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Books on the topic 'Roman elegy'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Gold, Barbara K., ed. A Companion to Roman Love Elegy. Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.

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A companion to Roman love elegy. Wiley-Blackwell, 2012.

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3

Roman Propertius and the reinvention of Elegy. University of Michigan Press, 2003.

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4

Raucci, Stacie. Elegiac eyes: Vision in Roman love elegy. Peter Lang, 2011.

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5

Raucci, Stacie. Elegiac eyes: Vision in Roman love elegy. Peter Lang, 2011.

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6

The elegiac passion: Jealousy in Roman love elegy. Oxford University Press, 2012.

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7

Roman erotic elegy: Love, poetry, and the West. University of Chicago Press, 1988.

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8

Learned girls and male persuasion: Gender and reading in Roman love elegy. University of California Press, 2003.

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9

James, Sharon L. Learned girls and male persuasion: Gender and reading in Roman love elegy. University of California Press, 2002.

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10

The arts of love: Five studies in the discourse of Roman love elegy. Cambridge University Press, 1993.

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11

Hayashi, Seiichi. Red colored elegy. Drawn & Quarterly, 2008.

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12

Peter, Lewis, and Sabine Gruber. Roman Elegy. Haus Publishing, 2014.

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13

Roman Elegy. Haus Publishing, 2013.

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14

Roberts, Michael J. Late Roman Elegy. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199228133.013.0005.

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15

Pietropaolo, Mariapia. Grotesque in Roman Love Elegy. University of Cambridge ESOL Examinations, 2020.

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16

Gold, Barbara K. Companion to Roman Love Elegy. Wiley & Sons, Incorporated, John, 2012.

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17

Companion to Roman Love Elegy. Wiley & Sons, Incorporated, John, 2012.

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18

Companion to Roman Love Elegy. Wiley & Sons, Incorporated, John, 2012.

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19

Corelis, Jon. Roman Erotic Elegy: Selections from TIbullus, Propertius, Ovid and Sulpicia, translated, with an Introduction, Notes, and Glossary. Salzburg University Press, 1995.

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20

Critical Essays on Roman Literature: Elegy and Lyric. Taylor & Francis Group, 2017.

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21

Dream, fantasy, and visual art in Roman elegy. 2015.

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22

P, Sullivan J. Critical Essays on Roman Literature: Elegy and Lyric. Taylor & Francis Group, 2017.

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23

Light, James. Roman Erotic Elegy: Selections from Tibellus, Propertius and Ovid. Poetry Salzburg, 1995.

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24

Jon, Corelis, ed. Roman Erotic Elegy: Selections from Tibullus, Propertius, Ovid and Sulpicia. Institut für Anglistik und Amerikanistik, Universität Salzburg, 1995.

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25

Radner, Hilary, and Alistair Fox. An Elegy for Cinema1. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422888.003.0005.

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This chapter describes how Raymond Bellour in the twenty-first century enters into the on-going debates about the end of cinema that commenced in France in the late 1980s. The chapter underlines how he focuses largely on the changing shape and nature of the dispositif (or viewing situation, including the assumptions that a spectator brings to the viewing experience) in response to new technologies, with an emphasis on moving-image installation art shown in the museum or gallery. Whereas some scholars, such as Francesco Casetti, among others, have claimed that digital technologies and the proli

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26

James, Sharon Lynn. Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy. University of California Press, 2003.

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27

James, Sharon Lynn. Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy. University of California Press, 2003.

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28

The Roman Poetry Of Love Elegy And Politics In A Time Of Revolution. Bloomsbury Publishing PLC, 2013.

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29

Lindheim, Sara H. Latin Elegy and the Space of Empire. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198871446.001.0001.

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This book argues that the subject in Latin elegy, beginning with Catullus, constitutes itself in relation to the dynamically expanding space of empire from the late Republic to the end of the Augustan age. The lack of fixity in the elegiac subject and space of empire go hand in hand. Questions of geographical space become questions about the de-centered, dislocated subject; in imagining geographical space our very nature as subjects comes to the fore. Catullus, Propertius, Tibullus, and Ovid each offers his own unique expression of the gendered subject, and their poetry runs the gamut of respo

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30

Allen, William. 3. Lyric and personal poetry. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0003.

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‘Lyric and personal poetry’ focuses on a wide range of poetry, from early Greek lyric to Roman love elegy. These various forms are united in their basis in the world of the speaker (the ‘I’ of the poem), whose ideas and experiences come to the fore. Greek lyric poetry embraces all early Greek poetry that is not epic or drama, and is sub-divided into smaller genres — iambus, elegy, and lyric poetry proper, both solo and choral. The main performance venues for these different forms of poetry were the symposium and the public festival. The lyric poetry of Sappho, Pindar, Ovid, Catullus, Tibullus,

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31

Nettleton, Translated by Taro, ed. Red Colored Elegy. Drawn and Quarterly, 2008.

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32

Hayashi, Seiichi. Red Colored Elegy. Drawn and Quarterly, 2018.

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33

Jolowicz, Daniel. Latin Poetry in the Ancient Greek Novels. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192894823.001.0001.

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This work establishes and explores connections between Greek imperial literature and Latin poetry. As such, it challenges conventional thinking about literary and cultural interaction of the period, which assumes that imperial Greeks are not much interested in Roman cultural products (especially literature). Instead, it argues that Latin poetry is a crucially important frame of reference for Greek imperial literature. This has significant ramifications, bearing on the question of bilingual allusion and intertextuality, as well as on that of cultural interaction during the imperial period more

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34

Fitzgerald, William, and Efrossini Spentzou, eds. The Production of Space in Latin Literature. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.001.0001.

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This volume addresses, through a range of different authors and genres, Latin literature’s psychogeographical engagement with space. The volume’s title alludes to Henri Lefebvre’s La Production de l’espace of 1974, a seminal work in what is now called ‘the spatial turn’ in the humanities. Lefebvre stresses that space is to be included among the sites of hegemonic power and ideological contestation in a society and should not simply be thought of as a neutral container for human action, the setting in which it takes place. The contributions to this volume focus mainly on movement, or the mobile

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35

), Hispanicus (Pseud. Spanish Eclogues, Including an Elegy on the Death of the Marquis de la Romana. HardPress, 2020.

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36

Arsenʹeva, Elena. Dom s lilii︠a︡mi: Chuzhai︠a︡ dochʹ : [roman] : (po motivam st︠s︡enarii︠a︡ Marii Bek i Eleny Boĭko). 2015.

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37

Genres Rediscovered: Studies in Latin Miniature Epic, Love Elegy, and Epigram of the Romano-Barbaric Age. Jagiellonian University, 2010.

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