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Journal articles on the topic 'Robert Frost'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Gray, Richard, and Philip L. Gerber. "Robert Frost." Yearbook of English Studies 16 (1986): 352. http://dx.doi.org/10.2307/3507864.

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2

Donaldson, J. "Robert Frost." Notes and Queries 60, no. 2 (2013): 307. http://dx.doi.org/10.1093/notesj/gjt033.

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3

Ingebretsen, Edward J., and Stanley Burnshaw. "Robert Frost Himself." American Literature 59, no. 2 (1987): 288. http://dx.doi.org/10.2307/2927052.

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4

Nitchie, George W., and Stanley Burnshaw. "Robert Frost Himself." New England Quarterly 60, no. 2 (1987): 290. http://dx.doi.org/10.2307/365615.

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5

Fitzhugh, Gwen. "For Robert Frost." English Journal 78, no. 2 (1989): 97. http://dx.doi.org/10.2307/819148.

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6

Liebman, Sheldon W. "Robert Frost, Romantic." Twentieth Century Literature 42, no. 4 (1996): 417. http://dx.doi.org/10.2307/441875.

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7

McLane, Maureen N. "My Robert Frost." Wallace Stevens Journal 41, no. 1 (2017): 105–12. http://dx.doi.org/10.1353/wsj.2017.0015.

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8

Crawford, Robert. "Robert Frosts." Journal of American Studies 20, no. 2 (1986): 207–32. http://dx.doi.org/10.1017/s0021875800015036.

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Chicken-farmer, shoe-worker, bobbin-boy, messenger, teacher, journalist, leather-worker, poet, student, cultural ambassador, berry-picker, lecturer. Such a list does not even exhaust Robert Frost's occupations, let alone his ambitions. In fact, when he writes in “Two Tramps in Mud Time” thatMy object in living is to uniteMy avocation and my vocationAs my two eyes make one in sightit is tempting to see here a sly joke at his own expense. For Frost had so many vocations and avocations that they are well-nigh impossible to combine in any clear-sighted unity. “No poet in this century has written m

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9

Yi, Tongjing. "The Complexity of "Tree" Imagery in Robert Frost's Poetry." Communications in Humanities Research 18, no. 1 (2023): 192–97. http://dx.doi.org/10.54254/2753-7064/18/20231161.

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Robert Frost is often regarded as a highly esteemed poet within the realm of modern and current American literature. Frosts poem appears straightforward but is actually quite intricate. Furthermore, Frosts poetic works are characterised by a rich tapestry of imagery that adds to their overall intricacy. Moreover, Frosts poetry exhibits a substantial presence of tree imagery. A variety of trees exhibit distinct behaviours, like falling to the ground, emitting sounds, or remaining in a state of quiet. Furthermore, these trees manifest diverse forms and dimensions. This study focuses on three sel

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10

Rutva, N. Shah. "ECO- FEMINIST PERSPECTIVE OF ROBERT FROST POEM: BIRCHES." International Journal of Multidisciplinary Research and Modern Education (IJMRME) 8, no. 1 (2022): 23–25. https://doi.org/10.5281/zenodo.6326946.

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The main purpose of this paper is to bring out an eco-feminist perspective of the poem Birches by Robert Frost. Robert Frost is an ecological writer but there is always a hidden meaning that has eco-feminist perspective, connecting nature with women. Robert Frost, through the poem, Birches is emphasizing that it is fault of the patriarchal society to dominate women and it is a woman’s fault to keep accepting all the boundaries given by the society. The fault is more on the patriarchal society for considering themselves as superior over both women and nature. The author is waiting for the

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11

Thamarai, Selvi, and Arputha Malar Aruna. "The Element of Ambivalence in Robert Frost's Poetry." ISSRA Journal of Education, Linguistics and Literature 01, no. 01 (2021): 1–3. https://doi.org/10.5281/zenodo.5569069.

