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Relevant bibliographies by topics / Roman Circus (Milan, Italy)

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Academic literature on the topic 'Roman Circus (Milan, Italy)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Roman Circus (Milan, Italy)"

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Micoli, Laura Loredana, Umair Shafqat Malik, and Gabriele Guidi. "Virtual Reconstruction of no longer Existing Archaeological Structures in Highly Urbanized Areas." Studies in Digital Heritage 8, no. 1 (2024): 36–66. https://doi.org/10.14434/sdh.v8i1.38551.

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This paper presents a methodology for the virtual reconstruction of no longer existing archaeological structures, focusing on cases where the remains are concealed within contemporary urban environments. This approach is exemplified through the digital 3D reconstruction of the ancient Roman circus of Milan, a monumental building largely demolished at the end of the Roman Empire, with most of its remaining vestiges hidden beneath the modern urban fabric of Milan. Central to this approach is the comprehensive collection of historical research data, archival sources, and field inspections. This d

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Tansella, Michele, and Lorenzo Burti. "Integrating evaluative research and community-based mental health care in Verona, Italy." British Journal of Psychiatry 183, no. 2 (2003): 167–69. http://dx.doi.org/10.1192/bjp.183.2.167.

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Verona is a city of about 260 000 inhabitants, located in northern Italy, half way between Milan and Venice and on the route from Italy to central Europe. It is a historical city with impressive Roman and medieval monuments. Verona is also a modern and affluent city, with a commercial and industrial centre and a university that includes a school of medicine with a good reputation.

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Guidi, Gabriele, Sara Gonizzi Barsanti, Laura Micoli, and Umair Malik. "Accurate Reconstruction of the Roman Circus in Milan by Georeferencing Heterogeneous Data Sources with GIS." Geosciences 7, no. 3 (2017): 91. http://dx.doi.org/10.3390/geosciences7030091.

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Bugini, Roberto, and Luisa Folli. "Features of Roman plaster aggregates in Lombardy, Italy." Open Journal of Archaeometry 1, no. 1 (2013): 20. http://dx.doi.org/10.4081/arc.2013.e20.

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Plaster making was reported in the seventh book of Vitruvius’ On Architecture describing two mortar coats: harenatum with sand for the bottom (render coat) and marmoratum with crushed marble for the top (finish coat). Petrographic analyses, with optical microscopy and X-ray diffraction, were made on plasters (2nd century BC - 4th century AD) coming from different roman sites of Lombardy: Milan, Brescia, Camonica valley, lake Garda, river Po plain. The analyses identified the plaster aggregates on the basis of composition, grain size and morphology. The render coats generally show river sand an

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Morandi, S., and M. Tremari. "VIRTUAL PAST. INTERACTIVE PRESENTATION OF LATE ROMAN TOWERS (ARCHAEOLOGICAL MUSEUM, MILAN ITALY)." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W11 (May 5, 2019): 887–93. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w11-887-2019.

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<p><strong>Abstract.</strong> The work is an analysis of the recording, processing and presentation of the 3D data of two late roman towers inside the area of the Archaeological Museum of Milan, part of the city previously occupied by the Monastery of St. Maurizio and rich of historical and ancient monuments. The aim of this research is to examine the possibilities offered by digital technologies to record and enhance the archaeological heritage and to increase the divulgence and presentation with interactive products.</p>

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Micoli, L. L., S. Gonizzi Barsanti, and G. Guidi. "INTERDISCIPLINARY DATA FUSION FOR DIACHRONIC 3D RECONSTRUCTION OF HISTORIC SITES." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W3 (February 23, 2017): 489–94. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w3-489-2017.

