Relevant bibliographies by topics / Roddenberry

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Roddenberry'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Roddenberry"

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Nichols, Ken. "Case Study #4: Star Trek by Gene Roddenberry." Public Voices 13, no. 2 (November 29, 2016): 143. http://dx.doi.org/10.22140/pv.124.

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Star Trek began as a 1960s television series led by a swashbuckling starship Captain, an intellectual off-world first officer, and a multicultural, heart-of-gold crew. In the third of a century since its appearance on our home screens, the series Gene Roddenberry created has become a world-wide phenomenon.Star Trek is also a rich treasure trove of administrative literature: The setting — usually a starship, sometimes a planetary government organization. The characters are clearly delineated, colorful, share common goals, distinguish between their personal and professional roles and concerns, and serve well as archetypes for distinct organizational personalities. And the missions are clear, benevolent, in the public interest, and frequently controversial.As you watch an episode of one of the four Star Trek series, how many of these facets can you observe?That’s public administration, all right, but in a very different wrapper
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Hinds, Elizabeth Jane Wall. "The Wrath of Ahab; or, Herman Melville Meets Gene Roddenberry." Journal of American Culture 20, no. 1 (March 1997): 43–46. http://dx.doi.org/10.1111/j.1542-734x.1997.00043.x.

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GETMAN, JESSICA L. "A Series on the Edge: Social Tension in Star Trek's Title Cue—ADDENDUM." Journal of the Society for American Music 9, no. 4 (November 2015): 522. http://dx.doi.org/10.1017/s1752196315000486.

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Permission to use notation for the theme from “Star Trek” was received after the article by Getman in the August 2015 issue of Journal of the Society for American Music was published. The captions for Examples 1, 2, and 4 should carry the following credit:Theme from “Star Trek(R),” words by Gene Roddenberry, music by Alexander Courage. © 1966, 1970 Bruin Music Company. Copyright renewed. This arrangement © 2015 Bruin Music Company. All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219. International Copyright Secured. All Rights Reserved. Reprinted by Permission of Hal Leonard Corporation.
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Hageman, Andrew. "A generic correspondence: Sturgeon–Roddenberry letters on sf, sex, sales and Star Trek." Science Fiction Film & Television 9, no. 3 (October 2016): 473–78. http://dx.doi.org/10.3828/sfftv.2016.9.15.

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Andres, Katharina. "Fashion’s Final Frontier": The Correlation of Gender Roles and Fashion in Star Trek." Culture Unbound 5, no. 4 (December 12, 2013): 639–49. http://dx.doi.org/10.3384/cu.2000.1525.135639.

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Since its creation in 1966, Star Trek has been a dominant part of popular culture and as thus served as the source for many cultural references. Star Trek’s creator Gene Roddenberry wanted to realize his vision of a utopia but at the same time, he used the futuristic setting of the show to comment on the present time, on ac-tual social and political circumstances. This means that each series can be regarded as a mirror image of the time in which it was created. The clothing of the characters in the different series is one part of that image. The uniforms of The Original Series show influences of the 1960s pop art movement as well as the mini-skirt trend that experienced its peak in that decade. In the course of almost 40 years, however, many things changed. In the 1990s, in Deep Space Nine and Voyager, a unisex uniform replaced the mini-dresses, with few exceptions; the colorful shirts gave way to ones that were mostly black. This trend continues into the new century. This essay interprets the evolution of the female officers’ uniforms from femi-nized dresses to androgynous clothing over the development of the series as a reflection of the change of gender roles in contemporary American society. The general functions of the female characters’ uniforms are the central object of its analysis while the few, but noteworthy exceptions to this pattern are given specific attention. Finally, one of the most intriguing lines of enquiry is, how the prequel series Enterprise, supposed to be set before The Original Series, but produced and aired from 2001 to 2005, fits in the picture.
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KIM KITAI. "Gene Roddenberry’s Utopia: Star Trek and White Hegemony." Jungang Journal of English Language and Literature 56, no. 3 (September 2014): 21–38. http://dx.doi.org/10.18853/jjell.2014.56.3.002.

