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1

Laurer, René. "Robert Walter †." Juristische Blätter 133, no. 2 (2011): 102. http://dx.doi.org/10.1007/s00503-011-2110-6.

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Dorothee Kimmich. "Lebendige Dinge bei Walter Benjamin und Robert Walser." Koreanische Zeitschrift für Germanistik 50, no. 2 (2009): 9–29. http://dx.doi.org/10.31064/kogerm.2009.50.2.9.

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Jabloner, Clemens. "Robert Walter 1931–2010." Zeitschrift für öffentliches Recht 66, no. 1 (2011): 1–3. http://dx.doi.org/10.1007/s00708-011-0083-5.

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Editorial, CUAJ. "Dr. Robert Walter Hogarth." Canadian Urological Association Journal 11, no. 6 (2017): 216. http://dx.doi.org/10.5489/cuaj.4687.

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Camêlo, Francisco. "A miniaturização como procedimento de escrita / Miniaturization as a Writing Procedure." Cadernos Benjaminianos 15, no. 1 (2019): 203. http://dx.doi.org/10.17851/2179-8478.15.1.203-226.

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Resumo: Propõe-se uma reflexão cruzada entre Walter Benjamin e Robert Walser, a partir de suas micrografias. Dentre os muitos objetos que colecionou durante a vida, Benjamin tinha especial apreço por livros infantis, miniaturas e brinquedos. Esse interesse pelo diminuto também se manifestava na extrema pequenez de sua letra e no desejo de chegar a cem linhas numa folha de carta de tamanho convencional, feito conseguido por Walser, que escrevia microtextos com uma grafia minúscula e sobre quem o próprio Benjamin redigiu um curtíssimo ensaio em 1929. Se, por um lado, a letra miniaturizada de Ben
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Jestaedt, Matthias. "Glückwunsch: Robert Walter zum 75. Geburtstag." JuristenZeitung 61, no. 4 (2006): 188. http://dx.doi.org/10.1628/002268806775880508.

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Olechowski, Thomas. "Robert Walter, Hans Kelsen als Verfassungsrichter." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 123, no. 1 (2006): 740–41. http://dx.doi.org/10.7767/zrgga.2006.123.1.740.

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8

TOWNSEND. "ROBERT GROSSETESTE AND WALTER OF WIMBORNE." Medium Ævum 55, no. 1 (1986): 113. http://dx.doi.org/10.2307/43628956.

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Leitner, Walter, Elsje Alessandra Quadrelli, and Robert Schlögl. "Harvesting renewable energy with chemistry." Green Chemistry 19, no. 10 (2017): 2307–8. http://dx.doi.org/10.1039/c7gc90045g.

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Goldberg, Brian. "Debt, Taxes, and Reform in Walter Scott’s Count Robert of Paris." Nineteenth-Century Literature 71, no. 3 (2016): 343–68. http://dx.doi.org/10.1525/ncl.2016.71.3.343.

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Brian Goldberg, “Debt, Taxes, and Reform in Walter Scott’s Count Robert of Paris” (pp. 343–368) Walter Scott’s Count Robert of Paris (1831) treats “debt” in a way determined by the author’s response to the Reform Crisis of 1830–1832. Scott’s solution to the reformist impulse was the reintroduction of the income tax. He believed that an income tax would give the nation’s elites an opportunity to acknowledge their duties and contribute their fair share toward the payment of the national war debt, thus stabilizing the economy and eliminating a crucial motive for reform legislation. Count Robert o
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Macêdo, Silvana. "A fotografia como uma mídia alegórica no contexto das artes visuais." Revista Crítica Cultural 3, no. 2 (2008): 25. http://dx.doi.org/10.19177/rcc.v3e2200825-28.

