Relevant bibliographies by topics / Roman Jakobson

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Academic literature on the topic 'Roman Jakobson'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Roman Jakobson"

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Comtet, Roger. "Roman Jakobson." Historiographia Linguistica 42, no. 2-3 (December 31, 2015): 401–22. http://dx.doi.org/10.1075/hl.42.2-3.07com.

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McLean, Hugh. "Roman Jakobson Repatriated." Slavonica 3, no. 2 (November 1996): 61–67. http://dx.doi.org/10.1179/sla.1996.3.2.61.

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Puyal, Alfonso. "El pensamiento cinematográfico de Roman Jakobson." Arbor 187, no. 748 (April 18, 2011): 411–20. http://dx.doi.org/10.3989/arbor.2011.748n2019.

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HAMMARSTRÖM, Göran. "Roman jakobson in Uppsala." Orbis 38 (January 1, 1995): 313. http://dx.doi.org/10.2143/orb.38.0.563377.

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Halle, Morris, Linda R. Waugh, and Monique Monville-Burston. "Roman Jakobson on Language." Language 68, no. 1 (March 1992): 182. http://dx.doi.org/10.2307/416378.

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Caton, S. C. "Contributions of Roman Jakobson." Annual Review of Anthropology 16, no. 1 (October 1987): 223–60. http://dx.doi.org/10.1146/annurev.an.16.100187.001255.

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Shapiro, Michael. "Roman Jakobson in Retrospect." Chinese Semiotic Studies 14, no. 1 (February 23, 2018): 41–56. http://dx.doi.org/10.1515/css-2018-0003.

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Abstract An aperçu of the early years (1961–1965) in the life of a working scholar with a lasting record of achievement that touches on many details in the fraught relations between Roman Jakobson and the author, one of his most outstanding students. The account of these peripeteia, framed in cultural as well as biographical terms, provides an unusual insight into the sociology of knowledge as it pertains to the development of linguistics and semiotics in the twentieth century.
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Fischer-Jørgensen, Eli. "Roman Jakobson and Denmark." Acta Linguistica Hafniensia 29, no. 1 (January 1997): 13–28. http://dx.doi.org/10.1080/03740463.1997.10429453.

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Jahr, Ernst Håkon. "Roman Jakobson’s Kindersprache, Aphasie und allgemeine Lautgesetze (1941) and Alf Sommerfelt." Historiographia Linguistica 38, no. 1-2 (May 26, 2011): 111–25. http://dx.doi.org/10.1075/hl.38.1-2.04jah.

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Summary This article suggests a link between Roman Jakobson’s Kindersprache, Aphasie und allgemeine Lautgesetze (1941) and a short book review of C. & W. Stern’s Die Kindersprache (4th ed., 1928) by Alf Sommerfelt in Norsk Tidsskrift for Sprogvidenskap (1929). The fundamental idea of Kindersprache is that children’s phonological systems develop from initial broad contrasts to subsequent finer contrasts, so that unmarked phonological oppositions which are found in most languages develop first, with any language-specific contrasts developing later. In aphasia, according to Jakobson, the opposite development occurs: finer contrasts disappear first, broader contrasts later. It is shown in this article that Jakobson, in working out this theory, was probably inspired by an idea put forward in the 1929 book review by Sommerfelt. This may help to explain why Jakobson, on the first page of Kindersprache, dedicated his book ‘Til min venn Alf ’ (“To my friend Alf ”). Jakobson worked on and completed Kindersprache during his stay in Scandinavia 1939–1941, and details connected with his stay and work in this period are also commented on.
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Falk, Julia S., and Richard Bradford. "Roman Jakobson: Life, Language, Art." Language 71, no. 4 (December 1995): 828. http://dx.doi.org/10.2307/415755.

