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Academic literature on the topic 'Rock painting – South Africa – Limpopo'
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Journal articles on the topic "Rock painting – South Africa – Limpopo"
Porraz, Guillaume, Aurore Val, Chantal Tribolo, Norbert Mercier, Paloma de la Peña, Magnus M. Haaland, Marina Igreja, Christopher E. Miller, and Viola C. Schmid. "The MIS5 Pietersburg at ‘28’ Bushman Rock Shelter, Limpopo Province, South Africa." PLOS ONE 13, no. 10 (October 10, 2018): e0202853. http://dx.doi.org/10.1371/journal.pone.0202853.
Full textSMITH, BENJAMIN W., and JOHAN A. VAN SCHALKWYK. "THE WHITE CAMEL OF THE MAKGABENG." Journal of African History 43, no. 2 (July 2002): 235–54. http://dx.doi.org/10.1017/s002185370100799x.
Full textHuizenga, Jan Marten, Dirk van Reenen, and Jacques L. R. Touret. "Fluid-rock interaction in retrograde granulites of the Southern Marginal Zone, Limpopo high grade terrain, South Africa." Geoscience Frontiers 5, no. 5 (September 2014): 673–82. http://dx.doi.org/10.1016/j.gsf.2014.01.004.
Full textMolekoa, Mmasabata, Ram Avtar, Pankaj Kumar, Huynh Thu Minh, Rajarshi Dasgupta, Brian Johnson, Netrananda Sahu, Ram Verma, and Ali Yunus. "Spatio-Temporal Analysis of Surface Water Quality in Mokopane Area, Limpopo, South Africa." Water 13, no. 2 (January 18, 2021): 220. http://dx.doi.org/10.3390/w13020220.
Full textFallon, A. L., K. G. Villholth, D. Conway, B. A. Lankford, and G. Y. Ebrahim. "Agricultural groundwater management strategies and seasonal climate forecasting: perceptions from Mogwadi (Dendron), Limpopo, South Africa." Journal of Water and Climate Change 10, no. 1 (March 6, 2018): 142–57. http://dx.doi.org/10.2166/wcc.2018.042.
Full textPrins, Marguerite. "Exposé or misconstrual? Unresolved issues of authorship and the authenticity of GW Stow’s ‘forgery’ of a rock art painting." Journal for Transdisciplinary Research in Southern Africa 1, no. 1 (May 17, 2005): 16. http://dx.doi.org/10.4102/td.v1i1.302.
Full textMolekoa, Mmasabata, Ram Avtar, Pankaj Kumar, Huynh Minh, and Tonni Kurniawan. "Hydrogeochemical Assessment of Groundwater Quality of Mokopane Area, Limpopo, South Africa Using Statistical Approach." Water 11, no. 9 (September 11, 2019): 1891. http://dx.doi.org/10.3390/w11091891.
Full textSepadi, Maasago M., Martha Chadyiwa, and Vusumuzi Nkosi. "Platinum Mine Workers’ Exposure to Dust Particles Emitted at Mine Waste Rock Crusher Plants in Limpopo, South Africa." International Journal of Environmental Research and Public Health 17, no. 2 (January 19, 2020): 655. http://dx.doi.org/10.3390/ijerph17020655.
Full textJones, M. Q. W. "Anomalous geothermal gradients and heat flow in the Limpopo Province, South Africa: Implications for geothermal energy exploration." South African Journal of Geology 120, no. 2 (June 1, 2017): 231–40. http://dx.doi.org/10.25131/gssajg.120.2.231.
Full textLewis-Williams, David, Thomas A. Dowson, and Janette Deacon. "Rock art and changing perceptions of southern Africa's past: Ezeljagdspoort reviewed." Antiquity 67, no. 255 (June 1993): 273–91. http://dx.doi.org/10.1017/s0003598x0004535x.
Full textDissertations / Theses on the topic "Rock painting – South Africa – Limpopo"
Dippenaar, Matthys Alois. "Characterisation of some fractured-rock aquifers in Limpopo province, South Africa : review and case study." Diss., University of Pretoria, 2008. http://hdl.handle.net/2263/28689.
Full textDissertation (MSc)--University of Pretoria, 2008.
Geology
unrestricted
Louw, Christian Arno. "Interpreting superimposition in the rock art of the Makgabeng of South Africa’s Limpopo Province." Thesis, 2016. http://hdl.handle.net/10539/21735.
Full textNorthern Sotho, Khoekhoe, and San rock art occur together in many shelters across South Africa’s Limpopo province. In some cases, specimens of the rock art of these traditions can be seen to be painted directly over one another. By studying such occurrences on the Makgabeng plateau, this project assesses whether the superimposition of rock art among different painting traditions can reveal new insights regarding the painters and their relationships with ‘others’. By looking at how the social life of the rock art is manipulated through superimposition, this study aims to uncover how this manner of consumption reflects upon the nature of the interaction among people of different painting traditions.
LG2017
Blundell, Geoffrey. "The politics of public rock art: a comparative critique of rock art sites open to the public in South Africa and the United states of America." Thesis, 2016. http://hdl.handle.net/10539/20863.