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Este artigo pretende refletir sobre a possibilidade da fotografia funcionar como uma mídia alegórica no contexto contemporâneo das artes visuais. Inicialmente, discute-se a importância do conceito do fragmento romântico na formulação da teoria de alegoria de Walter Benjamin. Em seguida, consideram-se os debates recentes sobre alegoria, que têm como base a teoria de alegoria de Walter Benjamin, examinando-se a produção de alguns artistas visuais que utilizam a fotografia. Examina-se a relação do conceito de site e non-site formulada por Robert Smithson, e vinculada a estes conceitos. Conclui-se
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Chouquer, Gérard. "Robert Delort et François Walter, Histoire de l’environnement européen." Études rurales, no. 167-168 (January 1, 2003): 335–37. http://dx.doi.org/10.4000/etudesrurales.2970.

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Walter-Jochum, Robert. "Affective Dynamics of Excitable Speech in Milo Rau’s Breiviks Erklärung and Mitleid." Theater 51, no. 2 (2021): 96–107. http://dx.doi.org/10.1215/01610775-8920566.

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Robert Walter-Jochum reflects on the successes and failures of Milo Rau’s stage explorations of hate speech, investigating what Judith Butler terms “restaging and resignifying.” Walter-Jochum references two of Rau’s performances: Breivik’s Statement and Compassion: The History of the Machine Gun. Both pieces highlight the hypocrisy and similarities of rhetoric from right-wing terrorists and liberals with seemingly good intentions. Breivik’s Statement restages hate speech with an actor of color inverting the meaning of the speech, while Compassion restages a woman of color refugee reflecting on
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Fernandes, Antônio Sérgio Araújo. "A comunidade cívica em Walter e Putnam." Lua Nova: Revista de Cultura e Política, no. 51 (2000): 71–96. http://dx.doi.org/10.1590/s0102-64452000000300006.

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As concepções de comunidade cívica de Michael Walzer e de Robert Putnam são contrastadas. Argumenta-se que o republicanismo de Walzer permanece tributário do humanismo cívico e de sua visão da unidade social fundada em uma concepção específica da boa vida (a vida do cidadão ativo e imbuído de virtude). As pesquisas empíricas de Putnam sobre o "capital social", em contraste, inspiram-se no republicanismo mais pluralista e mais liberal de Tocqueville.
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De Menezes, Rafael Pereira. "A vida real de Walter Mitty." Intuitio 13, no. 1 (2020): e27153. http://dx.doi.org/10.15448/1983-4012.2020.1.27153.

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O presente ensaio apresenta o filme A vida secreta de Walter Mitty, dirigido por Ben Stiller e baseado em conto escrito por James Thurber na década de 1930, sob a perspectiva das noções de senso de realidade e de possibilidade, ambas apresentadas por Robert Musil em seu romance O homem sem qualidades. Demonstramos, ao lançar luzes sobre as diferentes vivências possíveis no intervalo, que há o potencial e o efetivado nas ações do protagonista, uma abundância de ilustrações de liberdade, rupturas com as limitações da vida pequeno-burguesa e de uma possível descoberta de si que surge na não hiera
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Zanforlin, Eliana Rocha Vierno. "HISTÓRIA E LITERATURA: AS TESES DE WALTER BENJAMIN SOBRE O CONCEITO DA HISTÓRIA E A ESTÉTICA DA RECEPÇÃO." Em Tese 5 (December 31, 2002): 141. http://dx.doi.org/10.17851/1982-0739.5.0.141-145.

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Este trabalho discute o ensaio de Walter Benjamin, “Teses sobre o conceito da história”, e a Estética da Recepção de Hans Robert Jauss como crítica ao historicismo. Embora vindos de tradições filosóficas distintas, as idéias dos dois autores têm instigantes similaridades.
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Baillie, Eva. "Tim Lörke & Robert Walter-Jochum (eds.): Religion und Literatur im 20. und 21. Jahrhundert. Motive, Sprechweisen, Medien." Entangled Religions 4 (July 14, 2017): 11–16. http://dx.doi.org/10.46586/er.v4.2017.11-16.

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This contribution offers a review of:Religion und Literatur im 20. und 21. Jahrhundert. Motive, Sprechweisen, Medien.Edited by Tim Lörke & Robert Walter-Jochum.Göttingen: V&R Press, 2015.714 pages, ISBN: 978-3-8471-0375-2 (hardcover) , 978-3-8470-0375-5 (ebk).
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Henville, Letitia. "“The Walter Scott of Tahiti”: Robert Louis Stevenson’s Ballad Translation." Literature Compass 9, no. 7 (2012): 489–501. http://dx.doi.org/10.1111/j.1741-4113.2012.00889.x.

