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Journal articles on the topic 'Robin Hood (Legend)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Hash, Sadie. "A Review of Robin Hood Scholarship Published in 2017-2018." Bulletin of the International Association for Robin Hood Studies 3, no. 1 (2021): 23–33. http://dx.doi.org/10.33043/biarhs.3.1.23-33.

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This article provides an overview of the Robin Hood scholarship published in 2017 and 2018. The material covered a wide range of topics and demonstrates the depth inherent in medieval studies, medievalism studies, and adaptation studies, as well as in examinations of publishing, reading, and performance practices from the medieval period to the twentieth century. While most of the scholarship considered the interaction between the Robin Hood legend and politics, the approaches to analysis and texts explored are quite diverse. As demonstrated by many scholars, revisiting and reexamining general

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2

Martone, Eric. "Treacherous ‘Saracens’ and Integrated Muslims: The Islamic Outlaw in Robin Hood’s Band and the Re- Imagining of English National Identity, 1800 to the Present." Miscelánea: A Journal of English and American Studies 40 (December 31, 2009): 53–76. http://dx.doi.org/10.26754/ojs_misc/mj.20099662.

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Robin Hood, as a popular fictional narrative of history, has played a significant role in the development of modern social cohesion and what it means to be English. A Muslim character who becomes a member of Robin’s band is one of the most overlooked additions to the evolving Robin Hood legend since 1800 in regard to its impact on shaping English identity. In this article, I propose two interpretive arguments that are unique to studies on Robin Hood. First, the different Muslim characters, despite their diverse names, constitute variations of the same character, which has become a fixture in t

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3

Marshall, John. "Robin Hood: Legend and Reality by David Crook." Arthuriana 31, no. 3 (2021): 84–86. http://dx.doi.org/10.1353/art.2021.0027.

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4

Donaldson, Mark-Allan. "Robin Hood: Legend and Reality by David Crook." Comitatus: A Journal of Medieval and Renaissance Studies 53, no. 1 (2022): 243–45. http://dx.doi.org/10.1353/cjm.2022.0013.

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5

Reid, Jennifer A. "“Of Robyn-hood and of His Traine": Competition, Combat, and Experimentation in Early Modern Robin Hood Drama." Romard 59 (2022): 39–66. http://dx.doi.org/10.32773/fatc5674.

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This article asks what cultural work is done by different types of Robin Hood performance in early modern England, examining how specific instances of Robin Hood plays and games differ from each other in form, function, and meaning. It examines dramatic and festal activities during the late medieval and early modern period, focusing approximately on the years 1500-1625. A varied corpus of evidence exists illustrating the volume and diversity of Robin Hood activities, ranging from largely unscripted contests and processional activities undertaken at a parish level; to brief, semi-improvisationa

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6

Clouet, Richard. "The Robin Hood legend and its cultural adaptation for the film industry : comparing literary sources with filmic representations." Journal of English Studies 3 (May 29, 2002): 37. http://dx.doi.org/10.18172/jes.68.

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The legend of Robin Hood has been going strong for over 600 years. In that time, the English hero has been a medieval revolutionary, an earl in Renaissance drama, a Saxon freedom fighter in the XVIIIth and XIXth centuries or a courteous robber. Nowadays the hero is especially known as a famous romantic film star. This paper is about the way the legendary hero has been interpreted over the centuries and the medieval texts translated and adapted to suit the taste of the new audience. This capacity of adaptation in the Robin Hood legend has been demonstrated in the twentieth century through the v

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7

Moberly, Kevin, and Brent Moberly. "What Wouldn't Robin Do?" Bulletin of the International Association for Robin Hood Studies 6, no. 1 (2025): 22–51. https://doi.org/10.33043/biarhs.6.1.22-51.