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Eden, Brad. "Gene Roddenberry's Star Trek : The Original Cast Adventures DouglasBrode and Shea T.Brode, Editors. Lanham, MD: Rowman & Littlefield, 2015." Journal of American Culture 39, no. 4 (December 2016): 461–62. http://dx.doi.org/10.1111/jacc.12650.

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Bould, Mark. "Book Review: Adapting Science Fiction to Television: Small Screen, Expanded Universe, Gene Roddenberry’s Star Trek: The Original Cast Adventures, Science Wars Through the Stargate: Explorations of Science and Society in Stargate SG–1." Critical Studies in Television: The International Journal of Television Studies 12, no. 3 (September 2017): 315–19. http://dx.doi.org/10.1177/1749602017716539e.

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Rabitsch, Stefan. "Space-age Hornblowers, or why Kirk and co. are not space cowboys: The Enlightenment mariners and transatlanticism of Star Trek." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 5, no. 2 (August 31, 2012). http://dx.doi.org/10.31165/nk.2012.52.268.

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Many mistakenly perceive Star Trek to be, simply, a “Wagon Train to the stars,” a space western/opera that projects the U.S. American frontier into outer space. However, by introducing his starship captain in archetypal terms as a ‘space-age Captain Horation [sic] Hornblower,’ and by making him a descendant of ‘similar [naval] men in the past,’ Star Trek (1966-1969) creator Gene Roddenberry makes it clear that his starship captain is not based on the quintessential cowboy hero found in the U.S. American national imagination (Roddenberry, 1964: 5). In this article, I seek to (re)map the character contours of the principle Star Trek captains and compare them with C. S. Forester’s ‘man alone,’ Horatio Hornblower, as well as with Hornblower’s romanticised predecessors. I will demonstrate how ‘Starfleet’s finest’ fit the role of the sentimental naval officer/hero of the Romantic period. Ultimately, it will become clear that Roddenberry used Horatio Hornblower as an archetypal blueprint to craft the Star Trek captains as interstellar masters and commanders, as well as spaceborne naturalists and scientists, extending the historio-mythical continuum of British maritime heroes into Star Trek’s fictional, yet “historical” future. The “Hornblowers in space” represent the central node in the decidedly transatlantic double consciousness of the Star Trek continuum - a maritime endowment which has largely escaped scholarly attention.
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Kmet, Michael. "Star Trek and Gene Roddenberry’s “Vision of the Future”: The Creation of an Early Television Auteur." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 5, no. 2 (August 31, 2012). http://dx.doi.org/10.31165/nk.2012.52.269.

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Gene Roddenberry propagated a narrative of himself as a “visionary” writer-producer and the primary author of Star Trek in the 1960s. From the 1970s onwards, Paramount Pictures (and later, CBS) co-opted that narrative to market what would become the Star Trek franchise. This paper will examine to what extent this narrative can be substantiated, and to what extent certain aspects can be contested.
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Dissertations / Theses on the topic "Roddenberry"

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Karlsson, Torbjörn, and Gustav Ekholm. "Genusframställningen i Star Trek - en utopi eller dystopi?" Thesis, Halmstad University, School of Social and Health Sciences (HOS), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-528.

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Titel: Genusframställningen i Star Trek – en utopi eller dystopi

Författare: Gustav Ekholm och Torbjörn Karlsson

Handledare: Malin Nilsson

Examinator: Veronica Stoehrel

Typ av arbete: C-uppsats i Medie och Kommunikationsvetenskap, 10p HT-06

Plats: Högskolan i Halmstad

Syfte: Uppsatsen syfte är att fastställa huruvida åtta olika avsnitt ur tv-serien Star Trek belyser genusfrågor och utmanar avsnitten i så fall de rådande genusdiskurserna.

