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Relevant bibliographies by topics / Roman poet

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Academic literature on the topic 'Roman poet'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Roman poet"

1

Estácio, Públio Papínio, and Daniel Da Silva Moreira. "Estácio, "Aquileida", I.318-337, Apresentação e tradução." Scientia Traductionis, no. 16 (June 23, 2016): 184. http://dx.doi.org/10.5007/1980-4237.2014n16p184.

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http://dx.doi.org/10.5007/1980-4237.2014n16p184Este texto apresenta e contextualiza uma tradução versificada de uma importante passagem do primeiro livro da Aquileida (Achilleis), de Públio Papínio Estácio, poeta romano do século I d.C.ABSTRACTThis text presents and contextualizes a versified translation of an important passage from the first book of the Achilleid, by Publius Papinius Statius, a Roman poet from the first century a.D.Keywords: Statius; Achilleid; epic poetry; translation.

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Merriam, Carol U. "Sulpicia: Just Another Roman Poet." Classical World 100, no. 1 (2006): 11. http://dx.doi.org/10.2307/25433970.

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Mannion, John B. "Advice From a Roman Poet." Journal - American Water Works Association 86, no. 10 (1994): 6. http://dx.doi.org/10.1002/j.1551-8833.1994.tb06251.x.

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Merriam, Carol U. "Sulpicia: Just Another Roman Poet." Classical World 100, no. 1 (2006): 11–15. http://dx.doi.org/10.1353/clw.2006.0096.

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Versiani dos Anjos, Carlos. "A Arcádia Romana e a Arcádia Ultramarina: diálogos literários entre a Itália e o Brasil na segunda metade do século XVIII / The Roman Arcadia and the Arcadia Ultramarina: Literary Dialogues between Italy and Brazil in the Second Half of the Eighteenth Century." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (2019): 83. http://dx.doi.org/10.17851/2358-9787.28.3.83-114.

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Resumo: Este trabalho visa apresentar as relações literárias entre árcades brasileiros da segunda metade do século XVIII e a Arcádia Romana, a que alguns destes árcades eram filiados, ou a ela associados por intermédio da chamada Arcádia Ultramarina, academia criada no Brasil, na capitania de Minas Gerais, por Cláudio Manuel da Costa. O artigo analisa os primórdios da Arcádia Romana e seus teóricos precursores; o movimento dos poetas brasileiros na Europa e no Brasil, para a criação de uma colônia ultramarina daquela Academia; os esforços de Basílio da Gama, Seixas Brandão e Cláudio Manuel neste empreendimento; a participação do poeta Silva Alvarenga, também como crítico literário; e a recepção crítica sobre a existência e significado da Arcádia Ultramarina, nas suas relações com a Arcádia Romana, entre estudiosos contemporâneos da Itália e do Brasil.Palavras-chave: Arcádia Romana; Arcádia Ultramarina; século XVIII; Literatura Arcádica; História da Literatura.Abstract: We aim to present the literary relations between Brazilian arcadians in the second half of the eighteenth century and the Roman Arcadia, in which some of these arcadians were affiliated or associated to the so-called Arcadia Ultramarina, an academy created in Brazil, in the captaincy of Minas Gerais, by Cláudio Manuel da Costa. We analyze the beginning of the Roman Arcadia and its precursor theorists; the movement of Brazilian poets in Europe and Brazil, for the creation of an overseas colony of that Academy; the efforts of Basilio da Gama, Seixas Brandão and Cláudio Manuel in this venture; the participation of the poet Silva Alvarenga, also as a literary critic; and the critical reception on the existence and significance of the Arcadia Ultramarina in its relations with the Roman Arcadia among contemporary scholars from Italy and Brazil.Keywords: Roman Arcadia; Arcadia Ultramarina; XVIII Century; Arcadian Literature; History of Literature.

