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Journal articles on the topic 'Robert Frost'

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Published: 4 June 2021
Last updated: 18 May 2024

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1

Gray, Richard, and Philip L. Gerber. "Robert Frost." Yearbook of English Studies 16 (1986): 352. http://dx.doi.org/10.2307/3507864.

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2

Donaldson, J. "Robert Frost." Notes and Queries 60, no. 2 (April 15, 2013): 307. http://dx.doi.org/10.1093/notesj/gjt033.

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3

Ingebretsen, Edward J., and Stanley Burnshaw. "Robert Frost Himself." American Literature 59, no. 2 (May 1987): 288. http://dx.doi.org/10.2307/2927052.

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4

Nitchie, George W., and Stanley Burnshaw. "Robert Frost Himself." New England Quarterly 60, no. 2 (June 1987): 290. http://dx.doi.org/10.2307/365615.

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5

Fitzhugh, Gwen. "For Robert Frost." English Journal 78, no. 2 (February 1989): 97. http://dx.doi.org/10.2307/819148.

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6

Liebman, Sheldon W. "Robert Frost, Romantic." Twentieth Century Literature 42, no. 4 (1996): 417. http://dx.doi.org/10.2307/441875.

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7

McLane, Maureen N. "My Robert Frost." Wallace Stevens Journal 41, no. 1 (2017): 105–12. http://dx.doi.org/10.1353/wsj.2017.0015.

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8

Crawford, Robert. "Robert Frosts." Journal of American Studies 20, no. 2 (August 1986): 207–32. http://dx.doi.org/10.1017/s0021875800015036.

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Chicken-farmer, shoe-worker, bobbin-boy, messenger, teacher, journalist, leather-worker, poet, student, cultural ambassador, berry-picker, lecturer. Such a list does not even exhaust Robert Frost's occupations, let alone his ambitions. In fact, when he writes in “Two Tramps in Mud Time” thatMy object in living is to uniteMy avocation and my vocationAs my two eyes make one in sightit is tempting to see here a sly joke at his own expense. For Frost had so many vocations and avocations that they are well-nigh impossible to combine in any clear-sighted unity. “No poet in this century has written more poems involving more different kinds of work than Frost,” writes William H. Pritchard, before going on to list some of the jobs which Frost found and abandoned between 1885 and 1892. Even the many jobs he did do were insufficient to content him. “I should have been an archaeologist,” he wrote to A. J. Armstrong in 1943 and though Frost as an extremely successful poet might allow himself that ironic wistfulness, he was not being merely whimsical. If some of his family were drawn into the darker sides of his poetry, then they also enacted a few of his brighter dreams. Welcoming Willard E. Fraser as a new son-in-law in 1932, Frost proposes not one but four desired careers.
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9

Yi, Tongjing. "The Complexity of "Tree" Imagery in Robert Frost's Poetry." Communications in Humanities Research 18, no. 1 (December 7, 2023): 192–97. http://dx.doi.org/10.54254/2753-7064/18/20231161.

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Robert Frost is often regarded as a highly esteemed poet within the realm of modern and current American literature. Frosts poem appears straightforward but is actually quite intricate. Furthermore, Frosts poetic works are characterised by a rich tapestry of imagery that adds to their overall intricacy. Moreover, Frosts poetry exhibits a substantial presence of tree imagery. A variety of trees exhibit distinct behaviours, like falling to the ground, emitting sounds, or remaining in a state of quiet. Furthermore, these trees manifest diverse forms and dimensions. This study focuses on three selected poems by Frost, namely The Sound of the Trees, On a Tree Fallen Across the Road, and Tree at My Window. The objective is to examine the intricate employment of tree imagery in Frosts poetry through the lens of analysing poetic imagery. Upon careful examination, it has been shown that the intricacy of the tree imagery in Frosts poems can be attributed to two distinct factors. Initially, Frost undertakes a division of the tree, a whole entity, into two distinct components, each symbolising distinct concepts of liberation and restriction. This deliberate act enhances the depth of the underlying symbolism. Another factor to consider is that the depiction of tree is not fixed, but rather undergoes transformations as time progresses.
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10

Van Egmond, Peter. "ROBERT FROST: A LIFE." Resources for American Literary Study 28, no. 1 (January 1, 2002): 206–7. http://dx.doi.org/10.2307/26366952.

