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Books on the topic 'Rocker shoes'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

O'Rourke, Erin. Fugitive shoes. Five Star, 2006.

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2

Yamada, Shōji. Shots in the dark: Japan, Zen, and the West. The University of Chicago Press, 2009.

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3

Yamada, Shōji. Shots in the dark: Japan, Zen, and the West. The University of Chicago Press, 2009.

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4

Roach, Martin. Dr. Martens Airwair with bouncing soles. AirWair Ltd., 1999.

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5

Roach, Martin. Dr. Martens Airwair with bouncing soles. AirWair Ltd., 1999.

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6

Hilfiger, Tommy. Rock style: How fashion moves to music. Universe Pub., 1999.

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7

Atoe, Osa. Flyer art: The story of No More Fiction Shows so far, told with flyers & words. Osa Atoe, 2014.

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8

Roach, Martin. Dr. Martens: AirWair with bouncing soles. AirWair Limited, 1999.

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9

Quastler, I. E. Prairie railroad town: The Rock Island railroad shops at Horton, Kansas, 1887-1946. South Platte Press, 2003.

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10

Budnick, Dean. Jam bands: North America's hottest live groups plus how to tape and trade their shows. ECW Press, 1998.

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11

Budnick, Dean. Jam bands: North America's hottest live groups plus how to tape and trade their shows. ECW Press, 1998.

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12

Barinov, Vladimir. The recovery strategy of the competitiveness of domestic aerospace industry. Publishing Center RIOR, 2016. http://dx.doi.org/10.12737/19037.

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Issues of improving the management of the sector to restore competitiveness in three areas: the market, the financing system, the choice of projects of scientific and technological development. On the basis of the results of market research identified in terms of growth and shows promising directions of development domestic rocket and space industry. The developed model financial software industry, where a basis is state - private partnership. with an effective system of control by the investor. Criteria and methods to streamline the procedure for the selection of projects of scientific and te

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13

Noll, Katherine. Mayhem in Miami. Grosset & Dunlap, 2008.

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14

Rocket Shoes. Sterling Children's Books, 2017.

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15

Bockol, Leslie. Tie your shoes rocket Style. New Line Books, 2007.

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16

Tie Your Shoes: Rocket Style/Bonny Ears (Tie Your Shoes). Innovative Kids,US, 2003.

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17

Tie Your Shoes Rocket Style and Tie Your Shoes Bunny Ears. Innovative Kids, 2003.

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18

(Illustrator), Ikids, ed. Tie Your Shoes: Rocket Style/Bunny Ears. Innovative Kids, 2003.

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19

Burchett, Jan. Rocket ride. Orion Publishing Group, Limited, 2015.

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20

Hansard, Glen. Between two shores. 2018.

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21

Weil, Elizabeth. They All Laughed at Christopher Columbus: An Incurable Dreamer Builds the First Civilian Spaceship. Bantam, 2002.

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22

Walsh, Jim, and Dennis Pernu. Replacements : Waxed-Up Hair and Painted Shoes: The Photographic History. MBI Publishing Company LLC, 2013.

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23

Walsh, Jim. The Replacements: Waxed-up hair & painted shoes : the photographic history. 2013.

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24

Kirwan, Larry. Green Suede Shoes: An Irish-American Odyssey. Hachette Books, 2009.

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25

(Illustrator), Scoular Anderson, ed. Rover Shows Off (Rockets: Rover). A & C Black (Childrens books), 1999.

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26

(Illustrator), Scoular Anderson, ed. Rover Shows Off (Rockets: Rover). A & C Black (Childrens books), 2000.

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27

Postcards from Punk Shows: A Brainscan 24 Hour Zine. the Author, 2014.

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28

Everett, Walter. Foundations of Rock : From Blue Suede Shoes to Suite: Judy Blue Eyes. Ebsco Publishing, 2009.

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29

Shots in the Dark Buddhism and Modernity. University of Chicago Press, 2011.

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30

Creswell, Toby. Rockwiz Decades: The Great Songs of the Decades. Hardie Grant Books, 2015.

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31

Makagon, Daniel. Underground: The subterranean culture of DIY punk shows. 2015.

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32

All the Years Combine: The Grateful Dead in Fifty Shows. Biblioasis, 2023.

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33

Light-shows psychédéliques de San Francisco: LSD, art & rock'n'roll. Harmattan, 2013.

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34

Diy House Shows and Music Venues in the Us. Taylor & Francis Group, 2021.

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35

Roach, Martin. Dr. Martens: The Story of an Icon. Anova Books, 2004.

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36

Budnick, Dean. Jam Bands: North America's Hottest Live Groups Plus How to Tape and Trade Their Shows. ECW Press, 2010.

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37

Budnick, Dean. Jam Bands: North America's Hottest Live Groups Plus How to Tape and Trade Their Shows. ECW Press, 1998.

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38

Tarr, Joe. Words and Music of Patti Smith. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216038504.

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Many consider Patti Smith the godmother of punk. That label, however, is inaccurate. Although she possessed the energy and irreverence that would later mark the punk generation, she was inspired by the beatniks and by Jim Morrison, Bob Dylan, The Rolling Stones, and many other figures whom the punk rockers were reacting against. Yet, she acted as a bridge between the two generations, finding common ground with both. The experimental and rebellious nature of her work made Smith and her band integral to the mid-'70s New York art rock scene, centered around the club CBGB on the Lower East Side. S

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39

Verbuč, David. DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community. Taylor & Francis Group, 2021.

