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1

Qingyu, Zhong, ed. Huan ying guang lin fu hao guo: Richistan / Robert Frank. Taibei Shi: Xian jue chu ban gu fen you xian gong si, 2008.

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2

Branstetter, Marcia Vaneda Moyer. Rich/Strickland of Iron County, Missouri: Bartley Uri Rich and Elisama (Womble Strickland) Rich : plus other descendants of William and Keziah (Hampton) Rich, Robert A. and Mary Brown (Shrum) Rich. California, Mo. (904 Pamela Dr., California 65018): M.V. Branstetter, 1992.

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3

Kiyosaki, Robert T. Fu ba ba, qiong ba ba: Rich dad, poor dad / Robert T. Kiyosaki. Taibei Shi: Ying shu Weijing qun dao shang Gao bao guo ji you xian gong si Taiwan fen gong si, 2016.

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Kiyosaki, Robert T. Fu ba ba, qiong ba ba: Rich dad, poor dad / Robert T. Kiyosaki, Sharon L. Lechter. 3rd ed. Taibei Shi: Gao bao guo ji gong si, 2009.

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5

Wadden, Paul. The rhetoric of self in Robert Bly and Adrienne Rich: Doubling and the holotropic urge. New York: Peter Lang, 2003.

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6

Horan, Patricia G. How to be rich: Compact wisdom from the world's greatest wealth-builders including Napoleon Hill, Joseph Murphy, Wallace D. Wattles, Robert Collier, and more. New York, NY: Jeremy P. Tarcher, 2010.

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7

Roberto Clemente: The pride of Puerto Rico. New York: Cavendish Square Publishing, 2016.

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8

Buncombe Bob: The life and times of Robert Rice Reynolds. Chapel Hill: University of North Carolina Press, 2000.

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9

Rice, Robert P. Nursery and landscape weed control manual: By Robert P. Rice, Jr. Fresno, Calif: Thomson Publications, 1992.

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10

Walker, Paul Robert. Pride of Puerto Rico: The life of Roberto Clemente. San Diego: Harcourt Brace Jovanovich, 1988.

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11

Walker, Paul Robert. Pride of Puerto Rico: The life of Roberto Clemente. San Diego: Harcourt Brace Jovanovich Pub., 1991.

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12

Walker, Paul Robert. Pride of Puerto Rico: The life of Roberto Clemente. San Diego: Harcourt Brace Jovanovich, 1988.

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13

Roberto Clemente. Minneapolis: Lerner Publications Co., 2007.

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14

1898-1960, Easterby J. H., and Institute for Southern Studies, eds. The South Carolina rice plantation as revealed in the papers of Robert F. W. Allston. Columbia, S.C: University of South Carolina Press, 2004.

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15

Roberto Brenes Mesén: Conductor e ideólogo de la Costa Rica de 1900 a 1947. Heredia, Campus Omar Dengo, Costa Rica: EUNA, 2002.

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16

Roberto de Jesús Toro: La ética de la responsabilidad y el desarrollo económico de Puerto Rico. San Juan: Universidad Interamericana de Puerto Rico, 2009.

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17

Perdomo, Willie. ¡Clemente! New York: Henry Holt and Co., 2010.

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18

Charles, O'Brien. Death of a robber baron: A Gilded Age mystery. New York, NY: Kensington Books, 2013.

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19

Jiménez, Iván Molina. La ciudad de los monos: Roberto Brenes Mesén, los católicos heredianos y el conflicto cultural de 1907 en Costa Rica. San José, Costa Rica: EUNA, 2001.

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20

Conway, J. North. Bag of bones: The sensational grave robbery of the merchant prince of Manhattan. Guilford, Conn: Lyons Press, 2012.

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21

Singer, A. L. Disney's Robin Hood. New York: Disney Press, 1992.

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22

Ellen, Snodgrass Mary. CliffsNotes American Poets of the 20th Century. New York: John Wiley & Sons, Ltd., 2000.

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23

Dye, Helen Sides. The Johns connections: With references to Ayer, Benjamin, Browder, Cadwalader, Calhoun, Davis, Edwards, Emanuel, Evans, Griffith, Harry, Hughes, Humphrey, James, Janeway, Jenkins, John, Jones, Lewis, Loftin, Lovelace, Miles, Moore, Morgan, Nunn, Oliver, Owen, Prichard, Pouncey, Rhys (Rhees), Rice, Richards, Roberts, Rogers, Sides (Seitz), Thomas, Townsend, Welsh, Wild, Williams, Wilson, Woodley, and many other related families. Bowie, Md: Heritage Books, 1999.

