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Academic literature on the topic 'Roman pastoral – Histoire et critique'
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Journal articles on the topic "Roman pastoral – Histoire et critique"
Büttgen, Philippe. "Théologie politique et pouvoir pastoral." Annales. Histoire, Sciences Sociales 62, no. 5 (October 2007): 1129–54. http://dx.doi.org/10.1017/s0395264900035782.
Full textBoivin, Aurélien. "L’édition critique des Anciens Canadiens : une histoire (re)corrigée." Port Acadie, no. 20-21 (July 10, 2012): 15–28. http://dx.doi.org/10.7202/1010321ar.
Full textLambert, Fernando. "Un leader de la critique africaine, Mohamadou Kane." Études françaises 37, no. 2 (September 9, 2004): 63–77. http://dx.doi.org/10.7202/009008ar.
Full textCoutin, Jean. "Enquête sur l’imaginaire du roman pornographique (1739‑1789) : les bibliothèques." Études françaises 32, no. 2 (March 15, 2006): 19–30. http://dx.doi.org/10.7202/036022ar.
Full textNdiaye, Christiane. "De l’écrit à l’oral : la transformation des classiques du roman africain." Études françaises 37, no. 2 (September 9, 2004): 45–61. http://dx.doi.org/10.7202/009007ar.
Full textPioffet, Marie-Christine. "Esquisse d’une poétique de l’allégorie à l’âge classique." Études littéraires 43, no. 2 (March 13, 2013): 109–28. http://dx.doi.org/10.7202/1014727ar.
Full textBouju, Emmanuel. "Forme et responsabilité. Rhétorique et éthique de l’engagement littéraire contemporain." Études françaises 44, no. 1 (June 11, 2008): 9–23. http://dx.doi.org/10.7202/018160ar.
Full textMulumba, Joséphine. "SIMASOTCHI-BRONES Françoise, Le Roman antillais. Personnages, espaces et histoire : fils du chaos. Paris-Budapest-Torino, L’Harmattan, coll. Critique littéraire, 2004, 342 p. ISBN 2-7475-5906-8." Études littéraires africaines, no. 19 (2005): 81. http://dx.doi.org/10.7202/1041421ar.
Full textPedrol Aguilà, Marina. "Nouvelle approche à la tâche de traduction du chevalier de Mailly." Anales de Filología Francesa 28, no. 1 (October 22, 2020): 511–34. http://dx.doi.org/10.6018/analesff.421851.
Full textWeis, Monique. "Le mariage protestant au 16e siècle: desacralisation du lien conjugal et nouvelle “sacralisation” de la famille." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 134. http://dx.doi.org/10.18239/vdh_2019.08.07.
Full textDissertations / Theses on the topic "Roman pastoral – Histoire et critique"
Lavocat, Françoise. "Princes et poètes en Arcadie : le roman pastoral en Italie, en Espagne et en France de la renaissance du genre à sa décadence : son rôle dans la transformation du roman." Paris 7, 1993. http://www.theses.fr/1993PA070064.
Full textThis study compares the development and the disappearance of the pastoral in prose,codified in the first part of the sixtheenth century,in italy, spain and france between,approximately,1580 and 1630. This essay examines the different ways narration develops. The evolution takes major directions: first,the main character,being at the same time the narrator and the author,is going to prevail in the novel,and to be the center of it through the use of the first person; this trend being assorted with the heroization of the bucolic universe. The way those two directions either combine or exclude one another is different in the three countries. The evolution of the pastoral novel has also been connected with the expression of an ideal of sociability inspired by the academic life,that was both closed and opposed to the utopic model. Those first person narrations, paradoxically associated with the praise of unanimity,are linked with both the change of the representation and the status of the writer,particularly in his relations with power and history. This pattern of the bucolic code reveals a link between pastoral and autobiography in the eighteenth century. Eventually,the novel,in its origin,partly develops through the transformation of the pastoral novel,associated with the disappearance of the
De, Craim Alexandre. "L'unité narrative de L'Astrée: structures architextuelle, textuelle et thématique." Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209749.
Full textDoctorat en Langues et lettres
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Elkaissi, Abdellah. "Roman et cinéma : l'adaptation et ses problèmes." Toulouse 2, 1993. http://www.theses.fr/1993TOU20058.
