Log in

Relevant bibliographies by topics / Rock music – Brazil - History and criticism / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Rock music – Brazil - History and criticism.

Dissertations / Theses on the topic 'Rock music – Brazil - History and criticism'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 26 dissertations / theses for your research on the topic 'Rock music – Brazil - History and criticism.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Souza, Gisele da Silva. "“Somos quem podemos ser”: Engenheiros do Hawaii - jovens, rock, sensibilidades e experiências urbanas (1985-2003)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21533.

Full text

Abstract:

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-11-05T13:01:48Z No. of bitstreams: 1 Gisele da Silva Souza.pdf: 1669038 bytes, checksum: bedf2a7d0febbdf58b1255335d75ed4a (MD5)<br>Made available in DSpace on 2018-11-05T13:01:48Z (GMT). No. of bitstreams: 1 Gisele da Silva Souza.pdf: 1669038 bytes, checksum: bedf2a7d0febbdf58b1255335d75ed4a (MD5) Previous issue date: 2018-09-14<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This dissertation investigates the work of Engenheiros do Hawaii and the emergence of the generation of young people in the 1980s,

APA, Harvard, Vancouver, ISO, and other styles

2

Feitosa, Therence Santiago Alves. "O pop rock brasileiro nos anos de 1980: mídia, produção de sentidos e a representação de uma geração." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21392.

Full text

Abstract:

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-08-29T11:34:11Z No. of bitstreams: 1 Therence Santiago Alves Feitosa.pdf: 1035575 bytes, checksum: ba349bb5cad3001f254414b7f8047d8c (MD5)<br>Made available in DSpace on 2018-08-29T11:34:11Z (GMT). No. of bitstreams: 1 Therence Santiago Alves Feitosa.pdf: 1035575 bytes, checksum: ba349bb5cad3001f254414b7f8047d8c (MD5) Previous issue date: 2018-06-12<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The present investigation focuses on analyzing some songs produced in the 1980s by the bands Legião Urbana, Tit

APA, Harvard, Vancouver, ISO, and other styles

3

Brennan, Matthew. "Down beats and rolling stones : an historical comparison of American jazz and rock journalism." Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/222.

Full text

Abstract:

Jazz and rock have been historically treated as separate musical traditions, despite having many similar musical and cultural characteristics, as well as sharing significant periods of interaction and overlap throughout popular music history. The rift between jazz and rock, and jazz and rock scholarship, is based on a set of received assumptions as to why jazz and rock are different. However, these assumptions are not naturally inherent to the two genres, but are instead the result of a discursive construction that defines them in contrast to one another. Furthermore, the roots of this discurs

APA, Harvard, Vancouver, ISO, and other styles

4

Burns, Robert, and n/a. "Transforming folk : innovation and tradition in English folk-rock music." University of Otago. Department of Music, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080701.132922.

Full text

Abstract:

From a mixed methodology perspective that includes ethnology, musicology and cultural anthropology, I argue that, despite initial detachment from folk revivalism, English folk-rock has moved closer to aspects of tradition and historical status and has embraced a revivalist stance similar to that of the folk revivals that occurred earlier in the twentieth century. Whereas revivalism often rejects manifestations of mass culture and modernity, I also argue that the early combinations of folk music and rock music demonstrated that aspects of preservation and commercialisation have always co-existe

APA, Harvard, Vancouver, ISO, and other styles

5

Guy, Stephen. "The nature of community in the Newfoundland rock underground /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=81493.

Full text

Abstract:

Twenty-five years of independent, underground, or punk rock music-making in St. John's, Newfoundland, have been defined by geographic isolation. In tracing a historical record of the small city's punk/indie scene, this project seeks to evaluate recent academic discussion surrounding the role of collectivity in artistic 'independence' and examine the impact of prevailing international aesthetics and changing communication technologies on local practice. The self-containment and self-sufficiency of the St. John's music community, largely the product of the city's isolated position on the

APA, Harvard, Vancouver, ISO, and other styles

6

Bozelka, Kevin John. ""Getting beyond" : SPIN magazine in the late 1980s." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82688.

