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Journal articles on the topic 'Roi de France Louis XIV'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Guery, Alain. "État, classification sociale et compromis sous Louis XIV : la capitation de 1695." Annales. Histoire, Sciences Sociales 41, no. 5 (October 1986): 1041–60. http://dx.doi.org/10.3406/ahess.1986.283331.

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La formation d'un État-Nation en France a été un processus de longue durée, dont le déclenchement est d'initiative royale. Le roi, en France, a créé l'État, et au moyen de cet État, la Nation. La distinction puis la séparation institutionnalisée de son entourage en organismes spécialisés dans des types d'affaires envisagés et classés selon les réponses que les membres de cet entourage sont habilités par le roi à donner, constitue peu à peu un appareil institutionnel et administratif qui devient celui d'un Etat tel que nous l'entendons encore aujourd'hui. Cette atomisation institutionnelle dans le long terme du politique procède de manière concomitante par quadrillage de la société et obéit à des principes liés à une idée du pouvoir politique. La connaissance de la société par les administrateurs est inséparable de la question du pouvoir royal vu sous l'angle d'un vouloir politique.

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2

Duranton, Henri. "Mémoires d'un inconnu sur le roi Louis XIV de France et sa cour." Cahiers Saint Simon 17, no. 1 (1989): 7–30. http://dx.doi.org/10.3406/simon.1989.1123.

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3

Brobeck, John T. "Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547)." Journal of the American Musicological Society 48, no. 2 (1995): 187–239. http://dx.doi.org/10.2307/3128814.

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Recently uncovered archival and historical documents suggest new linkages between the musical patronage of the French royal court and the development of the polyphonic repertory of Francis I's personal chapel as represented in the publications of Pierre Attaingnant. The union in 1514 of the chapels of Anne of Brittany and Louis XII made possible a reorganization of the Chapelle du roi into discrete groups of singers responsible for either the chanting of the chapel's public liturgy or the performance of polyphonic music. As early as the 1490s, however, the French kings began to favor the celebration of private Low Masses en musique, a development seemingly reflected in the increased production of motets by Claudin de Sermisy and other royal court composers.

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4

Daniels, Barry. "Scene Design at the Court of Louis XIV: The Work of the Vigarani Family and Jean Berain. By Frederick Paul Tollini. Studies in Theatre Arts 22. Lewiston, New York: Edwin Mellen Press, 2003; pp. 137; 34 illustrations; 6 color plates. $109.95 cloth." Theatre Survey 45, no. 2 (November 2004): 314–15. http://dx.doi.org/10.1017/s0040557404380269.

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Gaspare Vigarani, the Italian architect and set designer, was hired in 1659 to build a new theatre in the Tuileries Palace for the festivities celebrating Louis XIV's marriage in 1660. This theatre, the ill-fated albeit magnificent Salle des Machines, was not completed in time for the wedding celebration. It opened in February 1662 with a production of Cavalli's opera Ercole amante. His sons Carlo and Ludovico had assisted Vigarani in creating the scenery and machinery for this production. In 1663, Carlo was invited back to France to supervise royal entertainments, a function he exercised until 1680. In 1673, he joined the composer Lully at the newly created Académie royale de musique, where he designed scenery until 1680. Jean Berain, who was named to the post of “dessinateur de la chambre et du cabinet du Roi” in 1674, had assisted Vigarani early in his career and designed costumes for Lully's operas. He succeeded Vigarani as set designer at the Opera in 1680, a post he would hold until 1710.

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5

Hasquin, Hervé. "Louis XIV. Le cycle du Roi-Soleil." Les cahiers de Mariemont 37, no. 1 (2008): 41–54. http://dx.doi.org/10.3406/camar.2008.1305.

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6

Tobin, Ronald W. "Journal de sante du roi Louis XIV (review)." L'Esprit Créateur 46, no. 1 (2006): 113. http://dx.doi.org/10.1353/esp.2006.0014.

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7

Bertrand, Danny. "Louis XIV. Homme et roi by Thierry Sarmant." Histoire sociale/Social history 46, no. 92 (2013): 587–89. http://dx.doi.org/10.1353/his.2013.0047.