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Dissertations / Theses on the topic "Roman Jakobson"

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Petitot, Jean. "Les Catastrophes de la parole : de Roman Jakobson à René Thom /." Paris : Maloine, 1985. http://catalogue.bnf.fr/ark:/12148/cb36146505r.

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Texte remanié du 1er chapitre de: Thèse--Lettres--Paris.
Bibliogr. p. 345-354. Thèse soutenue sous le titre : Pour un schématisme de la structure, de quelques implications sémiotiques de la théorie des catastrophes"
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2

Domingues, Mario Henrique. "O trovão, o relâmpago: tradução do Canto VI do poema de Lucrécio e análise de função poética de fragmentos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-29042013-130042/.

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Esta pesquisa consiste na tradução do Canto VI do poema didático-filosófico De rerum natura, do poeta latino Lucrécio (séc. I a.C.) e na análise de três fragmentos do canto, segundo o conceito de função poética de Roman Jakobson, o mais importante linguista do Formalismo Russo. Esta epopeia romana trata da natureza, composta toda de átomos e de vazio, segundo a doutrina do filósofo grego Epicuro (séc. III a. C.). A filosofia epicurista da natureza, sua física, tinha uma particularidade especial, o atomismo, conceito materialista que tem no De rerum natura a sua maior e melhor fonte. Assim, foi feito um apanhado sobre a vida e obra do poeta, de acordo com historiadores da literatura latina e com alguns especialistas sobre o poeta. Em seguida, elencamos os pontos importantes da trajetória científica de Jakobson e suas pesquisas intimamente relacionadas com o conceito de função poética: a fonologia, as pesquisas sobre afasia infantil (donde deriva sua revisão da metáfora e da metonímia) e sobre as funções da linguagem. Com isso, temos o conceito de função poética, seus tópicos mais importantes e exemplos de estudos de Jakobson sobre poemas de Dante, Edgar Allan Poe e Charles Baudelaire. Finalmente, são analisados fragmentos dos tópicos De tonitru (O trovão) e De fulgure (O relâmpago), seguidos da tradução em versos do Canto VI.
This research consists in the translation of Book VI of the philosophical didactic poem De rerum natura, by the Latin poet Lucretius (I century BC), and the analysis of three fragments from it, according to the concept of poetic function of Roman Jakobson, the most important linguist of Russian Formalism. This Roman epic deals with nature, all composed of atoms and empty, according to the doctrine of the Greek philosopher Epicurus (III century C). The Epicurean philosophy of nature, its physics, had a especial particularity. Atomism, a materialistic theorie that had in De rerum natura its biggest and best source. Thus, the dissertation offers a survey of the life and work of the poet according mainly to historians of Latin literature and experts of this poet. Then, we list the important points of Jakobsons scientific trajectory and the aspects of research wich are closely related to the concept of poetic function: phonology, his research on childrens aphasia and on language functions. We deal with the concept of poetic function, its most important topics and some examples of Jakobsons studies on poems by Dante, Edgar Allan Poe and Charles Baudelaire. Finally, we analyse fragments of the passages De tonitru (Thunder) and De fulgure (Lightning), followed by a poetic translation of Canto VI.
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Gylefors, Christine. "Tag och ät! : en analys av matens symboliska betydelse i Hungerspelen, trilogin." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-26467.

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Avsikten med uppsatsen är att undersöka vilken funktion mat har i romantrilogin Hungerspelen samt vilket budskap som därmed förmedlas genom maten som symbol. Med hjälp av Hans Biedermanns Symbollexikonet tokas de olika råvaror som förekommer i maten i Hungerspelen för att därefter analyseras med hjälp av teorier från Umberto Eco och Roman Jakobson. UNdersökningen viasr att maten används för att symbolisera flera olika relationer eller identiteter, inte sällan med sexuella undertomer. Flera av råvarorna har också metalingvistiska funktioner och kan därmed sägas skapa bilder i bilden. De budskap som förmedlas genom maten är främst ett ifrågasättande av ung kvinnlighet och vad det innebär samt vad en uppdelnig i vi och dem kan leda till.
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Gustavsson, Michael. "Textens väsen en kritik av essentialistiska förutsättningar i modern litteraturteori : exemplen, Cleanth Brooks, Roman Jakobson, Paul de Man /." Uppsala : Almqvist & Wiksell International, 1996. http://catalog.hathitrust.org/api/volumes/oclc/35031347.html.

