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Journal articles on the topic 'Roman pier'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Munteán, László. "The Roman Aqueduct of Aquincum in Technological and Cultural Contexts." Hungarian Cultural Studies 14 (July 16, 2021): 1–19. http://dx.doi.org/10.5195/ahea.2021.424.

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This article explores the technological and cultural history of the Roman aqueduct of Aquincum in Budapest. The only one in the Roman province of Pannonia that was elevated to a continuous line of arches, this aqueduct conveyed water from its source in what is now Budapest’s third district to its final destination over three miles to the south, where a Roman military town was located. Apart from the aqueduct’s technological and archaeological aspects, this article also examines several cultural practices that it engendered including the ritualistic significance of the springs that fed it, its

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2

Salisbury, Chris. "An 8th-century Mercian bridge over the Trent at Cromwell, Nottinghamshire, England." Antiquity 69, no. 266 (1995): 1015–18. http://dx.doi.org/10.1017/s0003598x00082557.

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Heavyweight civil engineering in Romanized Europe means Roman, one thinks naturally enough. A tree-ring date now identifies a timber-framed bridge pier, previously thought Roman, as dating to the first half of the 8th century AD — Mercian, and the earliest known Saxon bridge in Britain.

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Ferrari, Ivan, and Aurora Quarta. "The Roman pier of San Cataldo: from archaeological data to 3D reconstruction." Virtual Archaeology Review 10, no. 20 (2019): 28. http://dx.doi.org/10.4995/var.2019.7957.

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<p>The pier of San Cataldo (Lecce, Italy) is located along the Adriatic coast about 10 km east-northeast of the ancient city of Lupiae, (today's Lecce), and is the best-preserved port structure of the Roman Age in Apulia. It was researched between 2004 and 2007 by the Laboratory of Topography and Photogrammetry (LabTAF) of the University of Salento, who produced a detailed analysis of the remain and a survey of the portion still visible on the mainland. At the same time, aerial surveys and the study of historic aerial photos from the 1940s and 50s supported a topographic study of the sit

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4

Hara, Takashi, and Kenichiro Hidaka. "Failure Mechanisms of Stone Masonry Dome." Applied Mechanics and Materials 744-746 (March 2015): 133–36. http://dx.doi.org/10.4028/www.scientific.net/amm.744-746.133.

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This paper investigated the failure mechanisms of the stone masonry dome constructed in the heritage site at Jerash. Jerash is the remains of a Roman ancient city and is located 48km north from Amman, Jordan. West Bath in Jerash had one main dome and two small domes. Domes were constructed from stone masonry. The structural characteristics of the remained small dome were investigated numerically by use of the finite element method. The foundation of the West Bath is under the conditions of a land sliding and was cut beside the dome pier. Therefore, assuming the several uneven settlements of th

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5

Romanelli, Claudia. "From dialogue writer to screenwriter: Pier Paolo Pasolini at work for Federico Fellini." Journal of Screenwriting 10, no. 3 (2019): 323–37. http://dx.doi.org/10.1386/josc_00007_1.

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Pier Paolo Pasolini was a poet, novelist, essayist and filmmaker who also worked as a screenwriter for some of the most important Italian directors including Mario Soldati, Mauro Bolognini and Bernardo Bertolucci, to name a few. While Pasolini’s poems, novels and films are widely studied, his work as a screenwriter has not attracted much critical attention. This is partly because Pasolini tended to collaborate with directors whose artistic tastes were very different from his own, making it difficult to understand what he could possibly bring to the films on which he worked. The fact that he to

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Santini, Sylvano. "Le cinéma, un vieux média ? Ralenti des images et lenteur du récit dans Point Omega de Don DeLillo." Revista Brasileira de Literatura Comparada 25, no. 49 (2023): 165–79. http://dx.doi.org/10.1590/2596-304x20232549ss.

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Résumé Cet article présente, dans une première partie, le concept de cinéfiction qui caractérise le rapport performatif de la littérature au cinéma. Il réalise, dans une deuxième partie, une analyse cinéfictionnelle dePoint Oméga (2010) de Don DeLillo dont la visée consiste à montrer comment le roman prolonge le ralenti des images de24 Hour Psycho de Douglas Gordon (1993). Cette analyse reprend la notion de « remake » que Sébastien Rongier a développée dans son ouvrageCinématière(2015) pour l’appliquer aux arts et à la littérature qui entretiennent un dialogue avec le cinéma. Je concevrai en c

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7

Tuttle, Richard J. "Vignola's Facciata dei Banchi in Bologna." Journal of the Society of Architectural Historians 52, no. 1 (1993): 68–87. http://dx.doi.org/10.2307/990758.