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8

Canova-Green, Marie-Claude, and Francis Assaf. "La Mort du roi. Une thanatographie de Louis XIV." Modern Language Review 96, no. 3 (July 2001): 822. http://dx.doi.org/10.2307/3736780.

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9

Dufour, Jean. "Portrait de Louis VI, roi de France (1108-1137)." Bulletin de la Société Nationale des Antiquaires de France 1989, no. 1 (1991): 307–9. http://dx.doi.org/10.3406/bsnaf.1991.9516.

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10

Lignereux, Yann. "Le visage du roi, de François Ier à Louis XIV." Revue d’histoire moderne et contemporaine 57-4, no. 4 (2010): 30. http://dx.doi.org/10.3917/rhmc.574.0030.

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11

Broomhall, S. "La Sante de Louis XIV: Une biohistoire du Roi-Soleil." French History 26, no. 3 (July 27, 2012): 404–5. http://dx.doi.org/10.1093/fh/crs051.

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12

BONNEY, R. "Review. Louis XIV and France. Mallia-Milanes, Victor." French Studies 42, no. 3 (July 1, 1988): 371. http://dx.doi.org/10.1093/fs/42.3.371.

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13

Swann, Julian. "Roi de guerre ou Roi de paix? Louis XV and the French monarchy, 1740–1748." French History 34, no. 2 (May 11, 2020): 161–90. http://dx.doi.org/10.1093/fh/craa021.

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Abstract This article examines debate about the nature of the French monarchy during the early years of Louis XV’s personal rule. It argues that the king, his ministers and advisers as well as the wider French public were torn between traditional models of monarchy based upon the concept of a ‘roi de guerre’ and the diplomatic and human consequences of military conflict that had caused many to urge a more restrained, pacific projection of French power. In 1748, Louis XV offered a peace that reflected the desire to avoid a repetition of his predecessor’s errors, but France lacked the strength needed to impose a Pax Francia. The subsequent separation between the Bourbon dynasty and active military service did much to undermine the monarchy in the eyes of an increasingly patriotic public opinion.

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14

Lucken, Christopher. "L’Évangile du roi Joinville, témoin et auteur de la Vie de Saint Louis." Annales. Histoire, Sciences Sociales 56, no. 2 (April 2001): 445–67. http://dx.doi.org/10.1017/s0395264900032960.

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RésuméCet article prend comme point de départ la question qui traverse le Saint Louis de Jacques Le Goff, « Saint Louis a-t-il existé? », et le statut accordé à la Vie de Saint Louis de Joinville, qui lui permet d’y répondre positivement. Ce texte apparaît en effet le plus souvent chez les historiens et les critiques littéraires comme une sorte de « Mémoires », soit un témoignage fidèle dépourvu de toute ambition hagiographique ou littéraire autre que celle de rapporter les gestes et les paroles du roi tels que son auteur les a vus ou entendues. Mais peut-on s’en tenir là? L’analyse du récit consacré au débarquement du roi à Damiette et la comparaison avec d’autres descriptions de cette même scène nous invite à mettre en doute l’exactitude des détails rapportés par Joinville. N’y aurait-il là, toutefois, qu’un peu d’exagération romanesque sans véritable conséquence? Cet épisode répond cependant à la revendication formulée dans le prologue de cette œuvre selon laquelle Louis IX aurait mérité d’être reconnu comme martyr et pas seulement comme saint. Mais plutôt que de mourir en Terre sainte lors de sa première croisade, Saint Louis serait remonté de l’enfer afin d’accéder, au sein du royaume de France, à une fonction royale pensée sur le modèle christique. Raison pour laquelle Joinville se serait opposé à la seconde croisade du roi. À quoi répond cette Vie de Saint Louis où le témoignage de Joinville est pris dans une perspective qui fait de ce dernier davantage qu’un simple mémorialiste, l’auteur de la vie exemplaire d’un roi-martyr mort et ressuscité afin de mener son peuple en cette nouvelle terre promise qu’est devenue la France.

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15

Sabatier, Gérard. "La gloire du roi. Iconographie de Louis XIV de 1661 à 1672." Histoire, économie et société 19, no. 4 (2000): 527–60. http://dx.doi.org/10.3406/hes.2000.2134.

