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Relevant bibliographies by topics / Rock music – New Zealand

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Journal articles
Dissertations / Theses
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Academic literature on the topic 'Rock music – New Zealand'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

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Journal articles on the topic "Rock music – New Zealand"

1

Shuker, Roy. "CLIMBING THE ROCK: The New Zealand Music Industry." Perfect Beat 1, no. 4 (2015): 16–27. http://dx.doi.org/10.1558/prbt.v1i4.28671.

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Martin, Brett A. S., and Celeste A. McCracken. "Music marketing: music consumption imagery in the UK and New Zealand." Journal of Consumer Marketing 18, no. 5 (2001): 426–36. http://dx.doi.org/10.1108/eum0000000005602.

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This research examines cross‐country differences in marketing imagery. Marketing imagery in music videos broadcast in the UK and New Zealand are studied. Results suggest that UK music videos have more brand references, fashion imagery, darkside products and role model behaviour outcomes than New Zealand music shows. Pop music marketing references are mainly visual while hard rock has more darkside products, brand references and punishment outcomes.

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Shuker, Roy, and Michael Pickering. "Kiwi rock: popular music and cultural identity in New Zealand." Popular Music 13, no. 3 (1994): 261–78. http://dx.doi.org/10.1017/s0261143000007194.

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The New Zealand popular music scene has seen a series of high points in recent years. Published in 1989 were John Dix's labour of love, Stranded in Paradise, a comprehensive history of New Zealand rock'n'roll; an influential report by the Trade Development Board, supportive of the local industry; and the proceedings of a well-supported Music New Zealand Convention held in 1987 (Baysting 1989). In the late 1980s, local bands featured strongly on the charts, with Dave Dobbyn (‘Slice of Heaven’, 1986), Tex Pistol (‘The Game of Love’, 1987) and the Holiday Makers (‘Sweet Lovers’, 1988) all having

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Shuker, Roy. "New Zealand popular music, government policy, and cultural identity." Popular Music 27, no. 2 (2008): 271–87. http://dx.doi.org/10.1017/s0261143008004066.

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AbstractThe New Zealand popular music industry has recently undergone impressive growth, and is poised to make a significant international impact. Two aspects of this newly privileged position are examined. First, broadly sketching twenty years of developments, I argue that Government willingness to get behind the local industry, especially the role of the post-2000 Labour Government, is a crucial determinant of the present success story. Secondly, I consider the debated relationship between local music and New Zealand cultural identity, with particular reference to two prominent musical style

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McPhail, Graham. "Informal and formal knowledge: The curriculum conception of two rock graduates." British Journal of Music Education 30, no. 1 (2012): 43–57. http://dx.doi.org/10.1017/s0265051712000228.

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Informal learning has become a prominent theme in music education literature in recent times. Many writers have called for a new emphasis on informal knowledge and pedagogy as the way forward for music education. The position taken in this paper is that a central issue for music education is the accommodation of a tension between types of knowledge and the ways of knowing strongly associated with popular and classical of music – socially acquired informal knowledge and socially developed but formally acquired disciplinary knowledge. Approaches to curriculum conception and realisation observed

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Said, Shannon. "White Pop, Shiny Armour and a Sling and Stone: Indigenous Expressions of Contemporary Congregational Song Exploring Christian-Māori Identity." Religions 12, no. 2 (2021): 123. http://dx.doi.org/10.3390/rel12020123.

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It has taken many years for different styles of music to be utilised within Pentecostal churches as acceptable forms of worship. These shifts in musical sensibilities, which draw upon elements of pop, rock and hip hop, have allowed for a contemporisation of music that functions as worship within these settings, and although still debated within and across some denominations, there is a growing acceptance amongst Western churches of these styles. Whilst these developments have taken place over the past few decades, there is an ongoing resistance by Pentecostal churches to embrace Indigenous mus

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Mitchell, Tony. "From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to the 1990s. Edited by Philip Hayward. Sydney: Allen & Unwin, 1992. 188 pp. - Stranded in Paradise: New Zealand Rock 'n' Roll 1955–1988. By John Dix. Wellington: Paradise Publications, 1988. 352 pp. illus." Popular Music 12, no. 3 (1993): 313–16. http://dx.doi.org/10.1017/s026114300000581x.