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As a masterpiece of urban renovation by a major Renaissance architect, the Facciata dei Banchi enjoys wide critical acclaim. The scholarly literature on it, however, is bedeviled by historical uncertainties as well as by cursory accounts of the physical and formal evidence. The object of this essay is threefold: to present some new and firm documentation about the patronage, dating, and authorship of the work; to assess Vignola's achievement in its design; and to offer a critical reading of the project within the ideology of style. Accordingly, the façade is shown to have been erected between

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8

Anzidei, Marco, Alessandro Bosman, Daniele Casalbore, Sebastiano Tusa, and Roberto La Rocca. "New insights on the subsidence of Lipari island (Aeolian islands, southern Italy) from the submerged Roman age pier at Marina Lunga." Quaternary International 401 (May 2016): 162–73. http://dx.doi.org/10.1016/j.quaint.2015.07.003.

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9

Cooper, James G. "Michelangelo's Laurentian Library: Drawings and Design Process." Architectural History 54 (2011): 49–90. http://dx.doi.org/10.1017/s0066622x00004007.

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Re-examination of a key group of Michelangelo's sketches for the Laurentian Library, located in the monastic complex of Florence's S. Lorenzo, offers a new understanding of his design process and the project as it was built. While drawings by Michelangelo survive for all three of the library's intended spaces, this study concentrates on a number of drawings on four sheets for the entrance vestibule, or ricetto, and the two drawings for what would have constituted the third space, the unbuilt rare books room. It offers a major revision of Rudolf Wittkower's pioneering study of the library's des

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10

Magris, Erica. "Le « projet multithéâtral »." Mettre en scène, no. 12 (February 19, 2010): 49–65. http://dx.doi.org/10.7202/039231ar.

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Résumé Cet article s’intéresse à un mode de création théâtrale systématisé par les compagnies expérimentales italiennes de la « Génération 90 » au début du 21e siècle, que nous proposons d’appeler « projet multithéâtral » : l’artiste de théâtre conçoit la création comme un processus de longue ou moyenne durée, dans lequel il avance par étapes, en réalisant non seulement des spectacles, mais en se consacrant aussi à d’autres formats artistiques. Dans l’histoire des compagnies, la mise en oeuvre de cette méthode de travail correspond à l’affirmation de l’usage des technologies numériques du son

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11

Bélanger, David. "[ Sans Titre - No Title ]Luneau, Marie-Pier et Jean-Philippe Warren. L’amour comme un roman. Le roman sentimental au Québec d’hier à aujourd’hui. Montréal, Presses de l’Université de Montréal, 2022, 362 p." Revue d'histoire de l'Amérique française 77, no. 1-2 (2023): 213. http://dx.doi.org/10.7202/1111417ar.

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12

Wright, G. R. H. "Architectural Details from the Asklepeion at Balagrae (Beida)." Libyan Studies 23 (1992): 45–72. http://dx.doi.org/10.1017/s0263718900001746.

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AbstractDrawings made in 1958 of the Beida Sanctuary peristyle afford a basis for comment on characteristic architectural developments in Cyrenaica, seen as part of the Oriental Hellenistic world.Since this complex is dated epigraphically to Hadrianic times it offers information on the chronological compass of forms and motifs which are well established at a much earlier period (3rd century BC). Notable features are the mixing of elements from different orders and the use of the cordiform angle pier often in association with the Rhodian-type peristyle.The emergence of these devices can be seen

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13

Mozzachiodi, Luca. "On the creation of a communist poetic tradition through the review Officina." Twentieth Century Communism 27, no. 27 (2024): 61–86. https://doi.org/10.3898/175864324839498919.

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This article examines the cultural and literary review Officina to show how, between 1955 and 1959, the editors (Roberto Roversi, Pier Paolo Pasolini, Francesco Leonetti, Gianni Scalia, Angelo Roman?? and later Franco Fortini) worked to construct a non-party communist poetic tradition. These authors used Antonio Gramsci’s recently published-Prison Notebooks in order to re-read the Italian literary tradition (from Giacomo Leopardi to Giuseppe Ungaretti), through re-considering the relationship between intellectuals and society and between poetry and politics. The article uses the activities of

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14

Marsan, Jean-Sébastien. "Luneau, Marie-Pier et Jean-Philippe Warren (dir.). L’amour à 10 sous. Le roman sentimental québécois de l’après-guerre (Québec, Septentrion, 2023), 258 p." Revue d’histoire de l’Amérique française 77, no. 3 (2024): 165–68. http://dx.doi.org/10.7202/1113124ar.