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16

Charnley, Joy. "Béat-Louis de Muralt: Some Thoughts on the France of Louis XIV." Seventeenth-Century French Studies 19, no. 1 (June 1997): 125–34. http://dx.doi.org/10.1179/c17.1997.19.1.125.

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17

Perréon, Stéphane. "Le roi stratège. Louis XIV et la direction de la guerre, 1661-1715." Annales de Bretagne et des pays de l'Ouest, no. 118-4 (December 30, 2011): 149–51. http://dx.doi.org/10.4000/abpo.2212.

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18

Rowlands, G. "Servir le Roi-Soleil. Claude Le Peletier (1631-1711) ministre de Louis XIV." French History 27, no. 2 (January 23, 2013): 282–84. http://dx.doi.org/10.1093/fh/crs153.

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19

Demouy, Patrick. "Henri de France et Louis VII. L'évêque cistercien et son frère le roi." Actes de la Société des historiens médiévistes de l'enseignement supérieur public 29, no. 1 (1998): 47–61. http://dx.doi.org/10.3406/shmes.1998.1738.

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20

Lough, John. "TWO MORE BRITISH TRAVELLERS IN THE FRANCE OF LOUIS XIV." Seventeenth Century 1, no. 2 (July 1986): 159–75. http://dx.doi.org/10.1080/0268117x.1986.10587847.

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21

Maral, Alexandre. "Grande Galerie et appartement du roi à Versailles Sens et usages sous Louis XIV." Versalia. Revue de la Société des Amis de Versailles 12, no. 1 (2009): 121–33. http://dx.doi.org/10.3406/versa.2009.897.

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22

Lee, Paula Young. "Standing on the Shoulders of Giants: Boullée's "Atlas" Facade for the Bibliothèque du Roi." Journal of the Society of Architectural Historians 57, no. 4 (December 1, 1998): 404–31. http://dx.doi.org/10.2307/991459.

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The "Atlas" facade of 1788, proposed by architect Etienne-Louis Boullée for the Bibliothèque du Roi in Paris, has long been regarded as a spectacular yet enigmatic work. This essay identifies the giant globe, supported by two muscular atlantes, flanking the library's main portal as an actual object, drawn more or less to scale, made by Vincenzo Maria Coronelli for Louis XIV in 1683. Along with a terrestrial globe of equally astonishing dimensions, the celestial globe was housed in the Bibliothèque du Roi for most of the eighteenth century. The fate of these globes was intertwined with the specific development of the Bibliothèque du Roi, as well as with the general emergence of "library," "museum," and "academy" as modern institutions of publicly held knowledge. By foregrounding the celestial globe, Boullée not only celebrated le siècle de Louis-le-Grand but also signaled the major contributions made by Babylon, Chaldea, and Egypt to Greek astronomy and to Western thought as a whole. Raphael's School of Athens, a painting to which Boullée's interior view of the Bibliothèque du Roi famously referred, had made a similar point about the potent blend of Eastern occult wisdom and European scientific methods through the memorable motif of globes. The approach here is iconographic. The symbols of the "Atlas" façade serve as a point of departure for examining the representational systems of the fine arts and the observational sciences and lead ultimately to a school of "universal" knowledge that was built into Boullée's vision of this library.

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23

Pysiak, Jerzy. "Philippe Auguste Un roi de la fin des temps?" Annales. Histoire, Sciences Sociales 57, no. 5 (October 2002): 1165–90. http://dx.doi.org/10.3406/ahess.2002.280101.

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RésumésLe règne de Philippe Auguste apparaît comme un tournant décisif de l’histoire de la France et de la royauté capétienne. Bien connus sont les succès politiques, administratifs et militaires de ce roi. Mais son règne est aussi la période de l’émergence de la « religion royale » en France. Depuis sa naissance, Philippe est appelé « Dieudonné », et une relecture des chroniques (Rigord) et des textes sortis de la chancellerie royale (Étienne de Gallardon) dévoile une vision de la royauté fort influencée par les aspects eschatologiques. Les idées millénaristes et messianiques furent appréciées par Philippe Auguste comme un des moyens de la propagande capétienne naissante, utiles tant à l’intérieur du royaume qu’à l’extérieur, dans la lutte idéologique contre les Plantagenêts rivaux ou contre l’Empire. Au cours duXIIIesiècle, en dépit de la faible diffusion de l’œuvre de Rigord, ses écrits, montrant Philippe Auguste comme l’élu de Dieu, jouèrent un rôle magistral dans la construction desGrandes chroniques de Francede Primat. Les successeurs de Philippe Auguste, surtout Saint Louis et Philippe le Bel, surent reprendre, avec des modifications nécessaires, l’idée de la royauté eschatologique en France.