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In recent decades, 3D reconstruction has progressively become a tool to show archaeological and architectural monuments in their current state, presumed past aspect and to predict their future evolution. The 3D representations trough time can be useful in order to study and preserve the memory of Cultural Heritage and to plan maintenance and promotion of the historical sites. This paper represent a case study, at architectonic and urbanistic scale, based on methodological approach for CH time-varying representations proposed by JPI-CH European Project called Cultural Heritage Through Time (CHT

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Parnow, Saeed, Luca Bianchini Ciampoli, Stephen Uzor, et al. "Roman stone masonry walls: The application of Ground Penetrating Radar to ancient structures." E3S Web of Conferences 579 (2024): 01003. http://dx.doi.org/10.1051/e3sconf/202457901003.

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An investigation on estimating Roman stone masonry wall thickness using non-invasive Ground Penetrating Radar (GPR) and Light Detection and Ranging (LiDAR) technology is presented in this paper. Historical building conservation and structural evaluation require correct wall thickness measurements. The methodology encapsulates data collection, signal processing, and interpretation techniques, including the use of local frequency attributes tailored for historical masonry structures. The main perimeter wall at the Circus of Maxentius, Rome, Italy, is used as the case study. The results indicate

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Zubko, Andrii. "Weight Systems in Italy in the VI – the First Half of the XIX Century." Ethnic History of European Nations, no. 70 (2023): 92–108. http://dx.doi.org/10.17721/2518-1270.2023.70.11.

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Medieval Italy, which was formed after the fall of the Western Roman Empire at the end of the V century, completely inherited its material and spiritual culture. This does not apply to the state imperial traditions of Ancient Rome. It turned out that during the entire period of the Middle Ages and partly of the New Age – from the end of the V to the second half of the XIX century, Italy was not a single state. At this time, three main regions – Northern, Central and Southern Italy – were gradually formed here. Each region included several historically interconnected regions. In the territory o

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Casas, Lluís, Roberta Di Febo, Carme Boix, et al. "The Colors of the Circus Mosaic from Barcino (Roman Barcelona): Characterization, Provenance, and Technology Issues." Minerals 11, no. 7 (2021): 746. http://dx.doi.org/10.3390/min11070746.

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Archaeometric studies on mosaics often concentrate only on glass tesserae, while comprehensive studies including both stone and glass tesserae are scarce; however, both types of tesserae can sometimes bring relevant data to elaborate archaeological knowledge on a studied mosaic. In this paper, a representative set of tesserae from a large polychrome Roman mosaic retrieved in Barcelona (NE Spain) is investigated using various methods. Most of the techniques were directly applied on samples prepared as petrographic thin sections (including polarized-light, cathodoluminescence and electron micros

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Macey, Patrick. "Galeazzo Maria Sforza and musical patronage in Milan: Compère, Weerbeke and Josquin." Early Music History 15 (October 1996): 147–212. http://dx.doi.org/10.1017/s0261127900001546.

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Galeazzo Maria Sforza (1444–76), fifth Duke of Milan, set out when he acceded to power in 1466 to style himself as one of the most glorious of rulers and to make his court (in the words of the contemporary chronicler Bernardino Corio) one of ‘the most splendid in the universe’. Galeazzo, a contemporary of King Louis XI of France and Duke Charles the Bold of Burgundy, entertained grand designs of turning his ducal coronet into a king's crown and transforming Lombardy into a royal realm, just as Charles the Bold sought to elevate the duchy of Burgundy to a kingdom. The two dukes, as vassals of t

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Books on the topic "Roman Circus (Milan, Italy)"

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Donatella, Caporusso, and Milan (Italy) Museo archeologico, eds. Milano antica, V secolo A.C. - V secolo D.C.: Guida. Edizioni Et, 2008.

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Collet, Annie. Stendhal et Milan: De la vie au roman. Corti, 1987.

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Pertot, Gianfranco. La torre 'quadrata' del Monastero maggiore di Milano: Un contributo alla lettura del manufatto dalle fasi romane ai restauri moderni attraverso l'analisi stratigrafica delle murature. Edizioni ET, 1995.

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Anna, Ceresa Mori, ed. Le colonne di S. Lorenzo: Storia e restauro di un monumento romano. Edizione Panini, 1989.

