Log in

Relevant bibliographies by topics / Robert Wilson / Journal articles

To see the other types of publications on this topic, follow the link: Robert Wilson.

Journal articles on the topic 'Robert Wilson'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 August 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Robert Wilson.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Hartquist, Tom. "Robert Wilson." Physics Today 56, no. 5 (2003): 77–78. http://dx.doi.org/10.1063/1.1583544.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Nixon, James. "Robert Irvine Wilson." BMJ 336, no. 7650 (2008): 965.7–965. http://dx.doi.org/10.1136/bmj.39552.713877.be.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

McDaniel, Boyce, and Albert Silverman. "Robert Rathbun Wilson." Physics Today 53, no. 4 (2000): 82–83. http://dx.doi.org/10.1063/1.883056.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Barr, Frances. "Alastair Robert Wilson Porter." Veterinary Record 193, no. 5 (2023): 214. http://dx.doi.org/10.1002/vetr.3444.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

, Trad. de Marcia Berselli, Maria Shevtsova, and Trad de Fernanda Abegg. "ROBERT WILSON: MÉTODO DE WORKSHOP." Cena, no. 29 (December 4, 2019): 135–42. http://dx.doi.org/10.22456/2236-3254.83117.

Full text

Abstract:

Na primeira parte do capítulo Métodos, elementos e princípios, nomeada Método de Workshop, Maria Shevtsova apresenta o método de criação desenvolvido por Robert Wilson, particularmente a partir da utilização dos livros visuais. A partir de entrevistas com Wilson, a autora destaca a base de pensamento do trabalho do encenador, indicando a importância da linguagem gestual e do movimento de todos os elementos em suas criações. Através da descrição do trabalho de mesa [workshop table] e dos workshops com atores, a autora apresenta a equalização de todos os elementos presentes na encenação, aspecto

APA, Harvard, Vancouver, ISO, and other styles

6

Griffiths, Richard W. "Sir Winston Churchill’s doctors on the Riviera 1949–1965: Herbert Robert Burnett Gibson (1885–1967) and Dafydd (David) Myrddin Roberts (1906–1977)." Journal of Medical Biography 28, no. 1 (2017): 30–38. http://dx.doi.org/10.1177/0967772017702761.

Full text

Abstract:

In May 1940, Sir Charles McMoran Wilson (later Lord Moran) was on the instigation of Lord Max Beaverbrook and Brendan Bracken, (both patients, then friends of Wilson) introduced to Winston Churchill. Thereafter, he remained Churchill’s personal physician until Churchill’s death. In his controversial book detailing Winston Churchill’s health, Lord Moran refers briefly to two doctors resident in Monaco, who were involved in the management of Churchill’s declining health from 1949. One was Scottish, Herbert Robert Burnett Gibson and the other Welsh, Dafydd Myrddin Roberts. The military and civili

APA, Harvard, Vancouver, ISO, and other styles

7

Wilson, Robert, and Maria Shevtsova. "Covid Conversations 5: Robert Wilson." New Theatre Quarterly 38, no. 1 (2022): 1–26. http://dx.doi.org/10.1017/s0266464x21000385.

Full text

Abstract:

World-renowned for having made a totally new kind of theatre, director-designer Robert Wilson first astonished international audiences in Paris in 1971 with Le Regard du sourd (Deafman Glance) and then with his twenty-four-hour Ouverture at the first edition of the Festival d’Automne in 1972. He also refers in this Conversation to Einstein on the Beach, premiered at the Avignon Festival in 1976, as another example among more of France offering him a home before he eventually founded the Watermill Center in 1992 on Long Island in the State of New York. Watermill, a laboratory for multidisciplin