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24

Grell, Chantal. "Louis XIV « espagnol » La filiation étrangère du roi dans l'historiographie républicaine française du XIXe siècle." Littératures classiques N° 76, no. 3 (2011): 31. http://dx.doi.org/10.3917/licla.076.0031.

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25

Adamczak, Audrey. "Les almanachs gravés sous Louis XIV : une mise en images des actions remarquables du roi." Littératures classiques N° 76, no. 3 (2011): 63. http://dx.doi.org/10.3917/licla.076.0063.

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26

Lengelé, Benoît. "Chronique imaginaire de la santé du Roi Louis XIV et des malades de son siècle." Bulletin de l'Académie Nationale de Médecine 190, no. 2 (February 2006): 499–509. http://dx.doi.org/10.1016/s0001-4079(19)33332-1.

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27

Toftgaard, Anders. "Blandt talende statuer og manende genfærd. Mazarinader i Det Kongelige Biblioteks samlinger." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 57. http://dx.doi.org/10.7146/fof.v53i0.118825.

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Anders Toftgaard: Amongst speaking statues and admonishing ghosts. Mazarinades in the collections of The Royal Library Mazarinade is a term for political writing that was published in different forms in France during (and related to) the Fronde (1648–1653). The Fronde was a series of civil wars that first broke out when Louis XIV (born 1638) was still a child, and Mazarin was the Chief Minister of France and responsible for the young king’s education. Mazarin governed the country together with the king’s mother, Anne of Austria. The term mazarinade covers pamphlets, letters, official documents, burlesque poetry, sonnets and ballads, discourses and dialogues.The Royal Library in Copenhagen holds a collection of mazarinades. The Copenhagen collection was overlooked by scholars and Hubert Carrier (who travelled widely) because it had not been properly catalogued. The collection of mazarinades in the Royal Library has now been catalogued by the author of the article, and the catalogue is available in Fund og Forskning online. The article serves as an introduction to this hitherto unknown collection of mazarinades. After a presentation of the Fronde, and the term mazarinade and its denotation, the article lists the rare and unique mazarinades in the collections of The Royal Library, Copenhagen and where possible, traces their provenance.The collection consists of 33 volumes of mazarinades that have been put together in the 19th century in order to form a single collection: Collection de mazarinades. Apart from this Collection de mazarinades there are other mazarinades in the holdings, stemming both from the Royal Library and from the University Library. The 33 volumes (one volume has been missing for years) have been grouped together by various subsets. One of these subsets is a collection of mazarinades created by Pierre Camuset, who lived during the time of the Fronde. Camuset introduces himself as “conseiller du roi, eslu en l’election de Paris”. Archival records show that he was appointed to this position on 9 December 1622, that in 1641 he married Agnès, daughter of Jean Le Noir, lawyer to the Parliament of Parisian, and that he died some years before 1670.In the Collection de Mazarinades, there are approx. 100 mazarinades which were considered rare or “rarissime” by Célestin Moreau in his Bibliographie des mazarinades (1850–1851). There are three mazarinades, which would seem to be unique; three mazarinades, which are not recorded in the existing bibliographies of mazarinades (made by D’Artois and Carrier, in the Bibliothèque Mazarine) but of which there are copies in other libraries. There is a mazarinade printed by Samuel Brown in The Hague, which has not been recorded elsewhere. Finally, there are 11 mazarinades printed by Jean-Aimé Candy in Lyon, of which only three, judging from existing catalogues and bibliographies, seem to exist in other libraries.Only few of the mazarinades were brought to Denmark during the Fronde. Most of them were collected by Danish 18th century collectors. Surprisingly, only a small part stems from the incredibly rich library of Count Otto Thott (1703–1785). When Thott’s library was auctioned off, his mazarinades were bought by Herman Treschow (1739–1797) who acted as a commission agent for numerous book collectors, and due to the detailed cataloguing in Thott’s auction catalogue, it would probably be possible to find the volumes from his library in a foreign library.Both Hans Gram (1685–1748) and Bolle Willum Luxdorph (1716–1788) owned copies of Gabriel Naudé’s Mascurat in which they wrote handwritten notes. Luxdorph was the great collector of Danish press freedom writings. In his marginal notes he compares a passage in Naudé’s text about common people appropriating the art of printing with his own experience of a servant who came up with songs that were “assez mechants” during the fall of Struensee on 17 January 1772: “Mon valet faisait aussi d’asséz méchans vers su aujet de la revolution du 17de janvier 1772”. Luxdorph’s reading of Mascurat is thus in close connection with his interest in writings on press freedom.The Mazarinades are valuable both for studies in history, literary history and history of the book. More specifically, the collection of Mazarinades in the Royal Library, on the one hand, through the example of Pierre Camuset, shows how an individual tried to get a grasp of an abnormal period, and on the other hand, through the example of Luxdoph, very clearly testifies to the 18th century interest in the history of the book and in historical periods with de facto freedom of the press.