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O‘Rourke, Anne C. "New Zealand: New Zealand Society for Music Education Inc." International Journal of Music Education os-8, no. 1 (1986): 73–74. http://dx.doi.org/10.1177/025576148600800126.

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Thomson, J. M. "New Zealand and Oxford." Musical Times 126, no. 1706 (1985): 201. http://dx.doi.org/10.2307/962176.

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Dickson, Mark E., and Wayne J. Stephenson. "Chapter 13 The rock coast of New Zealand." Geological Society, London, Memoirs 40, no. 1 (2014): 225–34. http://dx.doi.org/10.1144/m40.13.

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Dissertations / Theses on the topic "Rock music – New Zealand"

1

Churton, Wade Ronald. "Alternative music in New Zealand,1981-2001 definitions, comparisons and history." Thesis, University of Canterbury. History, 2003. http://hdl.handle.net/10092/1030.

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Alternative music was a cultural practice, which became a significant feature of New Zealand's local and national history over the last two decades of the twentieth century. Features of technology, economics and music culture influenced the creation and course of local independent music scenes, along with factors such as cultural remoteness. This thesis isolates and collates key factors and time periods of international music industry history, and refracts the information through alternative music in general, providing a coherent definition of the term. The history and definitions of New Zeala

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Stahl, Geoff. "Troubling below : rethinking subcultural theory." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43954.pdf.

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Thorpe, Vicki. "We made this song : the group song writing processes of three adolescent rock bands : a thesis submitted to the New Zealand School of Music in fulfilment of the requirements for the degree of Master of Music in History and Literature of Music /." ResearhArchive@Victoria e-Thesis, 2007. http://hdl.handle.net/10063/272.

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Whitcher, Gary Frederick. "'More than America': some New Zealand responses to American culture in the mid-twentieth century." Thesis, University of Canterbury. Humanities, 2011. http://hdl.handle.net/10092/6304.

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This thesis focuses on a transformational but disregarded period in New Zealand’s twentieth century history, the era from the arrival of the Marines in 1942 to the arrival of Rock Around the Clock in 1956. It examines one of the chief agents in this metamorphosis: the impact of American culture. During this era the crucial conduits of that culture were movies, music and comics. The aims of my thesis are threefold: to explore how New Zealanders responded to this cultural trinity, determine the key features of their reactions and assess their significance. The perceived modernity and alterity of

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Curtis, R. J. "Sedimentation in a rock-walled inlet, Lyttelton Harbour, New Zealand." Thesis, University of Canterbury. Geography, 1985. http://hdl.handle.net/10092/7570.

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The principal concern of this study is the examination of sedimentation and sedimentary processes in a rock-walled tidal inlet, Lyttelton Harbour. The harbour is distinctive from other forms of inlets commonly discussed in the literature due primarily to a negligible freshwater input, lateral grain size contours which are parallel to current flow paths, and a maintenance, channel dredging programme which greatly exceeds the natural harbour sedimentation rates. A further unusual characteristic of the harbour is the lateral limitation imposed on processes within the harbour by the surrounding ri

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Prior, D. J. "Deformation processes in the Alpine Fault mylonites, South Island, New Zealand." Thesis, University of Leeds, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384072.

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Stewart, Scott William. "Rock mass strength and deformability of unweathered closely jointed New Zealand greywacke." Thesis, University of Canterbury. Civil Engineering, 2007. http://hdl.handle.net/10092/1224.

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Closely jointed greywacke rock masses are widespread throughout both the North and South Islands of New Zealand and much of New Zealand's infrastructure is constructed upon greywacke rock masses. This thesis deals with determining the rock mass strength of unweathered closely jointed New Zealand greywacke rock masses. Currently, the estimation of rock mass strength and deformability is reasonably well predicted through the use of such empirical failure criteria as the Hoek-Brown failure criterion and empirical expressions to predict deformability. However, previous studies upon predicting the

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Stroh, Edward D. "Rock music performance ensembles in New Jersey secondary education." Thesis, The William Paterson University of New Jersey, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1548559.

