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Relevant bibliographies by topics / Roman elegy

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Academic literature on the topic 'Roman elegy'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Roman elegy"

1

Wyke, Maria. "Taking the Woman's Part: Engendering Roman Love Elegy." Ramus 23, no. 1-2 (1994): 110–28. http://dx.doi.org/10.1017/s0048671x00002411.

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When a woman writes herself into the genre of Roman love elegy she appears to break the recognised conventions for its production, according to which woman is the passive object of erotic desire not its active subject, the written not the writer. In discussing the elegiac poetry composed by Sulpicia, one means by which critics have expressed her extraordinary achievement has been to engender Roman love elegy. For Nick Lowe, Sulpicia's unique intervention was to compose poetry on the subject of her own erotic experience in ‘an obstinately male genre’. For Amy Richlin, Sulpicia breached a double

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Wallis, Jonathan. "GHOSTWRITING ELEGY IN PROPERTIUS 4.7." Classical Quarterly 66, no. 2 (2016): 556–72. http://dx.doi.org/10.1017/s0009838816000410.

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Propertian elegy is not an obstinately male genre. It is engendered as masculine in its discursive mastery over the female object of its erotics and poetics, but engenders itself as effeminate in its association with softness, submissiveness, and impotence, and as feminine especially in its self-critique and its interrogation of Roman gender and sexuality.M. Wyke, The Roman Mistress (Oxford, 2002), 189

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Greene, Robin J. "Post-Classical Greek Elegy and Lyric Poetry." Brill Research Perspectives in Classical Poetry 2, no. 2 (2021): 1–130. http://dx.doi.org/10.1163/25892649-12340004.

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Abstract This volume traces the development of Greek elegy and lyric in the hands of Hellenistic and Roman-era poets, from literary superstars such as Callimachus and Theocritus to more obscure, often anonymous authors. Designed as a guide for advanced students and scholars working in adjacent fields, this volume introduces and explores the diverse body of surviving later Greek elegy and lyric, contextualizes it within Hellenistic and Roman culture and politics, and surveys contemporary critical interpretations, methodological approaches, and avenues for future study.

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Anderson, William S., and Jeri Blair DeBrohun. "Roman Propertius and the Reinvention of Elegy." Classical World 99, no. 1 (2005): 83. http://dx.doi.org/10.2307/4353013.

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Curtis, Lauren. "Becoming the Lyre: Arion and Roman Elegy." Arethusa 50, no. 3 (2017): 283–310. http://dx.doi.org/10.1353/are.2017.0010.

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Anderson, William Scovil. "Roman Propertius and the Reinvention of Elegy (review)." Classical World 99, no. 1 (2005): 83. http://dx.doi.org/10.1353/clw.2006.0002.

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Janan, Micaela Wakil. "Roman Propertius and the Reinvention of Elegy (review)." American Journal of Philology 125, no. 4 (2004): 622–26. http://dx.doi.org/10.1353/ajp.2005.0007.

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Drinkwater, Megan O. "THE WOMAN'S PART: THE SPEAKING BELOVED IN ROMAN ELEGY." Classical Quarterly 63, no. 1 (2013): 329–38. http://dx.doi.org/10.1017/s0009838812000626.

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Roman elegy is well known for its reversal of traditional Roman gender roles: women are presented in positions of power, chiefly but not exclusively erotic, that bear little or no relation to women's lived experience in the first centuryb.c.e. Yet the way elegy presents the beloved in a position of power over her lover, as Sharon James has observed, ‘retains standard Roman social and power structures, thus suggesting an inescapable inequity even within a private love affair: rather than sharing goals and desires, lover and beloved are placed in a gendered opposition … Hence resistant reading b

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James, S. L. "Re-reading Propertius’ Arethusa." Mnemosyne 65, no. 3 (2012): 425–44. http://dx.doi.org/10.1163/156852511x547839.

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Abstract This article argues that in poem 4.3, Propertius depicts Arethusa not as a citizen wife, but as a concubine or an elegiac courtesan under exclusive contract to Lycotas. The Roman lexicon of marriage was frequently used to describe relationships other than iustum coniugium, especially in love elegy. That is the situation presented in Propertius 4.3. Arethusa’s anxieties are primarily sexual, and thus identify her as something new in elegy: not a wife but a faithful puella. This poem gives us the poetic voice of a loving, loyal, contracted courtesan.

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Hindermann, Judith. "The Elegiac Ass: The Concept of Servitivm Amoris in Apuleius' Metamorphoses." Ramus 38, no. 1 (2009): 75–84. http://dx.doi.org/10.1017/s0048671x00000643.

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Seruitium amoris, the notion of love as slavery, is a frequent theme in Roman elegy. It inverts Roman reality in representing a free Roman citizen dominated by a woman, evidently from a lower social class. The elegiac amator (‘lover’) elevates his beloved puella (‘girl’) and treats her as a slave would treat his mistress (domina), obeying her orders and yielding to her wishes and moods. Although it has been widely observed that Lucius, the protagonist of Apuleius' Metamorphoses, acts like a slave towards his beloved, the slave girl Fotis, the idea of elegiac seruitium amoris has not been analy

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Dissertations / Theses on the topic "Roman elegy"

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HATCH, JOEL SIMMONS. "POETIC VOICES AND HELLENISTIC ANTECEDENTS IN THE ELEGIES OF PROPERTIUS." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1166540258.

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Durham, Alexandra. "Capies, tu modo tende plagas repetition and inversion of the hunting metaphor in Roman love elegy /." Diss., Connect to the thesis, 1999. http://hdl.handle.net/10066/1478.

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Roux, Magalie. "Poétique au féminin dans les épopées flaviennes : évolution esthétique et idéologique d’un genre." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040220.