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28

Mettam, R. "Francois de Callieres: L'art de negocier en France sous Louis XIV." English Historical Review CXXII, no. 496 (April 1, 2007): 553–54. http://dx.doi.org/10.1093/ehr/cem068.

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29

Parker, D. "Absolutism, Feudalism and Property Rights in the France of Louis XIV." Past & Present 179, no. 1 (May 1, 2003): 60–96. http://dx.doi.org/10.1093/past/179.1.60.

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30

Marchandisse, Alain. "Une tentative d’assassinat du prince-évêque de Liège Louis de Bourbon par le roi de France Louis XI (1477) ?" Publications du Centre Européen d'Etudes Bourguignonnes 48 (January 2008): 177–93. http://dx.doi.org/10.1484/j.pceeb.2.305813.

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31

MAAOUNI, Abdelaziz. "L’Académie de médecine de France et l’Université Mohammed VI des Sciences de la Santé : une vision intégrée de la Vie et de la Santé." International Journal of Medicine and Surgery 4, s (May 15, 2017): 1–2. http://dx.doi.org/10.15342/ijms.v4is.177.

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EXTRACT: Sa Majesté Le Roi Mohammed VI a honoré de son Très Haut Patronage la rencontre historique qui a eu lieu, les 24 et 25 avril 2017 entre l’Université Mohammed VI des Sciences de la Santé de Casablanca et l’Académie de médecine de France. La revue « International Journal of Medicine and Surgery » éditée par l’Université a choisi de consacrer un numéro spécial à cet important événement auquel j’ai porté un intérêt particulier. L’Académie de médecine de France est, en effet, une institution prestigieuse, Louis XVIII, à l’initiative du baron Portal, crée l’Académie de médecine de France en 1820 ...

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32

De Lozoya, Arturo Valledor, David González García, and Jolyon Parish. "A great auk for the Sun King." Archives of Natural History 43, no. 1 (April 2016): 41–56. http://dx.doi.org/10.3366/anh.2016.0345.

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This paper describes two watercolours and one engraving of the great auk (Pinguinus impennis) executed by the French painter Nicolas Robert probably between 1666 and 1670. Despite their interest as early images of this extinct species and the first ones rendered in colour, they have not been mentioned in the literature. The images suggest that the bird was kept alive in the menagerie at the palace in Versailles, where Robert portrayed it for Louis XIV; Robert's paintings are collectively known as “Les vélins du Roi”.

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33

Stanic, Milovan. "Travaux récents en Allemagne sur l’art dans la France de Louis XIV." Perspective, no. 2 (June 30, 2007): 387–92. http://dx.doi.org/10.4000/perspective.3842.

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34

Martinière, Guy. "São Luís, capitale du Maranhão, capitale rêvée de la France équinoxiale: the dream capital of equinoctial France." História (São Paulo) 30, no. 1 (June 2011): 252–63. http://dx.doi.org/10.1590/s0101-90742011000100012.

