Relevant bibliographies by topics / Roman Authors

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  2. Dissertations / Theses
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Academic literature on the topic 'Roman Authors'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Roman Authors"

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Strano, Emanuele, Andrew Adamatzky, and Jeff Jones. "Physarum Itinerae." International Journal of Nanotechnology and Molecular Computation 3, no. 2 (2011): 31–55. http://dx.doi.org/10.4018/jnmc.2011040103.

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The Roman Empire is renowned for sharp logical design and outstanding building quality of its road system. Many roads built by Romans are still used in continental Europe and UK. The Roman roads were built for military transportations with efficiency in mind, as straight as possible. Thus the roads make an ideal test-bed for developing experimental laboratory techniques for evaluating man-made transport systems using living creatures. The authors imitate development of road networks in Iron Age Italy using slime mould Physarum polycephalum. The authors represent ten Roman cities with oat flakes, inoculate the slime mould in Roma, wait as mould spans all flakes-cities with its network of protoplasmic tubes, and analyse structures of the protoplasmic networks. The authors found that most Roman roads, a part of those linking Placentia to Bononia and Genua to Florenzia are represented in development of Physarum polycephalum. Transport networks developed by Romans and by slime mould show similarities of planar proximity graphs, and particular minimum spanning tree. Based on laboratory experiments the authors reconstructed a speculative sequence of road development in Iron Age Italy.
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Grig, Lucy. "Roman History." Greece and Rome 62, no. 1 (2015): 112–19. http://dx.doi.org/10.1017/s0017383514000308.

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I begin this review with amega biblionthat will be hugely welcomed by Roman historians of all stripes: Tim Cornell and his team's long-awaited new edition of the fragments of the Roman historians, featuring more than one hundred Roman writers of history, biography, and memoir. Cornell and his team have replaced the long-outdated edition of Hermann W. G. Peter with a state-of-the-art three-volume work. The first volume provides an excellent and comprehensive guide to the authors; the second features the parallel texts themselves, alongside new translations; the final volume comprises the commentary, plus the necessary concordances and indices. The clear layout makes it easy to match up the introductions to each author, theirtestimoniaand fragments, and then the related commentary. The selection and presentation of the Roman authors is careful: the introduction describes the aim to present all that is known about the authors and their work but also emphasize ‘the limits of our knowledge’ (7). This is clearly a more conservative selection than before (and rightly so; the thirty-sixHistoria Augusta‘historians’, for instance, are relegated to their own appendix). The coverage is broadly chronological, ending in the third century (which is of course slightly disappointing for those interested in the rich body of late Roman historiography). This is clearly a landmark achievement, and it is especially to be welcomed that it is unusually user-friendly, for students as well as for scholars. Another point might be of interest: out of the 111 Roman authors (or groups of authors) featured there is but one woman: Agrippina the Younger (no. 77), whose memoirs were cited by both Tacitus and Pliny the Elder. Of the ten historians involved in this project, incidentally, just one is a woman. These figures have led me to consider the gender ratio of the books under review this time and the results are striking: out of the sixteen books under review, just three have female authors.
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BITTARELLO, MARIA BEATRICE. "The Construction of Etruscan ‘Otherness’ in Latin Literature." Greece and Rome 56, no. 2 (2009): 211–33. http://dx.doi.org/10.1017/s0017383509990052.

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This paper deals with issues of ethnic representation; it aims at highlighting how Roman authors tend to portray the Etruscans as ‘others’, whose cultural models deeply differ from those proposed by Rome. Several studies, conducted from different disciplinary and methodological positions, have highlighted the existence, in the Greek world, of complex representations of ‘other peoples’, representations that served political, cultural, and economic purposes. Whether the study of alterity is to be set in the context of a Greek response to the Persian wars (as P. Cartledge and others have pointed out, the creation of the barbarian seems to be primarily a Greek ideology opposing the Greeks to all other peoples), or not, it seems clear from scholarly studies that the Romans often drew upon and reworked Greek characterizations, and created specific representations of other peoples. Latin literature, which (as T. N. Habinek has noted), served the interests of Roman power, abounds with examples of ethnographic and literary descriptions of foreign peoples consciously aimed at defining and marginalizing ‘the other’ in relation to Roman founding cultural values, and functional to evolving Roman interests. Outstanding examples are Caesar's Commentarii and Tacitus' ideological and idealized representation of the Germans as an uncorrupted, warlike people in the Germania. In several cases there is evidence of layering in the representation of foreign peoples, since Roman authors often re-craft Greek representations: thus, the biased Roman portrayal of the Near East or of the Sardinians largely draws on Greek representations; in portraying the Samnites, Latin authors reshaped elements already elaborated by the Tarentines.
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Holladay, Carl R. "Acts and the Fragmentary Hellenistic Jewish Authors." Novum Testamentum 53, no. 1 (2011): 22–51. http://dx.doi.org/10.1163/004810010x523727.