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Yardley, J. C. "Propertius 4.5, Ovid Amores 1.6 and Roman Comedy." Proceedings of the Cambridge Philological Society 33 (1987): 179–89. http://dx.doi.org/10.1017/s0068673500004983.

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‘The absence of Roman comedy … from the influences which the [Augustan] poets like to name proves only that they were not creditable, not in fashion, not that they had made no contribution.’ So Jasper Griffin in his recent book on the Roman poets. Griffin observes that scholars have been deterred from postulating Roman comic influence on the Augustan poets merely by the ‘magisterial pronouncements of the great scholars’, and he amasses considerable circumstantial evidence to support his theory that the Augustan poets, and especially the elegists, were indeed indebted to Roman comedy. He observes, for example, that Cicero provides evidence for the continuing popularity of Roman drama; that (a very important point) Horace complains of the popularity of the Roman comedians whom ‘powerful Rome learns by heart’ (Epist.2.1.60-1); that the same poet, despite his denigration of Roman comedy, obviously knew and referred to it; that Roman comedy seems to be the source, or a source, for the ‘naughtiness’ of elegy and the rejection of traditional Roman values (with the comicamatoresdistressed by contemporarymoresand the elegists flouting them); that if the elegists do not acknowledge their debt to the Roman comic poets, then no more does Horace in theOdesacknowledge his manifest indebtedness to Hellenistic poetry, claiming instead to be following Sappho and Alcaeus.

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Hallett, Judith P. "Catullus and Horace on Roman Women Poets." Antichthon 40 (2006): 65–88. http://dx.doi.org/10.1017/s0066477400001660.

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We treasure both Gaius Valerius Catullus and Quintus Horatius Flaccus for their literary gifts and for their lyrics on the power of love and the pleasures of sophisticated urban living. We also, and often, treasure Catullus and Horace together; after all, both poets share a number of distinctive interests: metrically, stylistically, thematically, and what one might call professionally.Among these common professional interests is their shared literary debt to a female predecessor, the early sixth century BCE Greek poet Sappho. For this reason alone, one might expect Catullus and Horace to acknowledge the presence and activity of female poets, and especially women erotic poets, in their own Roman milieu. I would like to argue that both Catullus and Horace in fact make such acknowledgments, but do so in strikingly different ways.

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Harrison, S. J. "Drink, suspicion and comedy in Propertius 1.3." Proceedings of the Cambridge Philological Society 40 (1994): 18–26. http://dx.doi.org/10.1017/s0068673500001802.

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Propertius 1.3 famously begins with the drunken poet returning from a night out to find his puella Cynthia asleep. The sleeping Cynthia is then apparently idealised by the poet through a series of comparisons with mythological heroines, until she wakes up and shows her true and less elevated character, shrewishly nagging the poet for staying out late with another woman, and thereby destroying his illusions. Some of the wit and irony of the situation has been pointed out in previous accounts of the poem; this treatment takes a closer look at the text, especially at the mythical analogues for Cynthia applied at the beginning of the poem, and argues that part of the wit and amusement of the poem derives from its articulation of the poet's suspicions of Cynthia's infidelity. This is not a tragic or dramatic effect, but rather a clever and amusing comedy; the amusing self-characterisation of the poet as a drunken bumbler racked with lust and suspicion is fully consistent with the kind of elegist envisaged by Paul Veyne, who rightly stresses that Roman love-elegy has much more to do with literary entertainment than with the intense analysis of passion. The scene is being narrated by the poet with retrospective wit and irony against himself; to use the convenient terms employed by Winkler in his book on Apuleius, the poet as auctor (writer of the poem) provides an entertaining view of the poet as actor (character in the poem's story).

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Gilman, Donald. "Teaching the Truth: Thomas More, Germanus Brixius, and Horace’s Ars poetica." Moreana 42 (Number 164), no. 4 (2005): 43–66. http://dx.doi.org/10.3366/more.2005.42.4.7.