Metod: Den här uppsatsen fokuserar på åtta Star Trek avsnitt som producerades mellan 1960-talet och 2000-talet.

Metoden för analysen är en kritisk diskursanalys med utgång från Norman Fairclougs diskurskritiska modell.

Resultat: Uppsatsens slutsats är att Star Trek-serierna berör genusfrågor i olika utsträckning beroende på vilket årtal avsnitten är från. Det konstateras också att viktiga genusämnen, likt homosexualitet, tas upp men beroende på olika omständigheter saknas ofta ett djup i framställningen.

Nyckelord: Star Trek, Gene Roddenberry, science fiction, genus, diskurs, diskursanalys, textanalys, makt, tv-serier, dominansförhållanden.

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Schön, Anna. "Utopia Trek : utopibegreppets resa genom Star Trek." Thesis, Linköping University, Department of Thematic Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2539.

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Humanity has always dreamed about a better world. These dreams has manifested themselves in the vision of Utopia - the good place, but also the non-existing place. Up until World War II man still wrote optimistic descriptions of this ideal world, and spread the idea through literature. In the aftermath of the atomic bomb and under the influence of the cold war, these publications seized to surface in literary surroundings. Despite this utopia did not die - it has only changed. Today you can find utopia, not primarily in books, but in Science Fiction. TV’s biggest Science Fiction-series, Star Trek, is perhaps the best example of this. The Master's thesis "Utopia Trek - a travel through Star Trek with the concept of utopia" takes you through the history of utopia and into its new habitat, Star Trek, where the essence of a utopia for the 21th century is found, discussed and reevaluated.


Mänskligheten har alltid drömt om en bättre värld. Dessa drömmar har manifesterats i visionen om Utopia - den goda platsen, men också platsen som inte existerar. Fram till andra världskriget skrev man fortfarande optimistiska beskrivningar av denna idealvärld, och spred idén via litteraturen. Efter hotet från atombomben och under påverkan av det kalla kriget, slutade dessa publikationer att dyka uppi litterära sammanhang. Trots detta dog inte drömmen utopia - det har bara förändrats. Idag kan man finna utopia, inte företrädesvis i böcker, utan i science fiction. Tv:s största science fiction-serie, Star Trek, är kanske det bästa exemplet på detta. Magisteruppsatsen "Utopia Trek - utopibegreppets resa genom Star Trek" tar dig genom utopias historia och in i dess nya hemvist, Star Trek, där essensen av ett utopia för 2000-talet upptäcks, diskuteras och omvärderas.

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Parv, Valerie. "Healing writes : restoring the authorial self through creative practice : and Birthright, a speculative fiction novel." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16646/.

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Writing the speculative fiction novel, Birthright, and this accompanying exegesis, led me to challenge the validity of the disclaimer usually found in the front matter of most novels that the story is purely imaginary, bears no relationship to reality, with the characters not being inspired by anyone known or unknown to the author. For the first time in my career, I began to consider how writers including myself might frequently revisit themes and ideas which resonate with our lived experiences. I call this restorying, an unconscious process whereby aspects of one's life history are rewritten through one's creative work to achieve a more satisfactory result. Through personal contact, studying authors' accounts of their creative practices, and surveying current literature on narrative therapy, a case is made that, far from being generated purely from imagination, writers' creative choices are driven by an unconscious need to restory ourselves.
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Books on the topic "Roddenberry"

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Fern, Yvonne. Gene Roddenberry: The last conversation. Berkeley: University of California Press, 1994.

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David, Alexander. Star trek creator: The authorized biography of Gene Roddenberry. New York: Roc, 1994.

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Do Comets Dream?: Star Trek: The Next Generation. New York: Pocket Books, 2003.

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Gene Roddenberry: The myth and the man behind Star trek. New York: Hyperion, 1994.

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Gene Roddenberry: The myth and the man behind "Star trek". London: Virgin, 1995.

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A, Altman Mark, ed. Great birds of the galaxy: Gene Roddenberry & the creators of Trek. London: Boxtree, 1994.

