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Relevant bibliographies by topics / Rock drumlin

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Academic literature on the topic 'Rock drumlin'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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Journal articles on the topic "Rock drumlin"

1

Chaolu, Yi, and Cui Zhijiu. "Subglacial deformation: evidence from microfabric studies of particles and voids in till from the upper Ürümqi river valley, Tien Shan, China." Journal of Glaciology 47, no. 159 (2001): 607–12. http://dx.doi.org/10.3189/172756501781831710.

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AbstractMicrofabrics formed by flat particles and voids in till samples from the upper Ürümqi river valley, Tien Shan, northwestern China, were analyzed using three mutually perpendicular thin sections. Chi-squared tests were used to determine significance levels of the orientations of both particles and voids. The basal tills in an end moraine, on the stoss sides of two roche moutonnées, on the stoss sides of a drumlin with a rock core, and on the lee side of the same drumlin far from the rock core have strong particle and void microfabrics. Field evidence suggests that these tills were defor

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Dionne, Jean-Claude. "Le rocher profilé : une forme d’érosion glaciaire négligée." Géographie physique et Quaternaire 38, no. 1 (2007): 69–74. http://dx.doi.org/10.7202/032537ar.

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RÉSUMÉ On propose ici d'appeler rocher profilé, une forme d'érosion glaciaire dissymétrique du plancher rocheux. Il s'agit d'une colline rocheuse de taille moyenne ayant la forme d'un drumelin et renseignant à la fois sur la direction et le sens de l'écoulement de la glace. Ces formes particulières, caractéristiques des substrats rocheux à structure monoclinale ou pseudo-monoclinale, ont été observées en Hudsonie et en Minganie. Elles correspondraient aux rocks drumlins ou roc-drumlins de certains auteurs. Ces deux expressions confuses devraient être bannies.

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Khukhuudei, Ulambadrakh. "The origin of the Great Lakes Basin, Western Mongolia: not the super flooding, but glaciated super valley." GEOGRAPHY AND TOURISM 3, no. 1 (2015): 39–47. https://doi.org/10.5281/zenodo.19969.

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Research on Morphology and genesis of the Great Lakes Basin in western Mongolia were taken relatively rarely in recent years. The present study combines the results of previous work with modern analysis of photographs and satellite images. The theory of Pleistocene glaciation which took vast areas of the northern hemisphere became the basis of the new approach. Glaciation covered the area from northwestern Mongolia to Mongolian Altai, Khangai and Khuvsgul mountain ranges. At that time, the ice sheet has also taken the Great Lakes basin area, which was characterized by morphology inherited from

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Dylan Smith, Gareth. "Let there be rock! Loudness and authenticity at the drum kit." Journal of Popular Music Education 3, no. 2 (2019): 277–92. http://dx.doi.org/10.1386/jpme.3.2.277_1.

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In this position paper the author presents a perspective on rock drumming and music education. The author is a drummer and university professor who combines an autoethnographic account with consideration of theoretical frameworks including authenticity, flow and the autotelic personality. Through illustrative vignettes of rock drumming and music teaching, the author appeals to the essentially somatic experience of rock drumming. He argues that educators and educational institutions need to allow for rock’s inherent, authentic loudness or else risk misrepresenting the music and treating drummer

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De La Rue, S., S. Draper, C. Potter, and M. Smith. "Energy Expenditure in Rock/Pop Drumming." International Journal of Sports Medicine 34, no. 10 (2013): 868–72. http://dx.doi.org/10.1055/s-0033-1337905.

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Evans, Ian S. "Abraded rock landforms (whalebacks) developed under ice streams in mountain areas." Annals of Glaciology 22 (1996): 9–16. http://dx.doi.org/10.3189/1996aog22-1-9-16.

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Like many mountain ranges, the Coast Mountains of British Columbia, Canada, have undergone both local and ice-sheet glaciation. Effects of ice sheets are concentrated along major valleys and on adjacent spurs and passes which carried strong flows of diffluent ice. The major valleys are broad glacial troughs with frequent rock basins. Their slopes are broken into rounded, steep-sided bosses whalebacks abraded on all sides: they are of the order of 100 m to 1 km long, and 10 m high. In the southern Coast Mountains, the distribution of these whalebacks is consistent with a proposed pattern of for

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Evans, Ian S. "Abraded rock landforms (whalebacks) developed under ice streams in mountain areas." Annals of Glaciology 22 (1996): 9–16. http://dx.doi.org/10.1017/s0260305500015159.

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Like many mountain ranges, the Coast Mountains of British Columbia, Canada, have undergone both local and ice-sheet glaciation. Effects of ice sheets are concentrated along major valleys and on adjacent spurs and passes which carried strong flows of diffluent ice. The major valleys are broad glacial troughs with frequent rock basins. Their slopes are broken into rounded, steep-sided bosses whalebacks abraded on all sides: they are of the order of 100 m to 1 km long, and 10 m high. In the southern Coast Mountains, the distribution of these whalebacks is consistent with a proposed pattern of for

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Roy, Christian, Marc J. Mazerolle, and Louis Imbeau. "Transforming Abandoned Farm Fields to Conifer Plantations Reduces Ruffed Grouse Density." Journal of Fish and Wildlife Management 6, no. 2 (2015): 405–17. http://dx.doi.org/10.3996/022015-jfwm-021.