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15

Kamoun, Mohamed, Chahira Zaibi, Martin R. Langer, et al. "Environmental evolution of the Acholla coast (Gulf of Gabes, Tunisia) during the past 2000 years as inferred from palaeontological and sedimentological proxies." Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen 296, no. 3 (2020): 217–35. http://dx.doi.org/10.1127/njgpa/2020/0897.

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A multi-proxy approach to infer the environmental evolution and coastal dynamics was conducted on four sediment cores with the aim to decipher forcing factors shaping the coastline of Acholla (Tunisia) over the last 2000 years. The data recorded from palaeontological and sedimentological studies combined with 14C dating suggest a progression of four successive phases: (1) the first Holocene marine transgression (183 A. D.), overlying Upper Pleistocene marine sandstones, resulted in a brackish shallow-water coastal environment characterized by a mixture of lagoonal/estuarine, marine/brackish an

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16

Licht, Meg. ""I Ragionamenti"-Visualizing St. Peter's." Journal of the Society of Architectural Historians 44, no. 2 (1985): 111–28. http://dx.doi.org/10.2307/990024.

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Thirteen architectural drawings by four architects-Bramante, Baldassare Peruzzi, Giuliano da Sangallo, and Antonio da Sangallo the Younger-all dating from the period between early 1505 to 18 April 1506, all except one in the Gabinetto dei Disegni e Stampe of the Uffizi, and all connected with the earliest proposals for the new St. Peter's, are examined to establish their authorship and date and the exact sequence in which they were executed. Beyond that, the chronological alignment of the drawings enables us to follow the process of visualizing and creating a building of an unprecedented type

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17

Trento, Giovanna. "From Marinetti to Pasolini: Massawa, the Red Sea, and the Construction of "Mediterranean Africa" in Italian Literature and Cinema." Northeast African Studies 12, no. 1 (2012): 273–307. http://dx.doi.org/10.2307/41960565.

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Abstract Postwar Italian historiography tended for decades to exclude colonialism from national history, and the country largely forgot its colonial past. The interconnections between the academic schools and anthropological scholarly theories that focused on the Horn of Africa during Italian colonialism and twentieth century Italian literary and cinematic representations of the Horn and the Red Sea have been understudied and underestimated. This article will argue that during Italian colonialism, Italy and the Horn of Africa were interconnected through the Mediterranean and Red Sea by scholar

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18

Arseneau, Isabelle. "Au pied de la lettre. La mise en soupçon du romanesque dans L’Enchanteur de René Barjavel." Tangence, no. 110 (December 23, 2016): 59–79. http://dx.doi.org/10.7202/1038498ar.

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Avec L’Enchanteur, René Barjavel participe au renouvellement du mythe de Merlin dans la littérature française du xxe siècle. Cette réappropriation, qui paraît en 1984, n’a cependant suscité que très peu de commentaires. Il est assez peu risqué de supposer que ce désintérêt de la critique tient à l’apparente volonté du romancier de renouer avec les chimères et les frivolités des « vieux romans » avec lesquelles a cherché à rompre le roman « moderne ». Notre relecture de L’Enchanteur veut plutôt montrer comment son auteur est resté fidèle aux leçons des romans, déjà critiques, du Moyen Âge, où l

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19

Kowalski, Piotr. ""Ragazzi di vita" di Pier Paolo Pasolini nelle traduzioni inglesi e francesi – rivisitazioni moderne." Translatorica & Translata 2 (December 30, 2021): 29–42. http://dx.doi.org/10.18778/2544-9796.02.02.

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L’articolo contiene un’analisi comparativa tra originali traduzioni in francese e in inglese di Ragazzi di vita di Pier Paolo Pasolini pubblicate rispettivamente nel 1958 e 1968 e le nuove versioni pubblicate nel 2016. L’analisi e basata su diversi aspetti come le scelte tra l’esotizzazione e l’addomesticamento; il modo in cui i traduttori hanno affrontato il problema del plurilinguismo nel testo di partenza che collega l’italiano standard, il dialetto romano e il gergo della malavita romana; strategie che riguardano per esempio gli antroponimi caricati semanticamente.

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20

Décarie, David. "L’évolution du roman urbain (1934-1945)." Dossier 41, no. 2 (2016): 21–33. http://dx.doi.org/10.7202/1036933ar.