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AbstractThis article reviews scholarship on the fragmentary Hellenistic Jewish authors as it relates to The Acts of the Apostles. Reviewed here are Jewish texts written in Greek during the Hellenistic-Roman period that were preserved only in the form of quotations or excerpts mostly by later Christian writers, most notably Eusebius of Caesarea in his Praeparatio Evangelica. The focus of the review is to see how these texts have been investigated, especially in Second Temple Judaism and in studies of Jewish historiography during the Graeco-Roman period, and how this scholarship informs the study of Acts.
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Bobbink, R., and Q. Mauer. "Antichresis: a comparative study of classical Roman law and the contractual praxis from Roman Egypt." Tijdschrift voor Rechtsgeschiedenis 87, no. 4 (2019): 356–83. http://dx.doi.org/10.1163/15718190-00870a03.

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SummaryThe authors examine how papyrological sources from Roman Egypt written in Greek on antichresis relate to classical Roman law. Antichresis attested in papyrological antichretic contracts had a lot in common with antichresis emerging from Roman dispute resolutions. There was only one substantive difference: in classical Roman law, protection of the debtor was emphasized, whereas in the Greek papyrological antichretic contracts the position of the creditor was favoured. Given the similarities found, the authors conclude that antichretic loan both as an independent legal institution and as a pactum antichreticum was a pan-Mediterranean legal concept.
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Kołoczek, Bartosz Jan. "The Aegean Imaginarium: Selected Stereotypes and Associations Connected with the Aegean Sea and Its Islands in Roman Literature in the Period of the Principate." Electrum 27 (2020): 189–210. http://dx.doi.org/10.4467/20800909el.20.010.12800.

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This article is devoted to the rarely addressed problem of Roman stereotypes and associations connected with the Aegean Sea and its islands in the works of Roman authors in the first three centuries of the Empire. The image of the Aegean islands in the Roman literature was somewhat incongruously compressed into contradictory visions: islands of plenty, desolate prisons, always located far from Italy, surrounded by the terrifying marine element. The positive associations stemmed from previous cultural contacts between the Aegean and Rome: the Romans admired the supposedly more developed Greek civilisation (their awe sometimes underpinned by ostensible disparagement), whereas their elites enjoyed their Aegean tours and reminisced about past glories of Rhodes and Athens. The negative associations came from the islands’desolation and insignificance; the imperial authors, associating the Aegean islets with exile spots, borrowed such motifs from classical and Hellenistic Greek predecessors. The Aegean Sea, ever-present in the rich Greek mythical imaginarium, inspired writers interested in myth and folklore; other writers associated islands with excellent crops and products, renowned and valued across the Empire.
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Burzyńska-Kamieniecka, Anna, and Jan Kamieniecki. "Łaciński językowo-kulturowy obraz DOMU wybrane aspekty." Język a Kultura 27 (June 13, 2019): 255–76. http://dx.doi.org/10.19195/1232-9657.27.17.

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The Latin lingual and cultural image of HOME selected aspectsThe authors of the article use research tools typical of cognitive ethnolinguistics in order to reconstruct the Latin lingual and cultural image of HOME domus romana. As a material base, they use predominantly the following language data: system-based etymology and different meanings ascribed to the Latin lexeme domus, synonyms and antonyms, collocations, etc. and text-based texts that are examples of the artistic and professional discourse. On the basis of the analysis carried out they separate the basic dimensions of the Roman HOME conceptualization, such as: physical home as a place, structure, social familia romana, functional and cultural whose common ground is the idea of residence. Bearing in mind the complexity of the gathered language material the authors separate the following base profiles for the representation of HOME: material home as a structure, patriarchal home as a family seat, institutional home as a seat for public institutions, and finally cultural axiological and sacred — home as a treasury with values and a place of religious adoration. Understanding of the concept of HOME in ancient times described in this article allows the authors to portray the conceptualization of this phenomenon as a multidimensional reality relating to various aspects of ancient Romans’ lives.
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Kovács, Péter, and Péter Prohászka. "A Roman funerary inscription from Smederevo." Starinar, no. 66 (2016): 59–63. http://dx.doi.org/10.2298/sta1666059k.