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In his Letter to Brixius (1520) Thomas More proposes a poetics that incorporates Horatian prescriptions of structure, style, and the role of the poet. In attacking the untruths in the poem Chordigerae navis conflagratio (1513) by the French humanist Germanus Brixius or Germain de Brie, More alludes frequently to loci classici in Horace’s Ars poetica and, at the same time, presents three poetic principles: (1) the use of history in imaginative literature; (2) the significance of decorum and verisimilitude in the creation of fictional representation; (3) the nature of the poet who, similar to the Roman orator, contributes to society through moral example and teaching. In drawing upon precepts set forth by Horace and Roman rhetoricians and interpreted by Renaissance critics, More defines the means of teaching the truth in humanist fiction.

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Carolli, Fábio Paifer. "O fragmento de Galo." Nuntius Antiquus 5 (June 30, 2010): 1. http://dx.doi.org/10.17851/1983-3636.5.0.1-19.

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<span style="font-family: Times-Roman; font-size: small;"><span style="font-family: Times-Roman; font-size: small;"><p>ABSTRACT: The few remaining fragments from the works of the Latin poet Cornelius Gallus (c. 70-26 BC), discovered in Egypt in 1978, are presented, translated and analyzed in this paper. The role of these works among the books dated from the time of the poet, as well as some critical appreciation left by poets that lived during the Augustan reign and elected Cornelius Gallus as a model, are also brought into discussion. In addition, a poetic translation is also suggested.</p> <p>KEYWORDS: Cornelius Gallus (c. 70-26 BC); epigram; elegy; poetic translation; elegiac couplet.</p></span></span>

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Dissertations / Theses on the topic "Roman poet"

1

Lyne, Raphael. "Studies in English translation and imitation of Ovid, 1567-1609." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368503.

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Riddiford, Alexander. "The reception of graeco-roman literature and mythology in the works of Michael Madhusudan Datta (1824-873), the bengali poet and playwright." Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.530069.

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McDorman, Glenndon L. "Governing the post-Roman Burgundian kingdom." Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1460867.

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Jarrett, Kirsten. "Ethnic, social, and cultural identity in Roman to post-Roman southwest Britain. Vol.1." Thesis, University of Sheffield, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.531118.

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Attissoh, Clément Adama Kouévi. "Aspects du roman francophone négro-africain post-indépendance." Paris 3, 2003. http://www.theses.fr/2003PA030094.

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Dans cette étude, nous nous sommes évertués à montrer les spécificités du roman francophone négro-africain post-indépendance et à mettre l'accent sur le fait que celles-ci participent à l'élaboration d'une esthétique voire des esthétiques plurielles qui lui appartiennent en propre. Dans cette optique, force est de souligner le processus d'affranchissement progressif et perpétuel du roman africain vis-à-vis de son homologue occidental et l'esquisse d'une identité narrative assez inédite. L'émancipation du roman négro-africain à l'égard du roman occidental se traduit par le caractère latino-américain qu'il adopte. A cela, s'ajoute incontestablement un ancrage systématique dans la tradition orale africaine. Du point de vue du cheminement de notre réflexion, cette thèse est constituée de trois parties majeures et essentielles qui marquent chacune les moments forts de nos recherches. Ces différents volets de nos travaux se réfèrent aux aspects linguistiques du roman-négro-africain, à la narration avec pour corollaire l'utilisation particulière de l'espace et du temps effectuée en Afrique, à l'imaginaire dans le roman sub-saharien et enfin au renouveau thématique de la littérature africaine<br>In this study we exert ourselves to show the specificities of Negro-African French speaking post-independence novel and to stress the fact that these one take part in the drawing up of a aesthetic indeed plural aesthetics which belong to it. In this point of view, it is necessary to mention progressive and perpetual emancipation process of African novel towards European novel and the sketch of narrative identity enough original. The emancipation of Negro-African novel with regard to European novel means the Latino-American character that it take. Moreover, we can add incontestably a systematic anchoring in African oral tradition. As for the advance of our reflection, this thesis is organized in three greater and essential parts which indicate each one the important moments of our searches. The different volets of our labours refer to linguistic aspects of Negro-African novel, to the narration with for corollary particulary use of space and of the time done for African people, to imaginary in the Negro-African novel and lastly to thematic springtide of African literature

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De, Chirico Leonardo. "Evangelical theological perspectives on post-Vatican II Roman Catholicism." Thesis, Bern ; New York : P. Lang, 2003. http://catalogue.bnf.fr/ark:/12148/cb39112833n.