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11

Johnson, Dan M. "Robert Frost on Thinking." Science 238, no. 4826 (October 23, 1987): 447. http://dx.doi.org/10.1126/science.238.4826.447.a.

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12

Van Egmond, Peter. "ROBERT FROST: A LIFE." Resources for American Literary Study 28, no. 1 (January 1, 2002): 206–7. http://dx.doi.org/10.2307/resoamerlitestud.28.2002.0206.

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13

Pratt, William, Joseph Brodsky, Seamus Heaney, and Derek Walcott. "Homage to Robert Frost." World Literature Today 71, no. 4 (1997): 801. http://dx.doi.org/10.2307/40153391.

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14

Brown, John L., and Jay Parini. "Robert Frost: A Life." World Literature Today 76, no. 2 (2002): 162. http://dx.doi.org/10.2307/40157355.

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15

Loyolla, Dirlem. "POEMAS DE ROBERT FROST." Belas Infiéis 1, no. 1 (September 20, 2012): 221–22. http://dx.doi.org/10.26512/belasinfieis.v1.n1.2012.11174.

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16

Espaillat, R. P. "Robert Frost: Three Poems." Literary Imagination 7, no. 3 (January 1, 2005): 306–11. http://dx.doi.org/10.1093/litimag/7.3.306.

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17

Arons, Arnold. "Robert Frost and physics." Physics Teacher 31, no. 1 (January 1993): 4. http://dx.doi.org/10.1119/1.2343644.

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18

Brown, John L., and Jeffrey Meyers. "Robert Frost: A Biography." World Literature Today 71, no. 2 (1997): 396. http://dx.doi.org/10.2307/40153153.

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19

Paton, Priscilla. "Apologizing for Robert Frost." South Atlantic Review 63, no. 1 (1998): 72. http://dx.doi.org/10.2307/3201392.

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20

Paton, Priscilla, and Jay Parini. "Robert Frost: A Life." South Atlantic Review 65, no. 1 (2000): 205. http://dx.doi.org/10.2307/3201951.

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21

JOHNSON, D. M. "Robert Frost on Thinking." Science 238, no. 4826 (October 23, 1987): 447. http://dx.doi.org/10.1126/science.238.4826.447.

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22

Rief, Linda. "“…because of Robert Frost”." Language Arts 65, no. 3 (March 1, 1988): 236–37. http://dx.doi.org/10.58680/la198825009.

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23

Lentricchia, Frank. "The Resentments of Robert Frost." American Literature 62, no. 2 (June 1990): 175. http://dx.doi.org/10.2307/2926912.

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24

Duddy, Tom. "The Life of Robert Frost." Books Ireland, no. 214 (1998): 177. http://dx.doi.org/10.2307/20623659.

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25

Ziolkowski, Theodore. "Robert Frost in Roman Mode." Arion: A Journal of the Humanities and the Classics 24, no. 1 (2016): 1–14. http://dx.doi.org/10.1353/arn.2016.0031.

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26

Kosc, Grzegorz. "THE NOTEBOOKS OF ROBERT FROST." Resources for American Literary Study 35, no. 1 (January 1, 2010): 400–403. http://dx.doi.org/10.2307/resoamerlitestud.35.2010.0400.

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27

SANDERS, DAVID. "Robert Frost, Man of Letters." Resources for American Literary Study 38 (January 1, 2015): 257–66. http://dx.doi.org/10.5325/resoamerlitestud.38.2015.0257.

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Abstract This volume of Frost's collected letters, the first of four volumes to be issued by Harvard University Press, makes an auspicious start on an important literary project. The letters themselves—whether persuasive, appreciative, or explorative in intent—are arresting in their clarity and immediacy, their humor and tact, everywhere revealing a craftsman of language in service of an original mind and complex personality. While creating an epistolary autobiography in their self-revelation, they provide a fascinating window into the poetry and literary history of the early twentieth century. The volume is superbly edited. Its introductions and notes, indexes and appendixes are thorough without being cumbersome, offering a rewarding experience to anyone with a serious interest in Frost and an invaluable resource for scholars. The next three volumes, if done as well, as we have every reason to expect, will complete a fitting tribute to one of our greatest and most unusual poets.
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28

Heath, William G. "Robert Frost: Faith and Art." Canadian Review of American Studies 16, no. 3 (September 1985): 345–52. http://dx.doi.org/10.3138/cras-016-03-09.