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24

Laboy, Idelys Izquierdo. Esmeralda perdida/ Publicado para el 1990, primera edición/1996, segunda edicion. Presentado y coauspiciado por el Ateneo Puertorriqueno, San Juan, Puerto Rico a cargo del dramaturgo Roberto-Ramos Perea y el critico de Teatro, el Dr. Edgar Quiles Ferrer. Fue presentado, ademas en la Universidad de Puerto Rico, recinto de Rio Piedras por los escritores Eric Landron y Violeta Landron. En el Departamento de Educacion en Hato Rey, San Juan, Puerto Rico. En el Museo Francisco Oller por el ex-alcalde {padre} Ramon Luis Rivera, 1993 y en el Museo Historico de la Nueva Casa Alcaldia de Aguas Buenas, Puerto Rico por el ex-alcalde Carlos Junior Aponte junto a una exposicion de pinturas de la misma autora y fundadora de Studio d' Artis Idelys Izquierdo Laboy/ 1994. Presentacion por el pintor O' decrem.: Los colores en la Esmeralda/ A la Antigua Esmeralda/ Esmeralda Perdida. Ha sido publicado y aceptado dentro y fuera de Puerto Rico con las mejores criticas. Forma parte de las colecciones de libros en las Universidades en Puerto Rico y Estados Unidos y en colecciones de editores y asociaciones de escritores en paises como Mexico, Cuba, Argentina, Venezuela, Espana, Peru, entre otros...: Esmaco Printers Corp.San Juan Puerto Rico, 1990.

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25

Descendants and ancestors of Adam Overpeck and his wife Elizabeth Mann of Sussex and Warren Counties in New Jersey; Bucks, Northampton, Pike, and Bradford Counties in Pennsylvania: Including descendant families: Baker, Bender, Braman, Brown, Camp, Chaffee, Chilson, Coleman, Dimon, Flanagan, Ford, Graham, Green, Gustin, Hammerly, Hollis, Johnson, Keller, King, Leavenworth, McGuirk, Messer, Morris, Reeves, Reisinger, Rice, Roberts, Robinson, Secor, Smith, Taylor, Wickizer, Williams, Wilson, and ancestral families of Mary Ann Angle, Elizabeth Mann, and Agnes Casebeer. Baltimore, MD: Gateway Press Inc., 2002.

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26

Day, Walter. Twin Galaxies' Official Video Game & Pinball Book Of World Records; Second Edition, Arcade Volume. Edited by Walter Day and Mr Kelly R. Flewin. Fairfield, IA: 1st World Publishing, 2007.

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27

Robert E. Rich: Memoirs of an innovator. Canisius College Press, 2000.

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28

Summary of Rich Dad Poor Dad by Robert Kiyosaki: Conversation Starters. Blurb, 2019.

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29

Harshaw, Jubal. Robert Heinlein's Shadow: "The Seven Starlings" and "How Aeneas Browning Got Rich". iUniverse-Indigo, 2007.

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30

Coney Island: 150 Years of Rides, Fires, Floods, the Rich, the Poor and Finally Robert Moses. McFarland & Company, 2016.

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31

Robert B. Parker's Blind spot: A Jesse Stone novel. 2014.

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32

Fagen, Jeffrey. Instructor's manual and test item file [to accompany] The child : Development from birth through adolescence [by] Judith Rich Harris, Robert M. Liebert. 2nd ed. Prentice-Hall, 1987.

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33

Pride of Puerto Rico : Roberto Clemente. Gulliver / HBJ, 1988.

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34

Pageler, Elaine. The rich cake mystery. High Noon Books, 1997.

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35

Pleasants, Julian M. Buncombe Bob: The Life and Times of Robert Rice Reynolds. University of North Carolina Press, 2009.

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36

Pleasants, Julian M. Buncombe Bob: The Life and Times of Robert Rice Reynolds. University of North Carolina Press, 2003.

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37

Tidman, Barbara, and Barbara J. Marvis. Famous People of Hispanic Heritage: Famous People of Hispanic Heritage Robert Rodriguez; Josefina Lopez; Afredo Estrada; Selena Quintanilla Perez (Mitchell Lane Multicultural Biography Series). Mitchell Lane Publishers, 1996.

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38

Pride of Puerto Rico: The life of Roberto Clemente. Macmillan/McGraw Hill School Pub. Co, 1993.

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39

Walker, Paul. Pride of Puerto Rico: The Life of Roberto Clemente. Tandem Library, 1999.