Full textCinema is a great "swallower" of stories. To satisfy its audience, it draws copiously on the techniques of novel. When transcribing a literary text into a film, the film-maker prints his own personal reading of that literary that. As a matter of fact, the idea of faithfulness can be approached only in subjective terms. The passage from a literary text into a film implies no act of translation. This kind of adaptation is both a reading and a personal interpretation that bring into contact the film-maker and the novelist. Accordingly, the notion of faithfulness sounds subjective and hard to define. No film can be a faithful copy of the novel that has inspired it; for a film always has something more or less than the novel it has drawn on. However, it would be wise to point out three concepts that have a significant bearing to the passage from the novel to the stage: the first concept is the passive adaptation which seeks uniformity and faithful reproduction of the initial literary material; the second is the free adaptation which seeks to establish a shade of distance between the film and the literary text. Unlike these two concepts, active adaptation seeks a conspicuous detachment, without for that matter, overlooking the specifics of film-making
Huchet, Jean-Charles. "Du poème au roman : genèse et fortune du roman occitan médiéval." Paris 4, 1990. http://www.theses.fr/1990PA040027.
Full textIn medieval Occitany, there was few novels, as show manuscripts and words used by the writers to designate their texts. We try to explain the reasons of this lack: the dependence on troubadours’ poetry, and we negate the common opinion that believes that medieval novels were born before in Occitania than in France and that most of them were lost. We learn the nature of the strict dependence with the troubadours’ poetry and we show that the novel is a manner of "theoric fiction" of poetry which appears at the beginning of the XIIIth century, a period of literary and cultural crisis. The poetry is also a looking glass in which the novel tries to catch his own identity and clears - throw a fiction - his own theory. Against a common opinion, we maintain that the relations between French and Occitan medieval novels are not imitation but literary struggle (rewriting. . . )
Tanaka, Takuzo. "Zola et le roman psychologique." Paris 4, 2005. http://www.theses.fr/2005PA040005.
Full textThe aim of this dissertation is to examine the characteristics and the development of the psychological representation in Émile Zola's novels, referring to the “psychological novel” in his time, represented by George Sand and Paul Bourget. From Thérèse Raquin (1867), against the idealism of the “psychological novel” in the manner of George Sand, the Naturalist Zola tries to substitute a physiology of the soul for the psychology; as well as the body, the soul is determined by the surroundings and the heredity. From La Joie de vivre (1884), however, under the influence of the “psychological novel” in the manner of Bourget, Zola progressively separates from the Naturalist determinism. He attaches great importance to the inner life of the characters in his novels and projects his own ideology and philosophy on the inner discourse of these characters. In his later works, the subjectivity of the author finally becomes predominant over the objectivity demanded by the Naturalist theory
Ngandu, Omombo. "Roman et histoire dans l'oeuvre de tchicaya u tamsi." Paris 3, 1997. http://www.theses.fr/1998PA030053.
Full textThe tetralogy of tchicaya's novels is a vast panorama of the congolese society before and after the declarations of independance of the african countries. To the numerous historical indications judiciously disseminated and unequally divided up throughout the four volumes, the author has added an ethnological dimension of the traditions and customs of the vili people from whom stem his origins. A chequered style of writing privileges the amalgame of literary genre, articulating around a multiplicity of point of views through delinearary and confused structure heralds the "new wave" of african novelists (since 1968) to which tchicaya belongs, in spite of his long presence on the literary scene of the african continent (since 1955)
Kartal, Tulin. "Le Nouveau roman et la révolution du roman turc à partir des années 1970 : Orhan Pamuk." Lorient, 2011. http://www.theses.fr/2011LORIL219.
Full textBeginning from the 70s, Turkish novel tended to be pluralist, polyphonic and independent. Orhan Pamuk who had begun to write in 80s, won the Nobel literature prize in 2006 and became one of Turkey’s most prominent novelists. He brought innovations to Turkish literature and is a follower of the New Novel. In this study, a comparison between French and Turkish novel has been made in terms of transformation into the “new novel”. In this context, Turkey’s particular political, economic and social situation which had paved the way for the appearance of new movement has been revealed. The approach of the study has been thematic and narratologic. The major themes which have been handled are Istanbul, melancholy, and mystic and spiritual journey. In fact, his literary works show similarities with the other new novelists in technical aspect. In his novels, the most striking elements are the concepts of original and radical time, and sensorial and imaginary place. The main characteristics of his novels are; the stories narrated with a multidimensional and flexible point of view, significant chaos and intertextuality, identity problem and othering. The study also covers the cultural differences between east and west existing in novels of Orhan Pamuk. Besides the similarities with the other new novelists in technical terms, Pamuk’s progressive style makes him exceptional. He is the master of Turkish literature who plays upon the words, refers to ambiguity and introduces new forms
Hervouet-Farrar, Isabelle. "Le roman anglais ou le récit éclaté." Lyon 3, 1994. http://www.theses.fr/1994LYO31004.