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Bulot, Thierry. "Les procès jakobsoniens : Essai de mise en application en discours politique." Rouen, 1986. http://www.theses.fr/1986ROUEL013.

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A partir de quatre professions de foi des élections présidentielles de 1981 et des Essais de linguistique générale de Jakobson (1963), on remet ici en cause l'idée selon laquelle les procès métaphorique et métonymique n'opéreraient qu'en analyse politique de textes littéraires : au-delà du binarisme jakobsonien, il convient d'élaborer une grille d'analyse et de tenter l'adéquation entre des concepts - tels que la fonction poétique - davantage proche de la sémiotique, et ceux - plus nombreux - habituellement opérateurs en analyse de discours
Using as a corpus the credos of 4 candidates at the 1981 french presidential elections, we have tried to contest the following idea found in Jakobson Essais de Linguistique Générale (1963) : the metaphoric and metonymic processes would only be valid when doing a poetic analysis of literary texts. One must go beyond jakobson's binarism and produce a grid of analysis ; that will enable us to link such concepts as poetic function, more related to semiotics and those concepts, more numerous, that are usually found functionnal in discourse analysis
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Thoret, Yves. "La théâtralité : sa place dans l'œuvre de Sigmund Freud, ses applications en psychanalyse." Paris 10, 1988. http://www.theses.fr/1988PA100125.

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La théâtralité, définie comme ce qui permet de transformer une représentation scénique en une œuvre théâtrale, associe la coprésence acteur-spectateur, la convention théâtrale et l'incarnation du personnage par l'acteur. L'ouvrage présente un recueil des références au théâtre dans l'œuvre de Sigmund Freud, sa correspondance et ses biographies. L'auteur utilise principalement les travaux de Didier Anzieu et André Green. Des concepts communs aux domaines du théâtre et de la psychanalyse sont étudies : scène, dramatisation, représentation, interprétation, jeu, plaisir de regarder et de se montrer. . . La place de ces concepts dans la théorie psychanalytique fait l'objet d'une étude approfondie : théorie de la séduction, scènes primitives, reconnaissance collective. . . L'auteur propose de décrire un second niveau du préconscient, l'avant-scène du conscient. Il estime que l'identification de Freud à Hamlet lui a permis de découvrir le sens du conflit œdipien. Enfin une confrontation avec des travaux de sémiotique permet de montrer comment la référence au théâtre peut éclairer certaines questions de psychopathologie. On peut ainsi distinguer trois niveaux de la catharsis (psychologique, esthétique et rhétorique), deux motions associées dans le mécanisme de l'illusion paradoxale (enchantement et Meta représentation critique) et deux formes principales du tragique (transgression et déchirement). L'auteur s'est inspire du modèle de la fonction poétique de roman Jakobson pour décrire une fonction spécifique au théâtre, la fonction scénique ; elle opère la projection du principe de contiguïté de l'axe syntagmatique sur l'axe paradigmatique du langage. Elle permet de transformer une séquence imposée en une situation de choix instantané ; le coup de théâtre représente une tentative de suspendre le déroulement linéaire du temps. Cette formule peut trouver une application dans certains moments décisifs d'une relation thérapeutique
Theatricality, defined as the transformation of a stage performance into a theatrical work, involves the simultaneous presence of actor and spectator, theatrical conventions and embodiment of the character by the actor. This work presents a collection of references to the theatre in the work, correspondence and biographies of Sigmund Freud. The author has drawn mainly on the works of Didier Anzieu and André green. Concepts common to both theatre and psychoanalysis have been studied: staging, dramatization, performance, role-playing, game-playing, scopophilia and exhibitionism. . . Close attention has been given to the place of these concepts in psychoanalytical theory: the theory of seduction, primal scenes, collective recognition. . . The author proposes a second level of the fore-conscious, the proscenium of the conscious. He considers that Freud’s identification with hamlet led him to discover the meaning of the oedipean conflict. Finally, comparison with semiotic studies shows how reference to the theatre can throw light on some aspects of psychopathology. Thus we can distinguish three levels of catharsis (psychological, esthetic and rhetorical), two associated drives within the mechanism of paradoxical illusion (enchantment and critical métarepresentation) and two main forms of tragedy (transgression and disarray). The author has used roman Jacobson’s model of poetic function to describe a function specific to the theatre: function of staging; it projects the principle of the contiguity of the syntagmatic axis on to the paradigmatic axis of language. Thus an imposed sequence may be transformed into a situation of choice; a dramatic device is an attempt to suspend the linear progression of time. This formula can be applied at various critic
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Trois, Joao Fernando de Moraes. "Por um "nó" espistemológico da linguística e da psicanálise : um estudo sobre Saussure, Jakobson, Benveniste e Lacan." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2004. http://hdl.handle.net/10183/3537.