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29

Theodore Ziolkowski. "Robert Frost in Roman Mode." Arion: A Journal of Humanities and the Classics 24, no. 1 (2016): 1. http://dx.doi.org/10.2307/arion.24.1.0001.

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30

Klein, Amelia. "The Counterlove of Robert Frost." Twentieth-Century Literature 54, no. 3 (2008): 362–87. http://dx.doi.org/10.1215/0041462x-2008-4002.

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31

Winchell, Mark Royden. "The Southernness of Robert Frost." Sewanee Review 119, no. 1 (2011): 91–106. http://dx.doi.org/10.1353/sew.2011.0027.

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32

Fan, Siyu. "Outdoor Game: The Invention of Boundary in Robert Frosts Poetry." Communications in Humanities Research 20, no. 1 (December 7, 2023): 13–18. http://dx.doi.org/10.54254/2753-7064/20/20231268.

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Being one of the most renowned American poets, Robert Frost has paid much attention to the interplay between humans and nature, and this interplay usually takes place at a boundary a wall, a fence, or a house. To examine the human-nature relationship and respond to the existing studies, the article delves into the theme of boundary in Frosts poetry through close reading of Frosts poems, interviews, and notes. Because of the development of natural science in Frosts time, the image of landscape undergoes metamorphosis, switching from a mirroring of the human spirit to a living entity with agency. Therefore, nature is depicted as a counterpart of human beings with an attempt to cross over limits. Nevertheless, Frost emphasizes on coexistence and interdependence between two realms by deliberately leaving the boundary unsettled. Moreover, figures in Frosts poetry bear two opposite impulses: to destroy and recreate limits, which reveals the floating and playful nature of boundaries; in this regard, the images of houses, walls, and fences are a metaphor for the contradictory human attributes. The article further argues that the feeling of limits reappears in poems displaying emptiness. In Frosts poetry, a boundary is regarded as a protection both physically and mentally, yet it fails in a state of consolation.
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33

Hosne Ara, Jannat E. "Depiction of Nature in the Poetry of Robert Frost and that of the Romantics: Questing for Similitude and Dissimilitude through a Comparative Analysis." International Journal of Linguistics, Literature and Translation 4, no. 7 (July 30, 2021): 174–80. http://dx.doi.org/10.32996/ijllt.2021.4.7.19.

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This paper attempts to investigate the depiction of nature in the poetry of Robert Frost and how this treatment simultaneously resembles and differs from that of romantic poetry. Though he belongs to the era of modernism, his poetry carries numerous characteristics of romantic poetry. The researcher tries to compare the poetry of Robert Frost and that of the Romantics how they are identical or dissimilar in the representation of nature. Robert Frost might be called the interpreter of nature and humanity. He shows that he is a close observer of both nature and people. On the other hand, Romantic writers see nature as a source of inspiration, solace in agony, healer in mental illness, rescuer in struggling period, etc. They treat nature as Mother Nature where their poetry tells us the beauty of green forestland, woods, hills and mountains, riverbanks, pastoral scenarios, breezes and winds, fresh air, sunrises, and sunsets, etc. Whereas Robert Frost always tries to make a bridge between nature and humankind as he believes that there is a close relationship between man and nature. He finds a resemblance between the order of nature and human life. Frost depicts the symbolic quality of nature. Nature symbolizes the human world and all creatures including mankind are bound to agree and obey the rules of nature. Thus this article would try to uphold Frost's treatment of nature in comparison with that of the Romantics.
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34

Fahas, Rida, Rizqi Husaini, Puput Jianggimahastu L.S, and Dedy Richi R. "LINGUISTICS ANALYSIS: FIGURATIVE LANGUAGE USED IN ROBERT FROST’S POEM." Sabbhata Yatra: Jurnal Pariwisata dan Budaya 2, no. 1 (July 31, 2021): 1–12. http://dx.doi.org/10.53565/sabbhatayatra.v2i1.262.