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Moerman, Martine. "Le Port romain des Laurons (Martigues)." Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10046.

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Le port romain des laurons (martigues, bouches-du-rhone) a ete installe a l'abri par une crique rocheuse tribolee. C'est un site appartenant peut-etre a l'ensemble portuaire romain du golfe de fos, debouche maritime de la ville d'arles. Il a ete occupe du 3e siecle avant j. C au 7e siecle de notre ere. Les structures portuaires comprennent des digues et des jetees en blocs tailles, ainsi qu'un quai construit a sec dans un caisson de bois remarquablement conserve. Parmi les epaves, l'epave 2 est particulierement connue pour son architecture, car elle avait conserve son pont et possedait encore un element de gouvernail. Le site est peut-etre celui identifie sous le dilis posito dans l'itineraire maritime d'antonin. Il etait au debouche de plusieurs plaines fertiles, ou etaient installes des villas et des sites agricoles romains. La principale caracteristique de cette etude est de montrer l'unicite du port a travers des elements tres differents, structures portuaires, epaves, villa maritime, tombes, aqueduc, et depotoir comprenant un important materiel archeologique, provenant de l'ensemble du bassin mediterraneen<br>The roman port of laurons (martigues, bouches-du-rhone) was built under the protection of a rocked creek with three coves. The site was perhaps the property of the roman portuary complex in the gulf of fos, the seaside opening of the city of arles. It was occupied since the third century bc until the seventh century ac. The harbour strucutres comprise dykes and piers in big cut stones, as well as un quay, builded out of the wet in a wood caison, well preserved. Among the wreks, the boot 2 is particularly well know for its architecture, because it preserved its deck, and a element of the rudder. The site id perhaps dilis positio,which is called so in the "itineraire maritime" of antonin. It was at the opening of several fertile plains, where ware builed romans villas and agricultural sites. The principal characteristic of this study is the evidence that a harbour site is a unity through very different elements, harbour strucutres, wrecks, maritime villa, graves, aqueduc, and dump, with a important lot of archaeological artefacts, coming of the whole of the mediterranean basin

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Girard, André. "Port-Alfred Plaza : roman ; suivi de Port-Alfred evermore : déambuler dans la ville portuaire." Thesis, Université Laval, 2008. http://www.theses.ulaval.ca/2008/25594/25594.pdf.

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O'Brien, Elizabeth. "Post-Roman Britain to Anglo-Saxon England : burial practices reviewed /." Oxford : British archaeological reports, 1999. http://catalogue.bnf.fr/ark:/12148/cb37200352r.

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Burgess, Richard W. "Hydatius : a late Roman chronicler in post-Roman Spain : an historiographical study and new critical edition of the chronicle." Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:82b53777-b0d6-4720-bda9-4207d9bfa313.