Full text

Abstract:

The Eighties were a time in Western popular music that seemed to exist only by virtue of it coming after something else---namely, the 1960s counterculture and the punk rock of the 1970s. Inheriting both the failure of permanent cultural revolution and the intense cynicism that is punk's strongest legacy, youth cultures in the 1980s found it increasingly difficult to live in the present. This thesis labels this historical dilemma postmodern. It will show how SPIN magazine attempted to move past this dilemma in order to assert a unique identity for 1980s popular music and youth cultures.

APA, Harvard, Vancouver, ISO, and other styles

7

Dymock, Laura. "No compromise with their society : the politics of anarchy in anarcho-punk, 1977-1985." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=101878.

Full text

Abstract:

In order to analyze the relationship of punk to anarchy, this thesis will investigate the discursive function of "anarchy" both in contemporaneous accounts of punk and in subsequent histories. Beginning with the genesis of British punk and the first references to anarchy in different media during the late 1970s, subsequent chapters focus on the seminally influential anarcho-punk band Crass in order to discern their impact on the evolution of the anarcho-punk genre and its relationship to anarchism up through the mid-1980s. Several other anarcho-punk bands will also be considered for their cont

APA, Harvard, Vancouver, ISO, and other styles

8

王湖. "沉悶的聲音 : 中國搖滾樂的情感政治 = Sounds of boredom : the affective politics of Chinese rock 'n' roll". HKBU Institutional Repository, 2005. http://repository.hkbu.edu.hk/etd_ra/621.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

DiGiallonardo, Richard L. (Richard Lee). "Musical Borrowing: Referential Treatment in American Popular Music." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277911/.

Full text

Abstract:

This thesis examines the relationships between popular contemporary musical styles and classic-era art music. Analysis of pop-rock songs, and their referential treatment in art rock, classical music, and society will be examined. Pop-rock musicians borrow from the masters of the past and from each other. Rock guitarists such as Eddie Van Halen employ a virtuosic technique suggestive of Liszt and Paganini. The group Rush borrowed freely from opera seria. Frank Zappa referenced contemporary musicians as well as classical techniques. Referential treatment in popular music and the recent advanceme

APA, Harvard, Vancouver, ISO, and other styles

10

Klopper, Annie Elizabeth. "Die opkoms van Afrikaanse rock en die literêre status van lirieke, met spesifieke verwysing na Fokofpolisiekar." Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/2201.

Full text

Abstract:

Thesis (MA (Afrikaans and Dutch))--University of Stellenbosch, 2009.<br>The aim of this study is to examine the rise of Afrikaans rock music and the literary status of Afrikaans rock lyrics, with Fokofpolisiekar as example. An investigation is done into how the specific sociopolitical context within which Afrikaans rock music developed manifests in lyrics and musical style. The implications of Afrikaans rock with regards to the identity of Afrikaner youth in the new millennium are also explored. A case study of the Afrikaans punk rock group Fokofpolisiekar is done by way of demonstration of t

APA, Harvard, Vancouver, ISO, and other styles

11

Kearney, Meghan Andrea. "Every Town Is All the Same When You've Left Your Heart in the Portland Rain: Representations of Portland Place and Local Identity in Portland Popular Lyrics." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1489.

Full text

Abstract:

This study looks at how place and local identity of Portland are described within music lyrics from Portland, Oregon popular indie-rock artists. Employing a constant comparative analysis on a set of 1,201 songs from 21 different popular Portland indie-rock artists, the themes of landscapes and climate were found to represent place, and themes of lifestyles and attitudes represented local identity. Reviewing the uncovered themes showed a strong connection between representations of place and local identity within lyrics and common stereotypes or understandings of the city of Portland and its in

APA, Harvard, Vancouver, ISO, and other styles

12

Neiva, Tania Mello. "Cinco mulheres compositoras na música erudita brasileira contemporânea." [s.n.], 2006. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284395.