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This essay explores how burgeoning gaming communities and hacker networks of the 1970s to the 1990s created a form of “outlaw” ethics that directly invoked Robin Hood as a model for anti-corporate resistance. Gamers and hackers sought to relieve popular anxieties related to digital high technology by figuring hacking as a means through which defiant individuals could revive a revolutionary heroism from a fictional medieval past. This link between rogue technology use and medievalism is apparent in the gameplay of Christy Marx’s 1991 video game Conquests of the Longbow: The Legend of Robin Hood

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Mayer, Lauryn. "Reel Fury: White Fragility and the Backlash Against Bathurst’s Robin Hood." Bulletin of the International Association for Robin Hood Studies 3, no. 1 (2021): 10–22. http://dx.doi.org/10.33043/biarhs.3.1.10-22.

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This article takes as its starting point the furious backlash against Otto Bathhurst’s 2018 remaking of the Robin Hood legend, noting the visceral disgust the film evoked in many viewers despite film critics’ generally favorable reviews. Taking a cue from Julia Kristeva’s work on the abject and Michael Kimmel’s work on white “aggrieved entitlement,” the essay teases out two interconnected threads that constitute sufficient threats to motivate these feelings of disgust and horror in the 2018 Robin Hood: the destruction of a reel racial hierarchy, and the threat to white supremacy posed by the m

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9

Blake, N. F., and Lois Potter. "Playing Robin Hood: The Legend as Performance in Five Centuries." Modern Language Review 95, no. 3 (2000): 796. http://dx.doi.org/10.2307/3735508.

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10

Knight, Stephen. "Robin Hood: The Shaping of the Legend. Jeffrey L. Singman." Speculum 75, no. 4 (2000): 987–89. http://dx.doi.org/10.2307/2903599.

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11

De Ville, Oscar. "The Deyvilles and the Genesis of the Robin Hood Legend." Nottingham Medieval Studies 43 (January 1999): 90–109. http://dx.doi.org/10.1484/j.nms.3.295.

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12

Bush, Elizabeth. "The Legend of Hong Kil Dong: The Robin Hood of Korea (review)." Bulletin of the Center for Children's Books 60, no. 2 (2006): 87–88. http://dx.doi.org/10.1353/bcc.2006.0640.

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13

Francis, Kersti. "Assassin's Creed - Nottingham." Bulletin of the International Association for Robin Hood Studies 6, no. 1 (2025): 52–63. https://doi.org/10.33043/biarhs.6.1.52-63.

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The Assassin’s Creed video-game series has, to date, never explicitly featured Robin Hood as a character in a game. Nevertheless, the series seems to model its principal player-characters on historian Eric Hobsbawm’s definition of the Noble Robber, whose role as a “social bandit” is, according to Hobsbawm, best illustrated in modern conceptions of the legendary outlaw’s relationship to peasants. In each Assassin’s Creed game, the nine traits of the Noble Robber ground the player-characters’ titular Creed and the overarching objectives within the game; these traits are also evident in game mech

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14

Rückert, Magdalena. "Young Cereal Scientists Explore Nottingham and the Robin Hood Legend at 12th EYCSTW." Cereal Foods World 58, no. 4 (2013): 214–15. http://dx.doi.org/10.1094/cfw-58-4-0214.

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15

Shirokova, Marina Alekseevna. "Christian discourse of the English series «Robin of Sherwood» (1984–1986) and its reflection in the modern literary internet space of Russia (Article two)." Философия и культура, no. 7 (July 2024): 56–68. http://dx.doi.org/10.7256/2454-0757.2024.7.71276.

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The author continues the research begun in the previous article («Philosophy and Culture», 2023, No. 11). The subject of the study is the Christian discourse of the English TV series «Robin of Sherwood» (1984–1986). The texts under study are the narrative of the series «Robin of Sherwood», as well as a complex of documents, articles and video materials dedicated to the film. Works of fiction based on the series in the Russian-language literary Internet space are also analyzed, mainly the fan story «Alone in Wykeham or the Gratitude of a Former Templar», which is considered as the most Christia

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16

Ward, Renée. "David Crook. Robin Hood: Legend and Reality. Woodbridge: Boydell Press, 2020. Pp 298. $99.00 (cloth)." Journal of British Studies 62, no. 3 (2023): 772–74. http://dx.doi.org/10.1017/jbr.2023.87.