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La ville de São Luís do Maranhão a été inscrite par l'UNESCO sur la liste du Patrimoine mondial de l'Humanité en décembre 1997 en raison de la qualité de l'architecture et de l'urbanisme des XVIIIème et XIXème siècles de son Centre historique. Toutefois, avant de devenir une ville portugaise des Tropiques, São Luís avait été fondée par les Français commandés par La Ravardière dès 1612. Elle fut alors, pendant trois ans, la "capitale rêvée" d'une utopie, celle de la monarchie française du roi Louis XIII. Cette monarchie n'aspirait-elle pas à créer, en Amérique du Sud, sur les côtes du Brésil, un empire outre-mer, la "France équinoxiale", comme la ville de Québec, fondée par Champlain, était devenue la capitale de la "Nouvelle France" en Amérique du Nord ? La ville de São Luís revendique aujourd'hui cet héritage et ambitionne de devenir un "carrefour des cultures" du monde.

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35

Howells, Robin, and Marc Soriano. "La Brosse a reluire sous Louis XIV: 'L'Epitre au Roi' de Perrault annotee par Racine et Boileau." Modern Language Review 86, no. 4 (October 1991): 1023. http://dx.doi.org/10.2307/3732607.

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36

Bedos-Rezak, Brigitte. "Recueil des actes de Louis VI, roi de France (1108-1137) ed. by Robert-Henri Bautier." Catholic Historical Review 82, no. 3 (1996): 539–40. http://dx.doi.org/10.1353/cat.1996.0106.

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37

Mortneau, Michel. "Jean Meuvret et la vie rurale en France au temps de Louis XIV." Revue belge de philologie et d'histoire 67, no. 4 (1989): 770–80. http://dx.doi.org/10.3406/rbph.1989.3694.

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38

Bennett, Peter. "Hearing King David in Early Modern France: Politics, Prayer, and Louis XIII's Musique de la Chambre." Journal of the American Musicological Society 69, no. 1 (2016): 47–109. http://dx.doi.org/10.1525/jams.2016.69.1.47.

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Scholars of Louis XIV have long recognized the “representational” strategy employed by the composers of the Chapelle Royale (and those who designed its liturgy), in which the words of the psalms (the work of poet-musician King David) allied to an elaborate musical setting (the grand motet) attested to the king's strength and power in both spiritual and temporal domains. By contrast, in the absence of a comparable repertory inspired by the psalms from an earlier period, the role of King David at the court of Louis XIII has received almost no attention. Yet, as this article shows, the biblical king did indeed play a central role at the court of Louis XIII, albeit in unexpected ways. The “public” voice of David—the voice of a warrior who defeated his enemies—spoke outside the confines of the court in orations, pamphlets, and psalm paraphrases (with simple musical settings), celebrating, in particular, the king's victory over the Huguenots at La Rochelle in 1628. On the other hand, study of the psalm-texted works composed for Louis XIII's Musique de la Chambre (recently identified in Bibliothèque Nationale de France, MS Vma rés. 571) reveals a “private” voice, a voice that reflected Louis's anxiety and penitence in the years around 1620 and that was heard only by the king's closest allies at court. By contextualizing this “private” voice it is also possible to account for the rise of the Domine salvum fac regem, a musical genre that originated in the same circumstances, and to suggest that Louis XIII and Louis XIV in fact had a common interest in David as supplicant.

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39

Kampmann, Christoph. "Kalkulierter Konflikt?" Zeitschrift für Historische Forschung: Volume 48, Issue 2 48, no. 2 (April 1, 2021): 211–62. http://dx.doi.org/10.3790/zhf.48.2.211.

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Summary Calculated Conflict? The Cologne Election Dispute of 1688 and the Origins of the Nine Years’ War Historians have recently begun to focus on the relationship between elections and conflict during the Early Modern period. Against the backdrop of these debates, the article takes another look at one of the most conflict-laden elections of that era, the election dispute (“Doppelwahl”) of Cologne in July 1688 involving Cardinal Fürstenberg and Duke Joseph Clemens of Bavaria. The spectacular failure of Fürstenberg, the candidate backed by King Louis XIV of France, in the succession struggle in Electoral Cologne was one of the major causes of the Nine Years’ War (known in German as the “War of the Palatine Succession”), which impacted wide swathes of Western and Central Europe. The resolution of the succession dispute in the Archdiocese of Cologne occurred within the context of growing tensions between Louis XIV and his rivals, in particular Emperor Leopold I. Yet up to the summer of 1688, there continued to be opportunities – albeit diminishing ones – to resolve the conflict peacefully. It was only when Emperor Leopold decided to publicly and solemnly declare Fürstenberg ineligible, explicitly citing the cardinal’s allegiance to Louis XIV, that open conflict became unavoidable. As a result, the very reputations of the protagonists were at stake in the Cologne succession, including that of Louis XIV; there was no longer any way to withdraw from the conflict without losing face. There are convincing reasons to believe that the emperor, by deciding to exclude Fürstenberg, was consciously accepting a conflict with France, with the prospect of a broad anti-French alliance that was already forming in Central and Western Europe.