Full text

Abstract:

Orientador: Lenita Waldige Mendes Nogueira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-20T15:57:08Z (GMT). No. of bitstreams: 1 Neiva_TaniaMello_M.pdf: 2841719 bytes, checksum: b0f71f81d4ae28e2ce7ec83f95b0aaa0 (MD5) Previous issue date: 2006<br>Resumo: A pesquisa consiste em discutir a inserção da mulher no campo da composião musical erudita brasileira na segunda metade do século XX através do estudo de caso. Foram escolhidas cinco compositoras: Maria Helena Rosas Fernandes (1933), Joey de Oliveira (1936), Marisa Re

APA, Harvard, Vancouver, ISO, and other styles

13

Akers, Mary Elizabeth. "A cultural studies analysis of the Christian women vocalists movement from the 1980's to 2000: Influences, stars and lyrical meaning making." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3266.

Full text

Abstract:

This study examines popular female Christian vocalists of the 1970s and 1980s, their images and their contemporary Christian music (CCM) lyrics. This literature illustrates how music becomes popular, and also how it becomes a powerful source of communication, which prompts popular culture and society to buy into its style and lyrics. The implications of this study illustrates the importance of image and lyrics and how certain female CCM vocalists had greater influences, impact and had the ability to make changes within their female audiences towards Christianity.

APA, Harvard, Vancouver, ISO, and other styles

14

Takahama, Alexandre Machado. "Lambe-lambe de Luiz Cosme : uma edição critica." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285056.

Full text

Abstract:

Orientador: Eduardo Augusto Ostergren<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-04T10:39:03Z (GMT). No. of bitstreams: 1 Takahama_AlexandreMachado_M.pdf: 5208386 bytes, checksum: bccc3b2d27787e3b9d0ea8fcb5fab1c8 (MD5) Previous issue date: 2005<br>Resumo: O presente trabalho constitui-se de um resgate do bailado Lambe-lambe de Luiz Cosme através de uma edição crítica de seu manuscrito. A pesquisa se desenvolveu através de uma abordagem teórica que conduziu à compreensão dos aspectos histórico-musicais do composito

APA, Harvard, Vancouver, ISO, and other styles

15

Mainente, Renato Aurélio. "Música e civilização : a atividade musical no Rio de Janeiro oitocentista (1808-1863) /." Franca : [s.n.], 2012. http://hdl.handle.net/11449/93236.

Full text

Abstract:

Orientador: Jean Marcel Carvalho França<br>Banca: Paulo Knauss<br>Banca: José Adriano Fenerick<br>Resumo: No decorrer do século XIX, a música e o teatro lírico ocuparam lugar de destaque no cenário musical do Rio de Janeiro. Após o desembarque da corte portuguesa, em 1808, a cidade assistiu a inauguração de novos teatros e passou a receber a presença de músicos e companhias líricas estrangeiras, possibilitando um contato com óperas e peças musicais de sucesso na Europa. Embora apresentando um leve declínio entre as décadas de 30 e 40 do oitocentos, a atividade musical continuou ocupando um esp

APA, Harvard, Vancouver, ISO, and other styles

16

Mainente, Renato Aurélio [UNESP]. "Música e civilização: a atividade musical no Rio de Janeiro oitocentista (1808-1863)." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/93236.

Full text

Abstract:

Made available in DSpace on 2014-06-11T19:26:21Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-07Bitstream added on 2014-06-13T20:54:42Z : No. of bitstreams: 1 mainente_ra_me_fran.pdf: 767905 bytes, checksum: 4d254460f0033d751261aeb98a467d69 (MD5)<br>Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)<br>No decorrer do século XIX, a música e o teatro lírico ocuparam lugar de destaque no cenário musical do Rio de Janeiro. Após o desembarque da corte portuguesa, em 1808, a cidade assistiu a inauguração de novos teatros e passou a receber a presença de músicos e companhias

APA, Harvard, Vancouver, ISO, and other styles

17

Oelze, Micah J. "The Symphony of State: São Paulo's Department of Culture, 1922-1938." FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2549.

