Relevant bibliographies by topics / ROC2

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'ROC2'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "ROC2"

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Donaldson, Timothy D., Maher A. Noureddine, Patrick J. Reynolds, William Bradford, and Robert J. Duronio. "Targeted Disruption of Drosophila Roc1b Reveals Functional Differences in the Roc Subunit of Cullin-dependent E3 Ubiquitin Ligases." Molecular Biology of the Cell 15, no. 11 (November 2004): 4892–903. http://dx.doi.org/10.1091/mbc.e04-03-0180.

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Cullin-dependent ubiquitin ligases regulate a variety of cellular and developmental processes by recruiting specific proteins for ubiquitin-mediated degradation. Cullin proteins form a scaffold for two functional modules: a catalytic module comprised of a small RING domain protein Roc1/Rbx1 and a ubiquitin-conjugating enzyme (E2), and a substrate recruitment module containing one or more proteins that bind to and bring the substrate in proximity to the catalytic module. Here, we present evidence that the three Drosophila Roc proteins are not functionally equivalent. Mutation of Roc1a causes lethality that cannot be rescued by expression of Roc1b or Roc2 by using the Roc1a promoter. Roc1a mutant cells hyperaccumulate Cubitus interruptus, a transcription factor that mediates Hedgehog signaling. This phenotype is not rescued by expression of Roc2 and only partially by expression of Roc1b. Targeted disruption of Roc1b causes male sterility that is partially rescued by expression of Roc1a by using the Roc1b promoter, but not by similar expression of Roc2. These data indicate that Roc proteins play nonredundant roles during development. Coimmunoprecipitation followed by Western or mass spectrometric analysis indicate that the three Roc proteins preferentially bind certain Cullins, providing a possible explanation for the distinct biological activities of each Drosophila Roc/Rbx.
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Jia, L., J. Yang, X. Hao, M. Zheng, H. He, X. Xiong, L. Xu, and Y. Sun. "Validation of SAG/RBX2/ROC2 E3 Ubiquitin Ligase as an Anticancer and Radiosensitizing Target." Clinical Cancer Research 16, no. 3 (January 26, 2010): 814–24. http://dx.doi.org/10.1158/1078-0432.ccr-09-1592.

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Tan, Mingjia, Hua Li, and Yi Sun. "Inactivation of Sag/Rbx2/Roc2 E3 Ubiquitin Ligase Triggers Senescence and Inhibits Kras-Induced Immortalization." Neoplasia 17, no. 1 (January 2015): 114–23. http://dx.doi.org/10.1016/j.neo.2014.11.008.

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Sun, Yi, and Hua Li. "Functional characterization of SAG/RBX2/ROC2/RNF7, an antioxidant protein and an E3 ubiquitin ligase." Protein & Cell 4, no. 2 (November 8, 2012): 103–16. http://dx.doi.org/10.1007/s13238-012-2105-7.

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Tan, M., Q. Gu, H. He, D. Pamarthy, G. L. Semenza, and Y. Sun. "SAG/ROC2/RBX2 is a HIF-1 target gene that promotes HIF-1α ubiquitination and degradation." Oncogene 27, no. 10 (September 10, 2007): 1404–11. http://dx.doi.org/10.1038/sj.onc.1210780.

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Tan, M., H. Li, and Y. Sun. "Endothelial deletion of Sag/Rbx2/Roc2 E3 ubiquitin ligase causes embryonic lethality and blocks tumor angiogenesis." Oncogene 33, no. 44 (November 11, 2013): 5211–20. http://dx.doi.org/10.1038/onc.2013.473.

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Tan, Mingjia, Yongchao Zhao, Sun-Jung Kim, Margaret Liu, Lijun Jia, Thomas L. Saunders, Yuan Zhu, and Yi Sun. "SAG/RBX2/ROC2 E3 Ubiquitin Ligase Is Essential for Vascular and Neural Development by Targeting NF1 for Degradation." Developmental Cell 21, no. 6 (December 2011): 1062–76. http://dx.doi.org/10.1016/j.devcel.2011.09.014.

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Kim, Yun-Sook, Jae-Yong Lee, Mi-Young Son, Wan Park, and Young-Seuk Bae. "Phosphorylation of Threonine 10 on CKBBP1/SAG/ROC2/Rbx2 by Protein Kinase CKII Promotes the Degradation of IκBα and p27Kip1." Journal of Biological Chemistry 278, no. 31 (May 13, 2003): 28462–69. http://dx.doi.org/10.1074/jbc.m302584200.