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The purpose of this study is to bring out Frost’s ambivalent views on human issues. It is outside the purview of this study to explicate individual poems and decide if they are ambivalent or not. In my study, I have drawn from Frost’s biography, to a limited extent, to explain the causes underlying his dual frame of mind. Except for this, my approach is literary. This article is divided into five important aspects. Firstly, it defines ambivalence and explains and illustrates the causes and techniques thereof. Secondly, it brings out the ambivalence in Frost’s view on god and

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12

Van Egmond, Peter. "ROBERT FROST: A LIFE." Resources for American Literary Study 28, no. 1 (2002): 206–7. http://dx.doi.org/10.2307/26366952.

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13

Johnson, Dan M. "Robert Frost on Thinking." Science 238, no. 4826 (1987): 447. http://dx.doi.org/10.1126/science.238.4826.447.a.

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14

Van Egmond, Peter. "ROBERT FROST: A LIFE." Resources for American Literary Study 28, no. 1 (2002): 206–7. http://dx.doi.org/10.2307/resoamerlitestud.28.2002.0206.

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15

Pratt, William, Joseph Brodsky, Seamus Heaney, and Derek Walcott. "Homage to Robert Frost." World Literature Today 71, no. 4 (1997): 801. http://dx.doi.org/10.2307/40153391.

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16

Brown, John L., and Jay Parini. "Robert Frost: A Life." World Literature Today 76, no. 2 (2002): 162. http://dx.doi.org/10.2307/40157355.

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17

Loyolla, Dirlem. "POEMAS DE ROBERT FROST." Belas Infiéis 1, no. 1 (2012): 221–22. http://dx.doi.org/10.26512/belasinfieis.v1.n1.2012.11174.

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18

Espaillat, R. P. "Robert Frost: Three Poems." Literary Imagination 7, no. 3 (2005): 306–11. http://dx.doi.org/10.1093/litimag/7.3.306.

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19

Arons, Arnold. "Robert Frost and physics." Physics Teacher 31, no. 1 (1993): 4. http://dx.doi.org/10.1119/1.2343644.

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20

Brown, John L., and Jeffrey Meyers. "Robert Frost: A Biography." World Literature Today 71, no. 2 (1997): 396. http://dx.doi.org/10.2307/40153153.

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21

Paton, Priscilla. "Apologizing for Robert Frost." South Atlantic Review 63, no. 1 (1998): 72. http://dx.doi.org/10.2307/3201392.

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22

Paton, Priscilla, and Jay Parini. "Robert Frost: A Life." South Atlantic Review 65, no. 1 (2000): 205. http://dx.doi.org/10.2307/3201951.

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23

JOHNSON, D. M. "Robert Frost on Thinking." Science 238, no. 4826 (1987): 447. http://dx.doi.org/10.1126/science.238.4826.447.

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24

Rief, Linda. "“…because of Robert Frost”." Language Arts 65, no. 3 (1988): 236–37. http://dx.doi.org/10.58680/la198825009.

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25

Mrs., Seema Dnyandeo Jogdand, and Anupama Prakash Pol Dr. "Robert Frost's Birches: An Ecocritical Perspective." International Journal of Advance and Applied Research 4, no. 12 (2023): 66–68. https://doi.org/10.5281/zenodo.7824364.

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The most recent theory, recognised in 1996, is eco-criticism. Among other titles, ecocriticism is often referred to as ecology, ecological literature, green philosophy, and green cultural studies. These are rephrased concepts from nature research that act as building blocks for the growth of eco critique theory. Ecocriticism is the interdisciplinary and scientific study of literature and the environment. Robert Frost is regarded as the most prominent American poet of the 20<sup>th</sup> century. The researcher has interpreted the eco-critical study of Frost’s poem Birches using textual e

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26

Lentricchia, Frank. "The Resentments of Robert Frost." American Literature 62, no. 2 (1990): 175. http://dx.doi.org/10.2307/2926912.