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In this short paper the authors publish a Hungarian wartime postcard from Smederevo (Serbia), from 1916. It is reported that a Roman gravestone was found on the banks of the Danube and the text of the lost stone monument was also added. The authors intend to interpret the funerary text that was incorrectly transcribed.
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LaFarge, Antoinette, and Robert Allen. "Media Commedia: The Roman Forum Project." Leonardo 38, no. 3 (2005): 213–18. http://dx.doi.org/10.1162/0024094054028949.

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The authors discuss what they term “media commedia”: performance works melding comedic performance traditions with new media technologies. They focus on The Roman Forum Project, a series of mixed-reality performance projects they produced whose subject is contemporary American politics and media as seen through the eyes of ancient Romans. They discuss the developing relationship between the Internet and public discourse; their use of avatars to explore the boundaries between performance and identity; their use of the Internet as an improvisational space; and the mise en abyme effects of working with mixed realities (including text-based virtual worlds).
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Kudratov, A. O. "Legitimation of Violence in the Civil Wars between the Marians and Sullans." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 3 (2021): 126–36. http://dx.doi.org/10.26907/2541-7738.2021.3.126-136.

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Through the analysis of various research approaches, a method for reconstructing the Roman conception of violence was developed. This method was applied to answer the question of tolerance and disapproval expressed towards political murders in the Roman Republic: depending on the context, such murders were qualified as either violence or acts of justice. The markers used by ancient authors to show their disregard to violent actions caused by political reasons were singled out. The role of legitimation practices in this process was revealed. The interpretation of such events by ancient authors was analyzed. The characteristics of the main characters in their narratives were considered. It was found that the precedent of the first real civil war caused a crisis of the traditional system of values and promoted a search for new values to legitimate the previously unfamiliar phenomena. Based on the results obtained, several scenarios for violence justification in the Roman Republic during the civil wars of the 1st century B.C. were introduced: firstly, the relations between the citizens were built as between the “winners and losers” when an armed civil conflict escalated into the war; secondly, revenge became a common motive among the Romans for turning to violence; thirdly, the formal side of laws intended originally to protect the rights of the Roman citizens was often used during the time of conflicts to ligitime violence against them.
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Dissertations / Theses on the topic "Roman Authors"

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Lunt, Lora G. "Mosaique et memoire : paradigmes identitaires dans le roman feminin tunisien." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37768.

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Mosaique et memoire studies paradigms that contribute to the construction of identity in the writings of thirteen Tunisian women novelists writing in French: Emna Bel Haj Yahia, Aicha Chaibi, Annie Fitoussi, Behija Gaaloul, Annie Goldmann, Souad Guellouz, Jelila Hafsia, Souad Hedri, Turkia Labidi Ben Yahia, Alia Mabrouk, Nine Moati, Katia Rubenstein, and Fawzia Zouari. Drawing upon post-colonial and feminist perspectives, this thesis analyzes texts through their poetics and in linguistic, cultural and literary contexts. Novels by women offer an inside view of women's evolution through a variety of characters representing three generations, just as they explore alternate ways of entering modernity based upon harmonizing traditional values (cultural roots, family, faith, community solidarity, a Mediterranean warmth of spirit, thinking "in Arabesques") with 'modern' values such as sexual equality and individual freedom.<br>Multiple women's voices protest patriarchal and colonial or racist discourse, but also reveal spaces of happiness in women's lives. Jewish voices at times reinforce views by Muslim authors but at others present opposing viewpoints, deconstructing concepts such as 'Arab identity' and questioning nationalist claims to Islamic tolerance and multiculturalism.<br>In these French-language novels, images and metaphors, as well as expressions in dialectical Arabic, recall the rich cultural heritage underlying national consciousness, the memory and the mosaic which form both individual and national identities. The juxtaposition of Arabic and French suggests both the cross-fertilization of cultures and the impossibility of naming the inexpressible, just as it contributes to deconstructing identity through the medium of the novel.
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Embaló, Birgit. "Palästinenser im arabischen Roman Syrien, Libanon, Jordanien, Palästina 1948-1988 /." Wiesbaden : Reichert, 2000. http://catalog.hathitrust.org/api/volumes/oclc/47694365.html.