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40

GOLDIE, MARK, and CHARLES-ÉDOUARD LEVILLAIN. "FRANÇOIS-PAUL DE LISOLA AND ENGLISH OPPOSITION TO LOUIS XIV." Historical Journal 63, no. 3 (March 18, 2019): 559–80. http://dx.doi.org/10.1017/s0018246x19000025.

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AbstractBetween the Restoration in 1660 and the Revolution in 1688 the English public abandoned its century-long animus against Spain and began to identify France as its chief enemy. Historians often hold that the most significant intervention in shifting the balance of public opinion was the Dutch-inspired pamphlet,England's appeal from the private cabal at Whitehall(1673), written by the Huguenot Pierre du Moulin. It is argued here that an immensely influential earlier intervention was made by François-Paul de Lisola, in hisBuckler of state and justice(1667), which, at a critical juncture, presented a rhetorically powerful body of arguments about the nature of the European state system. A Catholic in the service of the Habsburg emperor, who spent nearly two years in England in 1666–8, Lisola was an accomplished and versatile diplomat and publicist. This article interweaves diplomatic history with the history of geopolitical argument, tracing paths which led to Europe's Grand Alliance against Louis XIV.

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Warolin, Christian. "Philibert Boudin et François Baranjon, apothicaires de Louis XIV , alliés à Jehan Poisson, apothicaire du Roi, d’origine angevine." Revue d'histoire de la pharmacie 99, no. 373 (2012): 53–64. http://dx.doi.org/10.3406/pharm.2012.22373.

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Rodríguez López, Ana. "Quod alienus regnet et heredes expellatur. L'offre du trône de Castille au roi Louis VIII de France." Le Moyen Age CV, no. 1 (1999): 109. http://dx.doi.org/10.3917/rma.051.0109.

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Dufour, Jean. "Louis VI, roi de France (1108-1137), à la lumière des actes royaux et des sources narratives." Comptes-rendus des séances de l année - Académie des inscriptions et belles-lettres 134, no. 2 (1990): 456–82. http://dx.doi.org/10.3406/crai.1990.14862.

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Zhu, L. "Religion and the Politics of Time: Holidays in France from Louis XIV through Napoleon." French History 25, no. 2 (May 28, 2011): 270–71. http://dx.doi.org/10.1093/fh/crr037.

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Broude, Ronald. "Paris chez l’autheur: self-publication and authoritative texts in the France of Louis XIV." Early Music 45, no. 2 (May 2017): 283–96. http://dx.doi.org/10.1093/em/cax020.

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Rowe, Michael. "Religion and the Politics of Time: Holidays in France from Louis XIV through Napoleon." European Review of History: Revue europeenne d'histoire 18, no. 5-6 (October 2011): 874–76. http://dx.doi.org/10.1080/13507486.2011.632195.

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Hossain, Mary. "The Employment and Training of Interpreters in Arabic and Turkish Under Louis XIV: France." Seventeenth-Century French Studies 14, no. 1 (January 1992): 235–46. http://dx.doi.org/10.1179/c17.1992.14.1.235.

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Bosher, J. F. "Sept grands marchands catholiques français participant au commerce avec la Nouvelle-France (1660-1715)." Revue d'histoire de l'Amérique française 48, no. 1 (August 26, 2008): 3–27. http://dx.doi.org/10.7202/305298ar.

