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Dissertations / Theses on the topic 'Robert Clary'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 January 2023

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1

Preiss, Friederike. "Der Prozess : Clara und Robert Schumanns Kontroverse mit Friedrich Wieck /." Frankfurt am Main ; Bern ; Bruxelles : P. Lang, 2004. http://catalogue.bnf.fr/ark:/12148/cb392786527.

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2

Hartmann, Andrea. "Musikhandschriften des Dresdner Schumann-Albums." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-61273.

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Von dem sogenannten Schumann-Album, welches die Sächsische Landesbibliothek 1934 erwarb, sind insgesamt 57 musikalische Albumblätter erhalten und bereits digitalisiert. Darunter einige Stücke einer Sammlung von Clara Schumann und auch Kompositionen, die Robert Schumann von Komponisten erhielt.

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3

Smith, Shelley L. "Recasting Gender: 19th Century Gender Constructions in the Lives and Works of Robert and Clara Schumann." Akron, OH : University of Akron, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=akron1247788301.

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Thesis (M.Mus.)--University of Akron, School of Music, 2009.<br>"August, 2009." Title from electronic thesis title page (viewed 10/7/2009) Advisor, Brooks Toliver; Faculty Reader, George Pope; School Director, William Guegold; Dean of the College, James Lynn; Dean of the Graduate School, George R. Newkome. Includes bibliographical references.

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4

Preiß, Friederike. "Der Prozeß : Clara und Robert Schumanns Kontroverse mit Friedrich Wieck /." Frankfurt am Main [u.a.] : Lang, 2004. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=012926735&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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5

Fernandes, Ana Cristina Pereira. "A música para piano de Clara Schumann: uma perspetiva analítica." Master's thesis, Universidade de Évora, 2013. http://hdl.handle.net/10174/16163.

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Este trabalho de projeto foca-se na música para piano de Clara Schumann. Contextualiza as obras da compositora na sua biografia e analisa as formas, tonalidades, texturas, temas e influências usadas na música para piano; ABSTRACT: This research project focuses on the piano music of Clara Schumann. It contextualizes her works within her biography and analyses them in terms of form, key, texture, theme and influence.

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6

Bromen, Stefan Nauhaus Gerd. "Studien zu den Klaviertranskriptionen Schumannscher Lieder von Franz Liszt, Clara Schumann und Carl Reinecke /." Köln : Studio, 1997. http://catalogue.bnf.fr/ark:/12148/cb36966299w.

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7

Govan, Hugh. "Baroque Postminimalism : the problem of style in the work of Robert Smithson, Robert Morris and Gordon Matta-Clark (1965-1980)." Thesis, University of Essex, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.702725.

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In this thesis, I look at the reception of the Baroque in U.S. art of the late 20th Century, with a particular focus on the expanded sculptural situations of Postminimal art in the mid-late Sixties and Seventies. The Baroque is a surprising, though productive, theme in this area, for how it reveals the transformations in attitudes to style in art, art history and art criticism during this time. I first of all look at what is at stake in differentiating between Mannerism and the Baroque in the late 60s, through a close reading of the art historical sources in the work and writing of the artist

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8

Vezeau, Erica Ablene. "Musical messaging in the early piano correspondence between Clara Wieck and Robert Schumann." Thesis, University of Ottawa (Canada), 2005. http://hdl.handle.net/10393/27068.

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Clara Wieck (1819-96) was a particularly successful nineteenth-century musician. Unlike many of her female contemporaries, and contrary to her social conditioning, she occupied space within the male dominated public sphere of music making, as both a performer and composer. Her participation in dichotomous social realms was unique, and affected the normalcy of her personal life and relationships. Accordingly, during their courtship, Clara Wieck and Robert Schumann (1810-56) were forced to communicate their love through a means that departed from the nineteenth-century norm---music. This thesis

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9

Clay, Robert Henry. "The Making and Analysis of Covered." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/937.

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This paper thoroughly examines the production of the thesis film, Covered. Writing, production design, cinematography, editing, sound, technology, workflow, and direction are discussed with attention to how each uniquely contributed to the story. In an effort to objectively critique the finished film, feedback from test audiences will be examined.