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Abstract Natural forests likely will be unable to fulfill society’s needs sustainably for wood fiber in the near future. In an attempt to meet increasing demands while protecting intact forests, producers have increasingly considered alternative sources of timber, such as intensively managed plantations. In regions that are economically dependent on forest harvesting, abandoned farm fields are often targeted for conversion to intensive coniferous plantations. These sites are generally in an early successional stage that is dominated by deciduous stands, which provide an important habitat type

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Nutt, Haley J. "The University Rock Ensemble: Popular music learning and drumming in higher education." Journal of Popular Music Education 5, no. 2 (2021): 243–62. http://dx.doi.org/10.1386/jpme_00060_1.

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This article provides a descriptive study of the FSU Rock Ensemble to demonstrate the value of providing inclusive popular music-based ensemble learning and opportunities in higher education. Beginning with an autoethnographic study of my experiences as a drummer in – and eventually director of – the non-auditioned ensemble, followed by a consideration of the attitudes articulated by several other drummers who recently participated in the ensemble, I analyse how musicians learn a traditionally non-academic music in an academic space. I conclude with a critical assessment of challenges that the

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MUKHAMMADIYEV, Sobirjon. "THE DEVELOPMENT AND INFLUENCE OF THE DRUMS IN JAZZ MUSIC." Young Scholar's Academic Journal III, no. 2 (2024): 3–6. https://doi.org/10.5281/zenodo.10937488.

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The article discusses the art of drumming in music, including its place in jazz, its role and future prospects. Every musician has a unique set of instruments. Dixieland jazz and rockabilly rely on the most minimal of drum sets, while in the performance of metal, fusion and progressive rock, a wide range of sets are used according to the standard, including, besides the basics, two hi-hats, additional cymbals (China, Splash) and others. Metal and hard rock musicians often use a double bass pedal connected to the bass drum, allowing them to alternate single and double bass drum hits. The consta

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Dissertations / Theses on the topic "Rock drumlin"

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Smith, Mandy J. "“Primitive” Bodies, Virtuosic Bodies: Narrative, Affect, and Meaning in Rock Drumming." Case Western Reserve University School of Graduate Studies / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=case1589971850375113.

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Nicholls, Lisa Bossert. "Celebrating African drumming and dance in a rural Montana classroom." CONNECT TO THIS TITLE ONLINE, 2007. http://etd.lib.umt.edu/theses/available/etd-07192007-140652/.

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"Survey of Double Bass Drumming: History, Technique, and Performance Practice." Doctoral diss., 2019. http://hdl.handle.net/2286/R.I.53767.

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abstract: Double bass drumming is a genre of drum set performance that utilizes a bass drum pedal for both the right and left feet. This allows the feet to function much like the hands, and provides the ability to play faster rhythmic passages on the bass drum that would otherwise be impossible in the classic single-pedal arrangement. The feet are then elevated to new levels of importance, which creates new challenges in four-limb coordination. This double bass drumming tradition has been in use since the mid-20th century, and it has become extremely popular since that time. Today, virtually

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Morena, Enrico. "A Creative Exploration of Techniques Employed in Pop/Rock Drum Patterns (1965–1992): A dissertation with supporting audio and video recordings." Thesis, 2021. https://hdl.handle.net/2440/135485.

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The exploration of creative rhythmic drum patterns – many of which borrow from divergent musical styles – continues to be a focus for those at the vanguard of contemporary drumming. This performance-based study, submitted for the degree of PhD at the Elder Conservatorium of Music, University of Adelaide, looks at six representative pop/rock drummers who remain revered for their signature drum patterns. The drummers in question are Ginger Baker, Stewart Copeland, Sly Dunbar, Steve Gadd, Zigaboo Modeliste and Bernard Purdie, who reached arguably the high point of their creativity between 1965- 1

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Ventura, Beatriz Isabel Paiva. "Bateria jazz, inovação e individualidade: a abordagem de Marito Marques." Master's thesis, 2021. http://hdl.handle.net/10773/32608.

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Este projeto aborda os recursos técnicos utilizados por Marito Marques, que lhe concedem inovação e individualidade. Numa primeira fase, expõe-se, desde a década de 1960, os factos históricos dos movimentos e estilos de jazz, de seguida mostra-se os processos históricos que conduziram à composição do kit moderno de bateria. Na terceira fase, debate-se, a partir da opinião de vários instrumentistas, o papel do baterista no jazz contemporâneo. Por último, analisa-se a sua inovação e individualidade, a partir das transcrições e dos recursos técnicos utilizados por Marito Marques.<br>This project

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Cook, Alexander. "He's Got Great Feel, But What Do You Mean?" 2013. http://hdl.handle.net/10222/21913.