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This research aims to find out the most dominant figurative language that usedin poems of Robert Frost.This study includes to qualitative research with a objective approach to analyze the poems of Robert Frost‟s selected poems. The sources of data is obtained in this study by looking for books and internet that contains about literature and poetry. The writer uses note taking method in the collection of data that is by reading, writing and looking for poems of Robert Frost‟s selected poems related to the formulation of the problems. The technique of analysis of the data is by reading, identifying, understanding, finding, and making conclusion every poems which is analyzed from the poems of Robert Frost‟s selected poems related to the formulation of the problems in the study.The results of the study shows that the most dominant figurative language in the selected poems are two Metaphor, eleven personification, four symbol, three hyperbole, and one repetition. So, it can be coclude that this selected poems are dominate by “Personification”.
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35

Shahnawaz, Mohammad Sharique. "ROBERT FROST AS A NATURE POET : AN ECOCRITICAL VIEW." Journal of English Language and Literature 09, no. 04 (2022): 35–39. http://dx.doi.org/10.54513/joell.2022.9406.

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Robert Frost is arguably the greatest American poet of 20th Century and if there is any truth to Emerson’s maxim “to be great is to be misunderstood,” then definitely Robert Frost is great as he is one of the most misunderstood poets. Critics have hotly debated whether or not he is a Nature-poet. This paper intends to examine the claim of Frost being a Nature-poet with an ecocritical perspective. We will review The Tuft of Flowers to understand whether or not he can be called Nature-poet. Humans have been writing poems about Nature for centuries and Frost has also described hills, mountains, valleys, rivers, forests, woods, flowers, animals, seasons, and seasonal changes in his poems in a beautiful way, but does description of flora and fauna in the poem makes the poet a Nature-poet has been studied in this paper.
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36

Postema, Gerald J. "POLITICS IS ABOUT THE GRIEVANCE:." Legal Theory 11, no. 3 (September 2005): 293–323. http://dx.doi.org/10.1017/s1352325205050160.

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37

Siahaan, Safnidar, and Novita Elisabeth Mbaru. "AN ANALYSIS OF IMAGERY IN THREE SELECTED POETRIES FROM COMPLETE POEMS OF ROBERT FROST." ANGLO-SAXON: Jurnal Ilmiah Program Studi Pendidikan Bahasa Inggris 13, no. 1 (August 1, 2022): 14–28. http://dx.doi.org/10.33373/as.v13i1.4096.

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This research analyzes imagery in Robert Frost selected poetry. This research aimed to find out what are the types of imagery and how many imageries used by Robert Frost in selected poetry, they are “Lost in Heaven”, “Desert Places” and “Leaves compared with Flower” based on the theory of Sayuti (2010) for analyzing the types of imagery. There are six types of imagery according to Sayuti namely visual imagery, auditory imagery, olfactory imagery, gustatory imagery, kinesthetic imagery, and tactile imagery. Then, the data were analyzed by using the qualitative descriptive method. This research found visual imagery, auditory imagery, kinesthetic imagery, and tactile imagery, which are presented in twenty- seven (27) data from three poems. The researcher found 27 data categorized into types of imagery, which consist of 13 visual images, 11 kinesthetic images, 2 auditory images, 1 tactile image. Robert Frost mostly uses visual imagery in selected poems.
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38

Pomeroy, Jeremy. "Robert Frost and the “Eye Reader”." Anglica. An International Journal of English Studies, no. 28/1 (September 20, 2019): 103–12. http://dx.doi.org/10.7311/0860-5734.28.1.08.

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One salient feature of Robert Frost’s aesthetics was his sharp diff erentiation of the visual from the audile imagination. Frost (a former schoolteacher) had noticed the diff erence between visual and audile/phonetic readers, and considered the eye reader to be a ‘bad’ reader. The article examines those features of Frost’s own poetic practice which would have led him to consider the eye reader a bad reader, as well as the sorts of prosodic content an eye reader may be prone to miss. Having examined Frost’s aesthetic objections to the eye reader, the question is then posed: does Frost ever treat the “eye reader,” or oral versus visual predilections, thematically in his artistic writings?
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39

Shukla, Sonal. "The Expression of the Human Predicament in the Poetry of Robert Frost." International Journal of Advance Research and Innovation 1, no. 3 (2013): 53–55. http://dx.doi.org/10.51976/ijari.131308.

