Relevant bibliographies by topics / Rococo Engraving

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Academic literature on the topic 'Rococo Engraving'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Rococo Engraving"

1

Bonța, Claudia M. "Tableaux vivants. Cotidian rococo în grafică de secol XVIII." Studia Universitatis Babeș-Bolyai Historia Artium 67, no. 1 (2022): 91–103. http://dx.doi.org/10.24193/subbhistart.2022.04.

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"Tableaux vivants. Rococo Daily Life Scenes Depicted in Graphics of the 18th Century. The Graphic Collections of the National Museum shelters an outstanding series of genre scenes by artists from 18th century, stamps depicting episodes of every day life from the period. The series of engravings presented allows a glimpse, a brief look at the charm of the daily life in the Rococo era, depicting families in moments of intimacy. Beyond the idyllic, pastoral presentations or the pathos, the simplicity and the sentimental scenes are impressive, remembering that the family life was and always remain
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2

Баранова, Ольга Владимировна. "Особенности оформления Евангелий XVIII века на примере собрания Московской духовной академии". Theological Herald, № 3(54) (15 жовтня 2024): 250–77. https://doi.org/10.31802/gb.2024.54.3.013.

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В данной статье рассмотрены особенности развития, изменение иконографии, эле­менты оформления, вопросы соотношения традиционных и новых художественных элементов в Евангелиях XVIII в. в контексте церковного искусства эпохи на приме­ре книжного собрания МДА. Предпринята попытка раскрыть эволюцию орнаменталь­ных и декоративных стилей на протяжении XVIII столетия в заставицах, концовках, буквицах, рамках, титульном листе и фронтисписе гравюры. Рассмотрены Евангелия допетровского времени, Петровской эпохи и соответственно послепетровского пери­ода. Выявлены основные стили элементов оформления: баро
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3

Tüskés, Anna. "Adalékok Binder János Fülöp rézmetsző munkásságához." Művészettörténeti Értesítő 72, no. 1 (2024): 161–73. http://dx.doi.org/10.1556/080.2023.00006.

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Johann Philipp Binder (1736/7-1811), who worked in Buda in the second half of the 18th century and the first decade of the 19th, followed the Augsburg Rococo engraving tradition of the middle third of the 18th century. Since the publication of György Rózsa’s catalogue of three hundred and eighty-eight engravings by Binder and his workshop in 1998, his work has been the subject of much attention. In my study, I supplement the known oeuvre with nearly twenty signed engravings on religious and secular subjects found in nine books or other printed sources not yet examined in relation to Binder’s o
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4

Gordon, Alden R. "A Rare Engraving of an Italian Rococo Parade Apartment of 1736: Andrea Bolzoni's Print of the Interior of the Palazzo Cervelli in Ferrara." Getty Research Journal 4 (January 2012): 57–74. http://dx.doi.org/10.1086/grj.4.41413132.

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5

Dzik, Janina. "The Reception of the Engravings of Gottfried Bernhard Göz’s Marian Series in the Monumental Painting of the Lviv Circle in the 18th Century." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 7–32. http://dx.doi.org/10.18290/rh.2019.68.4-1en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 63, issue 4 (2015).
 The graphic series dedicated to the Mother of God, defined as Sub tuum praesidium confugimus, by Gottfried Bernhard Göz (1708–1774) was an inspiration for the monumental painting of the Rococo period in Poland in the times of the Saxon kings. The series of engravings with a devotional character made with the stipple engraving technique presents 12 signed Marian scenes: the Immaculate Conception of the Blessed Virgin Mary, Mary’s Birth, the Presentation of Mary, Mary and Joseph’s Matrimony,
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6

Oliveira, Daline Lima de, and Valdeci Dos Santos Júnior. "DATAÇÕES DE GRAVURAS RUPESTRES NO BRASIL: Pesquisa e Métodos Arqueológicos." CLIO Arqueológica 34, no. 1 (2019): 66. http://dx.doi.org/10.20891/clio.v34n1p66-92.

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Este artigo tem como objetivo evidenciar os métodos atualmente utilizados para obter datações relacionadas às gravuras rupestres, elaborando um quadro das pesquisas arqueológicas, tanto em nível mundial, como em nível de Brasil, voltadas para a obtenção de cronologias provenientes das ocupações humanas pretéritas que se dedicaram as criações simbólicas gravadas. Os resultados das pesquisas já efetuadas de datações com gravuras rupestres no Brasil indicam ocupações no período holocênico e persistência temporal com essa técnica de execução no mesmo suporte rochoso, além da reutilização, através
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7

Borshch, Elena V. "Depiction of Home Interiors in Illustrations of Molière’s Works in French 18th-Century Editions." Izvestia of the Ural federal university. Series 2. Humanities and Arts 23, no. 2 (2021): 128–42. http://dx.doi.org/10.15826/izv2.2021.23.2.030.

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This article examines the problem of depicting a home interior as a setting with reference to the French literary illustration of the eighteenth century. Referring to the interior scenes from two different series of illustrations to the same literary texts, the author considers the role of the texts in the formation of visual images of a home interior; the methods of depicting a home interior by different artists; the visual prototypes of the image of the interior. The main sources of the research are illustrations of two French editions of Molière’s Works: a series of engravings based on draw
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8

Luis, Carlos Duarte Cavalcante, and Lima do Nascimento Gilciane. "Pigmentos minerais do sítio arqueológico Pedra do Dicionário, Brasil, investigados por EDXRF, FTIR e DRX." Arqueologia Iberoamericana 50 (October 7, 2022): 54–65. https://doi.org/10.5281/zenodo.7151169.

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O sítio arqueológico Pedra do Dicionário está localizado na área rural do município de Piripiri, no norte do Piauí, Brasil, consistindo de um abrigo sob-rocha arenítica com 356 pinturas rupestres, além de algumas gravuras. Recentemente, pigmentos minerais foram encontrados dispersos nos sedimentos superficiais desse abrigo rochoso. Amostras dos pigmentos minerais foram analisadas por fluorescência de raios X por dispersão de energia (EDXRF), espectroscopia de absorção de energia na região do i
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Books on the topic "Rococo Engraving"

1

Peter, Wagner. Lust & Liebe im Rokoko =: Lust & love in the Rococo period. Delphi, 1986.

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2

(Netherlands), Rijksmuseum, ed. Ornament prints in the Rijksmuseum: The seventeenth century. Rijksmuseum, 2004.

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3

Die Statuenzyklen in den Schlossgärten von Schönbrunn und Nymphenburg: Antikenrezeption nach Stichvorlagen. G. Olms, 1985.

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