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The field of popular music studies currently lacks effective and extensive discourse on drumming and rhythmic parameters in general. Some important preliminary work exists primarily due to significant contributions by relatively few authors. This thesis serves to expand this literature by providing a detailed explanation of many of the primary elements involved in the intricate practice of rock drumming. Additionally, it expands the literature on the music of Jimi Hendrix by thoroughly exploring the musical contributions Mitch Mitchell made as the drummer for the Jimi Hendrix Experience. Mitch

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Books on the topic "Rock drumlin"

1

Griffiths, Andy. Rock drumming. Koala Publications, 1990.

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Morton, James. Mel Bay's anthology of rock drumming. Mel Bay Publications, 1990.

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Griffiths, Andy. Progressive rock drumming: From beginner to advanced student. Koala Publications, 1988.

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Griffiths, Andy. Rock Drumming. Progressive, 2004.

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Gelling, Peter. Introducing Rock Drumming. Progressive, 2004.

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Maske, Dan. Progressive Rock Drumming. Leonard Corporation, Hal, 2014.

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Maske, Dan. Progressive Rock Drumming. Leonard Corporation, Hal, 2014.

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Advanced Rock Drumming. Alfred Publishing Company, 1999.

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Progressive Rock Drumming. Leonard Corporation, Hal, 2014.

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10

Rumpel, Rainer. Rock and Fusion Drumming. Schott, 1993.

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Book chapters on the topic "Rock drumlin"

1

"rock drumlin." In Dictionary Geotechnical Engineering/Wörterbuch GeoTechnik. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-41714-6_182886.

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Headlam, Dave. "Blues Transformations in the Music of Cream." In Understanding Rock. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195100044.003.0003.

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Abstract In 1966, guitarist Eric Clapton joined with bass player Jack Bruce and drummer Ginger Baker to form the rock trio Cream. While Clapton tended toward a style of electric blues close to the Mississippi Delta and Chicago blues songs he venerated, with the combination of Bruce’s elaborate bass lines and Baker’s jazz-influenced drumming Cream quickly became the best known of the original “power trio” blues-based rock bands and prepared the ground for the later group Led Zeppelin to begin the transition from blues-based rock to heavy metal. Cream’s assimilation and transformation of blues s

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Brennan, Matt. "Working drummers, musical labour, role playing, and authorship." In Kick It. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190683863.003.0006.

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This chapter examines drumming as a form of musical labour. It documents the establishment of different roles the drummer is expected to play in different contexts, from session work in the recording studio to the work performed by rock stars onstage. It also considers the globalization of drum kit production in the postwar era and the rise of East Asian manufacturers such as Pearl, Tama, and Yamaha. Finally, it considers the plight of the drummer when it comes to receiving credit as a songwriter, and how the history of copyright law has influenced the perception of drummers and the remunerati

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Siwe, Thomas. "Minimalism." In Artful Noise. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043130.003.0011.

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The static sounds of popular music, especially rock <ap>‘n’ roll, influenced a new generation of composers. Rejecting both classical and contemporary formal procedures in composition, minimalist composers created new works whose structures became apparent to the listener as the music slowly unfolded. Beginning with La Monte Young, the master of the drone, a few composers began to simplify their art in an effort to connect to the listening public. The percussion music presented herein exhibits many of the traits that define minimalism: the constant repetitive pulse, reduced forces, slowly

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Graff, Ola. "Musikkens rituelle betydning i samisk før-kristen tradisjon." In Musikk og religion: Tekster om musikk i religion og religion i musikk. Cappelen Damm Akademisk/NOASP, 2022. http://dx.doi.org/10.23865/noasp.177.ch18.

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This article is about the musical elements of the pre-Christian Sami religion. The sources must be handled with consideration, because they reflect the attitudes of the greater society. There were two important musical elements present, the yoik and the drum. Use of drums was widespread until missionaires either destroyed or confiscated them. There were two different ways of using a drum: The shaman would either fall into trance and release his soul to inquire into this world or the spiritual world (this is supposedly the oldest way), or the shaman would yoik and beat his drum until a brass ri

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Reports on the topic "Rock drumlin"

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Barnett, P. J. Surficial geology of Cockburn Island, Ontario. Natural Resources Canada/CMSS/Information Management, 2024. http://dx.doi.org/10.4095/332360.

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Cockburn Island landscape is somewhat unique in the northern Lake Huron-Georgian Bay basin, in that, itmp;gt;'s overall topography and relief is dependant primarily on glacial sediments that can exceed thicknesses of 85 m (275 feet), rather than the bedrock surface. Cockburn Island is underlain by gently dipping carbonate and clastic rocks of Middle Silurian age that outcrop in a belt that rings the northern half of the island. The crest of the Niagara Escarpment crosses the northern part of the Island. In places the bedrock surface has been affected by karst processes particularly in areas ab

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