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Dans les manuels d’histoire littéraire québécois, le roman urbain se résume souvent à deux oeuvres : Au pied de la pente douce (1944) de Roger Lemelin et Bonheur d’occasion (1945) de Gabrielle Roy. Cet article jette un regard sur la production romanesque des dix années qui précèdent ces oeuvres, et l’étude de cette période révèle que l’action de très nombreux romans a lieu en ville. Apparaissant sous la plume d’écrivains souvent prolifiques (Adrienne Maillet, Geneviève de La Tour Fondue, etc.), la ville se décline dans des romans aux thématiques et aux styles très variés. Un fil conducteur app

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21

Janick, Jules. "Herbals: The Connection Between Horticulture and Medicine." HortTechnology 13, no. 2 (2003): 229–38. http://dx.doi.org/10.21273/horttech.13.2.0229.

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The prehistoric discovery that certain plants cause harm and others have curative powers is the origin of the healing professions and its practitioners (priest, physician, and apothecary), as well as professions devoted to plants (botany and horticulture). The description of plants and their properties and virtues (termed herbals in the 16th century) became an invaluable resource for the physician and apothecary. The earliest medicobotanical treatises date to antiquity. A Sumerian tablet from about 2100 bce (before current era) contains a dozen prescriptions and proscribes plant sources. In Ch

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22

Fray, Nelly. "L’ Effet de choc climatique dans Orlando de Virginia Woolf et Ice d’Anna Kavan." Leaves, no. 1 (November 30, 2015): 94–106. https://doi.org/10.46608/leaves.vi1.47.

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Le passage du Grand Gel dans Orlando de Virginia Woolf et le roman Ice d’Anna Kavan interrogent les conséquences d’un choc et de la crise qui en découle, traduite par une météo déboussolée et un froid anormal. Les récits tentent de cerner comment l’individu et la société réagissent, s'adaptent ou perdent pied lorsqu'ils sont confrontés à un phénomène anormal qu'ils ne peuvent ni comprendre ni maîtriser. Nous sommes bel et bien dans l'irréel et le fantastique, mais pas dans le sens de certains critiques qui n'ont voulu voir dans Orlando qu'un récit fantaisiste et, dans Ice, un roman de science‑

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23

Mykhailova, Olena. "SACRED FUNCTION OF THE FESTIVE PIE AMONG ANCIENT ROMANS: ONOMASIOLOGICAL AND CULTUROLOGICAL ASPECTS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 86–89. http://dx.doi.org/10.17721/1728-2659.2023.34.16.

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The article represents evolutional changes in modern culture of celebration, the traits of desacralization of traditional festive practices in comparison with the old ceremonial rites of "serving the deity" appropriate, in particular, to Greeks and Romans. In conformity with V. Turner’s universal theory of rite its multilevel structure was determined (symbolic, valuable, teleological and role-playing) as well as important sacred function that insures the integrity of all components. The rite of sacrifice was described as the most important festive ritual aimed at the creation of the channel of

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24

Francoeur, Aline. "L’écrivain français et le dictionnaire dans son oeuvre : objectivation, symbolisation, symbiose constante." Mémoires du livre 2, no. 2 (2011): 0. http://dx.doi.org/10.7202/1001763ar.

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L’écrivain entretient une relation privilégiée avec le dictionnaire. Dans les circonstances, on ne s’étonne pas de rencontrer, au hasard d’un roman, une référence à ce proche et vaillant compagnon du processus d’écriture. Parfois simple figurant, élément d’un décor, parfois acteur de soutien de protagonistes de tous âges qui manient la plume, le dictionnaire se voit dépeint sous divers angles dans la littérature. L’écrivain lui réserve ainsi une variété de fonctions : il est ouvrage de référence, autorité, gagne-pain, oeuvre d’une vie. Il est aussi objet, tantôt parure, tantôt pied de lit, but

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Cellino, Regina. "crónicas romanas de Pier Paolo Pasolini:." Saga. Revista de Letras, no. 9 (October 17, 2020): 234–47. http://dx.doi.org/10.35305/sa.vi9.14.

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Estudiar e investigar un tema, aspecto o problemática de la literatura europea desde el Cono Sur de América Latina implica estar atento a un conjunto de presupuestos teóricos, históricos, sociales y políticos (incluso económicos) concernientes a ambas literaturas. Es, también, poder pensar relaciones. En ese sentido, este artículo versará sobre una posible manera de (re) leer las crónicas romanas de Pier Paolo Pasolini—escritas entre los años ´50 y ´65—, recopiladas en Storie della città di Dio, en las que el escritor pone en escena su primera y determinante fascinación por la realidad romana,

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Masseau, Didier. "La chaussure ou le pied de Fanchette." Études françaises 32, no. 2 (2006): 41–52. http://dx.doi.org/10.7202/036024ar.