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<p> This work explores the occurrence of school sponsored rock music ensembles and pedagogy in secondary education within the state of New Jersey. The purpose of this research was three–fold: 1) to document the occurrence of rock music performance ensembles in New Jersey secondary schools, 2) to highlight the details of a select group representing a sample of these programs, and 3) to contribute to the body of knowledge relating to rock music in the school curriculum. A two part, mixed–methods research process involved the use of both a quantitative survey instrument and a qualitat

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Encarnacao, John. "Punk aesthetics in independent "new folk", 1990-2008." Electronic version, 2009. http://hdl.handle.net/2100/981.

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Various commentators on punk (e.g. Laing 1985, Frith 1986, Goshert 2000, Reynolds 2005, Webb 2007) have remarked upon an essence or attitude which is much more central to it than any aspects of musical style. Through the analysis of specific recordings as texts, this study aims to deliver on this idea by suggesting that there is an entire generation of musicians working in the independent sphere creating music that combines resonances of folk music with demonstrable punk aesthetics. Given that the cultural formations of folk and punk share many rhetorics of authenticity – inclusivity, communit

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Rakena, Te Oti. "The synthesis of Polynesian and western traditions in contemporary New Zealand composers /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Books on the topic "Rock music – New Zealand"

1

Jermy, Geoff. ARID: Australian rock instrumental discography : and New Zealand too! Moonlight Publishing, 1995.

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John, Dix. Stranded in Paradise: New Zealand rock'n'roll, 1955-1988. Paradise Publications, 1988.

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Chunn, Mike. The mechanics of popular music: A New Zealand perspective. GP Publications, 1995.

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Eight days a week: The Beatles' tour of New Zealand, 1964. Exisle, 2004.

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Baker, Glenn A. The Beatles down under: The 1964 Australia & New Zealand tour. Pierian Press, 1985.

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6

Macnaughtan, Don. Sound recordings of New Zealand popular music: A checklist of 1165 LPs, EPs, and cassettes recorded by New Zealand rock, jazz, and folk musicians from 1958 to April 1987. New Zealand Library Association, 1989.

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7

Berry, John. Country Music (Television New Zealand). TVNZ Pub., 1986.

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Agassiz-Suddens, Doreen. Lesbian music of New Zealand. Published by Papers Inc. and the Charlotte Museum Trust, 2011.

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9

Jarvis, Bruce. Live: Gigs that rocked New Zealand. Hurricane Press, 2010.

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), Gomez (Musical group :. U. K. A new tide. ATO Records, 2009.

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Book chapters on the topic "Rock music – New Zealand"

1

Spunt, Barry. "Rock." In Heroin and Music in New York City. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137314291_3.

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Barwell, Ismay, and Justine Kingsbury. "Aesthetics and Philosophy of Music in Australasia." In History of Philosophy in Australia and New Zealand. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6958-8_25.

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Forbes, Sharon L., and Tracy-Anne De Silva. "The Science of Sustainability: Lime Rock Wines of New Zealand." In Crafting Sustainable Wine Businesses: Concepts and Cases. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137553089_4.

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Giggenbach, W. F. "Composition of fluids in geothermal systems of the Taupo Volcanic Zone, New Zealand, as a function of source magma." In Water-Rock Interaction. Routledge, 2021. http://dx.doi.org/10.1201/9780203734049-3.

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Korup, O. "Rockslide and Rock Avalanche Dams in the Southern Alps, New Zealand." In Natural and Artificial Rockslide Dams. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-04764-0_4.

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Locke, Linda. "Legacy and Adaptation: The Orff Approach in the New Zealand School Setting." In Intersecting Cultures in Music and Dance Education. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-28989-2_7.

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Barry, Kristin M. "Reclaiming Rock Art: Descendant Community Investment in Australian and New Zealand Patrimony." In Transforming Heritage Practice in the 21st Century. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14327-5_19.