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The poetry of Robert Frost obliquely tells us about the human predicament. It tells us about human being in the grip of alienation, despair and disillusionment. Robert Frost got the best honors from his own people but these honors could not change his outlook which had already been formed. Frost went to the extent of sayings: Every poem is an epitome of the great predicament, a figure of the will braving alien entanglements. (1) The fact is that there is little scope for happiness on this earth and if we go by what Lord Gautam Buddha said, there is no chance of being happy in this world where we live in the custody of our needs and desires. Aldous Huxley who was probably the greatest intellectual among the English novelists, has also written about the human predicament. James Joyce, Virginia Woolf and many other have very laboriously written about the human predicament. Robert Frost was the great American poet who had a very intimate knowledge of human life and this knowledge of human life made him sufficiently acquainted with the human predicament. This is why; his poetry is a veritable account of this predicament.
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40

Phillips, Siobhan. "The Daily Living of Robert Frost." PMLA/Publications of the Modern Language Association of America 123, no. 3 (May 2008): 598–613. http://dx.doi.org/10.1632/pmla.2008.123.3.598.

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While Robert Frost's emphasis on ordinary themes has often been noted, his use of ordinary time bears further attention: his poems show how the repetitive pattern of daily living can be a creative possibility rather than an enervating necessity. His everyday verse suggests revised definitions of lyric temporality as well as new reconciliations of the dualistic oppositions structuring accounts of modernist and Americanist literature. In Frost, human repetition allows a willful independence endorsed by the natural world. The generally neglected poem “In the Home Stretch” demonstrates his most beneficent version of ordinary living, showing how retrospection and conversation are crucial elements of its practice and how marriage can promote these habits. Frost provides a contrasting, failed version of everyday practice in “Home Burial” and a comparable sense of repetitive possibility in “Never Again Would Birds' Song Be the Same.”
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41

Evans, William R. "Robert Frost: The Unpublished Cardinal Letter." American Literature 59, no. 1 (March 1987): 116. http://dx.doi.org/10.2307/2926489.

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42

Dawes, James R. "Masculinity and Transgression in Robert Frost." American Literature 65, no. 2 (June 1993): 297. http://dx.doi.org/10.2307/2927343.

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43

Newdick, Robert S. "Robert Frost and the American College." Journal of Higher Education 70, no. 5 (September 1999): 554. http://dx.doi.org/10.2307/2649228.

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44

Paton, Priscilla. "Robert Frost and the American Landscape." Iowa Review 29, no. 2 (October 1999): 83–96. http://dx.doi.org/10.17077/0021-065x.5102.

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45

Newdick, Robert S. "Robert Frost and the American College." Journal of Higher Education 70, no. 5 (September 1999): 554–61. http://dx.doi.org/10.1080/00221546.1999.11780787.

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46

Horn, J. G. "Robert Frost and Feminine Literary Tradition." American Literature 72, no. 3 (September 1, 2000): 640–42. http://dx.doi.org/10.1215/00029831-72-3-640.

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47

Diephouse, Daniel Jon. "The Economic Impulse in Robert Frost." Criticism 48, no. 4 (2008): 477–507. http://dx.doi.org/10.1353/crt.2008.0006.

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48

Sul,Tae-Soo. "Robert Frost and the Diamond Sutra." PHILOSOPHY·THOUGHT·CULTURE ll, no. 19 (January 2015): 109–23. http://dx.doi.org/10.33639/ptc.2015..19.004.

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49

Hoffman, Tyler, and Karen L. Kilcup. "Robert Frost and Feminine Literary Tradition." South Atlantic Review 65, no. 4 (2000): 200. http://dx.doi.org/10.2307/3201642.

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50

Kim, Wook-Dong. "Robert Frost and East Asian Connections." ANQ: A Quarterly Journal of Short Articles, Notes and Reviews 30, no. 3 (March 31, 2017): 152–55. http://dx.doi.org/10.1080/0895769x.2017.1288079.

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