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La figure de l’épouse fait partie intégrante du genre épique, dont les œuvres homériques ont élaboré le modèle pour la littérature gréco-romaine. L’importance accordée à l’eros féminin, et particulièrement conjugal, est l’un des aspects sur lesquels repose l’évolution de la généricité épique, d’œuvre en œuvre. À l’époque flavienne, Valérius Flaccus et Stace confèrent un rôle déterminant à deux figures féminines, celle de Médée dans les Argonautiques et celle d’Argie dans la Thébaïde, et présentent, tous deux, d’autres facettes de l’eros conjugal dans leur épisode lemnien, dont Hypsipyle est l’

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Lopes, Cecília Gonçalves. "Confluência genérica na Elegia Erótica de Ovídio ou a Elegia Erótica em elevação." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-03032010-133009/.

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No final do século I a.C., a Elegia Erótica Romana desafiou os gregos e as convenções poéticas apresentando um poeta-amante que cantava suas aventuras amorosas em primeira pessoa. Como se isso não bastasse, esse eu-elegíaco se dedicava à puella como se tal tarefa fosse uma militia, um seruitium amoris, e que exigia tempo integral. Galo, Propércio e Tibulo nos apresentaram suas dominas e se negaram a servir à pátria. Ovídio foi além: seguiu seus predecessores mas fez com que seus leitores aprendessem a entender o papel de cada uma das normas na construção desse gênero. Escreveu seu primeiro liv

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Caston, Ruth Rothaus. "Elegiac passion a study of jealousy in Roman love elegy /." 2000. http://books.google.com/books?id=-2liAAAAMAAJ.

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Leonard, Amy Kirk. "The social and political context for obstruction in Roman love elegy." 2004. http://purl.galileo.usg.edu/uga%5Fetd/leonard%5Famy%5Fk%5F200408%5Fma.

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Ongaro, Katherine. "Ovid's Fasti: history re-imagined." Thesis, 2011. http://hdl.handle.net/1828/3441.

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This thesis examines the eroticization of historical and political narratives from Ovid’s Fasti, particularly the capture of Gabii (2.687-710), the rape of Lucretia (2.721-852) and the Aristaeus narrative (1.363-390). I argue that Ovid’s eroticization of these narratives is a response to the political pressure to write poetry in support of Augustan ideology. These narratives about military conquests and moments of great political change are imbued with epic themes and Augustan ideology. Yet, Ovid transports these narratives into elegy, which is a genre that defines itself as distinct from impe

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Nicchitta, Novella. "Suppose it’s Sulpicia: a reading of the Corpus Sulpicianum." Thesis, 2021. http://hdl.handle.net/1828/12649.

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In this study, I have analyzed the poems from the Corpus Sulpicianum (3.8–3.18) as the creation of a single author, Sulpicia. My argument in favour of the uniformity of the cycle is based on the consistency of the authorial persona, poetic concerns, and author-specific blending of some elegiac tropes. Through a metaliterary analysis of the poems, an authorial identity emerges based on the trope of the docta puella. Unlike the doctae puellae of other Roman elegists who are constructed predominantly as recipients of male-authored poetry, Sulpicia through her doctrina enhances her persona as a cr

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Koutseridi, Olga. "The meaning and use of the word vidua in Latin literature of the 2nd and 1st century B.C." 2013. http://hdl.handle.net/2152/22721.

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The primary role of this report is to provide an in-depth analysis of all the instances of the word vidua, its meanings and uses in Latin literature from the last two centuries B.C. This close examination of the word vidua in the literary sources of this period has resulted in a number of important modifications to its definition. The word vidua, which is commonly translated by ancient scholars as widow, is not sustained by the contextual evidence of the majority of the passages that do no state explicitly the reason for the women's deprived status. Instead the word is most commonly used to me

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Books on the topic "Roman elegy"

1

Gold, Barbara K., ed. A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.

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A companion to Roman love elegy. Wiley-Blackwell, 2012.

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Roman Propertius and the reinvention of Elegy. University of Michigan Press, 2003.

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Raucci, Stacie. Elegiac eyes: Vision in Roman love elegy. Peter Lang, 2011.

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Raucci, Stacie. Elegiac eyes: Vision in Roman love elegy. Peter Lang, 2011.

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6

The elegiac passion: Jealousy in Roman love elegy. Oxford University Press, 2012.

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7

Roman erotic elegy: Love, poetry, and the West. University of Chicago Press, 1988.

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Learned girls and male persuasion: Gender and reading in Roman love elegy. University of California Press, 2003.

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James, Sharon L. Learned girls and male persuasion: Gender and reading in Roman love elegy. University of California Press, 2002.

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The arts of love: Five studies in the discourse of Roman love elegy. Cambridge University Press, 1993.

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Book chapters on the topic "Roman elegy"

1

Katz, Vincent. "Translating Roman Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch15.

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Hunter, Richard. "Callimachus and Roman Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch10.

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O'Rourke, Donncha. "Intertextuality in Roman Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch24.

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Liveley, Genevieve. "Narratology in Roman Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch25.

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Ancona, Ronnie. "Teaching Roman Love Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch31.

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Hallett, Judith P., and Judith Hindermann. "Roman Elegy and the Roman Novel." In A Companion to the Ancient Novel. John Wiley & Sons, Inc, 2014. http://dx.doi.org/10.1002/9781118350416.ch19.

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Greene, Ellen. "Gender and Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch22.

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Parker, Holt N. "Renaissance Latin Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch29.

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Keith, Alison. "The Domina in Roman Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch18.

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Boyd, Barbara Weiden. "Teaching Ovid's Love Elegy." In A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch32.

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