Relevant bibliographies by topics / Rococo Architecture

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Rococo Architecture'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Rococo Architecture.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Rococo Architecture"

1

Ostrow, Steven F., and John Varriano. "Italian Baroque and Rococo Architecture." Art Bulletin 70, no. 3 (September 1988): 528. http://dx.doi.org/10.2307/3051184.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Bédard, Jean-François. "La vitalité du décor : Fiske Kimball, du rococo au Colonial Revival." Zeitschrift für Kunstgeschichte 80, no. 4 (December 30, 2017): 515–27. http://dx.doi.org/10.1515/zkg-2017-0027.

Full text
Abstract:
Abstract In 1943, the American historian of architecture Fiske Kimball (1888 – 1955) published The Creation of the Rococo, a milestone in the study of this movement. Thanks to a close examination of archival documents and drawings, Kimball sought to trace ‘objectively’ the evolution of the rocaille. Despite his claims to scholarly neutrality, however, Kimball multiplied value judgments in his writings. For Kimball, the rococo exhibited “vitality”, a quality he also found in the classical-inspired buildings of colonial America. Like other members of the conservative establishment, Kimball promoted these – and, more generally, the work of American Renaissance architects – as the only legitimate forms of contemporary architecture. The ‘vitality’ of Kimball’s rococo thus matched the one Anglo-Protestant elites celebrated in the Colonial Revival, a style they espoused to combat the ‘impurity’ of cosmopolitan Modernism.
APA, Harvard, Vancouver, ISO, and other styles
3

Cui, Enyu. "Chinoiserie in Eighteenth Century France: Francois Boucher’s Imagination of China." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 682–89. http://dx.doi.org/10.54097/eadyv236.

Full text
Abstract:
Through the eyes of Francois Boucher, one of the most prominent court painters of the Rococo period, this essay delves into the enthralling world of Rococo art. Through the analysis of several of Boucher's paintings, such as "The Portrait of Madame de Pompadour" and "The Chinese Garden", the author intends to determine how various aspects of Chinese culture and aesthetics, as interpreted by Boucher's active imagination, were fluidly incorporated into the Rococo aesthetic. This study examines how Boucher deftly incorporated Chinese design elements, such as porcelain and scent sachets, into his works of art. These components, which are frequently considered symbolic of the Orient, provide a one-of-a-kind glimpse into Europeans' fascination with Chinese culture during the Rococo period. This article demonstrates that the influence of Orientalism on the aesthetics of European art is not limited to paintings but rather encompasses architecture as well as everyday objects, like tapestries, by demonstrating how the fusion of Chinese culture and Rococo aesthetics led to this influence.
APA, Harvard, Vancouver, ISO, and other styles
4

Dymchenko, Marina. "Versailles: The phenomenology of architectural form." проект байкал, no. 78 (December 17, 2023): 85–89. http://dx.doi.org/10.51461/issn.2309-3072/78.2241.

Full text
Abstract:
The article identifies and describes the evolution of the architectural form of the Versailles Palace and Park Ensemble as a single spatial artistic experience. The change in the layout and structure of the palace is considered from the point of view of the general trend of Western European architecture – the appearance and development of Rococo in the bosom of architectonics and composition created in the Baroque manner, which evolved from classical Baroque in the Italian style to the purely national tradition of Rococo and early classicism. This forms a unique semantic space of the subject’s experience. The author formulates conceptual understanding of the change in the content of architectural form-making as a process of the constitution of the unique spatial structure of the “court” type of society, socio-cultural ties and relations and its gradual evolution from the Baroque mythologized theatricality of absolutism to the private type of structuration of the dwelling of the pre-revolutionary decades.
APA, Harvard, Vancouver, ISO, and other styles
5

Bauer, George C. "Review: Italian Baroque and Rococo Architecture by John Varriano." Journal of the Society of Architectural Historians 46, no. 2 (June 1, 1987): 183–84. http://dx.doi.org/10.2307/990189.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Гарин, V. Garin, Разиньков, Egor Razinkov, Чернышев, and Aleksandr Chernyshev. "History of furniture in the rococo style." Forestry Engineering Journal 4, no. 3 (December 8, 2014): 192–98. http://dx.doi.org/10.12737/6287.