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Pessanha, Juliano Garcia, and Luciana Araújo Marques. "Musil e Benjamin: a ética do homem sem qualidades e o empobrecimento da experiência." Cadernos Benjaminianos 1, no. 11 (2017): 2. http://dx.doi.org/10.17851/2179-8478.1.11.2-14.

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A mutação no estatuto da experiência está no cerne das preocupações de Walter Benjamin e Robert Musil. Ambos procuram nomear os desdobramentos e as implicações deste acontecimento. Este ensaio busca desdobrar este tenso diálogo e apontar para a raiz comum de sua questão subjacente: o advento da técnica.
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Tambling, Jeremy. "Judaism and Heterogeneity in the Modernist Long Novel." Modernist Cultures 10, no. 3 (2015): 357–79. http://dx.doi.org/10.3366/mod.2015.0119.

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This paper explores how Judaism is represented in non-Jewish writers of the nineteenth-century (outstandingly, Walter Scott and George Eliot) and in modernist long novels, such as those by Dorothy Richardson, Marcel Proust, James Joyce, Alfred Döblin, Robert Musil, and Thomas Mann, and, in the Latin American novel, Carlos Fuentes and Roberto Bolaño. It finds a relationship between the length of the ‘long’ novel, as a meaningful category in itself (not to be absorbed into other modernist narratives), and the interest that these novels have in Judaism, and in anti-semitism (e.g. in the Dreyfus a
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21

Jacobson, Jeffrey Willever. "IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)." Jurnal POETIKA 4, no. 2 (2016): 134. http://dx.doi.org/10.22146/poetika.17533.

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Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.
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Jacobson, Jeffrey Willever. "IMPOSSIBLE MODERNISM: T.S. ELIOT, WALTER BENJAMIN, AND THE CRITIQUE OF HISTORICAL REASON (2016)." Poetika 4, no. 2 (2016): 134. http://dx.doi.org/10.22146/poetika.v4i2.17533.

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Robert S. Lehman, dalam bukunya Impossible Modernism: T.S. Eliot, Walter Benjamin, and the Critique of Historical Reason (2016), memosisikan dirinya sebagai sarjana 'modernis tradisional'. Lehman menyatakan bahwa bukunya mengemukakan "suatu interpretasi atas modernisme Eropa". Namun, Lehman menemukan potensi dalam pemikiran Eliot dan Benjan untuk suatu kritik atas apa yang dia anggap sebagai "titik buta" kajian modernis baru, yakni, historisismenya.
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23

Daugherity, Brian. "Kenneth Robert Janken, White: The Biography of Walter White, Mr. NAACP." Journal of African American History 88, no. 3 (2003): 317–19. http://dx.doi.org/10.2307/3559076.

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24

Wain, R. L. "William Robert Boon. 20 March 1911—28 October 1994." Biographical Memoirs of Fellows of the Royal Society 43 (January 1997): 135–41. http://dx.doi.org/10.1098/rsbm.1997.0008.

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William (Bill) Boon and his sister Jean were the children of Walter Boon, a general railway agent, and his wife Ellen Catherine, a farmer's daughter. Bill's mother and father were third cousins and their common great grandfather, James Medhurst, achieved local fame in Sussex as an amateur archaeologist. Some of the artefacts he discovered are in Worthing museum. James Medhurst was also a manufacturer of Tonbridge Ware, and pieces made by him are exhibited in the museum at Tunbridge Wells.
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Borges, Anderson. "Alegoria e história da literatura como provocação à teoria literária." Cadernos Benjaminianos, no. 3 (June 30, 2011): 1. http://dx.doi.org/10.17851/2179-8478.0.3.1-13.