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Résumé Paru en 1769, Le Pied de Fanchette de Rétif de la Bretonne rappelle quelle fut au xvme siècle la fascination pour le pied féminin. Du roman à la peinture (Boucher, Fragonard, Baudouin), du fantasme rétivien à l'obsession collective, ce fétichisme a une histoire, personnelle et collective. Substitut du corps et du sexe, objet fétiche, topos romanesque permettant à l'intrigue de progresser, point de départ et aboutissement du récit, foyer dé la représentation picturale, marque du symbolique et de l'imaginaire, le pied de Fanchette est le lieu de tous les possibles.

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27

Aziza, Claude. "Roman historique et antiquité." Revue des Études Anciennes 121, no. 1 (2019): 119–42. http://dx.doi.org/10.3406/rea.2019.6908.

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Cette étude s’inspire du chapitre de mon Guide de l’Antiquité imaginaire. Comment pourrait-il en être autrement ? Mais elle ajoute des éléments nouveaux et d’une plus brûlante actualité. Contrairement au cinéma et – surtout aujourd’hui – à la BD, la connaissance de l’Antiquité par le roman historique ne va pas de soi. Tout roman historique se doit de naviguer entre deux écueils : une érudition par trop pesante et une fantaisie par trop creuse. Difficulté supplémentaire : nous n’entrons pas de plein pied dans la vie des Anciens. Plus l’époque est lointaine plus les dérives sont certaines. La te

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28

Klioštoraitytė, Rasa. "Dialogų tipai Piero Paolo Pasolinio romane “Teorema”." Literatūra 48, no. 4 (2015): 92–100. http://dx.doi.org/10.15388/litera.2006.4.8050.

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Bečejski, Mirjana. "The reader and the narrative metalepsis in the novel 'The Attic' by Danilo Kiš." Bastina, no. 56 (2022): 61–78. http://dx.doi.org/10.5937/bastina32-36233.

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As a writer who read and followed the contemporary literature and literary theory in several different languages and who intensively contemplated the act of reading and thematised it in his belletristic prose, Kiš had already problematised in his novel The Attic the most important aspects of reading, brought to light and actualised by the classical literature and placed at the centre of research by the post-classical theory of narration: the first person narration and the problem of identity of the author's I, the use of the trompe-l'œil technique, transgression of the narrative levels/narrati

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Germano', Germano. "3D Reconstruction of a Roman Bridge in Canosa di Puglia (Italy)." Studies in Digital Heritage 5, no. 1 (2021): 75–87. http://dx.doi.org/10.14434/sdh.v5i1.30812.

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 The Roman bridge near Canosa di Puglia (Southern Italy) currently has a very different morphology from the one planned by its builders in the second century AD as part of the program for the construction of the Via Traiana. Although the piers, the abutments and the foundation platea are still preserved from the Roman age, the changes made over the centuries have altered its aspect, forgetting the traces of its monumental past. Starting from the surviving elements and the few available sources, an investigation has been carried out to reconstruct its original structure, thanks to a multi

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Toti, Anna Maria Paola. "Le forme istituzionali del potere. Pier Paolo Pasolini e il linguaggio della praxis." RIVISTA TRIMESTRALE DI SCIENZA DELL'AMMINISTRAZIONE, no. 1 (March 2012): 131–49. http://dx.doi.org/10.3280/sa2012-001006.

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Il documentario come testimonianza del sociale, come dispositivo realistico, č fonte di studio e di analisi per il sociologo; infatti, il materiale visuale rappresenta un documento essenziale per comprendere come ogni cultura rappresenti se stessa e le proprie alternative. L'idea che il cinema sia per sua natura riflesso e continuazione del reale, costituisce la base di alcuni importanti contributi, tra i quali vi č quello di Pier Paolo Pasolini che fornisce un'interpretazione critica dell'individuo e della storia. Il proletariato, i "ragazzi di vita", la periferia romana, una condizione subum

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Hemke, Stefan. "George Orwell – Grenzgänger zwischen antiimperialistischer Einstellung und kolonialistischer Tradition. Zugang, Zusammensetzung und Brüche der europäischen Gesellschaft im kolonialen Burma zu Beginn des 20. Jahrhunderts." Zeitschrift für Weltgeschichte 24, no. 2 (2023): 485–519. https://doi.org/10.3726/zwg0220238.