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archeologico, Milan (Italy) Museo, ed. Le torri romane del Monastero Maggiore: Restauri, indagini e lettura storica. Comune di Milano-Civico Museo archeologico, 2017.

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Marchisio, Romina. Quando il lusso diviene colore: I marmi delle Terme erculee di Milano. Scalpendi editore, 2019.

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1950-, Nielsen Inge, Poulsen Birte, Bilde Pia Guldager, and Nylander Carl 1932-, eds. The Temple of Castor and Pollux. Edizioni De Luca, 1992.

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Wild Pages Wild Pages Press. Journal: Gondola Italy Venice Italian Rome Roman Tuscany Milan. Independently Published, 2020.

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Gli apparati decorativi delle Terme Erculee a Milano. Comune di Milano, Biblioteca archeologica e numismatica, 2016.

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10

Carter, Michael J., and Jonathan Edmondson. Spectacle in Rome, Italy, and the Provinces. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.025.

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The city of Rome and other urban communities throughout the empire were alive with spectacles of all kinds, including triumphs, funerals, executions, and religious festivals with their various games (ludi). This chapter considers the critical role that inscriptions play in our understanding of Roman spectacles. It focuses in particular on spectacles in the theatre (ludi scaenici), circus (ludi circenses), athletic stadium, and especially the amphitheatre (munera and venationes). Epigraphic discoveries of many types continue to add new details and insights that our moralizing literary sources s

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Book chapters on the topic "Roman Circus (Milan, Italy)"

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Balzaretti, Ross. "Urban life in Lombard Italy: Genoa and Milan compared." In Italy and the East Roman World in the Medieval Mediterranean. Routledge, 2021. http://dx.doi.org/10.4324/9781315108094-17-23.

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Morandi, Simona, and Marco Tremari. "Virtual Representation of Archaeological Stratigraphy. 3D Modeling and Interactive Presentation of the Late Roman Towers (Archaeological Museum, Milan Italy)." In Digital Cultural Heritage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_26.

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Kmiecik, Przemysław. "Teodoryk Wielki a widowiska cyrkowe w świetle wybranych fragmentów Variae Kasjodora. Przyczynek do badań." In Studia historyczno-społeczne: Prace dedykowane Profesorowi Zenonowi Piechowi w siedemdziesiątą rocznicę urodzin. Ksiegarnia Akademicka Publishing, 2024. http://dx.doi.org/10.12797/9788383681320.01.

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Despite the collapse of the Western Roman Empire in 476 AD, the socio-economic life in Italy remained much the same. After the Ostrogoths’ conquest of the Italian peninsula in 493 AD, many elements of the Roman culture survived, and one of the most significant aspects of this was the organisation of circus spectacles. The aim of this article is to present the political strategy and personal attitude of the new ruler of Italy, Theodoric the Great, towards circus spectacles in the light of selected documents from Cassiodorus’ Variae. The article briefly discusses the socio-political situation in

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Garnsey, Peter. "Sons, Slaves—and Christians." In The Roman Family in Italy. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150527.003.0006.

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Abstract If we can believe Ambrose, bishop of Milan in the late fourth century, his friend Simplicianus appreciated his sermons on St Paul. This, and Paul’s status as a profound but difficult thinker, was Ambrose’s excuse for writing Simplicianus a long letter on I Corinthians 7: 23, in which Paul ‘calls us from slavery to liberty, with the words: “You have been bought with a price; do not become the slaves of men.” ‘ Paul was asserting, according to Ambrose, ‘that our freedom is in Christ, and that our freedom is in the knowledge of wisdom’ (CSEL 82, no. 7, para. 4). The language of wisdom, s

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Davis, Paul K. "Pavia." In Besieged. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195219302.003.0030.