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40

DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community. Taylor & Francis Group, 2021.

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41

Bedmas Conspiracy. Fitzhenry & Whiteside, 2011.

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42

LaRoche, Cheryl Janifer. Rocky Fork, Illinois. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038044.003.0002.

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This chapter examines the Rocky Fork community's relationship to other nearby Black communities and to the Underground Railroad. Drawing on oral and family histories, it reconstructs the story of the African American presence at Rocky Fork, first by discussing the site's originating families. It then considers the African Methodist Episcopal Church, the first social institution and the earliest AME church built in Illinois, and how the Underground Railroad emerged as a multi-pronged vehicle for Black resistance and escape from slavery. The chapter identifies evidence of cooperation between Bla

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43

Temperley, David. Melody. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0005.

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Like melody in general, rock melody is understood to have a hierarchical “grouping structure,” with sub-phrases combining into phrases and then into larger units. A fundamental issue in rock melody is the alignment of melodic groups with meter; while “beginning-accented” groups are the norm, “end-accented” patterns and more irregular patterns also occur. Patterns of repetition—pitch and rhythmic repetition, as well as rhyme—are also important aspects of rock melody. Rock melody sometimes shows independence from the underlying harmony, a phenomenon known as “melodic-harmonic divorce.” Of partic

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44

Temperley, David. Scales and Key. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0002.

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Rock is generally assumed to be “tonal,” meaning that every song has a tonal center around which other pitches are organized. A wide variety of scale structures have been proposed for rock; the current chapter takes a corpus-based approach to this issue. It is proposed that rock as a whole uses a global scale containing all twelve scale degrees except for flat-2 and sharp-4—the “supermode.” Individual songs tend to use subsets of this scale; most often these subsets are “compact,” containing a set of adjacent scale degrees on the line of fifths. Further analysis shows that scales in rock songs

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45

Temperley, David. Harmony. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190653774.003.0003.

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An exploration of the harmonic language of rock is presented, relying heavily on corpus data. Chords in rock are overwhelmingly root-position major and minor triads. The commonly-used triads are those within the “supermode”—a global scale containing all scale degrees except flat-2 and sharp-4. With regard to harmonic progression, rock shows an almost equal frequency of “classical” harmonic motions (descending fifths and thirds, ascending seconds) and “anti-classical” ones (ascending fifths and thirds, descending seconds). “Flat-side” chords (bVII, bIII, bVI) tend to cluster together, as do “sh

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46

Matijas-Mecca, Christian. Listen to Psychedelic Rock! Greenwood, 2020. http://dx.doi.org/10.5040/9798400679827.

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Listen to Psychedelic Rock! contains more than 50 entries covering the people, records, places, and events that shaped one of the most exciting and influential periods in popular music. This addition to the Exploring a Music Genre series concentrates solely on psychedelic rock music. Listen to Psychedelic Rock! Exploring a Musical Genre covers over fifty topics, arranged alphabetically, that are central to learning about psychedelic music and will enable readers to understand the breadth and ongoing influence of psychedelia through to the present day. The title contains biographical sketches o

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47

Rock'n'Roll Mole. Penguin, 2011.

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48

Weinel, Jonathan. Psychedelic Illusions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190671181.003.0004.

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This chapter explores how music technologies and electronic studio processes relate to altered states of consciousness in popular music. First, an overview of audio technologies such as multi-tracking, echo, and reverb is given, in order to explore their illusory capabilities. In the rock ’n’ roll music of the 1950s, studio production techniques such as distortion provided a means through which to enhance the energetic and emotive properties of the music. Later, in surf rock, effects such as echo and reverb allowed the music to evoke conceptual visions of teenage surf culture. In the 1960s and

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49

Wade, Stephen. Kelly Pace. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036880.003.0002.

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This chapter focuses on the song “Rock Island Lime”, which was performed by Robert Kelly Pace, a twenty-one-year-old convict, along with a group of inmates at Cummins Camp One, a unit of the Arkansas penal system. Their performance involved a closely patterned call-and-response, their voices dispersed in three- and sometimes four-part harmony. Between the choruses one of them imitated a train whistle. “Rock Island Line” began its journey in Little Rock, Arkansas, at the repair shops of the Chicago, Rock Island, and Pacific Railroad. Based on a traditional form and arising within a commercial s

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50

Xiao, Ying. Chinese Rock ‘n’ Roll Film and Cui Jian on Screen. Edited by John Richardson, Claudia Gorbman, and Carol Vernallis. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199733866.013.0006.

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This article appears in theOxford Handbook of New Audiovisual Aestheticsedited by John Richardson, Claudia Gorbman, and Carol Vernallis. During the 1980s and 1990s, China experienced an explosion of films for youth, imbued with the aesthetic and ethic of rock ‘n’ roll. This chapter examines a variety of films, from the countercultural to the more mainstream, focusing on the voice, image, persona, and iconography of Cui Jian, and offering an audiovisual perspective on urban youth cinema and Chinese rock. The emergence and development of Chinese rock ‘n’ roll film from the late 1980s to the twen

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