APA, Harvard, Vancouver, ISO, and other styles

8

Langlet, Irène. "Darwinia, de Robert Charles Wilson." Écrire l'histoire, no. 11 (May 15, 2013): 133–42. http://dx.doi.org/10.4000/elh.320.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Root-Bernstein, Robert. "Robert R. Wilson: Shaping Matter." Leonardo 42, no. 2 (2009): 163–64. http://dx.doi.org/10.1162/leon.2009.42.2.163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Willis, Allan J., and Thomas W. Hartquist. "Sir Robert Wilson, C.B.E., FRS." Astrophysics and Space Science 237, no. 1-2 (1996): 3–9. http://dx.doi.org/10.1007/bf02424423.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Schmalensee, Richard. "Nonlinear Pricing. Robert B. Wilson." Journal of Political Economy 102, no. 6 (1994): 1288–91. http://dx.doi.org/10.1086/261972.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Tollestrup, Alvin V. "Robert Rathbun Wilson (1914–2000)." Nature 404, no. 6776 (2000): 350. http://dx.doi.org/10.1038/35006208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Davis, Erik. "Profane Illuminations: Robert Anton Wilson’s Hedonic Ascesis." Gnosis: Journal of Gnostic Studies 6, no. 2 (2021): 209–32. http://dx.doi.org/10.1163/2451859x-12340113.

Full text

Abstract:

Abstract The writer Robert Anton Wilson (1932–2007) played a significant intellectual role in the American counterculture in the late 1970s, 1980s, and 1990s. Drawing from a wide range of discourses, as well as his own occultural fictions and personal experiments in “hedonic engineering,” Wilson presented a pluralistic view of reality that combined a pragmatic skepticism with a creative and esoteric embrace of the “meta-programming” possibilities of altered states of consciousness. In his 1975 Illuminatus! trilogy, written with Robert Shea, Wilson wove anarchist, psychedelic, and occult themes

APA, Harvard, Vancouver, ISO, and other styles

14

Barcelos, Carolina Montebelo. "O arranjo arquitetônico de Robert Wilson." ouvirOUver 16, no. 2 (2020): 569–81. http://dx.doi.org/10.14393/ouv-v16n2a2020-57753.

Full text

Abstract:

Este estudo procura analisar, no contexto do teatro contemporâneo, a dramaturgia visual, o chamado “teatro de imagem” do encenador norte-americano Robert Wilson, através das montagens de “A dama do mar”, no SESC Pinheiros, em 2013, e de “Shakespeare Sonnets’, no Berliner Ensemble, em 2009. Desse modo, são examinados o uso do espaço, do cenário e objetos de cena, da luz, do som ou música e do movimento do ator, em um teatro estes elementos são destacados, em detrimento do aspecto textual. Para fins de análise, procura-se inicialmente discutir os conceitos de pós-dramático, operado por Lehmann,

APA, Harvard, Vancouver, ISO, and other styles

15

Staehler, Helena Cecilia Carnieri. "AS VANGUARDAS NO TEATRO VISUAL DE ROBERT WILSON." Pontos de Interrogação — Revista de Crítica Cultural 7, no. 1 (2017): 69. http://dx.doi.org/10.30620/p.i..v7i1.3931.

Full text

Abstract:

Na obra do diretor teatral Robert Wilson percebe-se a afluência de inúmeras correntes artísticas tanto das artes cênicas quanto da literatura, pintura, escultura e do cinema, num diálogo intermidiático constante. Destacam-se relações e homenagens aos mestres da vanguarda histórica. O ensaio traz um breve panorama da obra e/ou pensamento de criadores como Antonin Artaud, Adolphe Appia e Gertrude Stein, artistas que formaram, em sua modernidade, as bases do que seria aprofundado no contemporâneo. Robert Wilson, a vanguarda dos anos 1960, abraça essas referências literárias e muitas outras das ár

APA, Harvard, Vancouver, ISO, and other styles

16

Arens, Katherine. "Robert Wilson: Is Postmodern Performance Possible?" Theatre Journal 43, no. 1 (1991): 14. http://dx.doi.org/10.2307/3207948.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Rizkalla, James M., Scott J. B. Nimmons, Fabian Polo, and Alan L. Jones. "Robert Wilson Jackson, MD (1932–2010)." Baylor University Medical Center Proceedings 33, no. 1 (2019): 146–48. http://dx.doi.org/10.1080/08998280.2019.1681815.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Owen, Louise. "Robert Wilson,Walking(Holkham Estate, 2012)." Contemporary Theatre Review 23, no. 4 (2013): 568–73. http://dx.doi.org/10.1080/10486801.2013.839177.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Shampo, Marc A., and Robert A. Kyle. "Robert Wilson—1978 Nobel Prize Winner." Mayo Clinic Proceedings 69, no. 4 (1994): 340. http://dx.doi.org/10.1016/s0025-6196(12)62218-6.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Salman and Dr. Rani Tiwari. "Use of Conspiracy Theories in The Illuminatus! Trilogy by Robert Anton Wilson and Robert Shea." Creative Launcher 7, no. 6 (2022): 210–17. http://dx.doi.org/10.53032/tcl.2022.7.6.24.