Full textSouth African and American public rock art sites are in a predicament. In both countries, there is a lack of an adequate, theoretically informed but practically implementable, conceptual approach to presenting these sites. This lack leads to the reproduction of stereotypes of rock art and the indigenous people who made it. This thesis suggests a way of rectifying the present situation. It is argued that any suggested reconstruction of public rock art sites must recognise that they are implicated in identity-formation. Following this premise, a strategy, entitled metaphoric pilgrimage, is suggested, developed and applied to four rock art sites - two in South Africa and two in America.
Rembuluwani, Ndivhudzanyi. "Development of an integrated approach of dealing with challenges of selected small-scale rock aggregate mines in Vhembe District, Limpopo Province, South Africa." Diss., 2016. http://hdl.handle.net/11602/829.
Full textGeorge, Leanne. "Painting postures: body symbolism in San rock art of the North Eastern Cape, South Africa." Thesis, 2013. http://hdl.handle.net/10539/12687.
Full textCertain postures and gestures of the human body recur in fine-line San rock art. Students of southern African rock art are introduced to a number of classic postures and features of human figures during the trance dance. The movement and posture of the human body is significant during the ritual trance dance, yet the reasons for painting certain postures over and over again have not been discussed often. This dissertation examines the symbolic meaning behind painting certain recurring postures in the Maclear and Barkly East Districts of the north Eastern Cape Province. This thesis examines sets of similar pointing and gesturing postures of the human body in rock art, and also examines the symbolic role of recurring postures in both the ritual trance dance and rock art. I argue that the painters used these similar sets of images (and others) in rock art to actively maintain and negotiate the flow of supernatural potency from the spirit world into the body of the shaman to utilise in this world and that the images were not static depictions of fragments of the trance dance, and did not only represent the process, but were viewed as actively participating in this process.
Ravele, Rembuluwani Solly. "Economic potential of gold mine waste: a case study of Consolidated Murchison Mine Waste." Diss., 2019. http://hdl.handle.net/11602/1445.
Full textDepartment of Mining and Environmental Geology
The increase in the demand and market price of gold has led to reprocessing of gold tailings in many parts of the world. Mines are recently closing down due to depletion of resources and increasing mining costs leading to the reprocessing of old tailings dams. The cost of rehabilitation is high, and therefore a more convenient way of rehabilitation is required. The most convenient strategy identified here was to reprocess tailings for gold and use waste rocks as construction materials. The tailings residues (waste remaining after reprocessing) will be relocated to a more convenient place to avoid pollution. Gold reprocessing from tailings dams has gained momentum in South Africa especially in the Witwatersrand Basin where there are large volumes of tailings. Gold is being reprocessed from tailings in this area using hydraulic monitors. This study focused on the evaluation of gold and heavy metals within the tailings at Consolidated Murchison Mine tailings in Gravelotte, Limpopo province. Augering was conducted over the tailings up to a depth of 8 m along four sampling Profiles. The first profile had two sampling points, the second profile with three sampling points, the third and fourth profiles consisted of four and five sampling points respectively. Samples were collected at 1 m interval, therefore a total of 112 samples were collected and analysed for heavy metals using X-Ray Fluorescence spectrometry and 84 samples were analysed for gold using fire assaying. Tailings sampling was accompanied with tailings logging, taking note of colour, texture and moisture content. Based on this, the oxidation status of the tailings dam was determined. Oxidation zone of this tailings dam was mainly from top down to a depth of 3 m. The transitional zone was not identified, hence after the oxidation zone, the rest was unoxidized zone. This study established that gold was erratically distributed within the tailings dam with the lowest and highest values of 200 mg/kg and 1880 mg/kg respectively and the average was 670 mg/kg. The tonnage of tailings within the dam was found to be 13 280 310 tons with a total gold amount of 8 897. 81 kg. At the current world market, this interprets to US$ 306 932 396.00 (R 4 281 706 924.20). It was concluded that this tailings dam is economically viable for reprocessing, although previous studies have indicated that it is not possible to extract gold from tailings dams completely. The heavy metal content of Pb, Ni and Cr were found to be high with average values of (ppm); 5631.5, 2062.6 and 1345 v respectively. The metals with the lowest values were Cd, Co and Cu, averaging (ppm); 0.01 ppm, 19.8 ppm and 42.1 ppm respectively. Heavy metal content in soil around the tailings dam was gradually decreasing with distance from the tailings dam. Waste rocks have been used in some parts of the world as sub-base material for engineering construction, hence in this study, a total of 6 waste rock samples were collected using grab sampling method for geostatistical investigation. Such samples were subjected to various geotechnical tests which included particle size distribution analysis (sieve analysis), Atterberg limit tests and laboratory compaction test to determine their suitability for construction. The waste rock material was found to be suitable for road construction as it was classified under Group A-1-a using the AASHTO classification system. The material consisted mainly of rock fragments, gravel and sand material with minor silt/clay. In general, Consolidated Murchison mine waste was found to be suitable for road construction.
NRF
Storey, Amanda Eileen Maria. "The Didima Rock Art Centre : a critical evaluation of the intersections of tourism, heritage conservation, and visual communication." Thesis, 2006. http://hdl.handle.net/10413/1819.
Full textThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2006.