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17

Coss, Peter. "David Crook, Robin Hood: Legend and Reality. Woodbridge, UK: Boydell, 2020. Pp. xiv, 298; black-and-white figures. $99. ISBN: 978-1-7832-7543-4." Speculum 97, no. 4 (2022): 1177–78. http://dx.doi.org/10.1086/721939.

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18

Breeze, Andrew. "Andrew James Johnston, Beowulf Global: Konstruktionen historisch-kultureller Verflechtungen im altenglischen Epos. Zürich: Chronos Verlag. 2022, 70 pp." Mediaevistik 35, no. 1 (2022): 428–29. http://dx.doi.org/10.3726/med.2022.01.83.

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Abstract An instructor at Berlin’s Free University, who has analyzed “Robin auf der Leinwand” in his Robin Hood: Geschichte einer Legende (Munich 2013) and co-edited The Medieval Motion Picture: The Politics of Adaptation (New York 2014), now focuses on Beowulf. In three lectures (given at Zurich) he deals with its international setting, styled as “tatsächlich kosmopolitisch” (p. 16). The theme is promising, as he relates it to physical entities: a Roman mosaic “auf dem Orpheus abgebildet” (p. 20) at Bath; Sutton Hoo; a sword-hilt described in Beowulf as wyrmfah (“having snake-like ornaments”)

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19

Mariz, George, and Stephanie L. Barczewski. "Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood." Albion: A Quarterly Journal Concerned with British Studies 33, no. 2 (2001): 328. http://dx.doi.org/10.2307/4053409.

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20

Kiernan, V. G. "Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood, Stephanie L. Barczewski." English Historical Review 116, no. 465 (2001): 252–53. http://dx.doi.org/10.1093/enghis/116.465.252.

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21

Kiernan, V. G. "Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood, Stephanie L. Barczewski." English Historical Review 116, no. 465 (2001): 252–53. http://dx.doi.org/10.1093/ehr/116.465.252.

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22

Lupack, Alan. "Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood by Stephanie L. Barczewski." Arthuriana 10, no. 4 (2000): 65–66. http://dx.doi.org/10.1353/art.2000.0065.

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23

Simmons, Clare A. "Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood. Stephanie L. Barczewski.Romanticism, Aesthetics, and Nationalism. David Aram Kaiser." Wordsworth Circle 31, no. 4 (2000): 199–201. http://dx.doi.org/10.1086/twc24044810.

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24

Wiener, Martin. "Myth and National Identity in Nineteenth‐Century Britain: The Legends of King Arthur and Robin Hood. By Stephanie L. Barczewski. Oxford: Oxford University Press, 2000. Pp. viii+274. $65.00." Journal of Modern History 73, no. 3 (2001): 673–75. http://dx.doi.org/10.1086/339103.

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25

Mark, George. "Stephanie L. Barczewski. Myth and National Identity in Nineteenth-Century Britain: the Legends of King Arthur and Robin Hood. New York: Oxford University Press. 2000. Pp. viii, 274. $65.00. ISBN 0-19-820728-X." Albion 33, no. 02 (2001): 328–30. http://dx.doi.org/10.1017/s0095139000067491.

