Relevant bibliographies by topics / Roger Rabbit

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Roger Rabbit'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Roger Rabbit"

1

Allison, Gary, Michael Dalton, Judie Dominguez, Maria Elena Jauregui, Stephanie Shelton, and Jennifer Walter. "Who Framed Roger Rabbit." Humanity & Society 34, no. 1 (February 2010): 120–22. http://dx.doi.org/10.1177/016059761003400107.

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2

Silverman, Hugh J. "The Mark of Postmodernism: Reading Roger Rabbit." Cinémas 5, no. 3 (February 28, 2011): 151–64. http://dx.doi.org/10.7202/1001152ar.

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Who Framed Roger Rabbit? (Zemeckis, 1988) beats the traces of postmodernity. Behind this simple animation film and its spectacular technology, behind these drawings of a cute little alcoholic rabbit anxious about the intentions of his voluptuous wife, lurks an "epistemological rupture." The author demonstrates how the film is caught up in a game of boundaries, conventions and genres transgressed, in multiple folds of codes looping back on themselves, in reiterations of ironic quotes. He shows how Roger Rabbit might be considered an obsolete figure transformed into a postmodern hero.
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Bodmer, George R. "Rabbit to Roger: Updike's Rockin' Version." Journal of Popular Culture 22, no. 3 (December 1988): 111–17. http://dx.doi.org/10.1111/j.0022-3840.1988.2203_111.x.

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4

Rosenbaum, Jonathan. ": Who Framed Roger Rabbit? . Robert Zemeckis." Film Quarterly 42, no. 1 (October 1988): 33–37. http://dx.doi.org/10.1525/fq.1988.42.1.04a00070.

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Geisler, M., C. Delhomme, H. Letournel, L. Bucy, S. Poussing, J. F. Guichard, J. Campagne, N. Vernier, F. Maurier, and S. Revuz. "Qui veut la peau de Roger Rabbit ?" La Revue de Médecine Interne 41 (December 2020): A177—A178. http://dx.doi.org/10.1016/j.revmed.2020.10.303.

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Rosenbaum, Jonathan. "Review: Who Framed Roger Rabbit? by Robert Zemeckis." Film Quarterly 42, no. 1 (1988): 33–37. http://dx.doi.org/10.2307/1212435.

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7

BUDYLIN, S. L. "ROGER RABBIT AND CITY OF HOPE. ON LICENSEE’S FIDUCIARY DUTIES." Civil Law Review 19, no. 5 (November 25, 2019): 230–42. http://dx.doi.org/10.24031/1992-2043-2019-19-5-230-242.

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8

Johnston, Robert A., and Vicki Bruce. "Who primed Roger Rabbit? An investigation of priming between individual items." British Journal of Psychology 85, no. 1 (February 1994): 115–30. http://dx.doi.org/10.1111/j.2044-8295.1994.tb02512.x.

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9

Lecuru, Fabrice, Denis Querleu, Bénédicte Buchet-Bouverne, and Damien Subtil. "The effect of tubal injection of methotrexate**Methotrexate; Roger Bellon, Neuilly/Seine, France. on fertility in the rabbit." Fertility and Sterility 57, no. 2 (February 1992): 422–24. http://dx.doi.org/10.1016/s0015-0282(16)54857-2.

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10

Baer, Tomas, and Giacinto Scoles. "Roger Ervin Miller. 23 July 1952 — 6 November 2005." Biographical Memoirs of Fellows of the Royal Society 54 (January 2008): 215–28. http://dx.doi.org/10.1098/rsbm.2008.0007.

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Roger Miller, perhaps the most outstanding experimental physical chemist of his generation, was sadly taken from us at the age of53 years, at the peak of his career. Roger Ervin Miller was born in Kitchener, Ontario, Canada, on 23 July 1952, the son of Ruth and Donald R. Miller. Roger had one older brother, Gerry, and one younger sister, Patricia. Roger's father worked in a tyre factory and was very innovative and creative in mending items around the house, a trait that he passed on to his children. From a very early age Roger was curious about the world around him. He was also a hard worker, raising rabbits or picking dew worms to earn money so that he could purchase model rockets, the bigger the better. This was the time of Sputnik and the US space programme, Roger being just 5 years old when the first Sputnik satellite was launched in 1957. As Roger explained in a memoir that he began to write in 2000 (but never finished; extracts are reproduced by courtesy of Mrs. Debbie Miller):
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Dissertations / Theses on the topic "Roger Rabbit"

1

Joubert-Laurencin, Hervé. "Différence singulière et répétition communautaire dans le cinéma d'animation contemporain." Paris 3, 1992. http://www.theses.fr/1992PA030117.