Full text
Abstract:
History of furniture in the rococo style The architecture in this period finally loses all signs of monumentality and tectonics of form: there is no longer division by carrying and carried. Walls and ceilings are made into decorative planes dissected by various panels with a frame. Ornamental forms are asymmetric and always curvilinear; without being subject to any rules, they cover almost entirely the surface of walls and ceilings. The very walls, wood-paneled, are crumbled in choicest light blue, light green, pink and white colors, set off by a gilded ornamentation and hanged on with lots of mirrors in the lush frames.
APA, Harvard, Vancouver, ISO, and other styles
7

Spiller, Neil. "A Surrealist Rococo Master Kris Kuksi." Architectural Design 91, no. 3 (April 2, 2021): 128–33. http://dx.doi.org/10.1002/ad.2702.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Solovyeva, Sofia N. "Vienna 18th Century Rococo Ceremonial Carriages." Observatory of Culture 20, no. 6 (December 21, 2023): 605–21. http://dx.doi.org/10.25281/2072-3156-2023-20-6-605-621.

Full text
Abstract:
The aim of this paper is to describe and review 18th century Viennese parade carriages from the point of view of arts and crafts. Carriages are a small architectural form and are “programme works”, examples of the synthesis of arts, harmoniously combining the principles of architecture, sculpture, painting, decorative art, carpentry, as well as the skills of carvers, gilders, bronzers, embroiderers. At the same time, carriages were an integral part of ceremonies and participated in the most important state ceremonies (coronations, weddings, funerals, baptism of heirs). Certain types of carriages, such as carousel chariots and masquerade sleighs, were used for court entertainments, festivals and games. Imperial ceremonial carriages of the 17th—18th centuries served to represent the monarch’s power on a par with the throne and regalia and were created as true works of art, using expensive materials and sophisticated decoration techniques.The research is based on the study of natural material — original carriages from the collection of the Wagenburg Museum (Schoenbrunn Palace, Vienna) and the Armoury Chamber of the State Historical and Cultural Museum-Reserve “Moscow Kremlin”, its tasks include determining the model range of actual forms and designs, identifying the characteristic artistic methods, techniques of execution and decorative motifs of rococo. For the first time it is proposed to consider carriages from Russian museum collections in the context of the European carriage school that created them, combining the knowledge of foreign and domestic researchers about carriages of the 18th century. A separate research task is the integration of Viennese carriages from the Armoury Chamber of the Moscow Kremlin into a single analogue series with models from Wagenburg, which allows to expand the understanding of the Viennese carriage school of the 18 century.A review of the main models of rococo parade carriages created in the Viennese royal workshops from the 1720s to the 1760s is made. They are considered from the point of view of artistic value of the carriages, emphasis is made on the description of objects, decorative techniques and methods of artistic work. The material is divided into groups according to the statuses of the carriages: ceremonial official gala carriages of the emperor, retinue carriages and running holiday carriages. The specimens are arranged in chronological order, which illustrates the development of carriage-making from the model of the large carriage to the more technically advanced Berlines. It is shown that Viennese carriages are masterpieces of decorative and applied art, combining the highest level of skill of the creators of carriage projects (architects, decorators) and performers (carpenters, carvers, gilders, painters, weavers, embroiderers, blacksmiths and foundry workers).
APA, Harvard, Vancouver, ISO, and other styles
9

Clifford, H. "An Insular Rococo: Architecture, Politics and Society in Ireland and England, 1710 1770." Journal of Design History 14, no. 1 (January 1, 2001): 83–85. http://dx.doi.org/10.1093/jdh/14.1.83.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kim, Hyon-Sob. "The appearance of Korean architecture in the modern West." Architectural Research Quarterly 14, no. 4 (December 2010): 349–61. http://dx.doi.org/10.1017/s1359135511000145.

Full text
Abstract:
Although the general influence of the architecture of East Asian countries on the formation and development of modern architecture has been widely recognised, detailed evidence about the extent and nature of this influence has been accruing through a growing body of research. This began with Chinoiserie, a Chinese-style fashion around the eighteenth century in Europe, which was imprinted in the Rococo interior as well as in the jardin anglo-chinois with its Chinese pavilions. Then in the late nineteenth century there was a European zeal for Japanese art, Japonisme, which appeared in the Arts and Crafts Movement and Art Nouveau. Consequently, East Asian influences came to be reflected in the concepts and designs of numerous modern architects. The representative figure is the American master Frank Lloyd Wright, who adopted the spatial concept of Laozi (or Lao-Tzu) and the organic characteristics of Japanese architecture. China and Japan had also appeared in various publications and architecture played a typical role in the interchange. Also, some notable Westerners had visited China and Japan.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Rococo Architecture"

1

Ridlen, Michael Traver. "Renoir and the Rococo revival." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/1257.