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26

Birkett, Jennifer, R. C. Richardson, Richmond Barbour, et al. "Reviews: Encyclopaedia of Historians and Historical Writing, Turks, Moors, and Englishmen in the Age of Discovery, Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780, Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood, the Debate on the American Civil War Era, under Western Eyes: India from Milton to Macaulay, Realms of Memory: The Construction of the French Past. Volume III: Symbols, Literary Journals in Imperial Russia, Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and its Academies, Railways and the Victorian Imagination, Virginia Woolf: Icon, Gertrude Stein: Modernism, and the Problem of ‘Genius’, History of Suicide: Voluntary Death in Western Culture, English Literature of the 1920s, the Vices of Integrity: E. H. Carr 1892–1982, Literary Theory from Plato to Barthes: An Introductory History, Why History? Ethics and PostmodernityBoydKelly (ed.), Encyclopaedia of Historians and Historical Writing , Fitzroy Dearborn, 1999, 2 vols, I: pp. xl + 742; II: pp. xxxii + 820, £175.MatarNabil Turks, Moors, and Englishmen in the Age of Discovery , Columbia University Press, 1999, pp. xi+268, $32.50.EstabrookCarl B., Urbane and Rustic England: Cultural Ties and Social Spheres in the Provinces, 1660–1780 , Manchester University Press, 1998, pp. xiv + 317, £49.00.BarczewskiStephanie L., Myth and National Identity in Nineteenth-century Britain: The Legends of King Arthur and Robin Hood , Oxford University Press, 2000, pp. 267, £40.TullochHugh, The Debate on the American Civil War Era , Manchester University Press, 1999, pp. xi + 255, £45.00, £14.99 pb.RajanBalachandra, Under Western Eyes: India from Milton to Macaulay , Duke University Press, 1999, pp. 288, £34, £11.95 pb.NoraPierre, Realms of Memory: The Construction of the French Past. Volume III: Symbols , Columbia University Press, n.d. [1998], pp. xii + 751, £31.95.MartinsenDeborah A. (ed.), Literary Journals in Imperial Russia , Cambridge Studies in Russian Literature, Studies of the Harriman Institute, Columbia University, Cambridge University Press, 1997 pp. xiv + 265, $64.95.DohertyThomas, Criticism and Modernity: Aesthetics, Literature, and Nations in Europe and its Academies , Oxford University Press, 1999, pp. vi + 248, £40.00.FreemanMichael, Railways and the Victorian Imagination , Yale University Press, 1999, pp. 271, £25.FletcherA. and HusseyS. (eds), Childhood in Question: Children, Parents and the State , Manchester Univesity Press, 1999 pp. 177, £12.99 pb.SilverBrenda, Virginia Woolf: Icon , University of Chicago Press, 2000, pp. 324, $19.WiltBarbara, Gertrude Stein: Modernism, and the Problem of ‘Genius’ , Edinburgh University Press, 2000, pp. 180, £40.MinoisGeorges, History of Suicide: Voluntary Death in Western Culture , trans. CochraneLydia G., Johns Hopkins University Press, 1999, pp. 387, £30.AyersDavid, English Literature of the 1920s , Edinburgh University Press, 1999, pp. 223, £40.HaslamJonathan, The Vices of Integrity: E. H. Carr 1892–1982 , Verso Press, 1999, pp. 306, £25.HarlandRichard, Literary Theory from Plato to Barthes: An Introductory History , Macmillan Press, 1999, pp. xiii + 302, £14.99 pb.JenkinsKeith, Why History? Ethics and Postmodernity , Routledge, 1999, pp. 232, £12.99." Literature & History 10, no. 1 (2001): 70–92. http://dx.doi.org/10.7227/lh.10.1.7.