Full text

Abstract:

Robert Anton Wilson and Robert Shea both have been influenced by anarchism, Discordianism and conspiracy theories. They both use conspiracy theories about Illuminati, knights Templars, Freemasons and New World Order, anti-semitism, end time prophecies of the Bible and world domination plans etc. Their main genre of writing is conspiracy fiction. Conspiracy fiction is a sub-genre of thriller fiction. Both the authors have filled their works with various types of conspiracy theories and thrilling feel. The focus of the present research paper is on the use of conspiracy theories in The Illuminatu

APA, Harvard, Vancouver, ISO, and other styles

21

Oliver, Josep. "Reseña de "Bitch Planet 1" de Kelly Sue DeConnick, Valentine de Landro, Robert Wilson IV y Cris Peter." CuCo, Cuadernos de cómic, no. 8 (June 30, 2017): 192–94. http://dx.doi.org/10.37536/cuco.2017.8.1255.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Wilink, Andreas. "Ich, ich, ich und noch einige mehr." Theater heute 63, no. 8-9 (2022): 34–35. http://dx.doi.org/10.5771/0040-5507-2022-8-9-034.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Hirsch, Jerry. "Rose succeeds where Wilson fails." Behavioral and Brain Sciences 22, no. 5 (1999): 895–96. http://dx.doi.org/10.1017/s0140525x99332209.

Full text

Abstract:

Rose's accomplishment in combining ontological unity with epistemological diversity contrasts it with Wilson's failure in overemphasizing the former and not appreciating the latter. This commentary cites the two most authoritative discussions of the inapplicability of heritability to human data, corrects several historical errors or inaccuracies in genetics, and criticizes the characterizations of Jacques Loeb and Robert Plomin.

APA, Harvard, Vancouver, ISO, and other styles

24

Wilson, Robert. "Robert Wilson and Umberto Eco: A Conversation." Performing Arts Journal 15, no. 1 (1993): 87. http://dx.doi.org/10.2307/3245801.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Dyck, Erica. "Robert A. Wilson, The Eugenic Mind Project." Social History of Medicine 32, no. 1 (2018): 213–14. http://dx.doi.org/10.1093/shm/hky112.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Bathrick, David. "Robert Wilson, Heiner Müller, and the Preideological." New German Critique 33, no. 2 (2006): 65–76. http://dx.doi.org/10.1215/0094033x-2006-004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Shyer, Laurence. "Robert Wilson: the CIVIL warS and After." Theater 16, no. 3 (1985): 71–80. http://dx.doi.org/10.1215/01610775-16-3-71.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Banks, Michael. "Arno Penzias: Nobel laureate dies aged 90." Physics World 37, no. 3 (2024): 11i. http://dx.doi.org/10.1088/2058-7058/37/03/12.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Malka, Liora. "La danse ou la mort : l’art de la terreur sans le sang." Protée 27, no. 1 (2005): 47–52. http://dx.doi.org/10.7202/030540ar.

Full text

Abstract:

La vidéo de Robert Wilson, La Mort de Molière, contient quatre scènes où l’action peut être identifiée à une danse. Bien qu’une danse communique toujours l’image d’un corps humain en mouvement, cette production de Wilson génère une distinction et, par la suite, une interaction entre un corps dansant et d’autres images du corps, celles entre autres du corps de Molière mourant. Mon analyse porte plus spécifiquement sur ces interrelations entre le corps dansant et le corps mourant, afin de mieux comprendre celles entre le monde fictionnel de Molière et l’univers esthétique de Wilson.