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Neste texto aproximo as noções de alegoria e historicidade presentes,respectivamente, no estudo do Trauerspiel feito por Walter Benjamin e naestética da recepção de Hans Robert Jauss, enfocando o aspecto crítico efundamental da leitura. Circunscrevendo como corpus de análise algunsexcertos extraídos de Origem do drama barroco alemão, bem como da Históriada literatura como provocação à teoria literária, reflito sobre a relação entrecrítica e historicidade apresentada pelos autores em questão.
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Vernon, Christopher. "Harrison, Peter (ed. Robert Freestone), "Walter Burley Griffin: Landscape Architect" (Book Review)." Town Planning Review 67, no. 3 (1996): 381. http://dx.doi.org/10.3828/tpr.67.3.l6183204542753p1.

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Jenkins, Joseph. "Heavy Law/Light Law: Walter Benjamin, Friedrich Nietzsche, Robert Bork, Duncan Kennedy." Law and Literature 17, no. 2 (2005): 249–68. http://dx.doi.org/10.1525/lal.2005.17.2.249.

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28

Schmitz, Georg. "Robert Walter, Die Entstehung des Bundes-Verfassungsgesetzes 1920 in der Konstituierenden Nationalversammlung." Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Germanistische Abteilung 103, no. 1 (1986): 463–65. http://dx.doi.org/10.7767/zrgga.1986.103.1.463.

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Inman, Billie Andrew. ": Walter Pater and the Gods of Disorder. . Robert Keefe, Janice A. Keefe." Nineteenth-Century Literature 43, no. 4 (1989): 539–42. http://dx.doi.org/10.1525/ncl.1989.43.4.99p0205r.

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Marc’hadour, Germain. "More et ses amis face à la pestilence." Moreana 39 (Number 149), no. 1 (2002): 61–68. http://dx.doi.org/10.3366/more.2002.39.1.6.

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Les lettres reçues par Beatus Rhenanus durant la peste qui sévit à Bâle en 1519-20 et publiées par Robert Walter fournissent l’occasion de considérer l’impact de cette épidémie sur la vie des humanistes, et l’emploi métaphorique du mot peste pour désigner toute espèce de mal grave et contagieux. L’attention est attirée sur la suette anglaise, et sur le rôle de deux saints, Roch et Sébastien, comme intercesseurs privilégiés pour éviter la contagion ou guérir de l’infection.
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Teixeira, Maria Juliana Gambogi. "Marx, Engels e os escritores românticos." Em Tese 20, no. 1 (2014): 134. http://dx.doi.org/10.17851/1982-0739.20.1.134-148.

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<p>Tradução do artigo “Marx, Engels e os escritores românticos” de Robert Sayre e Michael Löwy, publicado no v. 19 n. 2 de <em>Em Tese</em>. Nesse texto os autores examinam as posições de Karl Marx e Friedrich Engels em relação ao Romantismo a partir da análise das considerações desses a respeito escritores como Balzac, as irmãs Brontë, Byron, Carlyle, Dickens, Shelley e Walter Scott.</p><br />
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Rauch, Theresa. "A flaneur in Turin: The perception of space in the works of Friedrich Nietzsche and Walter Benjamin." SAJ - Serbian Architectural Journal 10, no. 3 (2018): 131–42. http://dx.doi.org/10.5937/saj1802131r.

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This essay attempts to differentiate three different kinds of spatial-atmospheric experience on the basis of the theories by Hermann Schmitz and Robert Vischer. Furthermore, it connects these methods to the figure of the flaneur in Walter Benjamin's Passages as well as in the late Turin diaries of Friedrich Nietzsche. These two concepts of the flaneur can be seen as antithetic. For Walter Benjamin city strolling is a means of intellectual stimulation, focusing on impulses from the urban landscape that are then interwoven in associative, oscillating streams of thought, often commenting on the c
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Whitehead, Neil L. "Discovering the Realm of El Dorado: Ralegh and Schomburgk in the Guianas." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 1-2 (2009): 105–8. http://dx.doi.org/10.1163/13822373-90002461.