Full text
Abstract:
In the first chapter I will discuss Renoir's involvement with the Goncourt brothers and his close interest in the themes of the Rococo. I will show how his connection with the Rococo surpasses superficial imitation and brings Renoir into direct dialogue with eighteenth-century ideas and motifs. In the second chapter I will explore the ideas about women that arose in the eighteenth century as seen in the philosophy of Jean-Jacques Rousseau and how Renoir puts them to use in his paintings of his wife, Aline. I will discuss Renoir's dialogue with Rousseau's natural roles for women, especially the practice of breastfeeding. In the last chapter, we will look at Renoir's career as an Impressionist in Paris and his interaction with the fashion of the day. During the rise of haute couture in Paris, emerging fashion was embraced most famously by Baudelaire, who despised the idealization of nature. Here we will look at Renoir's retort to Baudelaire's ideas. I seek to show that naturalism, as understood by Rousseau, is present in various ways throughout Renoir's Impressionist period, even as financial reasons constrained the artist to represent the busy city life of Paris. In summation this thesis will analyze Renoir's depictions of women, his love of eighteenth century artists, and the ideal of the natural woman he would return to throughout his career. I seek to demonstrate that Renoir was not superficially engaged with the Rococo Revival; rather, we shall see how deeply Renoir is in debt to Rousseau's ideas and Rococo aesthetics.
APA, Harvard, Vancouver, ISO, and other styles
2

Jeffroy-Meynard, Marie-Nicole. "FROM BAROQUE TO ROCOCO: PUBLIC TO PRIVATE SPACE IN THE HÔTEL DE SOUBISE." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1204.

Full text
Abstract:
I will build an argument utilizing the Hôtel de Soubise as a case study for the way in which the division between exteriors and interiors depicts the shifting cultural fabric of 18th-century French society.
APA, Harvard, Vancouver, ISO, and other styles
3

Calado, Margarida 1947. "Arte e sociedade na época de D. João V." Phd thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1995. http://dited.bn.pt:80/29841.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Freitas, Maria João Lynce Costa Pais de. "Iconografia da memória na azulejaria do século XVIII-quatro estações, quatro elementos, quatro partes do mundo." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1994. http://dited.bn.pt:80/29741.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Sampaio, Lopes Raúl Cristóvão. "Le rococo minhote : l'art dans la province de Braga dans la seconde moitié du XVIIIè siecle." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010677.

Full text
Abstract:
Bénéficiant d'une relative prospérité, la province de Braga, dans le nord-ouest du Portugal, qu'on appelle traditionnellement le Minho, a vu fleurir, dans la seconde moitié du XVIIIe siècle, un nombre assez considérable et relativement homogène d'œuvres d'art fortement inspirées par l'ornementation rocaille parisienne et augsbourgeoise mais d'une indéniable originalité et d'une remarquable qualité. Loin de l'image d'un art collectif, anonyme et traditionnel, ce «rococo minhote» tire sa vitalité d'individualités créatrices qui peuvent s'exprimer dans la continuité, grâce, d'une part, à la virtuosité de tailleurs de pierre et de sculpteurs sur bois sachant donner vie à leurs projets d'architecture et de retables les plus difficiles, et, d'autre part, à la rivalité de quelques commanditaires soucieux d'actualité et de qualité esthétiques encouragés à l'ostentation par la présence successive de deux archevêques de sang royal à la tête de la province. Aux figures déjà connues mais reconsidérées de l'amateur André Soares (1720-1769) et du moine sculpteur Frère José Vilaça (1731-1809), viennent se joindre, plus ou moins hypothétiquement, celles du père António Soares da Silva (1716-1770), du jeune Carlos Amarante (1748-1815), plus connu pour sa très classique église du Bom Jesus, du sculpteur António da Cunha Correia Vale et d'un anonyme «maître de Labruja», parmi d'autres artistes plus ou moins obscurs ou actifs
In the second half of the Eighteenth Century, numerous works of art of outstanding quality and of great originality have been created in the province of Braga, traditionally known as Minho, in the North-West of Portugal. Influenced by Rococo prints and books from Paris and Augsburg, their creators could refine continuously their design thanks to the virtuosity of stone and wood carvers who were able to give life to their most difficult projects and thanks to the rivalry of some patrons who were interested by novelty and quality in art, encouraged by the religious rulers of the province, two Archbishops that were sons of successive Kings. The leading figures, André Soares (1720-1769) and the monk sculptor Brother José Vilaça, have been known since long time, but are reconsidered, and new figures emerge: Father António Soares da Silva (1716-1770), the elder brother of André; the young Carlos Amarante (1748-1815), better known for his classical Bom Jesus church; the sculptor António da Cunha Correia Vale; and an anonymous '"Master of Labruja", between more or less obscurs craftsmen and more or Jess actives artists
APA, Harvard, Vancouver, ISO, and other styles
6

Cachau, Philippe. "Jacques Hardouin-Mansart de Sagonne, dernier des Mansart (1711-1778)." Paris 1, 2004. http://www.theses.fr/2004PA010548.