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RÉSUMÉ Pendant le règne de Louis XIV, sept grands marchands français de religion catholique s'imposèrent dans le commerce avec la Nouvelle-France à un moment où les marchands huguenots armaient de moins en moins de navires. On a souvent exagéré le rôle de ces derniers marchands pendant cette période, et il est probable que leur importance ait diminué à la suite des persécutions dont ils ont été victimes pendant les guerres de 1689 à 1713. En effet, la monarchie se montrait très méfiante à leur égard, une situation dont les marchands catholiques ont pu bénéficier. D'origine modeste, les sept marchands catholiques qui sont l'objet de notre étude ont été favorisés par cinq facteurs : des mariages avantageux, des relations solides de famille ou d'affaires outre-Atlantique, des rapports étroits avec des membres du clergé ou des officiers métropolitains (dans un cas au moins) et des occasions d'affaires issues des guerres de Louis XIV. Malheureusement, ces marchands subirent de lourdes pertes financières, assez fréquentes en ces années, car les Bourbons ne payaient pas toujours leurs dettes.

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Marc’hadour, Germain. "Le Télémaque De Fénelon (1699), Chef D’oeuvre Utopique." Moreana 36 (Number 139-, no. 3-4 (December 1999): 87–102. http://dx.doi.org/10.3366/more.1999.36.3-4.11.

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Le roman intitulé Les Aventures de Télémaque, fils d’Ulysse, connut, dès sa parution ( 1699), un succès qui n’a pas eu d’éclipse. Il a fourni au moins deux termes au vocabulaire international: mentor et Salente. L’impact de l’oeuvre est inséparable de la personnalité de l’auteur: Fénelon avait publié un Traité de l’éducation des filles, qui contribua à le faire nommer précepteur du petit-fils de Louis XIV, poste qui l’achemina vers celui d’archevêque de Cambrai. Son vaste diocèse, où More avait signé la Paix des Dames en 1529, jouxtait les Flandres, et pâtissait des guerres menées sur cette frontière jusqu’à la paix d’Utrecht (1713). L’Ulysse dont il se fait le Mentor par Télémaque interposé est l’héritier présomptif du Roi-Soleil: il le promène de nation en nation pour lui faire honnir celles qui sont belliqueuses, et apprécier celles où la loi est souveraine, où l’agriculture est à l’honneur, et d’où sont bannis le luxe et l’ostentation. La palme rev ient à la république de Salente, véritable famille comme l’Utopie de More, et en outre dotée d’un climat idyllique. Louis XIV se fâcha: “Il décrie mon règne!” Bossuet s’offusqua: “écrire un roman est indigne d’un prêtre.” Mais l’oeuvre s’est imposée comme un classique.

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SAVAGE, GARY. "FAVIER'S HEIRS: THE FRENCH REVOLUTION AND THE SECRET DU ROI." Historical Journal 41, no. 1 (March 1998): 225–58. http://dx.doi.org/10.1017/s0018246x97007711.

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In contrast to the prevailing historiographical consensus, this essay will seek to demonstrate that there was a widespread and persistent concern with foreign policy in the early years of the French Revolution, the product of the interplay between inherited diplomatic assumptions on the one hand and revolutionary politics and values on the other. In particular, it will show how and why public opinion in France after 1789 abandoned its pre-revolutionary concern with Britain, Russia, and the global balance of commercial power in favour of Austria, the émigrés, and the security of the frontiers. In this light, considerable attention will be given to the development of Austrophobia in the period. Rooted in traditional French distrust of the Habsburg dynasty and reinforced by widespread opposition to the Austrian alliance of 1756, this would find its most virulent expression in the popular myth of a sinister counter-revolutionary ‘Austrian committee’ headed by Marie-Antoinette. The argument of the essay will turn upon the links between the emergence of that myth and the popularization of the ideas of Louis XV's unofficial diplomacy – the secret du roi – and its outspoken apologist Jean-Louis Favier. Adopted by various disciples after his death in 1784, Favier's ideas gained in popularity as the menace of counter-revolutionary invasion – aroused in particular by the emperor's reoccupation of the Austrian Netherlands in July 1790 – began to dominate the popular forums of revolutionary politics. They would ultimately help to generate a political climate in which the Brissotins could engineer an almost universally popular declaration of war against Austria less than two years after the revolutionaries had declared peace and friendship to the entire world. From this perspective, the growth of Austrophobia between 1789 and 1792 and its profound influence on the development of revolutionary foreign policy might usefully be described as the triumph of ‘Favier's heirs’.

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