APA, Harvard, Vancouver, ISO, and other styles

30

Haucap, Justus. "Auktionen in Theorie und Praxis." WiSt - Wirtschaftswissenschaftliches Studium 49, no. 12 (2020): 36–42. http://dx.doi.org/10.15358/0340-1650-2020-12-36.

Full text

Abstract:

Der Alfred-Nobel-Gedächtnispreis für Wirtschaftswissenschaften 2020 ist an die Auktionstheoretiker Robert Wilson und Paul Milgrom gegangen. Unser Autor Justus Haucap würdigt die Preisträger für ihre Forschungsleistungen.

APA, Harvard, Vancouver, ISO, and other styles

31

Schultz, Laura Luise. "Heiner Goebbels: Perceptionens drama." Peripeti 9, no. 18 (2012): 101–5. http://dx.doi.org/10.7146/peri.v9i18.107360.

Full text

Abstract:

I et portæt af den tyske komponist og instruktør Heiner Goebbels trækker Laura Luise Schultz forbindelser mellem Goebbels' arbejder og b.la. Robert Wilson, Gertrude Stein, Heiner Müller og Bertolt Brecht.

APA, Harvard, Vancouver, ISO, and other styles

32

Rommen, Ann-Christin. "Ann-Christin Rommen in conversation with Maria Shevtsova Experiencing the Movement: Working with Robert Wilson." New Theatre Quarterly 23, no. 1 (2007): 58–66. http://dx.doi.org/10.1017/s0266464x06000637.

Full text

Abstract:

Ann-Christin Rommen began to work with Robert Wilson in 1983 with The CIVIL warS. Her long collaboration with him since then has included more than thirty productions, most recently her co-direction of Dreamplay (Stockholm, 1998), Woyzeck (Copenhagen, 2000), Peer Gynt (Oslo, 2005), and The Winter's Tale (Berlin, 2005). She also has her own company in Germany, Codanza, which combines contemporary dance and early music, and whose work has been seen in Europe, Asia, and Australia. In this interview with Maria Shevtsova, which began in Oslo on 7 February 2005, Ann-Christin Rommen offers insights i

APA, Harvard, Vancouver, ISO, and other styles

33

Holmberg, Arthur. "A Conversation with Robert Wilson and Heiner Müller." Modern Drama 31, no. 3 (1988): 454–58. http://dx.doi.org/10.3138/md.31.3.454.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Goldwasser, Edwin L. "A Man for All Seasons: Robert R. Wilson." Reviews of Accelerator Science and Technology 02, no. 01 (2009): 303–12. http://dx.doi.org/10.1142/s1793626809000259.

Full text

Abstract:

Robert R. Wilson was the brilliant designer, builder and founding director of the Fermi National Accelerator Laboratory with its series of high-energy physics particle accelerators providing collision energies of 200, 400 and 2,000 GeV, the most powerful facilities in their class over a period of 40 years. He undertook the "impossible" and succeeded. With untrammeled courage he challenged the establishment as he bypassed many conventional practices in accelerator design, construction and cost control. With his remarkable talents he addressed a wide range of important aspects of the relationshi

APA, Harvard, Vancouver, ISO, and other styles

35

Petroski, Henry. "Robert Wilson: Fermilab's Master Physicist, Sculptor, and Engineer." American Scientist 103, no. 3 (2015): 170. http://dx.doi.org/10.1511/2015.114.170.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Bókay, Antal. "Szophoklész, Freud és Robert Wilson Oidipusz posztdramatikus színjátékai." Theatron 17, no. 3 (2023): 148–69. http://dx.doi.org/10.55502/the.2023.3.148.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Adinda, Fathu Rahman, Andi Muhammad Akhmar, and Inriati Lewa. "Theater I La Galigo by Director Robert Wilson: A Linguistic Study." Theory and Practice in Language Studies 13, no. 7 (2023): 1785–91. http://dx.doi.org/10.17507/tpls.1307.23.