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Gu, Qingyang, G. Tim Bowden, Daniel Normolle, and Yi Sun. "SAG/ROC2 E3 ligase regulates skin carcinogenesis by stage-dependent targeting of c-Jun/AP1 and IκB-α/NF-κB." Journal of Cell Biology 178, no. 6 (September 10, 2007): 1009–23. http://dx.doi.org/10.1083/jcb.200612067.

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Sensitive to apoptosis gene (SAG)/regulator of cullins-2–Skp1-cullin–F-box protein (SCF) E3 ubiquitin ligase regulates cellular functions through ubiquitination and degradation of protein substrates. We report that, when expressed in mouse epidermis driven by the K14 promoter, SAG inhibited TPA-induced c-Jun levels and activator protein-1 (AP-1) activity in both in vitro primary culture, in vivo transgenic mice, and an AP-1– luciferase reporter mouse model. After AP-1 inactivation, epidermal proliferation induced by 7,12-dimethylbenz(a)-anthracene/12-O-tetradecanoylphorbol-13-acetate at the early stage of carcinogenesis was substantially inhibited. Later stage tumor formation was also substantially inhibited with prolonged latency and reduced frequency of tumor formation. Interestingly, SAG expression increased tumor size, not because of accelerated proliferation, but caused by reduced apoptosis resulting, at least in part, from nuclear factor κB (NF-κB) activation. Thus, SAG, in a manner depending on the availability of F-box proteins, demonstrated early-stage suppression of tumor formation by promoting c-Jun degradation, thereby inhibiting AP-1, and later-stage enhancement of tumor growth, by promoting inhibitor of κBα degradation to activate NF-κB and inhibit apoptosis.
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Swaroop, Manju, Mark Gosink, and Yi Sun. "SAG/ROC2/Rbx2/Hrt2, a Component of SCF E3 Ubiquitin Ligase: Genomic Structure, a Splicing Variant, and Two Family Pseudogenes." DNA and Cell Biology 20, no. 7 (July 2001): 425–34. http://dx.doi.org/10.1089/104454901750361488.

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Dissertations / Theses on the topic "ROC2"

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Loos, Trina Jane. "Determining the Function of Nuclear Bmp4." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2586.

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Bone morphogenetic protein 4 (Bmp4) is a well known growth factor that regulates gene expression through the SMAD signaling pathway. Bmp4 is involved in many developmental processes and has been identified as an important factor in several cancers, including melanoma, ovarian cancer, and colon cancer. Madoz-Gurpide et al. recently observed Bmp4 in the nuclei of a minor percentage of cells in colon cancer tissues. In addition, our lab has recently discovered a nuclear variant of Bmp2 (nBmp2), the TGF-β family member most closely related to Bmp4. These observations led us to hypothesize that a nuclear variant of Bmp4 (nBmp4) also exists. The results of chapter one report the existence of a nuclear variant of Bmp4. nBmp4 is translated from an alternative start codon downstream of the signal peptide sequence which allows a bipartite nuclear localization signal to direct translocation of nBmp4 to the nucleus. Chapter 2 and 3 further report that nBmp4 interacts with several subunits in the SCF E3 ubiquitin ligase, namely two Regulator of Cullins (ROC) proteins, five Cullin proteins, and two F-box proteins. Due to the known role of the SCF E3 ubiquitin ligase in regulating the cell cycle, the effect of nBmp4 on cell cycle progression was analyzed and the results show that nBmp4 affects the cell cycle by causing cells to accumulate in G0/G1. The association of nBmp4 and the SCF E3 ubiquitin ligase components and the affect that nBmp4 has on the cell cycle suggest that nBmp4 functions in the nucleus by inhibiting the SCF E3 ubiquitin ligase from ubiquitinating target proteins that are involved in regulating cell cycle progression. Finally, the initial stages in the generation of an nBmp4 over-expression mouse are described. The results of this research clearly change the traditional paradigm that Bmp4 performs all of its functions via extracellular signaling and introduce the existence of a nuclear variant that is involved in cell cycle regulation.
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Harris, William B. "The geologic history of Rock Canyon, Utah : a virtual trip /." CLICK HERE for online access, 2002. http://www.geology.byu.edu/faculty/rah/slides/Rock%20Canyon/Home.htm.