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Books on the topic "Roger Rabbit"

1

Richard, Williams. I drew Roger Rabbit. [U.K.]: Mentorn Films for Thames Television, 1988.

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2

Zemeckis, Robert. Who framed Roger Rabbit. 2nd ed. Burbank, Calif: Walt Disney Studios Home Entertainment, 2013.

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3

Price, Jeffrey. Who framed Roger Rabbit. Hollywood: Script City, 1990.

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4

Harkey, Kevin. Roger Rabbit in "Tummy Trouble". Burbank, CA: WD Productions, 1989.

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5

Wolf, Gary K. Who p-p-plugged Roger Rabbit? New York: Villard Books, 1991.

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6

Don, Ferguson, and Spiegle Dan, eds. Who framed Roger Rabbit?: Based on the motion picture from Touchstone Pictures and Steven Spielberg. New York, NY: Marvel Comics, 1988.

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7

editors, Consumer Guide. Winning Tips For Nintendo: Newest Game Strategies. Lincolnwood, IL: Signet, 1990.

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8

Publishing, RH Value. Winning Tips For Nintendo: Newest Game Strategies. Lincolnwood, IL: Publications International, Ltd., 1990.

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Guide, Editiors of Consumer. Winning Tips For Nintendo: Newest Game Strategies. Lincolnwood, IL: Publications International, 1990.

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10

Tom, Badgett, ed. Ultimate Unauthorized Nintendo Classic Game Strategies. 2nd ed. New York: Bantam Books, 1992.

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Book chapters on the topic "Roger Rabbit"

1

Cai, Dunbo, Yuhui Gao, Wei Gao, and Minghao Yin. "A Timeline Representation for the Jade Rabbit Rover." In Knowledge Science, Engineering and Management, 69–77. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99247-1_7.

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Conference papers on the topic "Roger Rabbit"

1

Rodríguez González, Manuela Elizabeth. "Coherencia entre animación e imagen real: recursos presentes en el universo gráfico de Gumball." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4900.

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Desde la última década del s. XX, la tecnología digital toma la ventaja en casi todas las fases de la producción de cine de animación, haciendo posible entre otras cosas, la unión de cine de acción real con animación, dando lugar a series animadas de estética híbrida.El presente artículo centrará su atención en uno de estos ejemplos híbridos, El asombroso mundo de Gumball (2011), serie de animación televisiva creada por Ben Bocquelet (1983), tras proponer a Cartoon Network reunir en una única producción a todos los personajes que él había creado y que fueron rechazados por estudios de animación a lo largo de los años.Partiendo de esta unión de elementos diferentes (explicación presente en la idea base, pero no en el argumento de la serie), se analizarán los recursos que se utilizan para unir a personajes de estética dispar en un "universo gráfico" coherente. Este concepto de "universo" aparece definido por Raúl García en Actores del Lápiz (2000), como la unidad de estilo (y movimiento) en la que coexisten los personajes y elementos de diseño dentro de una serie de televisión, regidos por unas reglas que hay que mantener durante toda la creación, para hacerla verosímil ante el espectador. Teniendo en cuenta este concepto, se completará el análisis de dichos recursos estudiando producciones en las cuales la mezcla de estilos va de acorde con el argumento, o se realiza con fines de experimentación estética: desde los Lightning Sketches de Blackton (1907) o Gertie, the Good Dinosaur de McCay (1914); pasando por los personajes animados que conviven con humanos en Mary Poppins (1964), ¿Quién engañó a Roger Rabbit? (1988), o Space Jam (1996); hasta los fondos de imagen real inmersos en la animación experimental del director Masaaki Yuasa en The Tatami Galaxy (2010).http://dx.doi.org/10.4995/ANIAV.2017.4900
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2

Bin Tong, Baofeng Wang, Geshi Tang, Hao Wu, Shanshan Du, Jia Wang, and Chuankai Liu. "The localization method of the “Jade Rabbit” rover in Chang'e-3 mission." In 2014 11th World Congress on Intelligent Control and Automation (WCICA). IEEE, 2014. http://dx.doi.org/10.1109/wcica.2014.7053108.

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