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10

Lim, Ahrhim. "The Romances for Violin and Piano by Robert and Clara Schumann: A Comparison and Contextualization." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1543579293352703.

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11

Norlöv, Matilda. "Johannes Brahms opus 108." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-1923.

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Detta examensarbete utgår från Johannes Brahms liv och bakgrund för att analysera och tolka hans Sonat för violin och piano Op. 108. En strukturell och delvis harmonisk analys beskrivs därefter samt en utläggning för hur styckets svårigheter angrips ur ett speltekniskt perspektiv. Syftet med studien är att få en helhet och överblick över sonaten både strukturmässigt men även att förstå kompositörens tonspråk med dess influenser och tankar kring musiken. Studiens resultat är en förståelse för hur musiken tolkas och hur inlärningsprocessen ser ut.<br><p>Johannes Brahms - Sonat för violin och pia

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12

Hartmann, Andrea, and Carmen Rosenthal. "Die musikalischen Blätter aus dem Schumann-Album in der Sächsischen Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB) : Thematischer Katalog." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-61887.

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13

Yang, Yang. "The love motion in a minor piano concerto op. 54 and variations on the theme by R. Schumann op. 20." Master's thesis, Universidade de Aveiro, 2016. http://hdl.handle.net/10773/22585.

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Mestrado em Música<br>This thesis aims to research the role of music as an emotion expressed in motion. Based on the study of two pieces: Robert Schumann’s A minor Piano Concerto Op.54 and Clara Schumann’s Variations on a theme by Robert Schumann Op. 20, I explore the emotion of love between Robert and Clara Schumann throughout their lives, verifying the emotion of love as related to their musical creativity. Another important aim of this thesis involves my interpretation and playing experience of these two compositions. I obtain my understanding of the musical moods and meaning enrich

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14

Lindberg, Kajsa. "Ett naturligt berättande : hur ord, bildning och musikalisk intuition samverkar och tillämpas i en instuderingsprocess av ett verk och i själva utvecklingen av konstnärskapet som sångerska." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2131.

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Hur berättar man en historia med sin röst? De flesta konstarter är berättande, och särskilt tydligt är det för de utövare som använder sig av ord som en del av sitt uttrycksmedel. Denna text är ett undersökande av vilka grundläggande drivkrafter som fört mig, från att vara ett nyfiket och spontant musicerande barn, till en skolad klassisk sångerska. Jag ställer mig frågan varför detta har varit och är viktigt för mig som person och hur min personlighet, i kombination med användandet av min röst, har påverkat och påverkats av mitt konstutövande. Genom att använda mig av kunskaper inom berät

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15

Hilger, Clara [Verfasser], and Robert [Akademischer Betreuer] Weißert. "Immunologische Untersuchungen zur Wirkung von Alemtuzumab auf die adaptive Immunität bei Patienten mit Multipler Sklerose / Clara Hilger ; Betreuer: Robert Weißert." Regensburg : Universitätsbibliothek Regensburg, 2020. http://d-nb.info/1213096065/34.

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16

Gaarder, Renee Danielle. "Schumann's Op. 25: Finding the Narrative Within." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3438.

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Many of the song cycles written by Schumann have been studied over the years and it is well known that his most prolific time of song production was the year 1840. Myrthen, Op. 25, has been studied less than some of his other cycles because it calls into question the modern view of the song cycle and for this reason is difficult to classify. What is most difficult about the classification of Op. 25 is that there is no immediately apparent narrative. In addition, the musical relationships which exist are usually considered to be of little consequence. What scholars are left with is a group of s

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17

Sahm, Clara Sophie [Verfasser], and Robert [Akademischer Betreuer] Bals. "Analyse der Therapiealgorithmen und Epidemiologie der Patienten mit kleinzelligem Lungenkarzinom am Tumorzentrum Homburg/Saar von 2004 – 2012 / Clara Sophie Sahm ; Betreuer: Robert Bals." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2020. http://d-nb.info/1212853288/34.

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18

Aareskjold, Astri. "Florestan Och Eusebius i Endenich : En konstnärlig studie av Robert Schumanns kreativa genialitet och psykiska ohälsa ur ett källkritiskt perspektiv." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-4013.