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Thesis (M.S.)--Brigham Young University. Dept. of Geology, 2002.
Web site works as of 02/10/03. Consult BYU Dept of Geology for URL changes in future. Includes bibliographical references (leaves 8-9). Also available via Internet.
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Papaliangas, T. T. "Shear behaviour of rock discontinuities and soil-rock interfaces." Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.435675.

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Gatto, Vinicius Delangelo Martins. "Rock Progressivo e Punk Rock : Uma análise sociológica da mudança na vanguarda estética do campo do Rock." reponame:Repositório Institucional da UnB, 2011. http://repositorio.unb.br/handle/10482/9724.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Sociais, Departamento de Sociologia, 2011.
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Esta dissertação possui como objetivo explicar sociologicamente a transição na vanguarda estética do campo do Rock. Entre 1967 e 1977, o campo do Rock conheceu os períodos de maior sucesso comercial e de prestígio primeiramente do Rock Progressivo e em um segundo momento do Punk Rock. Que motivos sociológicos explicam esta transição? Considera-se aqui que a arte não é uma esferada ilhada e separada do restante da sociedade. Por outro lado, a arte pode possuir, sim, um aspecto mais autonônomo entretanto os desenvolvimentos nos campos artísticos são mediados pelos desenvolvimentos sociais mais gerais. É fundamental para este trabalho a noção de campo de Bourdieu. Se as transições nos campos artísticos são perpassados pelos desenvolvimentos sociais mais gerais isto quer dizer que cada movimento ou vanguarda artística tem de lidar necessariamente com o seu período histórico e com as condições materias objetivas de produção e do capital. Esta preocupação com a estrutura econômica é tratada com base no trabalho do téorico Fredric Jameson. Há uma preocupação em demonstrar desenvolvimentos micro sociais, entretanto estes desenvolvimentos são reconectados aos desenvolvimentos sociais mais gerais. Portanto as sociaibilidades, valores e sentimentos que se desenvolvem entre os atores do campo do Rock e que são analisados neste trabalho são limitados por uma situação objetiva comum de cada tempo histórico. Como conclusão procura-se demonstrar que cada tempo histórico, Modernidade e Pós-Modernidade e cada lógica cultural correspondente modernismo e pós-modernismo mediaram os desenvolvimentos no campo do Rock. ______________________________________________________________________________ ABSTRACT
This work has as main objective to explain in sociological terms the transition in the aesthetics vanguard of the Rock field. The Rock field experienced between 1967 and 1977, first the apogee of Progressive Rock and then the apogee of Punk Rock. Which sociological concepts do explain this transiton? It´s considered in this work that art is not a separated island from the rest of society. The fields of art may be autonomous in a certain way but, this autonomy is not self complet, this means that the developments in the artistic fields are mediated by the social developments in general. It is fundamental for this work the notion of field as conceived by Bourdieu. If the developments in the artistic field are transpassed by the more general social developments, this means that every artistic vanguard has to deal, necessarily, with his historic time and with the material condition of a certain given time. This concern about the economic structure is analysed according the work of the theorist Fredric Jameson. There is a concern about micro social developments, but these developments are reconected to the social developments in capital and society. So, the sociabilitys, values and feelings among the actors of the Rock field are limitades by a given situation of each historic time. As conclusion, I intend to demonstrate that each historic time, Modernity and Post Modernity and each corresponding cultural logic, modernism and post modernism have mediated the developments in the Rock field.
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Melendez, Elisa M. "For Those About to Rock: Gender Codes in the Rock Music Video Games Rock Band and Rocksmith." FIU Digital Commons, 2018. https://digitalcommons.fiu.edu/etd/3685.

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This dissertation explores gender codes within the intersection of two American pop culture staples, video games and rock music, by conducting a feminist analysis of two video games (Rock Band and Rocksmith). Both video games and rock music have had their share of feminist academic critique: Musicologists point out how lack of canonical inclusion, gendered attitudes towards instruments, and messages from supporting media create an unwelcome environment for women to pursue a rock music career. Game studies scholars have examined similar attitudes, including a lack of women represented in both the video games and the studios that create them. Through a mix of creator and player interviews, participant observation, content analysis, and autoethnography, I look at the intersection of these two literatures (the rock music video game) to see how gender is hard-coded into the game, and what opportunities, if any, exist for subversion of societal and industry gender norms. Through not just looking at the game as text, I present a more “thick description” of a video game that takes into account the creators of the games, the players that play them, and a researcher that occupies multiple identities within the space. I argue that, in an effort to replicate an authentic rock musician experience in a video game, Rock Band and Rocksmith often replicate a lot of these gendered messages. The games’ text and set list emphasize a male-centric rock music canon. Rocksmith’s original whiskey-soaked visual design and marketing skew heavily towards an older male demographic. However, resistances to these codes exist in both the players who defy expectations by showing up to perform and compete, as well as the creators who actively work to make these games more inclusive via changes to future games as well as inclusive hiring practices, marketing, and music sourcing (with varying degrees of success).
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Konoske, Ashley Anderson. "The archaeology and rock art of Rock Creek, northwestern Nevada /." abstract and full text PDF (free order & download UNR users only), 2006. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1436190.