Full text
Abstract:
Jacques Hardouin de Sagonne (1711-1778), dernier des Mansart, était le petit-fils de Jules Hardouin-Mansart et l'arrière-arrière-petit- neveu de François Mansart. Malgré cette prestigieuse ascendance, il n'eut pas la même postérité, son oeuvre ayant été victime de l'ostracisme qui affecta l'art rocaille au milieu du XVIIIe. Quoiqu' handicapé par sa naissance adultérine, Mansart de Sagonne était parvenu, à force de labeur et de ténacité, a mener une importante carrière d'architecte du roi. Ses collaborateurs eurent pour nom les célèbres ornemanistes Nicolas et Dominique Pineau, Jules-Antoine Rousseau, les entrepreneurs Louis Letellier et Jean Rondel. . . Il oeuvra pour Louis XV (église Saint-Louis de Versailles; monastère royal de Prouille ; projets des places royales de Paris et Marseille) et des personnalités de la cour (comtes de Clermont et de Saint-Florentin ; marquis de Voyer. . . ) ; des financiers {Richard ; Clautrier. . . ) ; des parlementaires (Le Conte des Graviers. . . ) ; des princes étrangers {duc des Deux-Ponts ; landgrave de Hesse- Cassel). . . Parallèlement à l'architecture, Mansart de Sagonne se lança dans l'ingénierie { canaux), les sciences et les techniques, qui ne lui valurent pas le même succès. Sa réussite et sa fortune - il possédait la prestigieuse terre de Lévy en Bourbonnais - suscitèrent la jalousie de son entourage, si bien qu'il mourut misérablement. Dernier grand maître de la rocaille, son oeuvre atteste qu'il avait su faire sienne les formules de ses ancêtres. Par son talent et son exigence, il sut se montrer leur digne successeur.
APA, Harvard, Vancouver, ISO, and other styles
7

Lindfield, Peter Nelson. "Furnishing Britain : Gothic as a national aesthetic, 1740-1840." Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/3490.

Full text
Abstract:
Furniture history is often considered a niche subject removed from the main discipline of art history, and one that has little to do with the output of painters, sculptors and architects. This thesis, however, connects the key intellectual, artistic and architectural debates surfacing in 'the arts' between 1740 and 1840 with the design of British furniture. Despite the expanding corpus of scholarly monographs and articles dealing with individual cabinet-makers, furniture making in geographic areas and periods of time, little attention has been paid to exploring Gothic furniture made between 1740 and 1840. Indeed, no body of research on 'mainstream' Gothic furniture made at this time has been published. No sustained attempt has been made to trace its stylistic evolution, establish stylistic phases, or to place this development within the context of contemporary architectural practice and historiography — except for the study of A.W.N. Pugin's 'Reformed Gothic'. Neither have furniture historians been willing to explore the aesthetic's connection with the intellectual and sentimental position of 'the Gothic' in the period. This thesis addresses these shortcomings and is the first to bridge the historiographic, cultural and architectural concerns of the time with the stylistic, constructional and material characteristics of Gothic furniture. It argues that it, like architecture, was charged with social and political meanings that included national identity in the eighteenth century — around a century before Charles Barry and A.W.N. Pugin designed the Palace of Westminster and prominently associated the Gothic legacy with Britishness.
APA, Harvard, Vancouver, ISO, and other styles
8

Rosada, Mateus. "Igrejas Paulistas da Colônia e do Império: Arquitetura e Ornamentação." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/102/102132/tde-30062016-112001/.