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Inside the mind of Gene Roddenberry: The creator of star trek. London: HarperCollins, 1995.

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Gene, Roddenberry, and Copyright Paperback Collection (Library of Congress), eds. Cold Wars: Gateways, Book Six: Star Trek: New Frontier. New York: Pocket Books, 2001.

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Gene, Roddenberry, ed. Gene Roddenberry: The last conversation : a dialogue with the creator of Star Trek. New York: Pocket Books, 1996.

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Foster, Alan Dean. Star trek: Log four, log five, log six : based on the popular animated series created by Gene Roddenberry. New York: Ballantine Books, 1993.

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Book chapters on the topic "Roddenberry"

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McAuley, Mary. "Roddenberry’s Star Trek Galaxy." In The Routledge Companion to Imaginary Worlds, 385–93. New York: Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315637525-46.

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Decker, Kevin S. "Star Trek: The Next Generation as Philosophy: Gene Roddenberry’s Argument for Humanism." In The Palgrave Handbook of Popular Culture as Philosophy, 1–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-97134-6_3-1.

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"The Theology of Gene Roddenberry." In The Gospel According to Star Trek, 18–24. The Lutterworth Press, 2018. http://dx.doi.org/10.2307/j.ctvj4swr2.8.

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"Roddenberry, Religion, and a Malfunctioning Brain." In The Gospel According to Star Trek, 6–17. The Lutterworth Press, 2018. http://dx.doi.org/10.2307/j.ctvj4swr2.7.

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Eller, Jonathan R. "Beyond Eden." In Bradbury Beyond Apollo, 95–100. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0014.

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Chapter 13 opens with commentary on Bradbury’s 1980 Omni magazine article “Beyond Eden,” an essay commissioned to support the projected Space Shuttle program. In this essay, Bradbury defined his Space-Age Trinity—God, humanity, and the machines of interplanetary flight. The chapter goes on to document Bradbury’s April 1980 interviews with friends who had achieved prominence in the new generation of science fiction films: producers Gary Kurtz and Gene Roddenberry, director Irvin Kershner, and special effects artist John Dykstra. Bradbury never completed the article on the future of science fiction films that these interviews were intended to support, but he did articulate a maturing sense of Toynbee’s “challenge and response” as a way to focus the kind of human growth required to reach other worlds.
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Eller, Jonathan R. "Green Shadows, White Whale." In Bradbury Beyond Apollo, 203–9. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043413.003.0030.

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In 1991 Bradbury was able to combine his various stories of Ireland with bridges that told the tale of his Irish adventures writing the Moby Dick screenplay for John Huston in 1953-1954 to form the autobiographical novel Green Shadows, White Whale. Chapter 29 describes how Bradbury was able to merge these complex projects by revisiting the rough winter he spent under Huston’s demanding direction. In the process, Bradbury was able to capture the defining spirit of the Ireland he knew with good humor and only a touch of satire. Bradbury loved the beauty of the countryside and the people, but he would never return. The chapter analyzes this ambivalence through Bradbury’s reflective poem “To Ireland,” and concludes with the comments that Bradbury offered at the 1991 memorial service for his friend Gene Roddenberry.
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Robinson, Michael G. "These are the Voyages?" In Fighting for the Future, 81–102. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621761.003.0006.

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The main thing noticeably absent from Star Trek’s half-century anniversary was a network television series. By 2016, the primary output of the Trek franchise was a set of commercially successful feature films that had retconned a substantial portion of the early series history and consequently left later spin-off television series adrift in continuity limbo. One year later, or perhaps one year too late, three programs emerged to take up the mantle of Trek: Star Trek: Discovery (2017-), The Orville (2017-present) and the “U.S.S Callister” episode of Black Mirror (2017). This chapter investigates how these series make a claim to and justify deviations from, a familiar science fiction formula legendary for diverse themes and progressive ideologies with particular attention invocation of Gene Roddenberry’s vision for Star Trek.
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