Full text

Abstract:

The literary work I La Galigo is an ancient book in the form of poetry that contains the myth of the creation of the Buginese civilization which was crowned by UNESCO as World Memory. Literary reading of I La Galigo is done while singing Laoang or Selleang songs. In fact, its existence is increasingly disappearing in the life of the Buginese Society today. I La Galigo then returned and attracted international attention after director Robert Wilson presented it in the form of a play written by Rhoda Grauer. By presenting a story about the process of the formation of the world as well as the lon

APA, Harvard, Vancouver, ISO, and other styles

38

Aronson-Lehavi, Sharon. "« Tout leur art est pure grimace ». Le personnage du médecin dans l'oeuvre de Wilson." Protée 27, no. 1 (2005): 81–86. http://dx.doi.org/10.7202/030546ar.

Full text

Abstract:

Cet article porte sur le personnage du docteur dans La Mort de Molière de Robert Wilson et de Heiner Müller. Mon argument principal est que toutes ses apparitions dans la vidéo sont de complexes citations de ce personnage de Molière qu’est Sganarelle, qui s’habille en docteur dans de nombreuses pièces pour porter un regard critique sur cette profession. C’est un des procédés ironiques que Wilson utilise pour montrer l’impuissance de la médecine à aider un Molière moribond. D’un point de vue stylistique, cette relation intertextuelle montre que l’esthétique de Wilson et ses mondes surréalistes

APA, Harvard, Vancouver, ISO, and other styles

39

King, Carolyn. "Monuments to Edward Wilson in Cheltenham." Polar Record 46, no. 2 (2010): 184–85. http://dx.doi.org/10.1017/s0032247409990544.

Full text

Abstract:

Edward Adrian Wilson was born in Cheltenham, Gloucestershire, England on 23 July 1872. He attended Cheltenham College and then proceeded to Cambridge where he read natural sciences and to St George's Hospital, London where he trained in medicine. His name is best known because of his participation in Robert Falcon Scott's Antarctic expeditions of. 1901–1904 and 1910–1913. He reached the South Pole with Scott on 17 January 1912 and died with him on the return journey on or after 29 March 1912.

APA, Harvard, Vancouver, ISO, and other styles

40

Lewis-Smith, Ronald I. "The Barrier Silence by Edward A. Wilson." Polar Record 54, no. 1 (2018): 1–10. http://dx.doi.org/10.1017/s0032247417000614.

Full text

Abstract:

ABSTRACTThe drafting, publishing and subsequent reproduction of Edward Wilson's evocative and sinisterly premonitory poem, The Barrier Silence, is examined. It was written in October 1911 for Part 3 of the South Polar Times (SPT), Vol. 3, prepared and ‘published’ at Robert Falcon Scott's British Antarctic (Terra Nova) Expedition hut at Cape Evans, Ross Island, shortly before Wilson, Scott and three other members set off on the ill-fated South Pole journey. Wilson contributed most of the illustrative material for all three volumes of the SPT, but this poem is the only written article attributed

APA, Harvard, Vancouver, ISO, and other styles

41

Teytelboym, Alexander, Shengwu Li, Scott Duke Kominers, Mohammad Akbarpour, and Piotr Dworczak. "Discovering Auctions: Contributions of Paul Milgrom and Robert Wilson*." Scandinavian Journal of Economics 123, no. 3 (2021): 709–50. http://dx.doi.org/10.1111/sjoe.12441.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Halperin-Royer, Ellen. "Robert Wilson and the Actor: Performing in Danton's Death." Theatre Topics 8, no. 1 (1998): 73–91. http://dx.doi.org/10.1353/tt.1998.0004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Ahlström, G. W. "Prophecy and Society in Ancient Israel. Robert R. Wilson." Journal of Near Eastern Studies 44, no. 3 (1985): 217–20. http://dx.doi.org/10.1086/373132.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

May, Karen, and George Lewis. "‘A kind of suicide’? Errors and misconceptions in Roland Huntford's account of the last days of Scott's polar party." Polar Record 50, no. 2 (2013): 156–64. http://dx.doi.org/10.1017/s0032247413000041.