Full text
Abstract:
Analisa a arquitetura e a ornamentação de cento e vinte igrejas urbanas remanescentes no Estado de São Paulo, construídas nos períodos colonial e imperial, observando as transformações espaciais e arquitetônicas ocorridas nas mesmas desde a edificação dos primeiros templos católicos no Estado, no século XVI, até o advento da República, no século XIX. Para tanto, aborda os padrões estéticos dos seguintes períodos artísticos: maneirismo, barroco, rococó e a transição para o neoclassicismo. Discorre sobre técnicas e materiais construtivos, a organização espacial das igrejas e sua inserção no tecido urbano. Analisa também os trabalhos de pintura e de entalhe que adornam os interiores das igrejas, evidenciando influências externas e padrões desenvolvidos no Estado de São Paulo. Realiza uma catalogação de arquitetos, artistas, entalhadores, escultores e pintores que atuaram nos templos pesquisados. Avalia a grande importância artística das igrejas e apresenta suas qualidades arquitetônicas, de pintura e de entalhe, evidenciando, em uma visão de conjunto, os elementos caracterizam a arte propriamente paulista desse período. Constata que a arquitetura e as artes religiosas de São Paulo formaram um conjunto expressivo e com influências várias e características únicas, de grande interesse e inestimável valor histórico e cultural.
This thesis analyzes the architecture and ornamentation of 120 remaining urban churches in São Paulo, that was built in the colonial and imperial periods, observing the spatial and architectural changes that occurred in that since the building of the first Catholic churches in the state, in the sixteenth century, until the end of the imperial period, in the nineteenth century. Talks about the aesthetic standards of the following artistic periods: Mannerism, Baroque, Rococo and the transition to Neoclassicism. It discusses constructive techniques and building materials, the spatial organization of the churches and their role in the urban space. It also analyzes the works of painting and wood carver that decorate the interiors of churches, showing external influences and standards developed in São Paulo. It catalogs architects, artists, carvers, sculptors and painters who worked in this temples. Evaluates the artistic importance of the churches and presents its architectural, paint and carver qualities, showing, in an overview, the elements that characterizing the own art of São Paulo of this period. Notes that the architecture and religious arts of São Paulo formed a significant group and with various influences and unique features of great interest and inestimable historical and cultural value.
APA, Harvard, Vancouver, ISO, and other styles
9

Gaier, Samantha. "Interior Decoration as Fine Art: Rachel Feinstein and The Sorbet Room, 2001." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1363604230.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Rococo Architecture"

1

Varriano, John L. Italian Baroque and Rococo architecture. New York: Oxford University Press, 1986.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

1907-1983, Blunt Anthony, ed. Baroque and Rococo architecture and decoration. New York: Portland House, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Câmara, Maria Alexandra T. Gago da. Lisboa, espaços teatrais setecentistas. Lisboa: Livros Horizonte, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Tüting, Marion. Rokoko-Gotik: Ein Phänomen des englischen "Gothic Revival" im 18. Jahrhundert : eine formanalytische und architekturgeschichtliche Untersuchung mit einem Katalog der Gebäude und Innenausstattungen. Hildesheim: Olms, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Vorherr, Albrecht, Magdalena Bayreuther, Neven Denhauser, Hanna Dornieden, Alexandra Loske, and Stefan Nadler. François de Cuvilliés: Rokoko-Designer am Münchner Hof. München: Allitera Verlag, 2018.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Oliveira, Myriam Andrade Ribeiro de. Barroco e rococó nas igrejas do Rio de Janeiro =: Baroque and rococo in the churches of Rio de Janeiro. [Brasília, Brazil]: Monumenta/IPHAN, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Myriam Andrade Ribeiro de Oliveira. Barroco e rococó nas igrejas do Rio de Janeiro =: Baroque and rococo in the churches of Rio de Janeiro. [Brasília, Brazil]: Monumenta/IPHAN, 2008.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Daniela, Tarabra, ed. Storia dell'architettura barocca e rococò. Milano: Electa, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Hansmann, Wilfried. Zauber des Barock und Rokkoko. Köln: DuMont, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Iby, Elfriede. Schönbrunn. Wien: Brandstätter, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Rococo Architecture"

1

Roth, Leland M., and Amanda C. Roth Clark. "Baroque and Rococo Architecture." In Understanding Architecture, 364–95. 4th ed. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003143956-22.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Buyukkurt, Betul, Zhi Guo, and Walid A. Najjar. "Impact of Loop Unrolling on Area, Throughput and Clock Frequency in ROCCC: C to VHDL Compiler for FPGAs." In Reconfigurable Computing: Architectures and Applications, 401–12. Berlin, Heidelberg: Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11802839_48.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Vernizzi, Chiara. "Survey for Knowledge and Communication of the Architectural Heritage: Case Study Rocca di Codiponte." In Putting Tradition into Practice: Heritage, Place and Design, 402–11. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57937-5_42.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Nicopoulos, Chrysostomos, Vijaykrishnan Narayanan, and Chita R. Das. "RoCo: The Row–Column Decoupled Router – A Gracefully Degrading and Energy-Efficient Modular Router Architecture for On-Chip Networks [40]." In Lecture Notes in Electrical Engineering, 41–64. Dordrecht: Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-3031-3_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

"Rococo." In The Visual Dictionary of Architecture, 218. AVA Publishing SA Bloomsbury Publishing Plc, 2008. http://dx.doi.org/10.5040/9781350096462.0204.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