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Bannister, Matthew. "Taken by Strum: Ukuleles and Participatory Music-Making in Hamilton, Aotearoa/New Zealand." In On Popular Music and Its Unruly Entanglements. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18099-7_4.

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Turner, Elizabeth. "Constructing an encounter between Mikhail Bakhtin and the New Zealand band Herbs." In The Discourse of Protest, Resistance and Social Commentary in Reggae Music. Routledge, 2021. http://dx.doi.org/10.4324/9780367823559-1.

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Bannister, Matthew. "“But I Can Write Songs Okay”: Male Voices in New Zealand Alternative Rockalternative rock." In Perspectives on Males and Singing. Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-2660-4_16.

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Conference papers on the topic "Rock music – New Zealand"

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Field*, Brad, Dominic P. Strogen, Hai Zhu, et al. "Basin Screening for Seal Rock Quality, New Zealand Region." In International Conference and Exhibition, Melbourne, Australia 13-16 September 2015. Society of Exploration Geophysicists and American Association of Petroleum Geologists, 2015. http://dx.doi.org/10.1190/ice2015-2191289.

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Lang, Alexander, and Masood Masoodian. "Graphic designers' quest for the right music." In the 8th ACM SIGCHI New Zealand chapter's international conference. ACM Press, 2007. http://dx.doi.org/10.1145/1278960.1278965.

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Hutter, Manuela, and Sally Jo Cunningham. "Towards the design of a kids' music organizer." In the 9th ACM SIGCHI New Zealand Chapter's International Conference. ACM Press, 2008. http://dx.doi.org/10.1145/1496976.1496979.

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Watters, Paul A., Maya Watters, and Jacqueline Ziegler. "Malicious Advertising and Music Piracy: A New Zealand Case Study." In 2014 Fifth Cybercrime and Trustworthy Computing Conference (CTC). IEEE, 2014. http://dx.doi.org/10.1109/ctc.2014.13.

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Waranusast, Rattapoom, Arin Bang-ngoen, and Jeerapa Thipakorn. "Interactive tangible user interface for music learning." In 2013 28th International Conference of Image and Vision Computing New Zealand (IVCNZ). IEEE, 2013. http://dx.doi.org/10.1109/ivcnz.2013.6727048.

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Johnson, James, D. Fergusson, and Glen Guy. "Risk Based Slope Design for Opencast Coal Mines at Rotowaro, Huntly, New Zealand." In 2007 International Symposium on Rock Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2007. http://dx.doi.org/10.36487/acg_repo/708_9.

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Bedle, Heather, and William C. Vinson. "Rock modeling and seismic attribute identification of the gas-hydrate stability zone in New Zealand." In SEG Technical Program Expanded Abstracts 2018. Society of Exploration Geophysicists, 2018. http://dx.doi.org/10.1190/segam2018-2995740.1.

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Nobes, David C., Harry M. Jol, Guyon M. Smith, and David H. Bell. "Using GPR to Delineate the Porter's Pass Fault at the Acheron Rock Avalanche, New Zealand." In 2018 17th International Conference on Ground Penetrating Radar (GPR). IEEE, 2018. http://dx.doi.org/10.1109/icgpr.2018.8441617.

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Massey, Chris, and Neville Palmer. "Monitoring Landslide Movement and Triggering Factors in Near Real-Time - Examples from Translational Landslides in New Zealand." In 2007 International Symposium on Rock Slope Stability in Open Pit Mining and Civil Engineering. Australian Centre for Geomechanics, Perth, 2007. http://dx.doi.org/10.36487/acg_repo/708_29.

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Thomas A Cochrane, Gareth Jack, and Paul Weber. "Soil armouring, sediment yield, and acid rock drainage from steep slopes under high intensity rainfall in the West Coast of New Zealand." In 2007 Minneapolis, Minnesota, June 17-20, 2007. American Society of Agricultural and Biological Engineers, 2007. http://dx.doi.org/10.13031/2013.23215.

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