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Neveling, Nicole. ""All Fur Coat and Nae Knickers" : Darstellungen der Stadt Edinburgh im Roman." Trier WVT Wiss. Verl. Trier, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2763891&prov=M&dokv̲ar=1&doke̲xt=htm.

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Van, Impe Heidi A. "The barbarian in literature and historiography, an examination of a topos in Roman authors of the late Republic and early Empire." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0033/MQ65801.pdf.

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Rasevych, Peter. "Reading native literature from a traditional indigenous perspective, contemporary novels in a Windigo society." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60865.pdf.

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Campbell, Leslie Marion. "Scottish influence and the construction of Canadian identity in works by Sara Jeannette Duncan, Alice Munro, and Margaret Laurence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ57276.pdf.

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Mendes, Michel. "Os sentidos da música Roma Antiga." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269175.

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Orientador: Patricia Prata<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-16T18:28:03Z (GMT). No. of bitstreams: 1 Mendes_Michel_M.pdf: 1980432 bytes, checksum: 7dae04659b4468d1ee392cb54bb5d947 (MD5) Previous issue date: 2010<br>Resumo: O trabalho tem por objetivo apresentar algumas considerações acerca da música na Roma Antiga, a partir de excertos de obras de autores latinos dos séculos II a.C. a II d.C. (como Plauto, César, Cícero, Quintiliano, Sêneca, Vitrúvio, entre outros). Embora não tratem especificamente do tema, os textos selecionados deixam transparecer certas impressões dos romanos a respeito da música e podem ajudar a montar pelo menos parte do cotidiano musical dessa civilização. A partir dos excertos, discutimos o funcionamento e a utilização dos instrumentos musicais na guerra, na mitologia e nas práticas religiosas, bem como tecemos breves comentários sobre a tradução proposta modernamente para os nomes desses instrumentos. Por fim, analisamos a presença da música no teatro de Plauto, através do estudo de excertos das peças do autor que mostram os músicos em ação ou que expressam a opinião das personagens acerca deles e de breves apontamentos sobre questões referentes à musicalidade das falas das personagens<br>Abstract: This work presents some considerations about music in Ancient Rome, drawing upon excerpts of works by various Roman authors from the second century B.C. to the second century A.D. (such as Cicero, Quintilian, Julius Caesar, Seneca, Vitruvius, and Plautus, among others), who, although not always specifically treating music, reveal in their writing distinctive impressions about music held by Romans, and which, in turn, can help us in the attempt to reconstruct at least part of everyday musical practices of this civilization. From the excerpts, it is possible to identify the operational features of the musical instruments found in war, mythology and worship, and, consequently, to comment briefly on the modern translations put forward for designating these instruments. Lastly, we analyze the presence of music in the dramaturgy of Plautus, through excerpts from his plays which reveal musicians in action, or which express the characters' opinions about them, thereby revealing some interesting questions about musicality in the words of his characters<br>Mestrado<br>Linguistica<br>Mestre em Linguística
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Canton, Licia. "The question of identity in Italian-Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43473.pdf.

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Gantzert, Patricia L. "Throwing voices, dialogism in the novels of three contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23313.pdf.

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Sutherland, Reita J. "Prayer and Piety: The Orans-Figure in the Christian Catacombs of Rome." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24259.

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The orans, although a gesture with a long ‘pagan’ past, was easily adopted by Christians for its symbolic meanings of prayer and piety and quickly attained a number of other more nuanced meanings as it was refined and reused. By restricting the scope of this thesis to the orans in the Christian catacombs of Rome, it becomes possible to approach the figure from a multi-directional perspective, not merely concerned with what the gesture meant to the Christian, but with its literary and material pedigrees, its transition to Christian art, and its cultural significance. To this end, chapter one examines ‘pagan’ precursors of the Christian orans through an examination of coins, sculptures, inscriptions, and reliefs, as well as by looking at the two figures whose appearance most influences that of the orans – the goddess Pietas, and the Artemisia-Adorans funerary portrait type. Chapter two addresses the importance of the orans in the Christian literary community, and examines not only the actual usage of prayer with raised hands by the Christian faithful, but also examines the aesthetic and theological reasons for the popularity of the gesture – the parallel between the spread arms of the orans and the posture of the crucified Christ. Finally, chapter three presents a spatial-thematic analysis of the usage of the orans in the Roman Christian catacombs, using a corpus of 158 orantes. This chapter enables the reader to draw conclusions about the veracity of the academic theories presented in the previous chapters, as it compares the usage of the orans against its scholarly interpretation.
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Books on the topic "Roman Authors"

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Rybakov, Anatoliĭ Naumovich. Roman-vospominanie. Vagrius, 1997.

