Academic literature on the topic 'Roman africain de langue anglaise'
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Journal articles on the topic "Roman africain de langue anglaise"
Jay-Rayon, Laurence. "Les motifs sonores dans la littérature africaine europhone : exemple et jalons théoriques dans une perspective traductive1." TTR 23, no. 1 (November 10, 2010): 95–122. http://dx.doi.org/10.7202/044930ar.
Full textBouffartigue, Geneviève. "L’écrivain africain et la langue anglaise." Po&sie 153-154, no. 3 (2015): 96. http://dx.doi.org/10.3917/poesi.153.0096.
Full textZakrajšek, Katja. "Traduire le roman africain francophone en slovène." ALTERNATIVE FRANCOPHONE 1, no. 3 (November 21, 2010): 13–25. http://dx.doi.org/10.29173/af9438.
Full textKumbe, Kornebari B. "REGARD SUR LES CRITIQUES DES TRADUCTIONS D’EN ATTENDANT LE VOTE DES BÊTES SAUVAGES ET D’ALLAH N’EST PAS OBLIGÉ D’AHMADOU KOUROUMA." Belas Infiéis 3, no. 1 (October 8, 2014): 35–54. http://dx.doi.org/10.26512/belasinfieis.v3.n1.2014.11258.
Full textNikiforova, Irina. "Le roman africain de langue française en Russie." Cahiers de l'Association internationale des études francaises 52, no. 1 (2000): 59–65. http://dx.doi.org/10.3406/caief.2000.1373.
Full textZABUS, Chantal. "Re-Englishing Africa." Linguistique du développement, Volume 1, Numéro 6 (December 22, 2022): 169–78. http://dx.doi.org/10.17184/eac.2566.
Full textGacoin-Marks, Florence. "Traduire la diversité culturelle dans le roman de guerre postcolonial Allah n’est pas obligé d’Ahmadou Kourouma." Acta Neophilologica 56, no. 1-2 (December 8, 2023): 145–60. http://dx.doi.org/10.4312/an.56.1-2.145-160.
Full textOlszewski, Raphael, Kevin Wendo, Elda Mavungu, Justin Bukaka, Franck Masumbuko, Marc Kashal Kasong, and Sébastien Mbuyi-Musanzayi. "Publications de chirurgie orale et maxillo-faciale dans les pays à ressources limitées en Afrique sub-saharienne : revue de la littérature." NEMESIS 26, no. 1 (October 9, 2022): 1–40. http://dx.doi.org/10.14428/nemesis.v26i1.68293.
Full textKomlan Gbanou, Sélom. "La traversée des signes : roman africain et renouvellement du discours." Revue de l'Université de Moncton 37, no. 1 (November 7, 2007): 39–66. http://dx.doi.org/10.7202/016710ar.
Full textWekker, Gloria, and Herman Wekker. "Coming in from the cold." Babel. Revue internationale de la traduction / International Journal of Translation 37, no. 4 (January 1, 1991): 221–39. http://dx.doi.org/10.1075/babel.37.4.05wek.
Full textDissertations / Theses on the topic "Roman africain de langue anglaise"
Garnier, Xavier. "La magie dans le roman négro-africain d'expressions anglaise et française." Paris 4, 1992. http://www.theses.fr/1992PA040212.
Full textThis work is an analysis of the possible status of the magic in a novel by way of an observation of African novels. The first part, which deals with oral narratives (two tales and two epics), shows the strong link between magic and the enunciation context. Concerning the novel, the magic displays itself in three branches: religion, sorcery and witchcraft which are respectively linked to realism, fantastic and marvelous. The aim of this work is to connect the magic efficiency to the debate on truth of African traditional knowledge upon reality. Novels such as the ones of Tutuola and Sony Labou Tansi don't take consideration of this debate since they don't respect the spatio-temporal representations of our reality and adopt the witchcrafts position which unsettles the coordinates of reality to dive in the heart of the magic universe
Djangone-Bi, N'Guessan. "La Problématique de l'indépendance dans le roman africain d'expression anglaise, 1958-1980." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37613266s.
Full textDJANGONE, BI NGUESSAN. "La problematique de l'independance dans le roman africain d'expression anglaise (1958-1980)." Paris 3, 1988. http://www.theses.fr/1988PA03A008.