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O objetivo do presente trabalho é construir recursos operatórios de leitura que permitam articular, desde um ponto de vista epistemológico, lingüística e psicanálise. Esta temática surge de uma problemática de pesquisa atual, relativa à crescente demanda, endereçada a lingüística, por diferentes práticas clínicas nas quais a linguagem está implicada. Neste sentido, procura-se relacionar um paradigma de linguagem com uma teoria da subjetividade apropriada tanto à reflexão clínica quanto à reflexão epistemológica. Desta forma, esta dissertação opta por um estudo teórico, visando a construção de operadores conceituais que possibilitem a articulação entre a psicanálise lacaniana e as teorias da linguagem de Saussure, Jakobson e Benveniste, utilizando como corpus de análise essas próprias teorias lingüísticas e psicanalíticas. Portanto, seu procedimento analítico pode ser qualificado como metateórico. Quatro critérios são utilizados para a seleção dos autores: 1°) as três teorias são, cada uma a seu modo, estruturalistas – isso significa que a estrutura é o conceito operador que permite pensar as proposições que estão na base de cada teoria (seus axiomas); 2°) as três teorias estabelecem proposições sobre o objeto língua – isso requer perguntar quais axiomas sobre a língua cada teoria teve que construir para dar conta da estrutura. Desses dois critérios deriva-se um terceiro; 3°) as três teorias conformam três “sistemas de linguagem” que não dissolvem o “objeto língua” para se constituírem em sua especificidade (diluindo-a em objetos de outros domínios teóricos, exteriores ao campo da linguagem – ou da lingüística – propriamente dito, tais como, por exemplo, a biologia, a psicologia, a sociologia). Cada sistema é representado por um nome próprio : I – Sistema de Linguagem elaborado por Saussure; II – Sistema de Linguagem tratado por Jakobson; III – Sistema de Linguagem concebido por Benveniste. Como critério de fechamento, temos que : 4°) as três teorias interessam de perto ao Sistema de Linguagem da psicanálise lacaniana. A relação entre tais teorias deverá servir de suporte de leitura à interlocução estabelecida no campo interdisciplinar sobre a presença da linguagem nas diferentes clínicas, assim como revitalizar os campos conceituais tanto da lingüística quanto da psicanálise.
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Eklöf, Åsa. "Att skriva staden genom språnget : En undersökning av plankning och parkour som skapande, rumsliga praktiker utifrån Michel de Certeaus The Practice of Everyday Life." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-8784.