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In this study, the life and work of Robert Schumann was examined, with the purpose of from a source critical point of view discovering new perspectives on the composer's mental health and creative tools used in his compositions and writings. Furthermore, the study aimed to debunk common misconceptions about Robert Schumann's fate.

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19

Wang, Xiao (Pianist). "First Movement of Robert Schumann's Piano Sonata Op. 14 in F Minor from the Performer's Perspective: An Analytical Study of Four Editions." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1157568/.

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The objective of this dissertation is to review the discrepancies between Concert Sans Orchestre and Grande Sonate edited by Ernst Herttrich, Grosse Sonate No.3 Op.14 Erste and Zweite Ausgabe edited by Clara Schumann of Robert Schumann's No.3 Op.14, providing assistance for performers by clarifying inconsistencies between the three editions. Information in reference to major aspects such as notes, rhythms, metronome marking and expression signs is presented. Examples of discrepancies found throughout the first movement are discussed in Chapter 3. Suggested solutions are followed by each exampl

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20

Drayton, Alexandra L. "'Paper gypsies' : representations of the gypsy figure in British literature, c.1780-1870." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3110.

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Representations of the Gypsies and their lifestyle were widespread in British culture in the late-eighteenth and nineteenth centuries. This thesis analyzes the varying literary and artistic responses to the Gypsy figure in the period circa 1780-1870. Addressing not only well-known works by William Wordsworth, Jane Austen, Walter Scott, John Clare, Robert Browning, Matthew Arnold and George Eliot, but also lesser-known or neglected works by Gilbert White, Hannah More, George Crabbe and Samuel Rogers, unpublished archival material from Princess Victoria's journals, and a range of articles from t

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21

Zidonis, Jeffrey J. ""The Old White Sportswriters Didn't Know What to Think": Tradition vs. New Journalism in the New York Times's Coverage of Muhammad Ali, 1963-1971." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1542123659696673.

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22

Boušková, Linda. "Anatomie domu a digitální regionalismus." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-377348.

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Robotics and digital design are associated with the creation of free forms. The thesis deals with the potential of new building technologies in the sense of an opportunity to build on the foregoing regional architecture, disconnected by an industrial mass production. A creation that can reinterpret the charm and diversity of Moravian houses, preserving the continuity between old morphology and today’s housing requirements.

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23

Marot, Sébastien. "Palimpsestuous Ithaca : un manifeste relatif du sub-urbanisme." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0085.

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En 1978, Rem Koolhaas publie Delirious New York, manifeste du sur-urbanisme contemporain (le programme invente le site). L'ambition de cette thèse est d'illustrer la poétique opposée du sub-urbanisme (le site invente le programme) à partir de la petite ville d'Ithaca (siège de l'université de Cornell) qui est l'inverse géographique de Manhattan (lac / île). Notre argumentation se développe en 3 temps: 1) Une thèse géographique consacrée aux 3 fondateurs de l'université: un ingénieur autodidacte, un amateur d'architecture et un extraordinaire botaniste 2) Une antithèse urbanistique qui suit Col

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24

Boyd, Melinda Jean. "Gendered voices: the Liebesfrühling Lieder of Robert and Clara Schumann." Thesis, 1996. http://hdl.handle.net/2429/4588.

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In 1841, Robert and Clara Schumann collaborated on a setting of twelve poems from Friedrich Ruckert's Liebesfhihling. Although these songs were popular in the composers' lifetime, today they are sadly neglected. Rufus Hallmark's 1990 article, "The Riickert Lieder of Robert and Clara Schumann" (19th-century Music, 14:1), draws on manuscript and diary sources, examining the cycle from various points of view, among which gender issues are touched upon from the perspective of performance practice. Taking Hallmark's article as a starting point, this thesis employs more recent feminist and cul

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25

"An Awareness of the Clara Motive in Dichterliebe by Robert Schumann." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53898.