"Rococo." In The Visual Dictionary of Interior Architecture and Design, 215. AVA Publishing SA Distributed by Thames & Hudson (ex-North America) Distributed in the USA & Canada by: Ingram Publisher Services Inc. English Language Support Office, 2009. http://dx.doi.org/10.5040/9781350088719.0200.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"Scandinavian Baroque and Rococo." In Architecture in the Scandinavian Countries. The MIT Press, 1991. http://dx.doi.org/10.7551/mitpress/1352.003.0005.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

"Baroque and Rococo Stuccowork in Ireland." In Art and Architecture of Ireland Volume III: Sculpture 1600-2000. Royal Irish Academy, 2014. http://dx.doi.org/10.3318/978-1-908996-64-0.stucco.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"The Italian Baroque and Rococo Garden." In The Architecture of Western Gardens: A Design History from the Renaissance to the Present Day. MIT Press, 1991. http://dx.doi.org/10.37862/aaeportal.00122.020.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Yonan, Michael E. "Igneous Architecture: Porcelain, Natural Philosophy, and the Rococo cabinet chinois." In The Cultural Aesthetics of Eighteenth-Century Porcelain, 65–85. Routledge, 2017. http://dx.doi.org/10.4324/9781315086804-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Rococo Architecture"

1

Squassina, Angela. "Da fortezza a residenza castellana: osservazioni stratigrafiche per la comprensione del processo trasformativo della Rocca di Novellara (RE, Italia)." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11384.

Full text
Abstract:
From a fortress to a residential castle: a stratigraphic reading of the transformations in the Rocca of Novellara (RE, Italy)The paper reports the results of a stratigraphic reading on the northern façade of the Rocca di Novellara (Reggio Emilia, Italy), a castle which is now the town hall, right in the city centre. Though as a pole of the contemporary public life in Novellara, housing at present both a museum and a nineteenth century theatre, the Rocca recalls its military past through its name and by means of the still standing remains of the walls and corner towers. Besides a well-documented historical development, the stratigraphic investigation of the northern façade –the only part that still hasn’t been restored– allowed a direct observation of the material traces revealing the slow transformation of the Rocca from a fortification to a residential castle. This study gave the chance of understanding the different constructive phases of the castle, making a chronological sequence out of them but it was also meant to reflect about the changes of its character, as the building has been acquiring a complex identity through time, due both to high qualified architectural episodes and to as much meaningful though tiny changes. Thus, the permanence of the stratified marks can be regarded as one of the main goals of a preservation project.
APA, Harvard, Vancouver, ISO, and other styles
2

Belardi, Paolo, Luca Martini, and Valeria Menchetelli. "La rocca Paolina di Perugia. Da baluardo dell’inaccessibilità a landmark dell’accessibilità." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11422.

Full text
Abstract:
The Rocca Paolina of Perugia. From a fortress of inaccessibility to a landmark of accessibilityBuilt in the Perugia acropolis in the mid-sixteenth century as a physical expression of the oppressive reprisal of Pope Paul III against the city’s seigniory of the Baglioni family, the Rocca Paolina has always been hated by the Perugia people who, on several occasions during the nineteenth century, did not hesitate to demolish it. The historical events of this fortified architecture are ambiguously linked with its iconographic value, oscillating around a balance in continuous evolution that sees it on the one hand as a fortress of inaccessibility and on the other hand as a flywheel of accessibility.
APA, Harvard, Vancouver, ISO, and other styles
3

Taddei, Domenico, Caterina Calvani, Antonio Taddei, and Andrea Martini. "La rocca di Staggia Senese: una metodologia applicata nell’ambito del recupero architettonico e funzionale." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.17965.

Full text
Abstract:
At the gates of Chianti, on the Via Francigena, on the border between Florence and Siena, the fortress rises alongside the walled land of Staggia Senese. In documents it is named palàtium or rocca di staja. The term palàtium indicates large stately buildings within a fortified structure. The word rocca refers to a fortification with a garrison, in fact Staggia takes its name from the military stronghold wanted by the Florentine Republic. The name staja recovers the toponym of the market present in the small village, as a center for the production of cereals, products that were weighed with the unit of measurement called stajo. The interventions to create the “museum of itself” concern architectural, structural and functional recovery, with the aim of preserving the identity of the fortification. The studies carried out during and after the works, such as the analyzes of the walls of the village and the verification of a probable intervention by Brunelleschi, will constitute the basis for further research, a methodology applied in the field of restoration, where knowledge becomes synonymous with safeguard.
APA, Harvard, Vancouver, ISO, and other styles
4

Nocco, Sebastiana. "Il sistema difensivo costiero della Sardegna meridionale nella cartografia dei secoli XVI-XVII." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11379.