Full text

Abstract:

In 1920s-30s São Paulo, Brazil, leaders of the vanguard artistic movement known as “modernism” began to argue that national identity came not from shared values or even cultural practices but rather by a shared way of thinking, which they variously designated as Brazil’s “racial psychology,” “folkloric unconscious,” and “national psychology.” Building on turn-of-the-century psychological and anthropological theories, the group diagnosed Brazil’s national mind as characterized by “primitivity” and in need of a program of psychological development. The group rose to political power in the 1930s,

APA, Harvard, Vancouver, ISO, and other styles

18

"Three case studies of "Chineseness" in Chinese rock." 2013. http://library.cuhk.edu.hk/record=b5549328.

Full text

Abstract:

如果將崔健的專輯《新長征路上的搖滾》視為中國搖滾樂的正式開端，中國搖滾樂儼然已有近三十年的歷史。作為一種西方另類文化產品的追隨者，中國搖滾樂並沒有簡單複製西方搖滾樂史；作為一種流行次文化現象，中國搖滾樂生動地反映和再現着中國社會的面貌及其歷史變遷，而這一在中國文化語境下的反映和再現則正是中國搖滾樂作為一種風格的原創性所在。本文試圖探討中國搖滾樂中的「中國元素」。為了能夠縱觀這三十年的歷史，筆者特意挑選崔健、唐朝樂隊、二手玫瑰樂隊作為三個「十年」的突出代表來進行考察。<br>作為中國搖滾樂的先驅者，在崔健的音樂作品中保留著一種「紅色情結」，一些革命年代的印記依舊會在他的歌曲中顯現；另外，崔健的一句「一無所有」喊出了那一代青年人的心聲，這種直白地表達在當時不自覺地帶有了一種比較嚴肅的政治含意，也因此使中國搖滾樂的命運同西方搖滾樂一樣，最先以一種反叛的不安分子形象示人；唐朝樂隊是中國搖滾樂「黃金時代」的代表，對中國古代輝煌歷史時期的追憶，加之重金屬音樂風格的衝擊力，使其再造了一個理想的中國陽剛之氣──「文武雙全」；創新性地將搖滾和東北二人轉風格元素相結合使二手玫瑰樂隊成為近期中國搖滾樂的一朵奇葩，他們既娛樂又嚴肅的反諷風格豐富了中國搖滾樂的語匯。通過對這三例的並置對比，本文意在論證三十年間中國搖滾樂中的「中國性」在體現方式上的微妙變化以及其風格演變的過程。<br>Having a hi

APA, Harvard, Vancouver, ISO, and other styles

19

Moon, Shinwon. ""A marginalized music?" : underground rock music culture in Seoul since the mid-1990s." Thesis, 2005. http://hdl.handle.net/10125/11755.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Van, der Meulen Lindy. "From rock'n'roll to hard core punk : an introduction to rock music in Durban, 1963-1985." Thesis, 1995. http://hdl.handle.net/10413/5019.

Full text

Abstract:

This thesis introduces the reader to rock music in Durban from 1963 to 1985, tracing the development of rock in Durban from rock'n'roll to hard core punk. Although the thesis is historically orientated, it also endeavours to show the relationship of rock music in Durban to three central themes, viz: the relationship of rock in Durban to the socio-political realities of apartheid in South Africa; the role of women in local rock, and the identity crisis experienced by white, English-speaking South Africans. Each of these themes is explored in a separate chapter, with Chapter Two providing the bu

APA, Harvard, Vancouver, ISO, and other styles

21

"Hong Kong indie music in mediations: a study of cultural prosumer." 2005. http://library.cuhk.edu.hk/record=b5892372.