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27

Duddy, Tom. "The Life of Robert Frost." Books Ireland, no. 214 (1998): 177. http://dx.doi.org/10.2307/20623659.

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28

Ziolkowski, Theodore. "Robert Frost in Roman Mode." Arion: A Journal of the Humanities and the Classics 24, no. 1 (2016): 1–14. http://dx.doi.org/10.1353/arn.2016.0031.

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29

Kosc, Grzegorz. "THE NOTEBOOKS OF ROBERT FROST." Resources for American Literary Study 35, no. 1 (2010): 400–403. http://dx.doi.org/10.2307/resoamerlitestud.35.2010.0400.

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30

SANDERS, DAVID. "Robert Frost, Man of Letters." Resources for American Literary Study 38 (January 1, 2015): 257–66. http://dx.doi.org/10.5325/resoamerlitestud.38.2015.0257.

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Abstract This volume of Frost's collected letters, the first of four volumes to be issued by Harvard University Press, makes an auspicious start on an important literary project. The letters themselves—whether persuasive, appreciative, or explorative in intent—are arresting in their clarity and immediacy, their humor and tact, everywhere revealing a craftsman of language in service of an original mind and complex personality. While creating an epistolary autobiography in their self-revelation, they provide a fascinating window into the poetry and literary history of the early twentieth century

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31

Heath, William G. "Robert Frost: Faith and Art." Canadian Review of American Studies 16, no. 3 (1985): 345–52. http://dx.doi.org/10.3138/cras-016-03-09.

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32

Theodore Ziolkowski. "Robert Frost in Roman Mode." Arion: A Journal of Humanities and the Classics 24, no. 1 (2016): 1. http://dx.doi.org/10.2307/arion.24.1.0001.

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33

Klein, Amelia. "The Counterlove of Robert Frost." Twentieth-Century Literature 54, no. 3 (2008): 362–87. http://dx.doi.org/10.1215/0041462x-2008-4002.

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34

Winchell, Mark Royden. "The Southernness of Robert Frost." Sewanee Review 119, no. 1 (2011): 91–106. http://dx.doi.org/10.1353/sew.2011.0027.

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35

Hosne Ara, Jannat E. "Depiction of Nature in the Poetry of Robert Frost and that of the Romantics: Questing for Similitude and Dissimilitude through a Comparative Analysis." International Journal of Linguistics, Literature and Translation 4, no. 7 (2021): 174–80. http://dx.doi.org/10.32996/ijllt.2021.4.7.19.

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This paper attempts to investigate the depiction of nature in the poetry of Robert Frost and how this treatment simultaneously resembles and differs from that of romantic poetry. Though he belongs to the era of modernism, his poetry carries numerous characteristics of romantic poetry. The researcher tries to compare the poetry of Robert Frost and that of the Romantics how they are identical or dissimilar in the representation of nature. Robert Frost might be called the interpreter of nature and humanity. He shows that he is a close observer of both nature and people. On the other hand, Romanti

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36

Fan, Siyu. "Outdoor Game: The Invention of Boundary in Robert Frosts Poetry." Communications in Humanities Research 20, no. 1 (2023): 13–18. http://dx.doi.org/10.54254/2753-7064/20/20231268.

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Being one of the most renowned American poets, Robert Frost has paid much attention to the interplay between humans and nature, and this interplay usually takes place at a boundary a wall, a fence, or a house. To examine the human-nature relationship and respond to the existing studies, the article delves into the theme of boundary in Frosts poetry through close reading of Frosts poems, interviews, and notes. Because of the development of natural science in Frosts time, the image of landscape undergoes metamorphosis, switching from a mirroring of the human spirit to a living entity with agency

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37

Fahas, Rida, Rizqi Husaini, Puput Jianggimahastu L.S, and Dedy Richi R. "LINGUISTICS ANALYSIS: FIGURATIVE LANGUAGE USED IN ROBERT FROST’S POEM." Sabbhata Yatra: Jurnal Pariwisata dan Budaya 2, no. 1 (2021): 1–12. http://dx.doi.org/10.53565/sabbhatayatra.v2i1.262.