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abstract: This project details specific placement and usage of the Clara motive in Robert Schumann’s Dichterliebe. The analysis categorizes the motive according to its different shapes and relationships to the poetry in Dichterliebe. Four main permutations of the motive are discussed in great detail: the original motive, inverted motive, retrograde motive, and retrograde inverted motive. Schumann (1810–1856) composed more than 160 vocal works in 1840, commonly referred to as his Liederjahr. At the time, Schumann and Clara Wieck (1819–1896) were planning to marry, despite the objections of he

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26

Link, Martin. "Signum et gens – Zur Gendersemiotik in Clara und Robert Schumanns Liederzyklus Liebesfrühling." 2020. https://slub.qucosa.de/id/qucosa%3A72580.

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The marriage between Clara and Robert Schumann is one of the most popular relationships in music history. In 1840, a song cycle named Liebesfrühling with songs from Clara Schumann as well as from her husband was collectively published under their names. Despite the fact that the married couple did not specify the voice register and gender of the vocal parts within the score, some hints indicating the gender of the personas can be found for instance in the personal pronouns of the text. Yet, some parts of the song cycle do not provide such clues, leaving the question, to which gender the vocal

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27

Plante, Stephanie. "Récits de croisade et digression : la conquête de Constantinople de Robert de Clari." Thèse, 2015. http://hdl.handle.net/1866/16124.

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Partant de la réputation naïve, colorée et digressive de La Conquête de Constantinople de Robert de Clari, ce mémoire propose une analyse méthodique de ce récit en prose vernaculaire de la quatrième croisade de façon à en circonscrire les moments de continuité et de rupture. En fonction de plusieurs facteurs, dont leurs formules d’introduction et de clôture, leur rapport au temps de la croisade, leur longueur relative ainsi que leur positionnement dans l’économie globale du texte, les épisodes divergents sont identifiés puis analysés en travaillant lestement avec trois caractéristiques fondame

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28

Reinhold, Stefanie. "„So waren wir denn oft recht glücklich bei manchen Sorgen über unser bürgerliches Leben. Denn wir brauchen mehr als wir verdienen.“: Einblicke in das Alltagsleben eines Künstlerpaares: Die Ehetagebücher von Robert und Clara Schumann." 2018. https://monarch.qucosa.de/id/qucosa%3A21072.

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Stefanie Reinhold befasst sich in ihrem Artikel mit Robert und Clara Schumann und gibt hier auf Grundlage des von beiden geführten Tagebuches Einblicke in das gemeinsame Leben eines Künstlerehepaars am Ende des 19. Jahrhunderts.

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29

Huang, Chih-Hsien, and 黃芷嫻. "A Study on Robert Schumann''s Impromptus on a Theme of Clara Wieck, Op.5." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/mp2c38.

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30

Šanderová, Jitka. "Clara Schumannová. Žena, umělkyně, pedagožka." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-349448.

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My thesis concerns the life of Clara Schumann (1819 - 1896), a major German concert pianist of the 19th century. It includes a list of her compositions and it describes her activities in piano pedagogy. Through the life of this extraordinary woman, her friends and contemporaries, the thesis provides deeper insights into the overall musical atmosphere of the 19th century. The thesis illuminates the importace of Clara Schumann and her lasting influence on European pianism.

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31

HSU, FANG-YU, and 許芳瑀. "An Analysis and Interpretation of Clara Schumann’s “Variationen uber ein Thema von Robert Schumann, Op. 20” and Robert Schumann’s “Bunte Blatter: Funf Albumblatter, Op. 99”." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/80556055016113011525.

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碩士<br>國立臺北教育大學<br>音樂學系碩士班<br>103<br>This thesis includes two works, the first one is Clara Schumann’s “Variationen uber ein Thema von Robert Schumann, Op. 20”, the other one is Robert Schumann’s “Bunte Blatter: Funf Albumblatter, Op. 99”. Both Robert and Clara are German musicians in 19th century, also the famous couple in classical music history. They often present music to each other being a medium of communication. In the late years of Robert’s life, he collected works have not been published as a song cycle, and named “Bunte Blatter”. The “Bunte Blatter” had been published in 1852. The “Bu

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32

Chiu, Yun-Ting, and 邱韻庭. "A Research on "Variations on a Theme of Robert Schumann"by Clara Schumann and Johannes Brahms." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/85533958924635789847.