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Late Roman chronicles are little studied and greatly misunderstood. The purpose of this dissertation is to treat a Late Roman chronicler, Hydatius, as a living, breathing person and to use the chronicle as a means of revealing this individual: his beliefs, his interests, his fears, his attitudes, his view of the Empire, and his abilities as an historian. Hydatius was a bishop in Gallaecia, writing in 468-9 amidst the Suevic depredations of Spain. As a result he is a unique source in that he is the earliest extant historian who wrote in a post- Roman (i.e. Mediaeval) world. His chronicle is the only detailed source for Spanish history in the fifth century and the only detailed source written about the fifth-century barbarian invasions and settlements. Though extremely isolated he had remarkable contacts with the outside world and his chronicle is a unique source for much non- Spanish information. It is also one of the most personal of all the Late Antique chronicles and therefore an excellent gateway for an examination of the Late Roman world as seen through the eyes of a contemporary. For these reasons, Hydatius' vivid and often emotive account of the sufferings of Gallaecia at the hands of the Sueves and Goths, framed by the parallel military, religious and imperial history of the Eastern and Western empires and set within the eschatological context of the imminent Apocalypse, deserves detailed study. The production of a new critical edition, based on only the third, complete, first-hand examination of the sole major manuscript (B) since 1615 and the first produced from all known manuscript evidence, complete with apparatuses on the manuscripts, chronology and orthography, was necessitated by the perverse Sources chrétiennes edition of 1974 and the discovery of new evidence from a careful study of manuscript B.

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Books on the topic "Roman poet"

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Connelly, Michael. Der Poet: Roman. Heyne, 1998.

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Poet i vladyka: Roman-eseĭ. Vydavnyt︠s︡tvo "Svit", 2008.

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Dvorskiot poet vo aparat za letanje: Avanturistički roman. Kultura, 1996.

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T.S. Eliot: A Virgilian poet. St. Martin's Press, 1989.

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T.S. Eliot: A Virgilian poet. Macmillan, 1989.

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Crelly, William. Marcello Giovanetti (1598-1631): A poet of the early Roman baroque. Edwin Mellen, 1990.

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Benediktson, D. Thomas. Propertius: Modernist poet of antiquity. Southern Illinois University Press, 1989.

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Shakespeare, national poet-playwright. Cambridge University Press, 2004.

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The influence of the Roman poet Ovid on Shakespeare's A midsummer night's dream: Intertextual parallels and meta-Ovidian tendencies. Edwin Mellen Press, 2010.

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McCanless, Michael. Jonsonian discriminations: The humanist poet and the praise of true nobility. University of Toronto Press, 1991.

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Book chapters on the topic "Roman poet"

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Mytum, Harold. "An Epilogue: The Late Roman or Post-Roman Refurbishment." In Monumentality in Later Prehistory. Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-8027-3_14.

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Dragovic, Denis. "Roman Catholic View of the State." In Religion and Post-Conflict Statebuilding. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137455154_3.

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Fredriksen, Paula. "Jewish Romans, Christian Romans, and the Post-Roman West: The Social Correlates of the contra Iudaeos Tradition." In Cultural Encounters in Late Antiquity and the Middle Ages. Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.celama-eb.1.102008.

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La Rocca, Cristina. "Teoderico nonno post romano." In I Longobardi a Venezia. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.hama-eb.5.118862.

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Pohl, Walter. "Debating Ethnicity in Post-Roman Historiography." In Historiography and Identity II: Post-Roman Multiplicity and New Political Identities. Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.celama-eb.5.118560.

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Barchiesi, Alessandro, and Andrea Cucchiarelli. "Satire and the poet." In The Cambridge Companion to Roman Satire. Cambridge University Press, 2005. http://dx.doi.org/10.1017/ccol0521803594.013.

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Heyworth, S. J. "Sappho in Propertius?" In Roman Receptions of Sappho. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829430.003.0011.

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By thoroughly mapping possible allusions to Sappho in Propertius, this chapter concludes that Sappho’s influence is most conspicuous in the case of Cynthia. As a consequence the Propertian puella appears not only as a beloved in the poetic corpus of Propertius, but arguably also as a figure that may be associated with a poet in her own right such as Sappho, which intriguingly yet necessarily reflects back on essential qualities of the poet Propertius himself. The argument emerges from the close reading of almost twenty individual passages from the Propertian corpus, alongside the ‘Homeric Hymn to Aphrodite’ and a large number of passages from Sappho, notably her poem 1.

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Horsfall, Nicholas. "Virgil’s Roman chronography." In Fifty Years at the Sibyl's Heels. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863861.003.0004.