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What happens when one moves about in the city? In this essay I will explore how we through our movements create our own temporal cities. I base my investigation on Michel de Certeau's theories from his book The Practice of Everyday Life vol 1. De Certeau believes that by just walking in the city – a mostly unconscious and for many trivial activity – you write it, creating different types of spaces that can be understood using linguistic terms. In my essay, I develop de Certeau's theories about ordinary activities by applying them to two less ordinary – and between themselves quite different – spatial practices:  fare evasion on public transportation (plankning) and the urban activity of parkour. I also carry out a linguistic analysis of both parkour, fare evasion and walking, using the linguist Roman Jakobson's theory on the act of speaking together with de Certeau's theory on the rhetoric of walking. In my concluding discussion, I outline a theory regarding how these different spatial practices come together in the city and form a multiplicity of ever-changing spatial stories. I also discuss what one can say that this actually means, both practically and theoretically speaking.
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Toutain, Anne-Gaelle. "" Montrer au linguiste ce qu'il fait " : une analyse épistémologique du structuralisme européen (Louis Hjelmslev, Roman Jakobson, André Martinet, Emile Benveniste) dans sa filiation saussurienne." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040253/document.

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Cette thèse consiste en une analyse épistémologique comparée et très détaillée de l’ensemble du corpus saussurien publié ainsi que d’une portion très significative des oeuvres de Hjelmslev, Jakobson, Martinet et Benveniste. Il s’agit de montrer qu’en dépit d’une filiation revendiquée le structuralisme européen n’est pas saussurien, et par là de faire apparaître, par contrecoup, la spécificité de la problématique saussurienne, ainsi que ses enjeux pour la linguistique et plus largement pour les sciences de l’humain. La problématique saussurienne avait permis, pour la première fois dans l’histoire de la linguistique, une appréhension théorique de la langue. La problématique structuraliste est en revanche entièrementempirique, de sorte que sa scientificité relève en réalité d’une idéologie scientifique, au sens de Georges Canguilhem. Le point nodal de cette radicale différence de problématique est l’absence de théorisation structuraliste du rapport son/sens, et corrélativement la mécompréhension du concept saussurien desystème. Celui-ci devient alors structure, c’est-à-dire, comme nous tentons de le faire apparaître, appréhension structurale d’un objet dont la définition commune et évidente (celle de la langue comme instrument de communication) n’est pas remise en cause. A la problématique étiologique saussurienne, constitutive du concept de langue, répond ainsi une problématique analytique qui conduit quant à elle à la construction d’un objet (forme ou structure) en lieu et place d’un concept. Plus précisément, la problématique structuraliste est idiomologique. Elle manque ainsi la distinction entre langue et idiome dont nous tentons dès lors de démontrer la nécessité et le caractère constitutif de la théorisation de lalangue et, au-delà, du langage, notamment dans le cadre d’une articulation entre linguistique et psychanalyse
This thesis consists in a compared and thorough epistemological analysis of the whole of Saussure’s published work and of a significant part of Hjelmslev’s, Jakobson’s, Martinet’s and Benveniste’s. Its aim is to show that although it has acknowledged Saussure as an influence, European structuralism is not Saussurean. In doing so, it aims at bringing out the specificity of Saussure’s problematics and its stakes for linguistics and more widely for the sciences of the human being. Saussure’s problematics had made a theoretical apprehension of language (la langue) possible for the first time in the history of linguistics. On the other hand, the problematics of structuralism is entirely empirical, so that its scientificity is in fact a product of a scientific ideology (idéologie scientifique), in Georges Canguilhem’s sense of the word. The very core of this radical divergence in the problematics lies in the lack of structuralist theorization of the sound/meaning relation, and correlatively, the misunderstanding of Saussure’s concept of system. This system then becomes a structure, that is to say, as we try to show, the structural apprehension of an object whose commonly held and evident definition (language as an instrument of communication) is not questioned. Thus, Saussure’s etiological problematics, which is constitutive of the concept of language (langue), is echoed by an analytical problematics, which itself leads to the construction of an object (form or structure), instead of a concept. More precisely, the structuralist problematics is idiomological. Thus, it misses the difference there is between language (langue) and idiom, a distinction we thus try to demonstrate as necessary as well as constitutive for the theorization of language in the narrow sense of the word (la langue), and beyond it, of language in its larger sense (le langage), particularly in the context of an articulation between linguistics and psychoanalysis
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Zveda, Danielle. "Les rapports entre les théories de la communication et du signe et la linguistique tels qu'ils apparaissent dans la théorie des fonctions de Roman Jakobson." Paris 8, 1998. http://www.theses.fr/1998PA081435.