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碩士<br>中國文化大學<br>音樂學系碩士班西洋音樂組<br>101<br>The origin of variations can be traced to the 16th century, when variations were mostly composed for the lute. After having undergone changes during the Baroque and Classical periods, the form developed into two main types in the 19th century: Formal Variations and Character Variations. Music of the Romantic period placed great emphasis on one's subjective consciousness, individual characteristics, and personal freedom, yet Clara Schumann and Johannes Brahms still adhered to compositional techniques of the Classical period, and chose the first piece from

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33

Wang, Hui-Ju, and 王惠如. "An Analysis and Comparisonof Variations on a Themeby Robert Schumann by Clara Schuman（Op.20）and Johannes Brahms（Op.9）." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/27304044674474359097.

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碩士<br>輔仁大學<br>音樂學系<br>102<br>I select two of the same name as "Robert Schumann Variations on a Theme "One is made by Clara Schumann (Clara Wieck Schumann, 1819-1896) (Op.20, 1853), and the other is made by Johannes Brahms (Johannes Brahms ,1833-1897) (Op.9, 1854).Clara msde variation first and the Brahms heared then created another variation form "Robert Schumann Variations on a Theme ". "Robert Schumann Variations on a Theme "wasmade by Schumann (Robert Schumann ,1810-1856) from his piano piece "Bunte Blatter",（Op.99, 1841）and its second group No.1 "Albumblatter" as the theme. The variation O

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34

Fiske, Courtney. "“Requestioning” Postminimalism: Gordon Matta-Clark’s Creative Energetics, 1968–72." Thesis, 2021. https://doi.org/10.7916/d8-pehn-dz33.

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This dissertation is a study of the early career of the American architect-turned-artist Gordon Matta-Clark (1943–1978) that spans the years 1968 to 1972. Immersing himself in SoHo’s vibrant artistic community, of which he was both a catalyst and a nexus, Matta-Clark worked through the essential ideas and concerns that would inform his practice during this condensed but incredibly generative four-year period. The works that resulted are heterogeneous, united less by specific media than by a shared constellation of concepts. Foremost among these concepts is energy: a key trope in the cultural,

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Marques, Ana Margarida Fernandes. "O meu corpo é uma ruína: as casas também morrem." Master's thesis, 2019. http://hdl.handle.net/10451/40693.

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This is an investigation about ruins, that aims to explore the relationship between architecture and performatic body. Here, it’s presented the theoretical development about a multimedia work done within the last two years. Theory and practice have worked together and have always, depended on each other. Studying the notion of ruin was fundamental for the forward development of the body as a building. To work with and about ruins it is necessary to understand its relationship with the human being through the ages. It’s mainly an emotional e sensorial discovery about a ruin that is already buil

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Sequeira, Maria Luísa Paiva 1966. "O minimalismo nas produções escultórica e arquitetónica." Doctoral thesis, 2013. http://hdl.handle.net/10451/8680.

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Tese de doutoramento, Belas-Artes (Escultura), Universidade de Lisboa, Faculdade de Belas-Artes, 2012<br>Quando tudo se torna estético a própria noção de arte corre o risco de desaparecer. O facto de se privilegiar a imagem à custa de exercícios plástico-formais, de maior ou menor complexidade, tem conduzido a uma compreensão empobrecida do espaço construído, transformando o espaço social numa abstração fetichizada. Assim, debruçámo-nos, fundamentalmente, sobre a produção artística ao nível da escultura e da arquitetura, a partir de meados do séc. XX, de forma a compreender, de que modo os pro

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Noel, Bradley Truman. "Pentecostal and postmodern hermeneutics: comparisons and contemporary impact." Thesis, 2007. http://hdl.handle.net/10500/2155.

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The focus of this practical theological study is Pentecostalism, and the relationship between the hermeneutics of Pentecostalism and Postmodernism. Through a literary search, we observe the points of congruency between the hermeneutics of early Pentecostals and the key tenets of Postmodernism. We note the unprecedented acceptance of Pentecostal scholars into the larger theological world and question whether this is a result of the increased Modernization of Pentecostal hermeneutics. The Postmodern world of youth is explored, and we observe their tremendous openness to spirituality. This the

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