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1

Doss, Erika Lee. Elvis culture: Fans, faith, & image. University Press of Kansas, 1999.

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2

Ray, Schweighardt, ed. Drugs, divorce, and a slipping image: The unauthorized story of the Beatles' "Get back" sessions. The 910, 1994.

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3

François-Xavier, Fauvelle-Aymar, and Bon François 1970-, eds. Vols de vaches à Christol Cave: Histoire critique d'une image rupestre d'Afrique du Sud. Presses de l'université Paris-Sorbonne, 2009.

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4

Reilly, Edward. The Monkees: A manufactured image : the ultimate reference guide to Monkee memories & memorabilia. Popular Culture Ink., 1987.

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5

Menz, Joachim. Automatisierte fotografische Haufwerkanalyse. Deutscher Verlag für Grundstoffindustrie, 1987.

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6

Maggie, McManus, and Chadwick William 1942-, eds. The Monkees: A manufactured image : the ultimate reference guide to Monkee memories & memorabilia. Pierian Press, 1987.

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7

Mosco, Maisie. Images. Charnwood, 1987.

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8

Kaufman, Lance. Egyptian images in Arizona Red Rock. Image Formation Pub., 2006.

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9

Fred, Woodward, and DeCurtis Anthony, eds. Rolling Stone images of rock & roll. Little, Brown, 1995.

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10

Slifer, Dennis. Kokopelli: Fluteplayer images in rock art. Ancient City Press, 1994.

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11

Wincentsen, Edward. Images of Jim Morrison. Vergin Press, 1991.

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12

Burk, Bill E. Elvis: Images of a legend. Propwash Pub., 1990.

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13

Lewis-Williams, J. David. Images of power: Understanding Bushman rock art. Southern Book Publishers, 1989.

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14

A, Dowson Thomas, ed. Images of power: Understanding San rock art. 2nd ed. Southern Book Publishers, 1999.

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15

Fred, Woodward, and DeCurtis Anthony, eds. Rolling stone images of rock and roll. Virgin, 1995.

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16

Kalen, Rogers, ed. Tori Amos: Images & insights. Omnibus Press, 1996.

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17

Marcus, Greil. Mystery train: Images of America in rock'n'roll music. 3rd ed. Dutton, 1990.

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18

Olmsted, Robert P. Rock Island rails: Images of the Chicago, Rock Island & Pacific Railroad, 1948-1990. R.P. Olmsted, 1991.

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19

Redhead, John. - and one for the crow: Images and words of ascent. Serious Clowning, 1996.

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20

Marcus, Greil. Mystery train: Images of America in rock 'n' roll music. 5th ed. Plume, 2008.

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21

Lanoue, Guy. Images in stone: A theory on interpreting rock art. Art Center, 1989.

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22

A, Dowson Thomas, Lewis-Williams J. David, and Annegarn Harold J, eds. Contested images: Diversity in Southern African rock art research. Witwatersrand University Press, 1994.

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23

David, Sucec, ed. Sacred images: A vision of Native American rock art. Gibbs Smith, 1996.

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24

Gotuaco, Larry. Images in stone. Bookmark, 2011.

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25

Muzzolini, Alfred. Les images rupestres du Sahara. A. Muzzolini, 1995.

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26

Studer, Wayne. Rock on the wild side: Gay male images in popular music of the rock era. Leyland Publications, 1994.

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27

Studer, Wayne. Rock on the wild side: Gay male images in popular music of the rock era. Leyland Publications, 1994.

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28

Public Image Limited: Rise - Fall. Omnibus Press, 1989.

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29

Elvis: Roots, Image, Comeback, Phenomenon. Equinox Publishing Limited, 2020.

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30

Bickerdike, Jennifer Otter. Fandom, Image and Authenticity. Palgrave Macmillan, 2014.

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31

Strongman, Phil. John Lydon's Metal Box: The Story of Public Image Ltd. Helter Skelter Publishing, 2007.

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32

Doss, Erika Lee. Elvis Culture: Fans, Faith, and Image (Cultureamerica). University Press of Kansas, 2004.

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33

Understanding Elvis: Southern roots vs. star image. Garland, 1998.

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34

Paul Weller and Popular Music: Identity, Idiolect and Image. Taylor & Francis Group, 2022.

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35

West, Andrew. Paul Weller and Popular Music: Identity, Idiolect and Image. Routledge, 2022.

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36

West, Andrew. Paul Weller and Popular Music: Identity, Idiolect and Image. Routledge, 2022.

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37

Memoirs of a Geezer: Music, Mayhem, Life. Serpent's Tail Limited, 2010.

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38

Memoirs of a geezer: The autobiography of Jah Wobble : music, mayhem, life. Serpent's Tail, 2009.

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39

Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Palgrave Macmillan, 2014.

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40

Bielen, Ken. Portraying Performer Image in Record Album Cover Art. The Rowman & Littlefield Publishing Group, 2021. https://doi.org/10.5040/9781978721340.

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In this work, Ken Bielen explains how album cover art authenticates recording artists in a particular genre. He considers albums issued from the 1950s to the 1980s, the golden era of record album cover art. The whole album package is studied, including the front and back covers, the inside cover, the inner sleeve, and the liner notes. Performers in rock and roll, folk and folk rock, soul and disco, psychedelic, Americana nostalgia, and singer-songwriter genres are included in this study of hundreds of record album covers.
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41

Lewis-Williams, J. David. Image Makers: The Social Context of a Hunter-Gatherer Ritual. Cambridge University Press, 2019.

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42

Chadwick, William, Edward Reilly, and Maggie McManus. The Monkees: A Manufactured Image : The Ultimate Reference Guide to Monkee Memories and Memorabilia. Popular Culture Ink, 1993.

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43

Anger is an Energy: My Life Uncensored. Simon & Schuster UK, 2014.

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44

Bickerdike, Jennifer Otter. Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Palgrave Macmillan, 2014.

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45

Bickerdike, Jennifer Otter. Fandom, Image and Authenticity: Joy Devotion and the Second Lives of Kurt Cobain and Ian Curtis. Palgrave Macmillan Limited, 2014.

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46

Beyond Art: Pleistocene Image and Symbol (Wattis Symposium Series in Anthropology). University of California Press, 1997.

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47

(Editor), Margaret W. Conkey, Olga Soffer (Editor), Deborah Stratmann (Editor), and Nina G. Jablonski (Editor), eds. Beyond Art: Pleistocene Image and Symbol (Wattis Symposium Series in Anthropology). University of California Press, 1997.

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48

The Crescent on the Temple: The Dome of the Rock as Image of the Ancient Jewish Sanctuary. Brill, 2012.

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49

Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twen
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50

Chadwick, William, and Ed Reilly. The Monkees: A Manufactured Image: The Ultimate Reference Guide to Monkee Memories and Memorabilia (Rock & Roll Reference Series). Pierian Press, 1987.

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