Full textThere are six chapters in this thesis. Each of the first five chapters deals with the study of an english romantic novel. The five novels in question are : the castle of otranto by horace walpole (1764), the monk by m. G. Lewis (1796), frankenstein by mary shelley (1818), melmoth the wanderer by c. R. Maturin (1820), and the private mamoirs and confessions of a justified sinner by james hogg (1824). The study of each novel begins with a detailled analysis of the signifer and of the way the discourse is organized. Amongst other things, this analysis includes a study of the narrative system, and more precisely of the splitting of the text into several levels of narration in four novels out of five; a study of time and the study of how the fantastic is produced within the discourse itself. The analysis of the signifier deals with the most pertinent elements in each novel; these elements may therefore vary from one chapter to another. This analysis of the discourse uncovers contradictions, blanks or obsessive motives. The study of each novel is therefore further developed, based on the theories of psychoanalysis, in order to try and account for these "anomalies", and to uncover the fantasies that led to the urge to write the novel, the sixth chapter tries to bring together the elements uncovered in the other chapters. The first part of this chapter deals with the ways in which, thanks to the narrative system, the expression of fantasies is made possible, the second part with the exact nature of these fantasies, this sixth chapter tries to propose a few elements for the poetics of a literary genre that critics have found hard to define with any accuracy : the romantic npvel
Sicart, Pierre-Alexandre. "Autobiographie, roman, autofiction." Toulouse 2, 2005. http://www.theses.fr/2005TOU20007.
Full textThis doctoral dissertation studies the question of autofiction, in three parts. The first paints a panorama of autofiction, in intension and in extension, in diachrony and in synchrony (literary and theoretical origins, and related genres). The data thus collected allows the second part to address the problems of autofiction, through an analysis of the notions of fact vs. Fiction (axis of information) and author vs. Reader (axis of the processing of information). Building on the model of Philippe Lejeune's autobiographical pact (1975), it becomes possible to outline an "anti-pact" specific to autofiction ; autofiction is thus defined as an act (a writing process) before its psychoanalytical roots are revealed, in a third part, notably through a study of Serge Doubrovski's Fils (1977). The dissertation concludes with the elaboration of a definition of autofiction as a genre
Dast, Stéphanie. "Roman et confluence des genres (1827-1840)." Paris 4, 2003. http://www.theses.fr/2003PA040027.
Full textThe study of the output of romantic literature in france between 1827 and 1840 highlights the dominant position occupied during these years by a genre which contemporary critics and the authors themselves defined as universal. The period is remakable in that novels (second-rate novels or recognised masterpieces) appear capable of going beyond and indeed absorbing all other genres. In 1827, the "Préface of Cromwell" affirmed the desire of the "romantiques" to break free of genre-imposed limits. However, the Hugolien thesis triumphed less easily in drama than in fiction, which alone was able to merge all genres, traditional or otherwise. However, in 1840, the novel ceased to be such a "laboratory of genres" where anything goes: firstly, it once again resorted to clichés with the emergence of the serialised novel and mass-produced literature and, secondly, it abandoned genre-related excentricities in order to move towards realism in the novel. However, the hybrid novel of 1830, is multi-faceted in the way in which it merges the various genres, which fluctuate between between anarchy and order. Thence, by incorporating history and drama, the novel gains in terms of credibility and overall unity. However, at the same time, a wave of quietly ironic works mocked the aspirations of this generation to create a "total" novel : absorbing and deforming everything in their path, these fragmented works circumvented and renewed obsolete genres and even sought to go beyond their limits. By tacking all the various genres, they appear to be challenging literature itself, but as part of a movement from which the romantic novel, apparently badly shaken, emerges reinvigorated. This regenerative capacity can be found in novels which are apparently unclassifiable, which, for example, veer first towards dialogue-based genres, the towards poetry, seeking another type of harmony between the genres within a novel, towards whose development they contribute just as much as the ironic novels
Books on the topic "Roman pastoral – Histoire et critique"
Daniel-Rops: Romancier existentialiste chrétien : études des concepts d'absence et de présence chez le héros daniel-ropsien. Luneray: Bertout, 1999.
Find full textFrançoise, Lavocat, ed. Arcadies malheureuses: Aux origines du roman moderne. Paris: H. Champion, 1998.
Find full textMcDonald, Joyce. The stuff of our forebears: Willa Cather's Southern heritage. Tuscaloosa: University of Alabama Press, 1998.
Find full textAllard, Jacques. Le roman du Québec: Histoire, perspectives, lectures. Montréal: Québec Amérique, 2000.
Find full textMarcotte, Gilles. Le roman à l'imparfait : la "révolution tranquille" du roman québécois: Essais. Montréal: Éditions de l'Hexagone, 1989.
Find full textKeith, W. J. Regions of the imagination: The development of British rural fiction. Toronto: University of Toronto Press, 1988.
Find full textToren, Orly. De la Bible au roman: Pour une histoire et une critique alternatives du roman. Paris: Honoré Champion éditeur, 2013.
Find full textDorais, Fernand. Le roman canadien-français de 1930 à 1958: Essai. Sudbury, Ont: Université Laurentienne, Département de Français, 1985.
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