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In regelmäßigen Abständen, wenn es um die Themen Überwachung, Unterdrückung und Nöte des Prekariats geht, wird George Orwell mit Passagen aus seinen Arbeiten ,,1984“, ,,Animal Farm“ oder ,,The Road to Wigan Pier“ zitiert. Insbesondere in der Sozialreportage ,,The Road to Wigan Pier“ wird das einfühlende Verständnis des Autors für die ,,unteren“ Klassen einer Gesellschaft sichtbar. Die Weltliteratur ,,1984“, vielfach in staatlichen Lehrplänen an Schulen in Deutschland enthalten, soll vor den Gefahren eines totalitären Überwachungsstaates und dessen Entwicklungen dorthin warnen. Orwell entwirft

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Kyuchukov, Hristo, Milan Samko, and Dagmar Kopcanova. "Knowledge of Romani language grammar." Psychology in Russia: State of the Art 10, no. 4 (2017): 76–85. http://dx.doi.org/10.11621/pir.2017.0407.

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Devi, Ghini Kunthala, Ita Karnita, and Farhan Hamdika. "The Use Of Brown Rice Milk In The Making Of Milk Pie." Journal Gastronomy Tourism 9, no. 1 (2022): 1–8. http://dx.doi.org/10.17509/gastur.v9i1.48224.

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Snack is defined as eating that occurs between the three substantial meals of the day, is convenient, and may be consumed promptly. A pie is a sort of delicacy that is shaped like a cake and filled with cream. Pie is a popular form of pastry in the United States. This roasted dish has been around since ancient Egypt. Meanwhile, pies were frequently used in Roman and medieval periods to wrap meat and other ingredients to keep them wet during cooking. Pies are cakes that are filled with cream, jelly, and other ingredients. Tarte (French) or pie (American), known as pai in Indonesia. The author w

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Xanthos, Nicolas. "Déjouer : imaginaires de la fiction romanesque dans Les failles de l’Amérique et L’acquittement." Jouer, no. 9 (August 10, 2011): 59–78. http://dx.doi.org/10.7202/1005530ar.

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Cet article s’intéresse à deux romans (Les failles de l’Amérique de Bertrand Gervais et L’acquittement de Gaétan Soucy) qui cherchent à déjouer l’activité lecturale en mettant sur pied des univers fictionnels qui ne semblent se déployer que pour mieux se désagréger. Par l’analyse de ces étranges dispositifs, on veut montrer que ces pratiques littéraires, qui donnent de prime abord l’impression de refuser le jeu fictionnel, finissent en bout de ligne par le réaffirmer en proposant de la fiction romanesque une conception qui met l’accent sur un principe de prolifération des univers et des indivi

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Pauvert, Dominique. "Cochons, ours, oies et pies dans la peinture “chamanique” de Bosch et Bruegel." Figures de l'Art. Revue d'études esthétiques 8, no. 1 (2004): 135–49. http://dx.doi.org/10.3406/fdart.2004.1338.

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Dans l’art roman des XIe et XIIe siècles, figurent des représentations qui ne sont pas réductibles à une simple iconographie chrétienne. Elles matérialisent l’existence, aux côtés du christianisme officiel, d’une religion populaire aux origines beaucoup plus anciennes et que nous qualifierons de carnavalesque. Certains animaux y jouent un rôle essentiel du fait de leur nature “psychopompe”. Cette religion carnavalesque imprègne toute l’oeuvre des peintres flamands Bosch et Bruegel qui la mettent en lumière et lui donnent une ampleur inégalée. On la retrouve, tout particulièrement, dans la chou

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Stefanile, Michele. "The Project PILAE, For an Inventory of the Submerged Roman Piers. A Preliminary Overview." International Journal of Environment and Geoinformatics 2, no. 3 (2015): 34–39. http://dx.doi.org/10.30897/ijegeo.303559.

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Margarito, Mariagrazia. "Marcher, courir: gestes pour vivre, penser, écrire." RUA 21, no. 2 (2015): 177. http://dx.doi.org/10.20396/rua.v21i2.8642448.

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La marche et la course à pied sont au cœur de cet essai, les « mots pour les dire » dans un corpus hétérogène comprenant des genres textuels diversifiés : essais, romans biographiques et autobiographiques, mensuels spécialisés de course à pied. Les outils méthodologiques que nous avons utilisés viennent de l’analyse du discours, de la sociolinguistique, des sciences sociales. Notre but a été de démontrer comment marcher, courir, inscrits dans des réalités discursives, sont aussi un geste d’écriture. Nos observables privilégiés ont été : le corps de celui qui marche ou qui court (ses émotions,

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Wang, Yushan. "A Study on Leonardo Da Vincis Renaissance and the Influence on His Way of Painting." Communications in Humanities Research 3, no. 1 (2023): 429–34. http://dx.doi.org/10.54254/2753-7064/3/20220379.