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Thesis (M.A.)--University of Nevada, Reno, 2006.
"May, 2006." Includes bibliographical references (leaves 241-257). Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2006]. 1 microfilm reel ; 35 mm. Online version available on the World Wide Web.
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Pine, R. J. "Rock joint and rock mass behaviour during pressurised hydraulic injections." Thesis, University of Exeter, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.374872.

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The hydro-mechanical effects of high pressure fluid injections into jointed rock are considered mostly in the context of Hot Dry Rock (HDR) geothermal energy systems. In Part I, the mai n aspects ari sing from the HDR research at the "Camborne School of Mines (CSM) and Los Alamos Nat iana 1 Laboratory (LANL) projects are reviewed. Previous approaches to fluid-rock interacti ons at these projects and important observed phenomena are highlighted. Fundamental aspects of rock joint geometry, mechanical behaviour and flow regimes within jointed rock are also reviewed. These aspects are then related to possible conditions in HDR systems. The role of in situ stress conditions is of great significance in this study and is reviewed theoretically and in detail for both the CSM and LANL project sites. The revi ew incl udes a comprehensi ve seri es of measurements, by different techniques, organised and interpreted by the author at the CSM project. In Part II, model development, the emphasis is on intermediate fluid pressures which are too high for simple diffusion alone and too low for tensile hydraulic fracturing. The dominant mechanical activity is one of joint shear. Strike-slip shearing due to fluid injection is examined in two dimensions with the numerical model FRIP, which has been extended by the author. Similar behaviour is examined in three dimensions with an analytical model which is linked to microseismic observations. This model explains the observed phenomenon of downward shear growth. Joint distribution and mechanical properties, and their effect on fluid diffusivity, are examined and used in analytical models of fluid pressure pulse propagation, tracer transport, and rock stress increment transfer. All models are used to help interpret field data, mainly from the CSM project. The models are also of potential application to hydrocarbon reservoir stimulation, liquid waste disposal and leakage from high pressure water tunnels.
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Tuttle, Brian. "Who killed rock guitar? Virtuosity in nineteen-nineties alternative rock." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121303.