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Cette these est une etude epistemologique qui etablit un parallele entre les modeles du signe et de la communication qui ont inspire r. Jakobson lorsqu'il crea son modele des fonctions (linguistique et poetique , 1958/1960) et le modele des fonctions lui-meme. La reprise de jakobson des trois fonctions du modele de l'organon de buhler est analysee. Buhler, le psychologue , analyse longuement l'expressivite de la personnalite du locuteur, alors que jakobson prefere etudier la fonction poetique du langage. Un parallele entre le modele des fonctions de roman jakobson et certaines notions des theories du formalisme russe, du cercle de prague, de ogden et richards, de ferdinand de saussure et de charles sanders peirce est presente dans la these. Quant aux modeles du processus de la communication, les annees 40-50 ont, aux etats unis surtout, donne naissance a de tels modeles de ta communication de la part d'ingenieurs (shanon & weaver) de chercheurs en sciences politiques (laswell), de psycholinguistes (osgood et shramm), de psychologues sociaux (newcomb) de sociologues (berelson) et de chercheurs en communication (gerbner). Parmi toutes ces theories, roman jakobson a choisi plutot de puiser dans les modeles mathematiques de la communication, modeles systematiques et lineaires. Les modeles circulaires de communication des psycholinguistes (osgood et shramm) qui introduisent la notion de feedback ont souvent ete cites par roman jakobson. Pourtant ils ne sont pas du tout a la base de son modele des fonctions presente dans "linguistique et poetique". Jakobson avait deja presente une esquisse de son modele des fonctions dans la conference interdisciplinaire des anthropologues et des linguistes qui s'est tenue en 1952 a l'universite d'indiana. Roman jakobson est reste donc jusqu'en 1958 fige avec son modele qui prenait pour point de depart le modele lineaire des ingenieurs du debut des annees 50. La synthese que jakobson a fait en creant son modele fut la fusion du modele des ingenieurs de la communication shanon & weaver et du modele de karl buhler tout en prenant consideration des notions que roman jakobson accumula sa vie durant, a partir du formalisme russe en passant par le cercle de prague sans oublier les theories de ogden et richards, de ferdinand de saussure, et de ch. S. Peirce
This thesis is an epistemological study which establishes a parallel between the sign models and the communication models that inspired roman jakobson when he created his functions' model ( linguistics and poetics, 1958/1960) and the functions model itself. The reappraisal by jakobson of the three functions of the organon's model of buhler is analysed. Buhler, the psychologist, analyses in depth the expressivity of the addresser's personality. Jakobson, the linguist, prefers to study the function of poetic language. A parallel between the functions' model of jakobson and some notions of the russian formalism, the prague circle, ogden & richards, ferdinand de saussure and charles sanders peirce is presented in the thesis. In relation to process models of communication, in the years 1940-1960 especially in the united states, such models were created by engineers (shanon & weaver), political scientists (laswell), psycholinguistics (osgood & shramm), social psychologists (newcomb), sociologists (berelson) and communication's researchers (gerbner). From the foregoing, jakobson prefers the mathematical models of communication, systematic and linear models. The circular communications models of the psycholinguists (osgood & shramm) who introduced the notion of feedback were frequently cited by roman jakobson. Therefore, they are do not form the basis of his function's model presented in "linguistics and poetics". Jakobson had already presented a rough sketch of his function's model at the interdisciplinary conference of anthropologists and linguists that took place in 1962 (indiana university). Until 1968, roman jakobson remained rooted in the model inspired by the linear model of the engineersfrom the early fifties. The synthesis that jakobson used in creating his model was by fusing the communication model of the engineers shanon & weaver and the model of karl buhler, together with the concepts that roman jakobson accumulated during his life (from the theories of the russian formalism, the prague circle, ogden & richards's ferdinand de saussure's and charles sanders peirce's theories)
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Books on the topic "Roman Jakobson"