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In the fourteenth century, the era of Medieval governance came to an end. The exploration of ancient Roman and Greek literature and art inspired artists to replicate those glories. By no means a mere reproduction, this advanced the Renaissance by deepening the artists' awareness of the world and their all-encompassing humanistic appreciation of the leading personalities of the day. Among the most influential Renaissance leaders was Leonardo di ser Piero da Vinci. The High Renaissances Italian polymath Leonardo was an architect, sculptor, theorist, scientist, engineer, draftsman, and painter. A

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Ciepiela, Catherine. "Taking Monologism Seriously: Bakhtin and Tsvetaeva's “The Pied Piper”." Slavic Review 53, no. 4 (1994): 1010–24. http://dx.doi.org/10.2307/2500844.

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“Lyric dialogism” is a contradiction in terms, at least in Bakhtin's terms. His most influential essay, “Slovo v romane” (“Discourse in the Novel,” 1934-1935), forcefully characterizes poetry as inherently “monologic,” as excluding or suppressing that wealth of social languages from which the novel shapes itself. Bakhtin's attack on poetry is generally perceived as a tactical exaggeration that serves his argument about the novel. He himself suggested as much when, in another context, he mentioned the "prosification" of the lyric in the twentieth century. On these grounds, many critics, most no

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González Soutelo, Silvia. "El original sistema romano de captación y distribución de las aguas mineromedicinales en el balneario de Lugo: nuevos datos." Lucentum, no. 33 (December 15, 2014): 191. http://dx.doi.org/10.14198/lvcentvm2014.33.11.

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En el balneario de Lugo, situado a los pies de esa ciudad, son múltiples las evidencias arqueológicas que se constatan del complejo romano de baños salutíferos y que aún en la actualidad se pueden visitar dentro de la instalación moderna. Sin embargo, uno de los aspectos peor conocidos remite al sistema romano de captación y distribución del agua mineromedicinal termal dentro del establecimiento, aspecto motivado en gran medida por su reutilización y su compleja articulación. Para solventar ese vacío, presentamos una primera descripción y análisis de las infraestructuras romanas que lo constit

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Jessica, Dello Russo. "An Archival and Historical Survey of the Jewish Catacombs of the Villa Torlonia in Rome." Roma Subterranea Judaica, Publications of the International Catacomb Society 2012, no. 7 (2012): 1–24. https://doi.org/10.5281/zenodo.5671093.

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The catacombs discovered in November of 1919 during excavations to reinforce the foundation piers of the “scuderie nuove” or new stables at the southwest corner of the Villa Torlonia were the last to be identified as Jewish in Rome in modern times. Nearly a century later, they are still the most studied of Rome’s ancient Jewish cemeteries, although their accessibility has long been an issue for a variety of political, economic and environmental concerns. In light of the proposed changes to the Villa Torlonia, including new structures that could directly affect the Jewish ceme

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Coarelli, Filippo. "Substructio et tabularium." Papers of the British School at Rome 78 (November 2010): 107–32. http://dx.doi.org/10.1017/s0068246200000829.

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Sommarii:L'edificio sul Campidoglio conosciuto attualmente come tabularium è uno dei pochi monumenti esistenti della Roma repubblicana ancora ben conservati e studiati relativamente bene. Ciononostante la sua funzione non è ancora chiara. Lo stesso nome ‘Tabularium’ è stato sottoposto a discussione in molte occasioni e quasi certamente è sbagliato. Vengono valutati i recenti srudi di Nicholas Purcell, Henner von Hesberg e Pier Luigi Tucci. Avendo esaminato in dettaglio l'evidenza storica e archeologica, l'autore propone che questo complesso capitolino sia la base (substructio) di un triplice t

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Kunesova, Kvetuse. "Le chemin des sentiments dans le roman "La route de Chlifa" de Michèle Marineau." Ondina - Ondine, no. 5 (January 12, 2021): 257–72. http://dx.doi.org/10.26754/ojs_ondina/ond.202054448.

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« Le chemin des sentiments » est une allusion au titre du roman : il s’agit d’une véritable route que, pendant la guerre au Liban en 1989, trois enfants empruntent en allant à pied de Beyrouth au village de Chlifa qui se trouve de l’autre côté du mont Liban. Leur traversée du paysage a un motif évident, c’est-à-dire se sauver devant les bombardements de la capitale qui ont déjà causé la mort de beaucoup d’habitants dont la famille de Maha, jeune fille de douze ans, qui doit s’occuper à cause de cela de son petit frère Jad. Le personnage principal est Karim, adolescent de seize ans, qui après c

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Del Cid Mendoza, Ana. "Pasolini (1958), Viaggio per Roma e dintorni: suburbios, cine y cartografía." ZARCH, no. 14 (November 3, 2020): 144–59. http://dx.doi.org/10.26754/ojs_zarch/zarch.2020144295.