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The paper considers the significance and unique character in the Aeneid of the number 333. The paper traces in some detail the chronological outline of sources on the date for the foundation of Rome in the Greek historians and Alban king-lists. It shows the relationships between Virgil’s chronology and this tradition, and the startling divergences that the poet has deliberately introduced. A solution to ‘the darkness around Virgil’s 333 years’ is suggested.

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"27. The Angry Poet and the Angry Gods: Problems of Theodicy in Lucan’s Epic of Defeat." In Roman Readings. DE GRUYTER, 2011. http://dx.doi.org/10.1515/9783110229349.535.

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McCarthy, Kathleen. "Poetry as Writing." In I, the Poet. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739552.003.0005.

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This chapter focuses on poems that represent storyworld communication as written rather than spoken and thus raise a different set of questions about how this storyworld communication relates to the poetic discourse. A written collection of poetry was by no means radical and new in the days of Catullus, Propertius, and Horace. Yet it still was a phenomenon that starkly distanced these poets from some of the most important models in the literary tradition. In an ironic twist, the representation of their poetry as a written form of communication brings the Roman poets back closer to the situation of the archaic Greek lyrists, since in both cases the form in which the poem reaches its extended audience is echoed in the storyworld. The chapter then studies Catullus's epistolary poems and the poems of Horace's first book of Epistles. Each poet shines a spotlight on how the written form can be perceived as mediating between communicative partners.

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Conference papers on the topic "Roman poet"

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Salamone, Giancarlo. "Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome." In 24th ISUF 2017 - City and Territory in the Globalization Age. Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6046.

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Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome Giancarlo Salamone Dipartimento di Architettura e Progetto. Università degli Studi di Roma “La Sapienza”. Roma. via Flaminia, 359. 00196 Roma. Dottorato di Ricerca in Architettura e Costruzione. Università degli Studi di Roma “La Sapienza”. Roma. via Antonio Gramsci, 53. 00197 Roma. E-mail: giancarlo.salamone@uniroma1.it Keywords (3-5): Restructuring, Rome, Trastevere, process, reading method, tools, analysis in urban morphology Conference topics and scale: Tools of analysis in urban morphology Trastevere, the only area of the historic center of Rome (together with the Vatican / Borgo complex) located on the right side of the Tiber river, shows a morphological structure that depends on the pre-existing substrate, both road that typological, which was modified during the post-unity period by the establishment of the Tiber fronts and, above all, by the opening of Viale Trastevere. In the way of thinking about urban morphology as a scalar product of the factors that influence each other, in particular building typology, local structure, overall structure and territory, and that contribute together to generate an organism, it is therefore possible to read this part of the historical center as the last product, but not definitive, of a "process". The reading method on the consolidated structure, later renovated in a post-unification era, is based on the analysis of the most abundant building typology and on the permanence and derivations of local typological processes that led to the formulation of the “line house” in nineteenth-century line, the predominant building type of roman expansion in nineteenth-twentieth century. The reading of the restructuring, understood as synchronic action on the historical center, has been implemented instead by the analysis of synchronic variations at “line house” through the research of all projects registered for the edification of each block. Thus we can see how the blocks resulting from the transformation, in the logic of a restructuring "contromaglia" like the one for the opening of Viale Trastevere, will be the result of the disconnection of the existing blocks in which the building type adopted has had to adapt to a lower return situations: a reading of a synchronic action on a diachronic process that gives us the modern morphological apparatus. References Muratori, S., Bollati, R., Bollati, S. and Marinucci, G. (1963) Studi per una operante storia urbana di Roma (Consiglio Nazionale delle ricerche, Roma). Maffei, G. L. and Caniggia, G. (1979) Lettura dell’edilizia di base (Marsilio, Venezia). Maffei, G. L. and Caniggia, G. (1984) Progetto nell’edilizia di base (Marsilio, Venezia). Vaccaro, P. and Ameri, M. (1984) Progetto e realtà nell’edilizia romana dal XVI al XIX secolo (Edizioni Calosci, Cortona). Corsini, M. G. (2001) Il tessuto e l’edilizia progettati in Italia dal 1870 al 1930. Permanenza e derivazioni dei processi tipologici locali (Edizioni Kappa, Roma). Archivio Storico Capitolino, archival sources on restructuring area of Trastevere and permanence and derivations of local typological processes.