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Abstract France’s King Louis XII was intent on expanding his country’s borders into the Italian peninsula, but he met with only mixed success. When his son Francis I came to the throne in 1515, he followed in his father’s footsteps. Although a war with England had just been concluded, Francis immediately allied himself to England’s Henry VIII and the city-state of Venice, arraying themselves against Spain, Milan, Florence, Switzerland, the Papal States, and the Holy Roman Empire. Francis’ capture of Milan in September 1515 was sufficient to break the alliance against him and he ended the war i

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Matthews, John. "Christianity and the Court: (2) Milan." In Western Aristocracies and Imperial Court: A.D. 364-425. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198144991.003.0008.

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Abstract During the fourth century, the increasing importance of north Italy as an administrative and military centre had been accompanied, as at Trier and the Rhineland, and in parts of Pannonia, by a transformation of the social and economic life of the region. The solid agricultural opulence familiar from the time of the early empire had given place to—or rather had now to coexist with—a society which was to a high degree mobile and cosmopolitan. The imperial administration offered its opportunities to men of talent and education, who came to the area from all parts of the Roman empire to w

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Najemy, John M. "Governments and governance." In Italy in the Age of the Renaissance. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780198700395.003.0010.

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Abstract Renaissance Italy contained an array of governments. The South was a nominally unified kingdom, but sometimes functioned as a loose federation of noble baronies. In the centre, the papal state was a composite of cities and territories mostly governed by local lords and communes. Though popes made extravagant claims to universal temporal and spiritual authority, they could not even contain the R man nobility. The centre and north (Venice excepted) were officially part of the Holy Roman Empire, but by 1200 nearly every city was an independent commune. After 1300 republican government su

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Jones, Philip. "From Civitas to Commune, 500-1100." In The Italian City-State. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198225850.003.0002.

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Abstract Right from the start in fact, the notion of rinascita, with the whole Renaissance scheme of history, was closely linked in Italy with the revolutions of towns: the revival or survival of civilitas and municipal libertas. Interpretations certainly differed, even conflicted, according to local circumstance and legend. In urban, unlike cultural history, the writers, even Renaissance writers, of various Italian towns, among them Venice and Milan, were inclined, following civic tradition, to see not a dark-age break but sturdy continuity, an uninterrupted if not untroubled descent from ant

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Weber, Samuel. "Moral Panics and the Restoration of Consensus." In Aristocratic Power in the Spanish Monarchy. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198872597.003.0008.

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Abstract This chapter discusses Federico Borromeo Jr.’s work for the Congregation of Ecclesiastical Immunity in the later seventeenth-century papal court. Jurisdictional conflicts between the Spanish monarchy and the Roman Catholic Church persisted throughout the period of Spanish rule in Italy. What changed over time was the Borromeos’ attitude to them. In the sixteenth century, the two Borromeo archbishops had exploited these conflicts to weaken Spain’s position in Milan. In light of the seventeenth-century rapprochement with the monarchy, Federico worked tirelessly to end the jurisdictional

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Christian, Kathleen, and Bianca de Divitiis. "Introduction." In Local antiquities, local identities. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0001.

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The essays brought together in this volume consider the reuse of antiquities and conceptions of the classical past in local communities across early modern Europe. Arising from a conference held at the Warburg Institute in November 2014, the volume brings together essays by speakers, as well as new additions by invited contributors. It unites work by historians of art and architecture, historians and literary scholars that complicates the notion of a unitary, Greco-Roman past revived in a single European ‘Renaissance’, broadening the scope of research in the light of recent interest in regiona

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Conference papers on the topic "Roman Circus (Milan, Italy)"

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Guidi, Gabriele, Laura L. Micoli, and Umair Malik. "4D reconstruction by multi-source data fusion: the case of the hidden Roman Circus in Milan." In 2018 3rd Digital Heritage International Congress (Digital Heritage) held jointly with 2018 24th International Conference on Virtual Systems & Multimedia (VSMM 2018). IEEE, 2018. http://dx.doi.org/10.1109/digitalheritage.2018.8810131.

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