Full text"the problematics of independence in the african novel of english expression" analyses the problems posed by the rupture with the west as weil as the ideological and stylistic implications of such a rupture. In the english colonial novel, africa and africans were most of the time painted in a negative way in accordance with the imperialistic ideology of the time. The african novel rejects such a caricature by laying bare the ugly side of the myth of barbarous and backward africa. The images of independent africa show that the colonist has made a sham exit and that the colonised people have not completely freed themselves. Cultural alienation and economic extraversion are still present. A new form of political dependence is also noticeable. On the level of writing, the african novel has made a judicious synthesis between foreign elements linked to the introduction of the genre in africa and aesthetic elements peculiar to traditional african literature
Abdourahman, Ismaïl Monneyron Frédéric. "Aspects du fantastique et romans négro-africains : thèse de doctorat de Lettres modernes /." Lille : Atelier national de reproduction des thèses, 2003. http://catalogue.bnf.fr/ark:/12148/cb411548407.
Full textIyamuje, Bosco Kalame. "Ordre et chaos : symbolisme d'une dynamique créatrice dans le roman africain d'expression française et anglaise." Aix-Marseille 1, 1988. http://www.theses.fr/1988AIX10040.
Full textThe creative dynamics of the african novel, be it in english or french, is to be found at the crossroads of the symbols of order and chaos. The social and cultural disintegration of african societies and of the african man are contained in the eternal recurrences symbolised by order and chaos. The violence that characterizesthe african novel is the reflection of our impressions over the beginnings of the universe and of our need to domesticate space and time. It is the very same dynamics of recurrences that explains the circular structure of the african novel
Songossaye, Mathurin. "Les figures spatio-temporelles dans le roman africain subsaharien anglophone et francophone." Limoges, 2005. http://www.theses.fr/2005LIMO2004.
Full textDossou-Yovo, Noël. "Individu et société dans le roman négro-africain d'expression anglaise de 1939 à 1986." Nancy 2, 1992. http://www.theses.fr/1992NAN21023.
Full textThe thesis raises a series of philosophical, sociological, aesthetic & literary questions. It comprises six chapters, the first of which is like a preliminary explanation based on the time-space framework of African literature & highlighting elements of chronology, language, regionality, nationality & tribality. Chapter 2 opens up broad avenues of black Africa’s social history. Chapter 3 deals with purely documentary but also ideological aspects of a corpus covering a minimum of nearly 50 & a maximum of 120-odd titles of African novels written in English. The last 3 chapters are complementary to the first 3, just as form and content in social sciences are one. Chapter 4 therefore deals with forms as well as it accounts for data & conditions whereby the novel adapts itself to negro-African realities. Chapter 5 revisits chapter 4 and places into proper perspective the issue of origins as it relates to the main influences that are brought to bear on the negro-African novel as a result of the 20th century aesthetic revolution, characterized primarily in Europe, but also in Africa, by a shift in the relationship of the individual man to the world towards the achievement of artistic completeness
Petzold, Jochen. "Re-imagining white identity by exploring the past : history in South African novels of the 1990s /." Trier : Wissenschaftlicher Verlag Trier, 2002. http://catalogue.bnf.fr/ark:/12148/cb38899837f.
Full textSarr, Ndiawar. "Le thème de la solitude dans le roman anglophone d'Afrique de l'Ouest." Université Paris-Est Créteil Val de Marne (UPEC), 1987. http://www.theses.fr/1987PA120028.
Full textIn this study we try to show that the african fits harmoniously in the civilization of mankind. Loneliness which is generally perceived as a concept unknow to africa, appears, through the art of the novel, as an integral reality in the life of the individual. Our analysis can be divided into two parts. Africa of the past and this continually changing africa. The traditional society as a setting, with its insistence on uniformity and its quasi-denial of the individual, constitutes a major problem to the novelist who sets out to write a "realistic piece of work". We have therefore tried to see how the artist does manage to find the balance : through which devices does he happen to respect both the exigencies of his art (characterization) and those of the setting of his story. This is the reason why we have put a particular emphasis on the various techniques of character creation. In this context how can we talk of solitude ? how can a person be alone and why ? in the second part, "africa on the move", the context has changed. New forms of solitude appear with phenomena like the city, imported myths, social pressures etc. They are analysed through techniques used by the novelists. The theme of solitude is also dealt with in relation to the social vision of the novelist. What lessons are to be drawn from the failures of various characters ? is there incompatibility between the group and the individual ? here the functional aspect of african literature comes into consideration. Solidarity seems to be the main goal : recognition of the other within the group
Sikalumba, J. K. "Milieu social et création littéraire dans les oeuvres romanesques des romanciers africains francophones et anglophones contemporains : essai d'analyse des pratiques littéraires dans les oeuvres romanesques de quelques romanciers d'expressions française et anglaise." Paris 12, 1998. http://www.theses.fr/1998PA120001.