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After the release of Nirvana's Nevermind in 1991, previously underground alternative rock burst into the mainstream and dethroned heavy metal as the dominant form of hard rock. The culture that surrounded alternative music was a politically progressive American post-punk movement that sought a more egalitarian, tolerant, and democratic world than heavy metal offered. Alternative culture saw heavy-metal style as a symbol for the masculinist values that seem to underlie the genre. Heavy-metal guitar gods—hyper-masculine virtuosic figures revered by fans for their "cool kid" personas and ability to "shred" the guitar—seemed sexist, arrogant, and apathetic. To oppose heavy metal's hierarchy, alternative rockers fashioned a contrastive aesthetic style in order to signify their democratic values. For Nirvana, doing so meant "killing" the guitar god by creating compelling hard rock without shred and satirizing the guitar god's "glam" appearance, thus rendering them impotent. Although alternative rock was generally suspicious of virtuosic display, several virtuosos took part in the genre including bassist Les Claypool of Primus, electric guitarist Tom Morello of Rage Against the Machine, and acoustic guitarist Ani DiFranco. These alternative musicians share many characteristics with virtuosos of other genres. Yet, that which most distinguishes alternative virtuosos from other kinds is the "loser" persona types they embody. Furthermore, unlike guitar gods, alternative virtuosos were understood to put their virtuosity in the service of something greater than themselves: alternative politics. Taking a dialogical approach involving a cultural semiotic analysis of various sonic, visual, and verbal styles that construct virtuosity and its meaning within the context of the alternative genre, this study demonstrates how alternative virtuosos fashioned virtuosic styles that could express alternative values.
Après la parution de l'album Nevermind du groupe Nirvana en 1991, le rock alternatif auparavant “underground” a émergé sur la scène musicale traditionnelle, détrônant le heavy metal en tant que forme dominante du hard rock. La culture entourant la musique alternative se voulait un mouvement post-punk progressiste américain, qui recherchait un monde plus égalitaire, tolérant et démocratique que celui offert par le heavy metal. La culture alternative a perçu le style heavy metal comme le symbole des valeurs masculinistes qui semblaient sous-tendre le genre. Les dieux de la guitare heavy-metal—des figures virtuoses hyper-masculines adulées par les fans pour leur personnalité "décontractée" et leur abilité à faire du shred avec leur guitare—semblaient sexistes, arrogants et apathiques. Afin de s'opposer à la hiérarchie du heavy-metal, les rockeurs alternatifs ont développé leur propre style esthétique afin de démontrer leurs valeurs démocratiques. Pour Nirvana, ceci signifiait "tuer" les dieux de la guitare en créant un hard-rock irrésistible sans shred et en satirisant l'apparence "glamour" des dieux de la guitare, les rendant ainsi impotents. Les dieux de la guitare heavy-metal—des figures virtuoses hyper-masculines adulées par les fans pour leur personnalité "décontractée" et leur abilité à faire du shred avec leur guitare – semblaient sexistes, arrogants et apathiques. Afin de s'opposer à la hiérarchie du heavy-metal, les rockeurs alternatifs ont développé leur propre style esthétique afin de démontrer leurs valeurs démocratiques. Pour Nirvana, ceci signifiait "tuer" les dieux de la guitare en créant un hard-rock irrésistible sans shred et en satirisant l'apparence "glamour" des dieux de la guitare, les rendant ainsi impotents. Bien que le rock alternatif demeure généralement méfiant envers les démonstrations de virtuosité, plusieurs virtuoses ont pris part à ce genre musical, incluant le bassiste Les Claypool du groupe Primus, le guitariste électrique Tom Morello de Rage Against the Machine, et la guitariste acoustique Ani DiFranco. Ces musiciens alternatifs partagent plusieurs caractéristiques avec les virtuoses issus d'autres genres musicaux. Pourtant, ce qui distingue le plus ces virtuoses alternatifs d'autres catégories de virtuoses est la personnalité de "perdant" qu'ils incarnent. De plus, contrairement aux dieux de la guitare, il était établi que les virtuoses alternatifs mettaient leur virtuosité au service de quelque chose de plus grand qu'eux-même: la politique alternative. Empruntant une approche dialogique se fondant sur une analyse sémiotique culturelle de plusieurs styles soniques, visuels et verbaux construisant la virtuosité et son sens dans le contexte du genre alternatif, cette étude démontre que les musiciens alternatifs ont façonné des styles virtuoses de manière à exprimer des valeurs alternatives.
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McMackin, Jason. "Split Rock Sky." The University of Montana, 2007. http://etd.lib.umt.edu/theses/available/etd-05302007-205816/.

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This is the first section of a novel in progress. The story follows the life of Jack Baptista cowboy and prospectorand the rise of uranium mining on the Western Slope of Colorado during the late 1800s.
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St, Clair Barbara. "Scissors paper rock." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001896.

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Books on the topic "ROC2"

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ida, Miroslav Str. C eskoslovenska geograficka literatura v roce 1985: Bibliograficka roc enka. Brno: C eskoslovenska Akademie ve dGeograficky U stav, 1986.

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Rock Island rock. Las Vegas, NV: Thomas & Mercer, 2013.

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Chorao, Kay. Rock, rock, my baby. [New York]: Random House, 1993.

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Rock. Edina, Minn: ABDO Pub. Co., 2011.

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Mayer, Cassie. Rock. Chicago, Ill: Heinemann Library, 2008.

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Mayer, Cassie. Rock. Chicago, Ill: Heinemann Library, 2008.

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Moore, Tom. Rock. [S. l: s. n., 2000.

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Vega, Angel de. Rocs. Barcelona: Editorial Empúries, 2001.

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Vega, Àngel de. Rocs. Barcelona: Editorial Empúries, 2001.

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Rock. Chicoutimi [Québec]: JCL, 1988.

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Book chapters on the topic "ROC2"

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Hecken, Thomas. "Rock." In Handbuch Popkultur, 35–43. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_6.