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[First paragraph]Sir Walter Ralegh’s Discoverie of Guiana. Joyce Lorimer (ed.). London: Ashgate (published for the Hakluyt Society), 2006. xcvii + 360 pp. (Cloth £55.00)The Guiana Travels of Robert Schomburgk 1835-1844. Volume I: Explorations on Behalf of the Royal Geographical Society, 1835-1839. Volume II: The Boundary Survey 1840-1844. Peter Riviére (ed.). Aldershot, U.K.: Ashgate (published for the Hakluyt Society), 2006. xii + 266 pp. (Cloth US $99.95)The historiography and ethnology of northeastern South America has, with the publication of these two excellent volumes, been firmly and il
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34

Westover, Paul. "ROBERT MAYER. Walter Scott and Fame: Authors and Readers in the Romantic Age." Review of English Studies 69, no. 290 (2017): 592–94. http://dx.doi.org/10.1093/res/hgx120.

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Altman, Ellen. "Strategic Management for Public Libraries: A Handbook. Robert M. Hayes , Virginia A. Walter." Library Quarterly 67, no. 4 (1997): 406–8. http://dx.doi.org/10.1086/629982.

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Nevins, A., and P. Larson. "Joseph Gingold: A Musical Life and Master Teacher: A Portrait of Walter Robert." Gerontologist 29, no. 4 (1989): 578–79. http://dx.doi.org/10.1093/geront/29.4.578.

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Binkowski, Kraig A. "JOSEPH CORNELL: SHADOWPLAY... ETERNIDAY. Lynda Roscoe Hartigan , Walter Hopps , Richard Vine , Robert Lehrman." Art Documentation: Journal of the Art Libraries Society of North America 23, no. 1 (2004): 51. http://dx.doi.org/10.1086/adx.23.1.27949298.

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Ferris, Ina. "Robert Mayer's Walter Scott and Fame: Authors and Readers in the Romantic Age." Romanticism 27, no. 1 (2021): 114–16. http://dx.doi.org/10.3366/rom.2021.0499.

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Henderson, Felicity. "Unpublished material from the memorandum book of Robert Hooke, Guildhall Library MS 1758." Notes and Records of the Royal Society 61, no. 2 (2007): 129–75. http://dx.doi.org/10.1098/rsnr.2006.0173.

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Robert Hooke began keeping a journal or memorandum book on 10 March 1672, and continued until May 1683. This document, now Guildhall Library MS 1758, is the most important record of Hooke's life and work in his most active period, and is a significant source of information about the activities of the early Fellows of the Royal Society. Most of the manuscript was transcribed and published by Henry W. Robinson and Walter Adams as The Diary of Robert Hooke, M.A. F.R.S. 1672–1680 . However, Robinson and Adams chose not to publish entries from March to July 1672 and from January 1681 to May 1683, a
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Bastos da Silva, Jorge. "Living in the Sunken Place: Notes on Jordan Peele’s ”Get Out” as Gothic Fiction." Lublin Studies in Modern Languages and Literature 43, no. 2 (2019): 125. http://dx.doi.org/10.17951/lsmll.2019.43.2.125-133.

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<p>The gothic imagination often expresses a sense of the instability and/or vulnerability of human identity, bearing either on specific individuals or on the species as a whole. The present article examines the 2017 film <em>Get Out</em>, written and directed by Jordan Peele,<strong> </strong>in order to highlight the ways in which its exploration of the abovementioned topic relates to the tradition of the gothic as it is recognisable in literary texts dating from as far back as the eighteenth century. Relevant titles include Walter Scott’s <em>Count Robert
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Martins, Roberto de Andrade, and Cibelle Celestino Silva. "As pesquisas de Newton sobre a luz: Uma visão histórica." Revista Brasileira de Ensino de Física 37, no. 4 (2015): 4202–1. http://dx.doi.org/10.1590/s1806-11173731817.

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Este artigo apresenta uma visão histórica geral sobre o desenvolvimento dos trabalhos de Isaac Newton a respeito da óptica, desde suas primeiras investigações em 1664 até o final de sua vida, quando publicou as várias edições de seu livro Opticks. Para permitir uma compreensão adequada do trabalho de Newton, são também apresentadas as contribuições de outros autores importantes do Século XVII, especialmente René Descartes, Walter Charleton, Robert Boyle, Robert Hooke e Christiaan Huygens. A análise dos trabalhos inéditos e publicados de Newton permite notar que ele jamais chegou a uma teoria d
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Dennis, Ian. "Walter Scott and Fame: Authors and Readers in the Romantic Age by Robert Mayer." Eighteenth-Century Fiction 31, no. 4 (2019): 754–56. http://dx.doi.org/10.3138/ecf.31.4.754.