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Pier Paolo Pasolini convirtió el hábitat del subproletariado romano de los años 50 y 60 en un argumento central de su obra. Su variada y amplia producción –no solo sus películas y guiones o sus novelas y poemas, sino también sus entrevistas y artículos– merece ser considerada parte de una historia de Roma interdisciplinar, abierta y articulada (como la propia dinámica pasoliniana). De acuerdo con ello, el presente trabajo aborda un análisis del Viaggio per Roma e dintorni (1958), un artículo que Pasolini escribió para la revista Vie Nuove, repetidamente relegado a segundo plano a pesar de ser

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De Vecchis, Kevin. "«Eravamo io, er Mancino, er Moretto, er Chiolla-Chiolla, er Candeletta…». Un’analisi linguistica dei soprannomi dialettali in due commenti di Pier Paolo Pasolini." Moderna Språk 117, no. 2 (2023): 63–81. http://dx.doi.org/10.58221/mosp.v117i2.14509.

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Il presente lavoro ha come oggetto di studio due commenti di Pier Paolo Pasolini, scritti per i primi cortometraggi di Cecilia Mangini, Ignoti alla città (1958) e La canta delle marane (1961). Di chiara ispirazione pasoliniana sia nella scelta della trama che dell’ambientazione (è esplicito il richiamo ai romanzi romani dello scrittore di Casarsa), i due documentari si differenziano per la lingua scelta: l’italiano per Ignoti alla città (salvo un elenco di soprannomi in dialetto) e il romanesco per La canta delle marane. I due testi non sono stati finora sufficientemente indagati da un punto d

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Roman, Pascal. "Troubles somatiques et catastrophes de symbolisation." Psychologie clinique et projective 3, no. 1 (1997): 75–87. http://dx.doi.org/10.3406/clini.1997.1100.

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Pascal Roman, Problemas somáticos y catástrofes de simbolización. A partir de un anclaje en un cuerpo teônco (P. Marty, A. Green, P. C. Racamier, R. Roussillon), permitiendo situar la problemática psicosomática, en la articulación entre cuerpo y psiquis, como testimoniando de un defecto de elaboración de los procedimientos de simbolización, propongo despejar algunos puntos de referenda en clínica proyectiva. En este contexte los protocolos de Rorschach de niños presentando problemas de tipo psicosomático, han permitido poner en evidencia diferentes indicios en el registre de la deconstrucción

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Matteo, Caponi. "«Con eterna voce al mondo intero ammoniscono fraternità»: i 'martiri di Kindu' e il culto dei soldati caduti per la pace." ARCHIVIO ITALIANO PER LA STORIA DELLA PIETÀ 32 (2019) (January 31, 2020): 191–223. https://doi.org/10.5281/zenodo.5634298.

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Peer-reviewed journal article (post-print AAM version). M. Caponi, "«Con eterna voce al mondo intero ammoniscono fraternità»: i ‘martiri di Kindu’ e il culto dei soldati caduti per la pace", in M. Paiano (ed.), <em>Pietà e guerre del Novecento/ Piety and Wars in the Twentieth Century</em>, special issue of <em>Archivio italiano per la storia della pietà</em>, 32 (2019), 191-223, ISSN: 1128-6768. [POST-PRINT, Author’s Accepted Manuscript]   ABSTRACT <em>«With Everlasting Voice they Advise Brotherhood to the Whole World&raqu

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Lichtenberger, Achim, Torben Schreiber, and Mkrtich H. Zardaryan. "First Results and Perspectives of a New Archaeological Project in the Armenian Capital Artaxata: From Artashes-Artaxias I to Roman Imperialism." Electrum 28 (2021): 245–76. http://dx.doi.org/10.4467/20800909el.21.016.13374.

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The paper deals with the first results of the Armenian-German Artaxata Project which was initiated in 2018. The city of Artaxata was founded in the 2nd century BC as the capital of the Artaxiad kingdom. The city stretches over the 13 hills of the Khor Virap heights and the adjacent plain in the Ararat valley. The new project focusses on Hill XIII and the Lower city to the south and the north of it. This area was investigated by magnetic prospections in 2018 and on the basis of its results, in total eleven 5 × 5 m trenches were excavated in 2019. On the eastern part of Hill XIII several structu

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Buble, Sanja. "Recherches sur la longueur du pied romain utilisé dans la construction du palais de Dioclétien." Antiquité Tardive 3 (January 1993): 125–38. http://dx.doi.org/10.1484/j.at.2.301091.

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