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Rybakov, Anatoliĭ Naumovich. Roman-vospominanie. ĖKSMO, 2009.

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Bartis, Attila. Spokoj: Roman. Fraktura, 2005.

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Le roman de l'adolescent myope: Roman. Actes Sud, 1994.

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Morand, Paul. Venet︠s︡ii: Roman. Inapress, 2002.

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IKS: Roman. Ėksmo, 2013.

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Perrault, Gilles. Go!: Roman. Fayard, 2002.

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Wilder, Thornton. Kabbala: [roman]. "Simpozium", 1999.

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Khaet︠s︡kai︠a︡, Elena. Mishelʹ: Roman. Amfora, 2006.

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Kür, İsmet. Yarısı roman: Yaşantı. Yapı Kredi Yayınları, 1995.

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Book chapters on the topic "Roman Authors"

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Cavarzere, Marco. "7.5 The Workings of a Papal Institution. Roman Censorship and Italian Authors in the Seventeenth Century." In Praktiken der Frühen Neuzeit. Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412502591-032.

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"EARLY ROMAN." In Fifty Key Classical Authors. Routledge, 2013. http://dx.doi.org/10.4324/9780203446911-5.

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"Authors." In Regionalism in Hellenistic and Roman Asia Minor. Ausonius Éditions, 2007. http://dx.doi.org/10.4000/books.ausonius.1151.

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"Greek and Roman Authors." In The Barbarians Speak. Princeton University Press, 1999. http://dx.doi.org/10.1515/9781400843466-016.

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"Greek and Roman Authors." In The Barbarians Speak. Princeton University Press, 2021. http://dx.doi.org/10.2307/j.ctv1j666ff.18.

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Burrow, Colin. "Building Bodies." In Imitating Authors. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198838081.003.0003.

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This chapter discusses what Roman rhetoricians said about the imitation of authors. After a brief discussion of Dionysius of Halicarnassus it moves on to consider the central texts of the rhetorical tradition: the Ad Herennium, Cicero’s various discussions of the topic, Seneca’s 84th Epistle, (centrally) Quintilian’s Institutio Oratoria, and finally the Peri Hypsōs ascribed to Longinus. The chapter shows how these discussions of imitatio rely heavily on metaphors—of biological reproduction, or digestion, or the development of an active body—to describe the successful imitation of one author by another, and frequently oppose those metaphors to their negative images—mere pictorial representations or simulacra. The chapter explains why these metaphors, which were to have an extensive afterlife, were used. It is intrinsically hard to describe how one person acquires a skill from another, and Latin lacked a technical vocabulary in which to do so. Roman rhetoricians transferred the direct and personal exemplary relationship between a trainee orator and his master to textual relationships. As a result they were prone to represent the process by which a pupil assimilated his reading in bodily terms. Quintilian in particular stressed aspects of earlier writers which were products of an ingenium or natural talent that was inimitable. This combination of conceptual fuzziness and metaphorical richness made imitatio a potent literary resource, and indeed later concepts of poetic genius are adumbrated by the ‘inimitable’ qualities of the exemplary orator.
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"Index Of Modern Authors." In Paul: Jew, Greek, and Roman. BRILL, 2009. http://dx.doi.org/10.1163/ej.9789004171596.i-370.92.

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"About the Authors." In Insularity and identity in the Roman Mediterranean. Oxbow Books, 2017. http://dx.doi.org/10.2307/j.ctvh1dmsx.3.

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"INDEX OF ANCIENT AUTHORS." In In Praise of Later Roman Emperors. University of California Press, 1994. http://dx.doi.org/10.1525/9780520342828-018.

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"Index of Modern Authors." In Christian Origins and Greco-Roman Culture. BRILL, 2013. http://dx.doi.org/10.1163/9789004236219_028.

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Conference papers on the topic "Roman Authors"

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"Index of Authors." In Proceedings 10th IEEE International Workshop on Robot and Human Interactive Communication. ROMAN 2001. IEEE, 2001. http://dx.doi.org/10.1109/roman.2001.981980.