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40

Walker, Paul Robert. Pride of Puerto Rico: The Life of Roberto Clemente. Harcourt, 1989.

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41

Pride of Puerto Rico: The Life of Roberto Clemente. Harcourt Brace, 1988.

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42

Markusen, Bruce. Roberto Clemente: The Great One. Sagamore Publishing, 1998.

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43

Markusen, Bruce. Roberto Clemente: The Great One. Skyhorse Publishing Company, Incorporated, 2013.

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44

Markusen, Bruce. Roberto Clemente: The Great One. Skyhorse Publishing Company, Incorporated, 2014.

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45

Benkler, Yochai, Robert Faris, and Hal Roberts. The Fox Diet. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190923624.003.0005.

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This chapter focuses on the role of the dominant player in conservative media, Fox News, during the first year of Donald Trump’s presidency. It looks at three case studies to illustrate how Fox News used its position at the core of the right-wing media ecosystem repeatedly to mount propaganda attacks in support of Trump: the Michael Flynn firing in March 2017, when Fox adopted the “deep state” framing of the entire controversy; the James Comey firing and Robert Mueller appointment in May 2017; when Fox propagated the Seth Rich murder conspiracy; and in October and November, when the arrests of Paul Manafort and guilty plea of Flynn seemed to mark a new level of threat to the president, Fox reframed the Uranium One story as an attack on the integrity of the FBI and Justice Department officials in charge of the investigation.
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46

Insdorf, Annette. An Eye for an “I”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036859.003.0001.

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Philip Kaufman’s cinema is stylistically and philosophically rich, but he has not received the kind of acclaim routinely showered on his peers. One reason is that the movies of directors such as Woody Allen, Robert Altman, or Quentin Tarantino are easier to categorize as belonging to one person. Because Kaufman’s versatility is greater than his recognizability, he is considered less of an auteur. But close analysis of his twelve films reveals a true auteur at work. They are connected first by formal majesty: if Flaubert invoked “le mot juste” (the exact word), Kaufman finds “l’image juste”—the precise cinematic device appropriate to the story. Second, they are linked by an exploration of recurring and resonant themes. No other living American director has so consistently and successfully made movies for adults, tackling sensuality, artistic creation, and manipulation by authorities (governmental as well as technological)....
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47

Institute, International Rice Research, ed. The great rice robbery: A handbook on the impact of IRRI in Asia. Penang, Malaysia: Pesticide Action Network Asia and the Pacific in collaboration with Sibol ng Agham at Teknolohiya, 2007.

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48

Flinn, Caryl. The Mutating Musical and the Sound of Music. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.033.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. Musicals have always enjoyed a rich cross-media history, and changing technologies help maintain that tradition. Today television and digital cultures offer compelling new generic formats. No longer large stage and screen productions, musicals now appear through smaller, decentralized forms and platforms, providing the premise of television series, reality shows, and music videos, or appearing as small performances on YouTube. This chapter follows the afterlife of the iconic film musicalThe Sound of Music(dir. Robert Wise, 1965) to explore how these new articulations—fragmented and less loyal to the original than previous revivals or reruns—create the potential for diverse and local audiences that the original musical never addressed. These “mutating musicals” can give rise to different, smaller-scale “utopias” and fantasies, affective by-products that reveal a genre whose parameters have grown looser and more capacious at the end of the twentieth century.
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49

Merton And Friends: A Joint Biography of Thomas Merton, Robert Lax, And Edward Rice. Continuum International Publishing Group, 2007.

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50

Gooley, Dana. PreludeThe Virtue of Improvisation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190633585.003.0001.

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IN RECENT TIMES improvisation has made a significant comeback in classical music concerts, education, and scholarship. Pianist Robert Levin has injected fresh life into Mozart by improvising ornaments, lead-ins, and whole cadenzas to Mozart concertos. More impressively still, he plays free fantasies in Mozart style on themes given by the concert audience. Gabriela Monteiro has built a distinctive reputation among concert pianists by improvising at length on themes solicited from the audience, drawing on an eclectic range of styles from Bach-like baroque to modern jazz. Early music practitioners have long understood the importance of improvisation to historically informed practice, but artists such as violinist Andrew Manze and harpsichordist Richard Egarr have pressed it to new limits. Organist Thierry Escaich has been inventing entire four-movement symphonies on themes suggested by the audience, setting a new standard for a tradition already rich in improvisation. Students and fans of these elite musicians are showing signs that they intend to keep the flame burning by cultivating improvisational practice in various classical idioms....
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