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Ottaviani, Alessandro. "An Unreliable Synopsis: Notes Toward a Contextual Reading of Robert Musil and Walter Benjamin." Germanic Review: Literature, Culture, Theory 88, no. 1 (2013): 47–63. http://dx.doi.org/10.1080/00168890.2013.756784.

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Stevens, Paul. "Henriette Walter, Le français dans tous les sens. Paris: Robert Laffont, 1988. Pp. 384." Language in Society 20, no. 3 (1991): 475–76. http://dx.doi.org/10.1017/s004740450001664x.

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Chambers, Simone. "Deliberative Environmental Politics: Democracy and Ecological Rationalityby Walter F. Baber and Robert V. Bartlett." Political Science Quarterly 122, no. 2 (2007): 346–48. http://dx.doi.org/10.1002/j.1538-165x.2007.tb01639.x.

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Floyd, M. Ryan. "Citizen-Scholar: Essays in Honor of Walter Edgar ed. by Robert H. Brinkmeyer Jr." Journal of Southern History 85, no. 1 (2019): 238–40. http://dx.doi.org/10.1353/soh.2019.0077.

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Chisum, Jeffrey. "The Nevada They Knew: Robert Caples and Walter Van Tilburg Clark by Anthony Shafton." Western American Literature 54, no. 2 (2019): 212–14. http://dx.doi.org/10.1353/wal.2019.0040.

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48

Kaufman, Robert. "Lyric's Constellation, Poetry's Radical Privilege." Modernist Cultures 1, no. 2 (2005): 209–34. http://dx.doi.org/10.3366/e2041102209000124.

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Robert Kaufman (Stanford University) challenges trends in recent criticism that have tended to present and apply Walter Benjamin's and Theodor Adorno's theories and practices of the constellation and force-field as if these last stemmed primarily from interventionist Left critique of the aesthetic and the literary. Kaufman's essay “Lyric's Constellation, Poetry's Radical Privilege” shows that on the contrary, Benjamin and Adorno - while certainly holding no brief for “pure” formalist methodology - actually develop the constellation and force-field in urgent response to a kind of Left criticism
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Diaconu, M&# ;d&# ;lina. "Vom Treiben. Dérive als Methode." Paragrana 18, no. 2 (2010): 121–37. http://dx.doi.org/10.1524/para.2009.0030.

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ZusammenfassungDer Begriff dérive steht für eine zweifache Bewegung: die physische Fortbewegung und das metaphorische Drifting eines Menschen, dessen Lebensweg von der Bahn abgekommen ist. In beiden Fällen bezieht sich das Abdriften auf einen Prozess, in dem sich Passivität in die Handlung einschleicht. Der Aufsatz untersucht die Verschränkung von Aktivität und Passivität anhand von Variationen des Herumtreibens in Städten mit den Schriften Walter Benjamins, Siegfried Kracauers, der Situationisten und Robert E. Parks sowie auch in den frühen Filmen Chaplins. Dabei erweist sich die methodische
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Light, Donald W. "The Managed Care Blues and How to Cure Them, by Walter A. Zelman and Robert A. Berenson. Washington, D.C.: Georgetown University Press, 1998. 240 pp." Cambridge Quarterly of Healthcare Ethics 9, no. 1 (2000): 138–41. http://dx.doi.org/10.1017/s0963180100001158.

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Abstract:
In a new and important book entitled The Managed Care Blues and How to Cure Them, a lifetime consumer advocate and a surgeon who witnessed the excesses and unaccountable errors of his colleagues under fee for service explain with deft hands the promise of managed care, its problems, and solutions to them. Walter Zelman and Robert Berenson show empathy for the consumer backlash, provider resentment, and the patients' rights movement that has spawned a thousand bills to prevent possibly unethical actions. Yet they believe these efforts to regulate managed care are misdirected and will prevent it
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