Full textThis thesis turns mainly round the theme of social environment and literary creation. Our interest was to study the literary works mainly at three levels, namely : at the levels of causes and consequences of the duality of the way of life which governs the contemporary african society and at the level of narratology. The study of the first encounter between africans and europeans and the infiltration of the african society by the cultural values of the western society through the new school and the church shows similarity between fiction and reality. The social environment plays the role of a catalyst concerning the imagination of each novelist. The study of the problem of the political power reveals the new leaders' individualistic behaviour in the negative sens. Their insatiable craving for power and richness makes them brutal towards their fellow countrymen. The other major preoccupation of the novelists centres around the economic, linguistic and socio-cultural consequences brought about by the duality of the way of life. And if the novelists have as common denominator the borrowing of constructing materials from the social environment, the study has shown that each novelist has his own way of using these materials. It is especially the study of narratology which has revealed the particularity of each novelist's literary practice. In short, each novelist has his own way of creating a literary work
Books on the topic "Roman africain de langue anglaise"
Brink, Andre Philippus. L'insecte missionnaire: D'apre s une histoire vraie. Arles: Actes Sud, 2006.
Find full textUniversité de Paris IV: Paris-Sorbonne, ed. Roman Ouest-Africain de langue Française: Étude de langue et de style. Lille: A.N.R.T, Université de Lille III, 1999.
Find full textBoka, Marcellin. Aspects du réalisme dans le roman africain de langue française. Lille: A.N.R.T, Université de Lille III, 1986.
Find full textHavyarimana, Gervais. Problématique de renaissance et évolution du roman africain de langue française (1920-1980). Louvain-la-Neuve: Université catholique de Louvain, Bureau du recueil, Bibliothèque de l'Université, 1992.
Find full textBook chapters on the topic "Roman africain de langue anglaise"
Bonono, Chantal. "Chapitre VIII : Essai de didactisation de la greffe et de l’interaction des langues dans la littérature francophone subsaharienne dans Allah n‘est pas obligé d’Ahmadou Kourouma et Ngum a Jemea de David Mbanga Eyombwan." In Méthodes et pratiques d’enseignement des langues africaines : Identification, analyses et perspective, 201–30. Observatoire européen du plurilinguisme, 2019. http://dx.doi.org/10.3917/oep.ndibn.2019.01.0201.
Full textTadié, Alexis. "Le roman indien de langue anglaise." In La situation postcoloniale, 79–97. Presses de Sciences Po, 2007. http://dx.doi.org/10.3917/scpo.smout.2007.01.0079.
Full textCoussy, Denise. "Liste des romans cités." In Le roman indien de langue anglaise, 303–10. Karthala, 2004. http://dx.doi.org/10.3917/kart.undef.2004.01.0303.
Full textCoussy, Denise. "Liste des romans traduits en français." In Le roman indien de langue anglaise, 311–13. Karthala, 2004. http://dx.doi.org/10.3917/kart.undef.2004.01.0311.
Full text"Bibliographie." In Le roman ouest-africain de langue française, 345–52. Karthala, 2002. http://dx.doi.org/10.3917/kart.gand.2002.01.0345.
Full textGallix, François. "Une réécriture gourmande du roman de langue anglaise : celle du pasticheur." In L’intertextualité, 141–51. Presses universitaires de Perpignan, 2010. http://dx.doi.org/10.4000/books.pupvd.32102.
Full textNgal, Georges. "Ecriture et « un devenir autre de la langue » dans le roman africain." In Linguistique et poétique, 79–87. Presses Universitaires de Bordeaux, 2008. http://dx.doi.org/10.4000/books.pub.42374.
Full textAndeme Mba, Marie-France Prisca. "L’interlangue : entre langue de détour et construction identitaire dans le roman africain francophone : le cas de La Carte d’identité de Jean Marie Adiaffi." In Les parlers urbains africains au prisme du plurilinguisme : description sociolinguistique, 123–46. Observatoire européen du plurilinguisme, 2020. http://dx.doi.org/10.3917/oep.kosso.2020.01.0123.
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