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Mas, Vicente, and Giancarlo Cataldi. "Valencia: the territorial structures of the Roman city substratum." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5304.

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Authors: Giancarlo Cataldi. Via dei Rustici 8, 50122 Firenze +39 055295380 Vicente Mas Llorens. Plaza de José María Orense 5 pta. 2. +34 629629226. Keywords: Roman Valencia, substratum permanent structures, city planning, historical transformations Text abstract: The shape of the territory and the urban settlement of numerous Valencian cities were strongly conditioned by the original imprinting of Roman planning, characterized –as it is known- by large scale infrastructures, by settlements of orthogonal axes and by the allocation of the plot division into square modular divisions called centuriae. All the later interventions took necessarily into account such structures, which underwent numerous transformations over time, especially from the second half of the twentieth century. Then innovations and developments in modern technology contributed –more than in any other period– to neglect and override the traces of the original configuration. Territorial and urban research into Roman structures in the Italian peninsula has allowed the recognition of a sufficiently large number of plans, thus allowing the development of a complete general research method to read analogous structures in different Romanized territories. The authors now propose to apply this method to the territory of the Valencian Community. The rectilinear outline of Via Augusta with its forking side paths, the orthogonal signs of the agrarian fabric, the military milestones and the administrative divisions suggest, also in this case, the possibility of retracing the original pattern. Its structure could contribute, among other things, to explain the logic of the expansions outside the walls of the historic centre of Valencia that might otherwise seem arbitrary and meaningless.
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"Author Index." In ROMAN 2005. IEEE International Workshop on Robot and Human Interactive Communication, 2005. IEEE, 2005. http://dx.doi.org/10.1109/roman.2005.1513867.

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"Authors index." In 2014 IEEE International Symposium on Robotics and Manufacturing Automation (ROMA). IEEE, 2014. http://dx.doi.org/10.1109/roma.2014.7295850.

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LAMBRINOS, NIKOS, and Efthimios-Spyridon Georgiou. "YEDI KULE - MONUMENT ROAD RACE: THE CONSTRUCTION OF THE 3D MAPPING ANIMATION OF THE OLD CITY OF THESSALONIKI, GREECE." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12046.

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This project refers to the construction of a 3D map of Thessaloniki’s historical route. The Yedi Kule Conquest – Monument Road Race took place in the old city of Thessaloniki, which was built during the Byzantine and Ottoman period. The purpose of this project is the digital recording of the castles, the monuments, the old churches, the traditional buildings, and the squares which are prime examples of the architectural beauty of the place. The methodology of the project is based on the online software Google Earth Studio and Adobe Premiere Pro. These are the tools of digitization, rendering, and building process of the animation. With this methodology, the authors achieved the documentation of land use and the architectural landscape. The animation is a credible graphic index of the historical background of Thessaloniki. The Yedi Kule area constitutes of a cultural mosaic made from different historic periods. The buildings and the neighbourhoods give the sense of transition of the narrow roads, the old Christian churches, the house of the first Turkish governor, and the byzantine castle to the modern city. In Thessaloniki, three historic periods coexist the Ancient Greek/Roman, the Byzantine, and Ottoman Empire. The responsibility of the governmental politics and of every citizen of Thessaloniki is to promote and preserve the historic background of the city. The final product offers a good opportunity for the digital storage of Thessaloniki’s old city. The animation creates an interactive environment that portrays the current image of the transition from the old to a modern city.
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6

"Author Index." In ROMAN 2006 - The 15th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2006. http://dx.doi.org/10.1109/roman.2006.314360.

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7

"Author index." In IEEE ROMAN 2002. 11th IEEE International Workshop on Robot and Human Interactive Communication. Proceedings. IEEE, 2002. http://dx.doi.org/10.1109/roman.2002.1045682.

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8

"Authors and titles." In 2016 2nd IEEE International Symposium on Robotics and Manufacturing Automation (ROMA). IEEE, 2016. http://dx.doi.org/10.1109/roma.2016.7847795.

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9

"Author index." In Proceedings 4th IEEE International Workshop on Robot and Human Communication. IEEE, 1995. http://dx.doi.org/10.1109/roman.1995.531991.

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10

"Author index." In Proceedings 5th IEEE International Workshop on Robot and Human Communication. RO-MAN'96 TSUKUBA. IEEE, 1996. http://dx.doi.org/10.1109/roman.1996.568899.

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