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Books on the topic 'Roman poet'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Connelly, Michael. Der Poet: Roman. Heyne, 1998.

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2

Poet i vladyka: Roman-eseĭ. Vydavnyt︠s︡tvo "Svit", 2008.

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3

Dvorskiot poet vo aparat za letanje: Avanturistički roman. Kultura, 1996.

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4

T.S. Eliot: A Virgilian poet. St. Martin's Press, 1989.

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5

T.S. Eliot: A Virgilian poet. Macmillan, 1989.

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6

Crelly, William. Marcello Giovanetti (1598-1631): A poet of the early Roman baroque. Edwin Mellen, 1990.

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7

Benediktson, D. Thomas. Propertius: Modernist poet of antiquity. Southern Illinois University Press, 1989.

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8

Shakespeare, national poet-playwright. Cambridge University Press, 2004.

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9

The influence of the Roman poet Ovid on Shakespeare's A midsummer night's dream: Intertextual parallels and meta-Ovidian tendencies. Edwin Mellen Press, 2010.

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10

McCanless, Michael. Jonsonian discriminations: The humanist poet and the praise of true nobility. University of Toronto Press, 1991.

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11

McCanles, Michael. Jonsonian discriminations: The humanist poet and the praise of true nobility. University of Toronto Press, 1992.

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12

Griffin, Jasper. Latin poets and Roman life. University of North Carolina Press, 1986.

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13

Latin poets and Roman life. Duckworth, 1985.

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14

Gorenshteĭn, Fridrikh. Skrjabin: Poem der Ekstase : Roman. Aufbau-Verlag, 1994.

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15

Ottescu, Nicolae I. Homer: Roman. Ed. Junior, 1994.

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16

Invisible: Roman. Actes Sud, 2010.

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17

Ulrich. Frauendienst: Roman. Wieser, 2000.

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18

Gnedich: Roman. Vremi︠a︡, 2011.

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19

Harrison, Harry. Stalʹnai︠a︡ Krysa poet bli︠u︡z: [fantasticheskie romany i povesti]. "ĖKSMO-Press", 1998.

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20

Levchev, Li͡ubomir. Ti si sledvashtii͡at: Roman ot spomeni. Knigoizdatelska kŭshta "Trud", 1998.

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21

Kombuis, Koos. Raka, die roman. Human & Rousseau, 2005.

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22

Iuga, Nora. Fetița cu o mie de riduri: Poem-roman. Cartea Românească, 2005.

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23

1946-, Vasi︠u︡chenko Irina, and Zinger Gali-Danah 1962-, eds. Zaveshchanie ubitogo evreĭskogo poėta: Roman. Tekst, 2012.

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24

Oprokinutyĭ Olimp: Zapiski shestidesi͡a︡tnika : roman-vospominanie. T͡s︡entrpoligraf, 2001.

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25

Flimmerfrei: Roman der Gegenwart. Edition Lichtenberg, 1997.

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26

Severin, Adrian. Lacrimile dimineții: Slăbiciunile Guvernului Roman. Scripta, 1995.

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27

Zucchelli, Bruno. Il poeta Cassio Parmense e Parma romana: Una strenua lotta per la libertà repubblicana. Battei, 2003.

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28

Shields, Carol. Mary Swann: Roman. Orlanda Frauenverlag, 1993.

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29

Krishtof, Elena. Dli͡a︡ serdt͡s︡a nuzhno veritʹ: Krug genii͡a︡ : roman. Armada, 1997.

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30

Horia, Vintilă. Dumnezeu s-a născut în exil: Roman. Editura Europa, 1990.

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31

Maurois, André. Don Zhuan, ili, Zhiznʹ Baĭrona: Biograficheskiĭ roman. Izd-vo AST, 2010.

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32

Krishtof, Elena. Dli͡a︡ serdt͡s︡a nuzhno veritʹ: (krug genii͡a︡) : roman. "Tavrii͡a︡", 1988.

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33

Ackroyd, Peter. Milʹton v Amerike: [roman]. Amfora, 2002.

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34

Broch, Hermann. Der Tod des Vergil: Roman. Suhrkamp, 1987.

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35

Urquhart, Jane. Im Strudel: Roman. Berliner Taschenbuch Verlag, 2002.

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36

Canvin, C. H. The glory of my country. Canvin, 1987.

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37

Byatt, A. S. Besessen: Roman. Insel Verlag, 1994.

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38

Tyutchev, F. I. "Ty, ty, moe zemnoe providenʹe--": Roman v pisʹmakh. Kniga i biznes, 2002.

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39

Krokhin, I͡Uriĭ. Dushi vysokai͡a svoboda: Vadim Delone : roman v protokolakh, pisʹmakh i t͡sitatakh. Agraf, 2001.

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40

Jacobsen, J. P. Niels Lyhne: Roman. 2nd ed. Det Danske sprog- og litteraturselskab/Borgen, 1995.

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41

Jacobsen, J. P. Niels Lyhne: Roman. Det Danske sprog- og litteraturselskab/Borgen, 1986.

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42

Christoph, Ransmayr. Die letzte Welt: Roman. Fischer Taschenbuch, 1996.

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43

I︠A︡ Shaganov po Moskve: Roman-biografii︠a︡. T︠S︡entrpoligraf, 2007.

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44

Perceptions of Horace: A Roman poet and his readers. Cambridge University Press, 2009.

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45

Houghton, L. B. T., 1978 and Wyke Maria, eds. Perceptions of Horace: A Roman poet and his readers. Cambridge University Press, 2009.

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46

McCarthy, Kathleen. I, the Poet. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739552.001.0001.

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First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. This book offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic “I-voice.” The book positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the “New Lyric Studies,” the book will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.

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47

Thorsen, Thea S., and Stephen Harrison, eds. Roman Receptions of Sappho. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829430.001.0001.

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Sappho, a towering figure in Western culture, is an exemplary case in the history of classical receptions. There are three prominent reasons for this. Firstly, Sappho is associated with some of the earliest poetry in the classical tradition, which makes her reception history one of the longest we know of. Furthermore, Sappho’s poetry promotes ideologically challenging concepts such as female authority and homoeroticism, which have prompted very conspicuous interpretative strategies to deal with issues of gender and sexuality, revealing the values of the societies that have received her works through time. Finally, Sappho’s legacy has been very well explored from the perspective of reception studies: important investigations have been made into responses both to her as poet-figure and to her poetry from her earliest reception through to our own time. However, one of the few eras in Sappho’s longstanding reception history that has not been systematically explored before this volume is the Roman period. The omission is a paradox. Receptions of Sappho can be traced in more than eighteen Roman poets, among them many of the most central authors in the history of Latin literature. Surely, few other Greek poets can rival the impact of Sappho at Rome. This important fact calls out for a systematic approach to Sappho’s Roman reception, which is the aim of the present volume that focuses on the poetry of the central period of Roman literary history, from the time of Lucretius to that of Martial.

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48

Victim of The Muses: Poet as Scapegoat, Warrior and Hero in Greco-Roman and Indo-European Myth and History (Hellenic Studies). Center for Hellenic Studies, 2006.

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49

Hornblower, Simon. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198723684.003.0007.

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The Alexandra is a strongly political poem. Other candidates for the description are considered. The 190s BC are argued to be a turning-point in Roman history, especially in the sphere of colonizing policy. The poem reflects this, especially in connection with Croton (citizen colony sent out in 194). The intended audience/readership of the poem is discussed. It is suggested that the poet was a bilingual citizen of south Italy and was excited at the possibility of blending Greek and Roman myths.

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50

Peter, Washington, ed. The Roman poets. Knopf, 1997.

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