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This research aims to find out the most dominant figurative language that usedin poems of Robert Frost.This study includes to qualitative research with a objective approach to analyze the poems of Robert Frost‟s selected poems. The sources of data is obtained in this study by looking for books and internet that contains about literature and poetry. The writer uses note taking method in the collection of data that is by reading, writing and looking for poems of Robert Frost‟s selected poems related to the formulation of the problems. The technique of analysis of the data is by reading, identify

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38

Postema, Gerald J. "POLITICS IS ABOUT THE GRIEVANCE:." Legal Theory 11, no. 3 (2005): 293–323. http://dx.doi.org/10.1017/s1352325205050160.

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39

Ishrat, Irina, and Md. Hasan Shahrear. "Images of Darkness in Robert Frost's Poetry." DIU Journal of Business and Economics 6, no. 1&2 (2024): 67–73. https://doi.org/10.5281/zenodo.14263624.

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 Robert Frost, the great American poet images a life that is dominated by isolation, death, and loss. The realistic vision of human life has been delineated by his frequent application of gruesome images. Frost’s poems mimic loneliness, conflicts, contradictions, and disillusionment of human life with the help of the dark images. Images such as ‘Frozen Lake’, ‘Witches’, ‘Night’, ‘War’, ‘Dark’, ‘Death’ are ardently visible in Frost’s poems that provide an emblematic perception of human life. The darker imag

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40

Siahaan, Safnidar, and Novita Elisabeth Mbaru. "AN ANALYSIS OF IMAGERY IN THREE SELECTED POETRIES FROM COMPLETE POEMS OF ROBERT FROST." ANGLO-SAXON: Jurnal Ilmiah Program Studi Pendidikan Bahasa Inggris 13, no. 1 (2022): 14–28. http://dx.doi.org/10.33373/as.v13i1.4096.

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This research analyzes imagery in Robert Frost selected poetry. This research aimed to find out what are the types of imagery and how many imageries used by Robert Frost in selected poetry, they are “Lost in Heaven”, “Desert Places” and “Leaves compared with Flower” based on the theory of Sayuti (2010) for analyzing the types of imagery. There are six types of imagery according to Sayuti namely visual imagery, auditory imagery, olfactory imagery, gustatory imagery, kinesthetic imagery, and tactile imagery. Then, the data were analyzed by using the qualitative descriptive method. This research

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41

Shahnawaz, Mohammad Sharique. "ROBERT FROST AS A NATURE POET : AN ECOCRITICAL VIEW." Journal of English Language and Literature 09, no. 04 (2022): 35–39. http://dx.doi.org/10.54513/joell.2022.9406.

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Robert Frost is arguably the greatest American poet of 20th Century and if there is any truth to Emerson’s maxim “to be great is to be misunderstood,” then definitely Robert Frost is great as he is one of the most misunderstood poets. Critics have hotly debated whether or not he is a Nature-poet. This paper intends to examine the claim of Frost being a Nature-poet with an ecocritical perspective. We will review The Tuft of Flowers to understand whether or not he can be called Nature-poet. Humans have been writing poems about Nature for centuries and Frost has also described hills, mountains, v

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42

Shukla, Sonal. "The Expression of the Human Predicament in the Poetry of Robert Frost." International Journal of Advance Research and Innovation 1, no. 3 (2013): 53–55. http://dx.doi.org/10.51976/ijari.131308.

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The poetry of Robert Frost obliquely tells us about the human predicament. It tells us about human being in the grip of alienation, despair and disillusionment. Robert Frost got the best honors from his own people but these honors could not change his outlook which had already been formed. Frost went to the extent of sayings: Every poem is an epitome of the great predicament, a figure of the will braving alien entanglements. (1) The fact is that there is little scope for happiness on this earth and if we go by what Lord Gautam Buddha said, there is no chance of being happy in this world where

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43

Pitaloka, Rosalina, Ayu Oktaviani, and Ani Fiani. "An Analysis of Imagery on Collections of Poems Written by Robert Frost." EDULIA: English Education, Linguistic and Art Journal 3, no. 2 (2023): 68–74. http://dx.doi.org/10.31539/edulia.v3i2.4574.