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Martemyanov, Kirill A., Pooja Parameswaran, Irene Aligianis, Mark Handley, Marga Gual-Soler, Tomohiko Taguchi, Jennifer L. Stow, et al. "ROCK2." In Encyclopedia of Signaling Molecules, 1690. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4419-0461-4_101200.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Rock." In Anthology to Accompany Gateways to Understanding Music, 416–20. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-52.

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Arndt, Nicholas. "Rock." In Encyclopedia of Astrobiology, 1479. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-11274-4_1384.

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Spunt, Barry. "Rock." In Heroin and Music in New York City, 65–101. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137314291_3.

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Wiersam, Dirk J. "Rock." In Magic of Minerals and Rocks, 24–43. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18695-0_3.

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Arndt, Nicholas. "Rock." In Encyclopedia of Astrobiology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-27833-4_1384-3.

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Samuel, Michael S., and Michael F. Olson. "ROCK." In Encyclopedia of Signaling Molecules, 4746–51. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-67199-4_328.

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Arndt, Nicholas. "Rock." In Encyclopedia of Astrobiology, 2212. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-44185-5_1384.

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Samuel, Michael S., and Michael F. Olson. "ROCK." In Encyclopedia of Signaling Molecules, 1–7. New York, NY: Springer New York, 2016. http://dx.doi.org/10.1007/978-1-4614-6438-9_328-1.

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Conference papers on the topic "ROC2"

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Tan, Mingjia, Qiang Zhang, and Yi Sun. "Abstract 4012: SAG/RBX2/ROC2 regulates pancreatic cancer initiation, cystic formation in mice driven by KrasG12D." In Proceedings: AACR Annual Meeting 2018; April 14-18, 2018; Chicago, IL. American Association for Cancer Research, 2018. http://dx.doi.org/10.1158/1538-7445.am2018-4012.

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"ROCS Workshop 2005 (formerly the GaAs REL Workshop) Proceedings." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201543.

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"ROCS Workshop 2005 (formerly the GaAs REL Workshop) Proceedings." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201544.

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"Copyright page." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201545.

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"Committee." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201546.

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"2005 ROCS workshop program." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201548.

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"[Breaker page]." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201550.

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"[Breaker page]." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201554.

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"[Breaker page]." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201558.

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van der Wel, P. J., R. A. van den Heuvel, H. J. F. Peuscher, Y. Li, J. G. Gommans, F. van Rijs, P. Bron, and S. J. C. H. Theeuwen. "Application of aluminium metallisation in ldmos RF power applications." In ROCS Workshop, 2005. IEEE, 2005. http://dx.doi.org/10.1109/rocs.2005.201561.

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Reports on the topic "ROC2"

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Grosjean, E., D. S. Edwards, Z. Hong, N. Jinadasa, and T. Buckler. TOC and Rock-Eval pyrolysis data from the well Roc 2, Roebuck Basin, Australia. Geoscience Australia, 2019. http://dx.doi.org/10.11636/record.2019.012.

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Lyons, Anthony P. Scattering from Rock and Rock Outcrops. Fort Belvoir, VA: Defense Technical Information Center, September 2014. http://dx.doi.org/10.21236/ada618019.

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Tweddale, Scott A. Rock River Geographic Information System: ROCK-GIS (User Manual). Fort Belvoir, VA: Defense Technical Information Center, April 2004. http://dx.doi.org/10.21236/ada430945.

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Ghosh, A., S. M. Hsiung, and A. H. Chowdhury. Seismic response of rock joints and jointed rock mass. Office of Scientific and Technical Information (OSTI), June 1996. http://dx.doi.org/10.2172/270673.

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Myers, Mary, and Allison Arnold. Black Rock Sanctuary. Landscape Architecture Foundation, 2012. http://dx.doi.org/10.31353/cs0350.

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Wang, H. F. Poroelasticity of rock. Office of Scientific and Technical Information (OSTI), March 1992. http://dx.doi.org/10.2172/5598301.

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C. Lum. Rock Properties Model. Office of Scientific and Technical Information (OSTI), September 2004. http://dx.doi.org/10.2172/838644.

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G.H. Nieder-Westermann. ROCK PROPERTIES MODEL. Office of Scientific and Technical Information (OSTI), February 2005. http://dx.doi.org/10.2172/841284.

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Das, B. Rock characterization microhardness technique. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1986. http://dx.doi.org/10.4095/304894.

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Choquet, P. Rock bolting practical guide. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/305079.

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