's Literary Canon." International Journal of Arabic-English Studies 21, no. 2 (2021). http://dx.doi.org/10.33806/ijaes2000.21.2.13.

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The paper investigates Eudora Welty’s concept of animosity towards women in her fiction. Her novels and short stories portray rape, sexual exhibitionism, sexual threats and brutality as inhuman experiences that sarcastically result in a vicious conversion of indignity and humiliation to the female sufferer instead of the male perpetrators. Welty suggests that this context creates a sense of intolerance which acts as a destroyer of women’s identity and sense of self. In this paper, the researchers attempt to reveal the mechanisms that subvert women’s sense of identity in a world usually control

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9

Abbas, Herawaty, and Brooke Collins-Gearing. "Dancing with an Illegitimate Feminism: A Female Buginese Scholar’s Voice in Australian Academia." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.871.

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Sharing this article, the act of writing and then having it read, legitimises the point of it – that is, we (and we speak on behalf of each other here) managed to negotiate western academic expectations and norms from a just-as-legitimate-but-not-always-heard female Buginese perspective written in Standard Australian English (not my first choice-of-language and I speak on behalf of myself). At times we transgressed roles, guiding and following each other through different academic, cultural, social, and linguistic domains until we stumbled upon ways of legitimating our entanglement of experien

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Dissertations / Theses on the topic "Robber Bridegroom"

1

Reed, Rebecca. "Storytelling and survival in the "Murderer's House": gender, voice(lessness) and memory in Helma Sanders-Brahms' Deutschland, bleiche Mutter." Thesis, 2009. http://hdl.handle.net/1828/1686.

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Helma Sanders-Brahms’ film Deutschland, bleiche Mutter is an important contribution to (West) German cinema and to the discourse of Vergangenheitsbewältigung or “the struggle to come to terms with the Nazi past” and arguably the first film of New German Cinema to take as its central plot a German woman’s gendered experiences of the Second World War and its aftermath. In her film, Deutschland, bleiche Mutter, Helma Sanders-Brahms uses a variety of narrative and cinematic techniques to give voice to the frequently neglected history of non-Jewish German women’s war and post-war experiences.

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Books on the topic "Robber Bridegroom"

1

Welty, Eudora. The robber bridegroom. Harcourt Brace Jovanovich, 1987.

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2

Welty, Eudora. The robber bridegroom. Harcourt Brace Jovanovich, 1987.

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3

Grimm Brothers. The Robber Bridegroom. Penguin Random House UK, 2015.

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4

Kerr, D. K. Maid of the Raven's Wood: A Re-telling of the Brothers' Grimm's The Robber Bridegroom. Independently Published, 2018.

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Book chapters on the topic "Robber Bridegroom"

1

Murphy, Terence Patrick. "The Robber Bridegroom Genotype." In From Fairy Tale to Film Screenplay. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137552037_5.

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2

Murphy, Terence Patrick. "The Robber Bridegroom Genotype in Wrong Turn (2003)." In From Fairy Tale to Film Screenplay. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137552037_6.

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3

Murphy, Terence Patrick. "The Robber Bridegroom: The Limits of Propp’s Analysis." In The Fairytale and Plot Structure. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137547088_7.

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4

"The Robber Bridegroom (1942)." In Eudora Welty. Cambridge University Press, 2005. http://dx.doi.org/10.1017/cbo9780511485596.005.

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5

"Eudora Welty’s The Robber Bridegroom. Cupid and Psyche on the Natchez Trace." In Cupid and Psyche. De Gruyter, 2020. http://dx.doi.org/10.1515/9783110641585-018.

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6

"Robber Bridegrooms and Devoured Brides: The Influence of Folktales on Spenser's Busirane and Isis Church Episodes." In Oral Traditions and Gender in Early Modern Literary Texts. Routledge, 2016. http://dx.doi.org/10.4324/9781315247625-16.

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7

Micros, Marianne. "Robber Bridegrooms and Devoured Brides: The Influence of Folktales on Spenser's Busirane and Isis Church Episodes 1." In Oral Traditions and Gender in Early Modern Literary Texts. Routledge, 2017. http://dx.doi.org/10.4324/9781351152082-6.

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