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Delas, Daniel. Roman Jakobson. Paris: Bertrand-Lacoste, 1993.

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Rudy, Stephen, ed. Roman Jakobson. Berlin, Boston: DE GRUYTER, 1990. http://dx.doi.org/10.1515/9783110860290.

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Roman Jakobson: Life, language, art. London: Routledge, 1994.

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Roman Jakobson e il futurismo italiano. Napoli: Liguori, 2009.

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D'Ambrosio, Matteo. Roman Jakobson e il futurismo italiano. Napoli: Liguori, 2009.

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Ponzio, Luciano. Roman Jakobson e i fondamenti della semiotica. Milano: Mimesis, 2015.

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7

Grotz, Stephan. Vom Umgang mit Tautologien: Martin Heidegger und Roman Jakobson. Hamburg: Meiner, 2000.

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8

Rudy, Stephen. Roman Jakobson, 1896-1982: A complete bibliography of his writings. Berlin: Mouton de Gruyter, 1990.

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9

Les catastrophes de la parole, de Roman Jakobson à René Thom. Paris: Maloine, 1985.

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10

Roman, Jakobson. Semiotik: Ausgewählte Texte, 1919-1982 /Roman Jakobson ; herausgegeben von Elmar Holenstein. Frankfurt am Main, Germany: Suhrkamp, 1988.

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Book chapters on the topic "Roman Jakobson"

1

Quadflieg, Helga. "Jakobson, Roman." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5545-1.

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Bierwisch, Manfred. "Roman Jakobson." In Handbook of Pragmatics, 159–72. Amsterdam: John Benjamins Publishing Company, 2018. http://dx.doi.org/10.1075/hop.21.jak1.

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Holenstein, Elmar. "Jakobson, Roman." In Metzler Philosophen Lexikon, 422–23. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_139.

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Kidder, Richard. "Jakobson, Roman Osipovich." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 375–78. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-121.

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Newton, K. M. "Roman Jakobson: ‘The Dominant’." In Twentieth-Century Literary Theory, 6–10. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_2.

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Quadflieg, Helga. "Jakobson, Roman: Linguistics and Poetics." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_5546-1.

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Newton, K. M. "Roman Jakobson: ‘Linguistics and Poetics’." In Twentieth-Century Literary Theory, 71–77. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_16.

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Waugh, Linda R. "Roman Jakobson’s Intellectual Influence in America." In Prague Linguistic Circle Papers / Travaux du cercle linguistique de Prague N.S., 289–301. Amsterdam: John Benjamins Publishing Company, 1999. http://dx.doi.org/10.1075/plcp.3.21wau.

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Eco, Umberto. "The Influence of Roman Jakobson on the Development of Semiotics." In Classics of Semiotics, 109–27. Boston, MA: Springer US, 1987. http://dx.doi.org/10.1007/978-1-4757-9700-8_5.

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Simon, Ralf. "Was genau heißt: ›Projektion des Äquivalenzprinzips‹? Roman Jakobsons Lehre vom Ähnlichen." In Abhandlungen zur Literaturwissenschaft, 121–38. Stuttgart: J.B. Metzler, 2018. http://dx.doi.org/10.1007/978-3-476-04551-5_9.

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