Full text

Abstract:

ABSTRACTIn writing and interviews Roland Huntford has stated that at the end of his life Captain Robert Falcon Scott ‘probably’ had no reason to wish to survive, and that he ‘persuaded’ Dr Edward A. Wilson and Lieutenant Henry Bowers to remain in the tent with him when they could have gone forward. This commentary demonstrates that Huntford's interpretation of events shows a serious misunderstanding of the primary sources and historical context; that Wilson and Bowers could not have survived had they gone forward, a fact which Huntford himself understands; and that Scott had extremely strong m

APA, Harvard, Vancouver, ISO, and other styles

45

INNES, CHRISTOPHER. "Puppets and Machines of the Mind: Robert Lepage and the Modernist Heritage." Theatre Research International 30, no. 2 (2005): 124–38. http://dx.doi.org/10.1017/s0307883305001136.

Full text

Abstract:

The work of Robert Lepage is examined in the context of the avant-garde, from Robert Wilson and Peter Brook, through the French Surrealists, back to Edward Gordon Craig. As well as being an icon of post-modernism, analysis of productions such as Needles and Opium, Elsinore and Zulu Time show the degree to which Lepage has realized Craig's ideals of the Übermarionette, and his screens, as well as ‘Scene’, his concept of a flexible, mechanized performance space. What this demonstrates is the unity of the modernist movement throughout the twentieth century.

APA, Harvard, Vancouver, ISO, and other styles

46

Brown, Kevin. "Edward Adrian Wilson (1872–1912): polar explorer and artist." Journal of Medical Biography 20, no. 4 (2012): 169–72. http://dx.doi.org/10.1258/jmb.2012.012061.

Full text

Abstract:

Dr Edward Wilson was a polar explorer who accompanied Robert Falcon Scott (1868–1912) on his expeditions to Antarctica in 1900 and 1910. He went with Scott to the South Pole and died with him on the return journey in 1912. Although medically qualified, he is now remembered more as a naturalist and as a talented artist recording the Antarctic expeditions.

APA, Harvard, Vancouver, ISO, and other styles

47

Kersten, Luke. "Music and Cognitive Extension." Empirical Musicology Review 9, no. 3-4 (2015): 193. http://dx.doi.org/10.18061/emr.v9i3-4.4315.

Full text

Abstract:

<p class="Default">Extended cognition holds that cognitive processes sometimes leak into the world (Dawson, 2013). A recent trend among proponents of extended cognition has been to put pressure on phenomena thought to be safe havens for internalists (Sneddon, 2011; Wilson, 2010; Wilson &amp; Lenart, 2014). This paper attempts to continue this trend. It is argued that because music perception is as part of a locationally wide computational system, it is an extended process. In articulating the view, the work of J.J Gibson (1966, 1986) and Robert Wilson (1994b, 1995, 2004) is drawn on.

APA, Harvard, Vancouver, ISO, and other styles

48

Haucap, Justus. "Das optimale Design von Auktionen als Teil einer modernen Ordnungspolitik: Zum Ökonomie-Nobelpreis 2020 für Robert Wilson und Paul Milgrom." ORDO 71, no. 1 (2020): 347–62. http://dx.doi.org/10.1515/ordo-2021-0015.

Full text

Abstract:

Zusammenfassung Der Beitrag beschreibt und würdigt die auktionstheoretische Forschung von Robert Wilson und Paul Milgrom, die gemeinsam im Jahr 2020 für ihre Beiträge zur Auktionstheorie und die Entwicklung neuer Auktionsformate mit dem Ökonomie-Nobelpreis ausgezeichnet wurden. Nach einer kurzen Darstellung wichtiger elementarer Auktionsformen werden konkret die Beiträge der beiden Laureaten diskutiert. Im Fazit kommt der Beitrag zu dem Ergebnis, dass das Forschungsprogramm von Milgrom und Wilson zum sog. Marktdesign keineswegs im Gegensatz zur Ordnungspolitik steht, sondern vielmehr selbst Te

APA, Harvard, Vancouver, ISO, and other styles

49

Armstrong, Gordon. "Images in the Interstice: The Phenomenal Theater of Robert Wilson." Modern Drama 31, no. 4 (1988): 572–87. http://dx.doi.org/10.3138/md.31.4.572.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Armstrong, Gordon S. "Images in the Interstice: The Phenomenal Theater of Robert Wilson." Modern Drama 31, no. 4 (1988): 571–87. http://dx.doi.org/10.1353/mdr.1988.0050.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!