Full text
Abstract:
The coastal defensive system of Southern Sardinia in the cartography of the sixteenth-seventeenth centuriesStarting from the sixteenth century, the coastal landscape of Sardinia suffered deep transformations related to the construction of defensive structures to protect the inhabitants of the towns and land resources. Coastal towers and fortresses are the most evident signs of these interventions. This paper aims to reconstruct these processes through archival and cartographic documents produced between the second half of the sixteenth century and the first decades of the seventeenth century. Particularly interesting is the comparison between the maps depicting the coastal area between Cagliari and Quartu and its hinterland drawn in 1577 by Rocco Capellino and those drawn underneath the viceroy Vivas in 1623-1625. Cartographic and archive documents can reveal interesting data to reconstruct the changes that occurred in this period, as a result of the interventions aimed at the defense of the coast and the towns with the construction of the first watchtowers and the progressive modernization of the outer walls of the fortress of Cagliari and its ramparts’ raising.
APA, Harvard, Vancouver, ISO, and other styles
5

Мишуровская, О. Е., and Е. А. Боровская. "CHINOISERIE IN ROCOCO INTERIOR: HARMONY AND CONTRAST IN THE CONTEXT OF EUROPEAN TYPOLOGY." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.43.

Full text
Abstract:
Увлечение восточными декоративно- прикладными предметами способствовало зарождению в европейской культуре нового художественного направления под названием шинуазри. В резул ьтате синтеза китайской декоративной иконографии с европейскими сюжетами и мотивами в убранстве интерьеров появились самые разнообразные интерпретации шинуазри. Учитывая их широкую вариативность, автор рассматривает наиболее распространенные художественные жанры шинуазри в архитектурно- декоративном оформлении интерьеров со ссылкой на русские и французские образцы. The fascination with oriental decorative and applied objects contributed to the emergence of a new artistic trend in European culture called chinoiserie. As a result of the synthesis of Chinese decorative iconography with European themes and motifs, the most diverse interpretations of Chinoiserie appeared in the interior decoration. Taking into account their wide variability, the author examines the most common artistic genres of chinoiserie in the architectural and decorative design of interiors with reference to Russian and French examples.
APA, Harvard, Vancouver, ISO, and other styles
6

Petrucci, Enrica, Diana Lapucci, and Noemi Lapucci. "La Rocca di Arquata del Tronto: simbolo di rinascita per il territorio marchigiano colpito dal sisma." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11371.

Full text
Abstract:
The fortress of Arquata del Tronto: symbol of rebirth for the Marche Region affected by the earthquakeThe Fortress of Arquata del Tronto in the Marche region is an imposing structure that rises on the crag to the north of the historic center. It represents a typical example of military architecture in the Apennines Area. Its foundation is between the eleventh and the twelfth century, an initial phase of embankment which undergoes a gradual and progressive increase in structures to enhance the functionality of the fortress. The city of Ascoli Piceno, worried about consolidating the defense outposts located at its borders, soon took possession of it. From the thirteenth to the sixteenth century, the Rocca lived alternate events, clashing with nearby castles, especially with Norcia. At the end of the eighteenth century, Arquata will be absorbed in the territory of the Clitunno Department, in the ancient Duchy of Spoleto. During this period, it was partially restored, to house a stable military garrison, becoming the third fortress of the Trasimeno Department, until it returned under the Papal States. Continuous interventions make the structure suitable for military uses. At the end of the nineteenth century, Giuseppe Sacconi, as director of the Conservation Office in the Marche and Umbria Region, undertook an important restoration. The ruins of the fortress were reconfigured according to medieval forms, taken by analogy from the repertoire of fortifications in the Apennine area. A further conservative intervention was carried out in 1990 to allow a new use. Unfortunately, the seismic events in 2016-2017 have compromised the Rocca, with large collapses that currently make the complex unusable. The intention is to undertake new restoration work, setting up a school construction site; this could represent a virtuous example to favor the rebirth of Arquata del Tronto, so strongly hit by the earthquake, through a project for the enhancement of its architectural heritage.
APA, Harvard, Vancouver, ISO, and other styles
7

Abbo, Marco, Francesca Luisa Buccafurri, and Angela Cristina De Hugo Silva. "Il borgo fortificato di Ventimiglia Alta (IM): il monitoraggio geotecnico per la conservazione." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18096.