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27

Jardine, Michael, Barbara Yorke, Philip Cardew, et al. "Reviews: History in Transit: Experience, Identity, Critical Theory, Families of the King, Writing Identity in the, a History of Old English Literature, Imagining Robin Hood, Elizabethan Triumphal Processions, Shakespeare: National Poet-Playwright, Shakespeare and Republicanism, Literature, Gender and Politics during the English Civil War, Widows and Suitors in Early Modern English Comedy, Marriage in Seventeenth-Century English Political Thought, Gentility and the Comic Theatre of Late Stuart London, Reading Sex in the Eighteenth Century: Bodies and Gender in English Erotic Culture, the Poor Indians: British Missionaries, Native Americans, and Colonial Sensibility, between East and West. Polish and Russian Nineteenth-Century Travel in the Orient, Reinventing King Arthur. The Arthurian Legends in Victorian Culture, Imagining London, 1770–1900, Friendship's Bonds. Democracy and the Novel in Victorian England, the Parlour and the Suburb. Domestic Identities, Class, Femininity and Modernity, History and Representation in Ford Madox Ford's Writings, Ford Madox Ford and the Regiment of Women: Violet Hunt, Jean Rhys, Stella Bowen, Janice Biala, New Woman Hybridities: Femininity, feminism and International consumer Culture, 1880–1930, Teaching the Representation of the Holocaust, E.H. Carr: A Critical Appraisal, Realism and Naturalism: The Novel in an Age of Transition, ‘To Hell with Culture’: Anarchism and Twentieth-Century British Literature, Gender, Work and Education in Britain in the 1950sLa CapraDominick, History in Transit: Experience, Identity, Critical Theory , (Cornell University Press, Cornell and London, 2004), pp. xi + 274, £28.95, £11.50 pb.SheppardAlice, Families of the King, Writing Identity in the Anglo-Saxon Chronicle, University of Toronto Press2004, pp. 266, $70.FulkR.D. and CainChristopher M., A History of Old English Literature , Blackwell, 2002, pp. 346, £40.PollardA. J., Imagining Robin Hood , Routledge, 2004, pp. xvi + 272, £15.99.LeahyWilliam, Elizabethan Triumphal Processions , Ashgate, 2005, pp. viii + 171, £40.00.CheneyPatrick, Shakespeare: National Poet-Playwright , Cambridge University Press, 2004, pp. xv + 319, £45.HadfieldAndrew, Shakespeare and Republicanism , Cambridge University Press, 2005, pp. xiv + 363, £48.PurkissDianne, Literature, Gender and Politics during the English Civil War , Cambridge University Press, 2005, pp. vi + 300, £48.PanekJennifer, Widows and Suitors in Early Modern English Comedy , Cambridge University Press, 2004, pp. x + 243, £45PetersBelinda Roberts, Marriage in Seventeenth-Century English Political Thought , Palgrave Macmillan, 2004, pp. ix + 243, £45.00.DawsonMark S., Gentility and the Comic Theatre of Late Stuart London , Cambridge University Press, 2005, pp. xvi + 300, £48.HarveyKaren, Reading Sex in the Eighteenth Century: Bodies and Gender in English Erotic Culture , Cambridge University Press, 2004, pp. 265, £45.StevensLaura M., The Poor Indians: British Missionaries, Native Americans, and Colonial Sensibility , University of Pennsylvania Press, 2004, pp. 264, $39.95.KalinowskaIzabela, Between East and West. Polish and Russian Nineteenth-Century Travel in the Orient , University of Rochester Press, 2004, pp. 200, £50.BrydenInga, Reinventing King Arthur. The Arthurian Legends in Victorian Culture , Ashgate, 2005, pp. 182, £40.RobinsonAlan, Imagining London, 1770–1900 , Palgrave, 2004, pp. xix + 291, £55.DellamoraR., Friendship's Bonds. Democracy and the Novel in Victorian England , University of Pennsylvania Press, 2004, pp. 252, illustrated, $47.50.GilesJudy, The Parlour and the Suburb. Domestic Identities, Class, Femininity and Modernity , Berg, 2004, pp. ix + 197, £15.99 pb.WiesenfarthJoseph (ed.), History and Representation in Ford Madox Ford's Writings , International Ford Madox Ford Studies Volume 3, Rodopi, 2004, pp. xi + 241, £34 pbWiesenfarthJoseph, Ford Madox Ford and the Regiment of Women: Violet Hunt, Jean Rhys, Stella Bowen, Janice Biala , University of Wisconsin Press, 2005, 30 plates, pp. xvi + 217, $34.95.HeilmannAnn and BeethamMargaret (eds), New Woman Hybridities: Femininity, feminism and international consumer culture, 1880–1930 , (Routledge Transatlantic Perspectives on American Literature), Routledge, 2004, pp. xv + 279, £63.HirschMarianne and KacandesIrene, Teaching the Representation of the Holocaust , New York, Modern Languages Association of America, 2004, pp. viii + 509, $22 pb.CoxM. (ed.), E.H. Carr: a critical appraisal , Palgrave Macmillan, 2004, pp. xxii + 352, £68, £19.99 pb.LehanRichard, Realism and Naturalism: The Novel in an Age of Transition , University of Wisconsin Press, 2005, pp. xxxiv + 312, $60.KlausH. Gustav and KnightStephen (eds), ‘To Hell with Culture‘: Anarchism and Twentieth-Century British Literature , University of Wales Press, 2005, pp. 214, £40.SpencerStephanie, Gender, Work and Education in Britain in the 1950s , Palgrave Macmillan, 2005, pp. xii + 253, £55.00." Literature & History 15, no. 2 (2006): 63–92. http://dx.doi.org/10.7227/lh.15.2.5.

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28

Ohlgren, Thomas H. "Robin Hood: Legend and Reality." Folklore, May 4, 2023, 1–2. http://dx.doi.org/10.1080/0015587x.2023.2194708.

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29

Jobson, Adrian. "DAVID CROOK, Robin Hood: Legend and Reality." Northern History, April 7, 2023, 1–2. http://dx.doi.org/10.1080/0078172x.2023.2197967.

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30

Lee, Cynthia G., and Nicole L. Waters. "Twelve Merry Men? Confronting the Legend of the Robin Hood Jury." SSRN Electronic Journal, 2009. http://dx.doi.org/10.2139/ssrn.1415065.

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31

Hoff, William J. F. "Historians on Robin Hood: The Outlaw’s Legend in the Later Middle Ages." Northern History, March 2, 2025, 1–4. https://doi.org/10.1080/0078172x.2025.2470717.

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32

Watterson, Tess. "‘Now you are Robin Hood: Prince of Thieves™’: Intermedial Medievalism." Adaptation, April 26, 2023. http://dx.doi.org/10.1093/adaptation/apad002.

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Abstract The 1991 Robin Hood: Prince of Thieves console video game constitutes a significantly different vision of the Middle Ages than the blockbuster film upon which it was based. Prince of Thieves is one among a prolific tradition of Robin Hood-themed digital games, which produce anew a legend that has thrived across intermedial networks of representation since the Middle Ages. The game represents a desire to transform popular medievalist narratives into play formats, but also the entwined and invested relationship between Hollywood and the game industry over the last half-century. This art

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33

Perry, Evelyn. "Maid Marian Made Possible: Feminist Advances in Late Twentieth-century Retellings of the Robin Hood Legend for Young Adults." ALAN Review 31, no. 1 (2003). http://dx.doi.org/10.21061/alan.v31i1.a.7.

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KARADUMAN, Alev. "Britanya Ulusal Kimliğinde Yer Alan Robin Hood ve Kral Arthur’un Folklorik İncelemesi." Milli Folklor, June 21, 2023. http://dx.doi.org/10.58242/millifolklor.1188072.

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King Arthur and Robin Hood as two main folkloric figures of national identity played an important role in the formation of the British national identity especially in the nineteenth century. However, throughout the centuries, these mythical stories of these Heros did not remain limited to the British folklore and became well-known in the cultural heritage of other countries throughout the world. The lore and depictions of these two characters were not limited to the written and oral literature but came into existence through different mediums such as television, cinema, and computer games. For

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35

"Myth and national identity in nineteenth-century Britain: the legends of King Arthur and Robin Hood." Choice Reviews Online 38, no. 03 (2000): 38–1403. http://dx.doi.org/10.5860/choice.38-1403.

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36

Keogh, Luke. "The First Four Wells: Unconventional Gas in Australia." M/C Journal 16, no. 2 (2013). http://dx.doi.org/10.5204/mcj.617.

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Unconventional energy sources have become increasingly important to the global energy mix. These include coal seam gas, shale gas and shale oil. The unconventional gas industry was pioneered in the United States and embraced following the first oil shock in 1973 (Rogers). As has been the case with many global resources (Hiscock), many of the same companies that worked in the USA carried their experience in this industry to early Australian explorations. Recently the USA has secured significant energy security with the development of unconventional energy deposits such as the Marcellus shale ga

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Flew, Terry. "Right to the City, Desire for the Suburb?" M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.368.

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The 2000s have been a lively decade for cities. The Worldwatch Institute estimated that 2007 was the first year in human history that more people worldwide lived in cities than the countryside. Globalisation and new digital media technologies have generated the seemingly paradoxical outcome that spatial location came to be more rather than less important, as combinations of firms, industries, cultural activities and creative talents have increasingly clustered around a select node of what have been termed “creative cities,” that are in turn highly networked into global circuits of economic cap

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