Full text

Abstract:

Fung Chui Bik.<br>Thesis (M.Phil.)--Chinese University of Hong Kong, 2005.<br>Includes bibliographical references (leaves 1-7 (3rd gp.)).<br>Abstracts in English and Chinese.<br>Introduction --- p.1<br>Chapter Chapter One: --- Literature Review --- p.5<br>Chapter Chapter Two: --- Methodology --- p.23<br>Chapter Chapter Three: --- Historical Background<br>Chapter 3.1 --- The emerging of Indie music in Hong Kong --- p.26<br>Chapter 3.2 --- New wave of DIY --- p.31<br>Chapter Chapter Four: --- The Mediations & Active Prosumers --- p.38<br>Chapter 4.1 --- The Mediations of Producers-consumer

APA, Harvard, Vancouver, ISO, and other styles

22

"Rock music and the morals and values of teenagers : a Christian perspective." Thesis, 2014. http://hdl.handle.net/10210/12680.

Full text

Abstract:

M.Ed. (Education)<br>During the last two decades there has been a definite lowering of moral standards among the children of the West. This also pertains to the youth in South Africa. Among the many influences the child experiences in society, rock music, with its themes of sex, drugs, satanism, rebellion, materialism, secular humanism, suicide, nihilism, hedonism, blasphemy and profanity is possibly the most negative. Add to the above-mentioned, subliminal mind control and backward masking and it becomes clear why the Christian educator and the Christian parent must address the problem of roc

APA, Harvard, Vancouver, ISO, and other styles

23

Dossin, Alexandre. "Edino Krieger's solo piano works from the 1950s : a dialectical synthesis in Brazilian musical modernism." 2001. http://hdl.handle.net/2152/10417.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Nell, Wendy Desre. "Afrikaanse liedtekste in konteks : die liedtekste van Bok van Blerk, Fokofpolisiekar, the Buckfever Underground en Karen Zoid." Diss., 2014. http://hdl.handle.net/10500/18832.

Full text

Abstract:

Text in Afrikaans<br>Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lew

APA, Harvard, Vancouver, ISO, and other styles

25

Ehlebracht, Simon. "Lobpreis- und Anbetungslieder: eine kritisch-wurdigende Analyse der aktuellen Hillsong-Lieder." Diss., 2018. http://hdl.handle.net/10500/25694.

Full text

Abstract:

Abstract in German and English<br>Die Masterarbeit untersucht die 20 meist gespielten Hillsong-Lieder aus dem Jahre 2016 in Deutschland. Untersuchte Aspekte sind die Hauptthemen der Liedtexte, die Sänger- / Adressat-Perspektive, die Einordnung in das gesamtbiblische Narrativ sowie die Funktionen der Lieder innerhalb des Gottesdienstes. Anhand dieser Aspekte wird der Kritik, die an die Lieder gerichtet wird, begegnet. Kritisiert wird unter anderem die theologische Substanzlosigkeit der Lieder, das verzerrte Gottesbild, fehlende Themen wie Leid, Klage, Soziale Gerechtigkeit oder die Fokussierung

APA, Harvard, Vancouver, ISO, and other styles

26

Sadlier, Richard J. "The PR of the U.K. invasion : a historical case study of the Beatles' 1964 U.S. tour." 2012. http://liblink.bsu.edu/uhtbin/catkey/1678829.

Full text

Abstract:

This study examines the public relations efforts surrounding the popular music group the Beatles’ first United States tour in February of 1964. The evidence, acquired through the composition of a thorough case study of events, suggests that a combination of factors is responsible for their unprecedented international success: the group’s innate talent (both in terms of their craft and their ability to interact with key and intercessory publics); cultivation and maintenance of a specifically-designed image emphasizing their physical appearance, musicianship, wit, and working class background; u

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!