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The problem of this study is: “What kinds of imagery are used in the collection of Robert Frost’s poems?”. Therefore, the objective of this study is to describe the kinds of imagery in Robert Frost’s poems entitled “After Apple-Picking, Stopping by Woods on a Snowy Evening, The Road Not Taken, To Earthward, Wind and Window Flower, Out-Out, Fire and Ice, Nothing Gold Can Stay, Acquainted with the Night, and A Time To Talk”. The writer used content analysis to classify and analyze the data. The approach used in collecting the data was descriptive qualitative. After investigating the kinds of 10

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44

Pomeroy, Jeremy. "Robert Frost and the “Eye Reader”." Anglica. An International Journal of English Studies, no. 28/1 (September 20, 2019): 103–12. http://dx.doi.org/10.7311/0860-5734.28.1.08.

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One salient feature of Robert Frost’s aesthetics was his sharp diff erentiation of the visual from the audile imagination. Frost (a former schoolteacher) had noticed the diff erence between visual and audile/phonetic readers, and considered the eye reader to be a ‘bad’ reader. The article examines those features of Frost’s own poetic practice which would have led him to consider the eye reader a bad reader, as well as the sorts of prosodic content an eye reader may be prone to miss. Having examined Frost’s aesthetic objections to the eye reader, the question is then posed: does Frost ever trea

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45

Febriyantasari, Devinda Aralia, and Yulistiyanti Yulistiyanti. "Exploring Robert Frost’s ‘The Road Not Taken’ Using New Criticism." Interference: Journal of Language, Literature, and Linguistics 5, no. 2 (2024): 100. https://doi.org/10.26858/interference.v5i2.63779.

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Abstract. The Road Not Taken by Robert Frost is one of a famous and widely studied poem which contains several ambiguous elements that led to multiple interpretations of the poem. This study attempts to find out the theme, figurative languages, ambiguity and symbolism in The Road Not Taken by Robert Frost and its contribution to the exploration of themes. This study used text-oriented approach with qualitative data analysis techniques to delve into the textual content. In addition, this study examines Robert Frost The Road Not Taken using New Criticism theory by John Crowe Ransom and adopts a

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46

Phillips, Siobhan. "The Daily Living of Robert Frost." PMLA/Publications of the Modern Language Association of America 123, no. 3 (2008): 598–613. http://dx.doi.org/10.1632/pmla.2008.123.3.598.

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While Robert Frost's emphasis on ordinary themes has often been noted, his use of ordinary time bears further attention: his poems show how the repetitive pattern of daily living can be a creative possibility rather than an enervating necessity. His everyday verse suggests revised definitions of lyric temporality as well as new reconciliations of the dualistic oppositions structuring accounts of modernist and Americanist literature. In Frost, human repetition allows a willful independence endorsed by the natural world. The generally neglected poem “In the Home Stretch” demonstrates his most be

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47

Evans, William R. "Robert Frost: The Unpublished Cardinal Letter." American Literature 59, no. 1 (1987): 116. http://dx.doi.org/10.2307/2926489.

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48

Dawes, James R. "Masculinity and Transgression in Robert Frost." American Literature 65, no. 2 (1993): 297. http://dx.doi.org/10.2307/2927343.

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49

Newdick, Robert S. "Robert Frost and the American College." Journal of Higher Education 70, no. 5 (1999): 554. http://dx.doi.org/10.2307/2649228.

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50

Paton, Priscilla. "Robert Frost and the American Landscape." Iowa Review 29, no. 2 (1999): 83–96. http://dx.doi.org/10.17077/0021-065x.5102.

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