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Linhart, Richard, Vjaceslav Georgiev, Mirko Berretti, and Marco Bozzo. "Last Upgrades of Roman Pot Electronics." In 2018 International Conference on Applied Electronics (AE). IEEE, 2018. http://dx.doi.org/10.23919/ae.2018.8501464.

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Genat, J.-F., Ch Royon, O. Kepka, and P. Le Du. "Project to install Roman Pot detectors in ATLAS at LHC." In 2007 IEEE Nuclear Science Symposium Conference Record. IEEE, 2007. http://dx.doi.org/10.1109/nssmic.2007.4436574.

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Royon, Christophe. "Project to Install Roman Pot Detectors at 220 m in ATLAS." In 15th International Workshop on Deep-Inelastic Scattering and Related Subjects. Science Wise Publishing, 2007. http://dx.doi.org/10.3360/dis.2007.134.

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Monardo, Bruno, Claudia Mattogno, Tullia Valeria Di Giacomo, and Luna Kappler. "Climate change in urban water system challenges: towards an integrated anticipatory approach." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/nvdb6040.

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The main goal of these reflections is to investigate and highlight innovative approaches in Climate Change driven policies, aimed at overcoming the waterfront cities’ critical aspects. The ‘River contracts’ experience, explored through two case studies in the Roman hydrographic basin, is conceived to tackle the increasing vulnerability of its territory, looking for a sensible attitude towards the integration of water systems, green corridors and open spaces, with actions to be planned and shared through participatory democracy’s steps. Anticipatory adaptation looks ahead to the project scenario trying to implement policies and strategies preventing potential disasters. Creative design and conscious management embracing different spatial scales play a crucial role in enhancing the anticipatory adaptation and resilience approach. The variety of trends, contexts and spatial scales highlights that it is definitively time for fostering the ‘adaptation approach’, supported by mitigation strategies, with a clear twofold aim: risks to be minimised and potential opportunities to be caught.

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Casas, A., M. Himi, R. Lovera, et al. "Searching for the Roman Port of Emporiae Using Frequency Domain Electromagnetic Induction Method." In 25th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2019. http://dx.doi.org/10.3997/2214-4609.201902370.

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Ravotti, Federico. "First radiation background studies for the TOTEM Roman Pot and T2 detectors." In 2011 IEEE Nuclear Science Symposium and Medical Imaging Conference (2011 NSS/MIC). IEEE, 2011. http://dx.doi.org/10.1109/nssmic.2011.6154586.

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Xia, Run-Liang, Haisheng Xiang, Yuchen Yang, Yinbing Zhang, and Shi-Wei Qu. "Design of Rotman Lens with Non-uniform Beam Port Distribution." In 2019 International Conference on Microwave and Millimeter Wave Technology (ICMMT). IEEE, 2019. http://dx.doi.org/10.1109/icmmt45702.2019.8992565.

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Palaniswamy, Mohankuraar, and Leong Wai Yie. "Mechanical properties of the human vertebrae between normal, post corrective and post operative." In 2014 IEEE International Symposium on Robotics and Manufacturing Automation (ROMA). IEEE, 2014. http://dx.doi.org/10.1109/roma.2014.7295886.

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Janas, Krzysztof Wojciech. "The track-based alignment of the ALFA Roman Pot detectors of the ATLAS experiment." In 7th Annual Conference on Large Hadron Collider Physics. Sissa Medialab, 2019. http://dx.doi.org/10.22323/1.350.0060.

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