Full text
Abstract:
In the most extreme part of Western Liguria, the cliff of Punta della Rocca survives, with a framework of Pliocene conglomerates, directly jutting out onto the sea: the steep forms of the place, in continuous morphological evolution, merge with the remains of the imposing clayey gully that once characterized the entire area.The evolution of the shapes, well documented in iconography and historical cartography, allows us to calculate the average speeds of the retreat and detrition phenomenon.In the current work, a reconstruction is made of the reasons that motivated them to carry out the historically “late” settlement of a manifestly landslide area, in which the geological sediment and the buildings form a sort of continuum, where the settlement is conditioned by the geological forms and the persistence of the same lithological materials, extended below and above the foundations.The mechanisms underlying the high susceptibility to local instability are then identified, to propose new intervention criteria, also to support the current trend towards a “new” expansion of “historic” settlement, which adapts both to the specific case under study, and to the numerous other fortified villages and historical centers of Liguria, which arise in the same weak geological formations.
APA, Harvard, Vancouver, ISO, and other styles
8

Mussari, Bruno. "Architettura e vicende costruttive della Rocca di Capalbio (GR): un modello di torrione quattrocentesco ai confini della Repubblica senese." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11488.

Full text
Abstract:
Architecture and construction events of the fortress of Capalbio (GR): a fifteenth century tower model on the borders of the Republic of SienaCapalbio (GR) is located in the heart of the southern Maremma, along the border strip that in the second half of the fifteenth century marked the line between the Republic of Siena –became part of the Grand Duchy of Tuscany with the peace of Cateau-Cambrésis of 1559– and the Papal State. The historic center, built around the hill on which it stands, enclosed by a double circle of walls, emerges in the skyline of the surrounding landscape. The fortified structure of Capalbio has a non-simple construction history, especially for the remote phases, but that gradually becomes simpler from the second half of the sixteenth century. The reasons why the defence structure was built were exhausted in a relatively short period of time. The advent of firearms and the evolution of the tools and techniques to which the art of war used, as is well known, imposed a radical transformation of military architecture, which only in some cases, responding to a necessarily changed strategy, they were updated or completely renewed. The fortress of Capalbio was not part of the renovation program and this decision allowed the Maremma village to maintain its historic medieval core until the modern era. The results of this research derive from the identification and study of fifteenth century construction accounting documents, compared with the structures that still exist. It was thus possible to retrace the main construction and transformation phases of the fortified complex, identifying the period in which it was built. Finally, it is not by chance that in that context the fortress of the Rocca replicates a reiterated model, probably due to the widespread use of Ticino and itinerant Lombard workers, also documented on this site.
APA, Harvard, Vancouver, ISO, and other styles
9

Rinaldi, Simona. "L’architettura militare italiana della Cittadella di Ancona: tecniche costruttive e sistemi difensivi del XVI secolo." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11481.

Full text
Abstract:
The Italian military architecture of Ancona’s Citadel: construction techniques and defensive systems in the sixteenth centuryThe objective of this research is regarding the construction techniques used in the military architecture of Cittadella-Fortezza (Ancona, Marche, Italy). In this case, attention will focus primarily on historical, bibliographic and archive research, then through a comprehensive analysis of building methods used in the sixteenth century and on the strategic function that this fortification covered in the coastal strip of the Middle Adriatic. Together with Rocca Paolina (Perugia) and Fortezza da Basso (Florence), it has in fact a remarkable importance in the military architecture’s history, as it was one of the first experiments of fronte bastionato all’italiana. Built from 1532 by Antonio da Sangallo il Giovane, it rises on the top of Astagno hill in a panoramic and defensive position, overlooking the city and the port. It clearly distinguishes itself from the surrounding building fabric as it is characterized by five mighty bastions in bricks and by the central bulwark with the vaulted ground floor. The study aims to investigate the structural details of Ancona’s fortress such as the modeling of walls, the suppression of protruding volumes, the extension and rounding of the corner towers and the introduction of the central type plan. A great understanding of this research will be analyzed in the drawings and the volumes’ reliefs, which highlighted the general geometric data, the materials used for the realization of the work, the angle of the curtain walls and the technical/constructive strategies. Therefore, the methodical-metric knowledge of the parts will be made more accessible also in relation to the three-dimensional modeling of the fortress, in addition to the critical comparison based on other historical examples of military architecture in the Renaissance period.
APA, Harvard, Vancouver, ISO, and other styles
10

Geraeinejad, Vahid, Sima Sinaei, Mehdi Modarressi, and Masoud Daneshtalab. "RoCo-NAS: Robust and Compact Neural Architecture Search." In 2021 International Joint Conference on Neural Networks (IJCNN). IEEE, 2021. http://dx.doi.org/10.1109/ijcnn52387.2021.9534460.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Rococo Architecture' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography