Log in

Relevant bibliographies by topics / Roman poets

Contents

Journal articles
Dissertations / Theses
Books
Book chapters
Conference papers
Reports

Academic literature on the topic 'Roman poets'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Roman poets.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Roman poets"

1

Vardi, Amiel D. "An anthology of early Latin epigrams? A ghost reconsidered." Classical Quarterly 50, no. 1 (May 2000): 147–58. http://dx.doi.org/10.1093/cq/50.1.147.

Full text

Abstract:

In Book 19, chapter 9 of the Nodes Atticae Gellius describes the birthday party of a young Greek of equestrian rank at which a group of professional singers entertained the guests by performing poems by Anacreon, Sappho, ‘et poetarum quoque recentium ⋯λεγεῖα quaedam erotica’ (4). After the singing, Gellius goes on, some of the Greek συμπόται present challenged Roman achievements in erotic poetry, excepting only Catullus and Calvus, and criticized in particular Laevius, Hortensius, Cinna, and Memmius. Rising to meet this charge, Gellius’ teacher of rhetoric, Antonius Julianus, admits the superiority of the Greeks in what he calls ‘cantilenarum mollitiae’ in general (8), but to show that the Romans too have some good erotic poets, he recites four early Latin love epigrams, by Valerius Aedituus (frs. 1 and 2), Porcius Licinus (fr. 6), and Lutatius Catulus (fr. I). The same three poets are listed in the same order in Apuleius’ Apology in a list of amatory poets which he provides in order to establish precedents and thus invalidate his prosecutors’ referral to his erotic poems in their accusation (Apul. Apol. 9). Catulus is also enumerated in Pliny's list of Roman dignitaries who composed ‘uersiculos seueros parum’ like his own (Ep. 5.3.5), and an amatory epigram of his is cited by Cicero in De Natura Deorum 1.79 (fr. 2). We possess no further evidence connecting the other two with the composition of either erotic or, more generally, ‘light’ verse, but a poem by Porcius Licinus on Roman literary history is attested by several sources including Varro, Suetonius, and Gellius himself.

APA, Harvard, Vancouver, ISO, and other styles

2

Mayer, Roland. "Geography and Roman Poets." Greece and Rome 33, no. 1 (April 1986): 47–54. http://dx.doi.org/10.1017/s0017383500029958.

Full text

Abstract:

The varied erudition of Catullus and of later Roman poets is wellknown. Among themselves doctus became a term of praise. So the modern reader has to spend some time acquiring the knack of appreciating this showy learning, and a student consults commentaries for instruction in myth and metre, star-lore, and place-names. My concern is with place-names, because they are not, speaking generally, given adequate treatment in the commentaries on Catullus, the Eclogues, or the Odes, which are designed for sixth-form and undergraduate use. An aspect of the learning of the poets goes largely unremarked, or if noticed, too often receives inadequate comment. The main purpose of this article is to restore to proper prominence the innovations made in the use of local names and adjectives by the Latin poets. Complete originality is not claimed; much of this knowledge, it will become clear, is to be found in the professional commentaries, for example, Pfeiffer on Callimachus, Nisbet-Hubbard on Horace, Gow-Page on the epigrammatists, Kroll on Catullus. But the information is scattered or patchy and needs to be brought together and fleshed out so that it impresses by its concentration. Only then will serious attention be paid to the poets' practice.

APA, Harvard, Vancouver, ISO, and other styles

3

Yardley, J. C. "Propertius 4.5, Ovid Amores 1.6 and Roman Comedy." Proceedings of the Cambridge Philological Society 33 (1987): 179–89. http://dx.doi.org/10.1017/s0068673500004983.

Full text

Abstract:

‘The absence of Roman comedy … from the influences which the [Augustan] poets like to name proves only that they were not creditable, not in fashion, not that they had made no contribution.’ So Jasper Griffin in his recent book on the Roman poets. Griffin observes that scholars have been deterred from postulating Roman comic influence on the Augustan poets merely by the ‘magisterial pronouncements of the great scholars’, and he amasses considerable circumstantial evidence to support his theory that the Augustan poets, and especially the elegists, were indeed indebted to Roman comedy. He observes, for example, that Cicero provides evidence for the continuing popularity of Roman drama; that (a very important point) Horace complains of the popularity of the Roman comedians whom ‘powerful Rome learns by heart’ (Epist.2.1.60-1); that the same poet, despite his denigration of Roman comedy, obviously knew and referred to it; that Roman comedy seems to be the source, or a source, for the ‘naughtiness’ of elegy and the rejection of traditional Roman values (with the comicamatoresdistressed by contemporarymoresand the elegists flouting them); that if the elegists do not acknowledge their debt to the Roman comic poets, then no more does Horace in theOdesacknowledge his manifest indebtedness to Hellenistic poetry, claiming instead to be following Sappho and Alcaeus.

APA, Harvard, Vancouver, ISO, and other styles

4

McNelis, Charles. "Greek Grammarians and Roman Society during the Early Empire: Statius' Father and his Contemporaries." Classical Antiquity 21, no. 1 (April 1, 2002): 67–94. http://dx.doi.org/10.1525/ca.2002.21.1.67.

Full text

Abstract:

Statius' Silvae 5.3 is a poem written in honor of the poet's dead father. In the course of the poem, Statius recounts his father's life and achievements. Prominent among these accomplishments are the years the elder Statius spent as a teacher of Greek poetry——a grammarian——in Naples. Statius tells us which Greek poets his father taught and to whom. The content and audience of Statius' father's instruction form the basis of this paper. A number of the Greek poets taught by Statius' father are not obvious candidates for inclusion in a course of instruction in Greek poetry. Lycophron, Corinna or Epicharmus, for instance, are not commonly found in other accounts of Greek education in Roman Italy during the early empire. The elder Statius' pedagogical activity has thus been viewed as a Neapolitan peculiarity. Yet, I argue, the same authors taught by Statius' father were the focus of grammarians who were working in Rome itself. The curriculum of Statius' father is thus representative of Greek intellectual activity in early imperial Rome. The pedagogical activity of Statius senior is relevant to Roman intellectual history in a second way. His students consisted of aristocrats from around the Bay of Naples and southern Italy. Some of these students were likely Roman. So too the students of the Greek grammarians working in Rome likely encountered young Romans. How did the study of some mainstream and some recondite Greek poets fit into the éélite discourse of the early empire? I argue that knowledge of the poets taught by the elder Statius was geared towards marking off the éélite from the non-éélite. Students of grammarians such as Statius' father were given the tools to engage in aristocratic discourse, which constituted a claim for prestige and honor in early imperial Rome.

APA, Harvard, Vancouver, ISO, and other styles

5

Putnam, Michael C. J., and Jasper Griffin. "Latin Poets and Roman Life." Classical World 80, no. 6 (1987): 458. http://dx.doi.org/10.2307/4350113.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ziolkowski, Theodore. "Why Roman Poets In Modern Guise? Reception Of Roman Poets Since World War I." Arion: A Journal of the Humanities and the Classics 25, no. 2 (2017): 15–26. http://dx.doi.org/10.1353/arn.2017.0036.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Theodore Ziolkowski. "Why Roman Poets In Modern Guise? Reception Of Roman Poets Since World War I." Arion: A Journal of Humanities and the Classics 25, no. 2 (2017): 15. http://dx.doi.org/10.2307/arion.25.2.0015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Versiani dos Anjos, Carlos. "A Arcádia Romana e a Arcádia Ultramarina: diálogos literários entre a Itália e o Brasil na segunda metade do século XVIII / The Roman Arcadia and the Arcadia Ultramarina: Literary Dialogues between Italy and Brazil in the Second Half of the Eighteenth Century." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 3 (September 3, 2019): 83. http://dx.doi.org/10.17851/2358-9787.28.3.83-114.

Full text

Abstract:

Resumo: Este trabalho visa apresentar as relações literárias entre árcades brasileiros da segunda metade do século XVIII e a Arcádia Romana, a que alguns destes árcades eram filiados, ou a ela associados por intermédio da chamada Arcádia Ultramarina, academia criada no Brasil, na capitania de Minas Gerais, por Cláudio Manuel da Costa. O artigo analisa os primórdios da Arcádia Romana e seus teóricos precursores; o movimento dos poetas brasileiros na Europa e no Brasil, para a criação de uma colônia ultramarina daquela Academia; os esforços de Basílio da Gama, Seixas Brandão e Cláudio Manuel neste empreendimento; a participação do poeta Silva Alvarenga, também como crítico literário; e a recepção crítica sobre a existência e significado da Arcádia Ultramarina, nas suas relações com a Arcádia Romana, entre estudiosos contemporâneos da Itália e do Brasil.Palavras-chave: Arcádia Romana; Arcádia Ultramarina; século XVIII; Literatura Arcádica; História da Literatura.Abstract: We aim to present the literary relations between Brazilian arcadians in the second half of the eighteenth century and the Roman Arcadia, in which some of these arcadians were affiliated or associated to the so-called Arcadia Ultramarina, an academy created in Brazil, in the captaincy of Minas Gerais, by Cláudio Manuel da Costa. We analyze the beginning of the Roman Arcadia and its precursor theorists; the movement of Brazilian poets in Europe and Brazil, for the creation of an overseas colony of that Academy; the efforts of Basilio da Gama, Seixas Brandão and Cláudio Manuel in this venture; the participation of the poet Silva Alvarenga, also as a literary critic; and the critical reception on the existence and significance of the Arcadia Ultramarina in its relations with the Roman Arcadia among contemporary scholars from Italy and Brazil.Keywords: Roman Arcadia; Arcadia Ultramarina; XVIII Century; Arcadian Literature; History of Literature.

APA, Harvard, Vancouver, ISO, and other styles

9

Flores Militello, Vicente. "Venationes en la poesía latina tardoimperial. El poder de la arena y su final." Nova Tellus 39, no. 2 (June 29, 2021): 113–44. http://dx.doi.org/10.19130/iifl.nt.2021.39.2.79286.

Full text

Abstract:

This article analyzes various passages from Claudian’s and Gorippus’s political poems (Claud., Ruf., 2; Theod.; Stil., 3; VI Hon.; Goripp., Laud. Iust. Min., 3) which describe hunting games in the Roman arena (venationes) and have communicative aims: they either praise officeholders (consuls, generals, and emperors), or they criticize their opponents. This theme plays a fundamental role in early imperial poetry. But while early imperial poets (Calpurnius, Statius, Martial, and Juvenal) convey their message of praise or invective with briefer passages, Claudian and Gorippus present concatenated scenes, with the effect of increasingly persuading and impressing the reader. The role of the venatorial subject in Christian poets such as Prudentius (Prud., Ham.; c. Symm.) will be treated as well. Finally, this essay aims to establish when venationes are last attested in (late) Roman poetry.

APA, Harvard, Vancouver, ISO, and other styles

10

Traill, A. "Menander's "Thais" and the Roman Poets." Phoenix 55, no. 3/4 (2001): 284. http://dx.doi.org/10.2307/1089122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Dissertations / Theses on the topic "Roman poets"

1

Drummond, Margaret Marina. "An illusion of love, a study of male-female relationships in four roman poets, Lucretius, Catullus, Propertius and Ovid, and of the reflections of their poetry in visual art." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21564.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Mailleur, Stephanie. "Imagining roman ports : the contribution of iconography to the reconstruction of roman mediterranean portscapes of the impérial period." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2049.

Full text

Abstract:

Au cours des trois premiers siècles de notre ère, Rome connaît son apogée et la domination romaine continue de s'établir tout autour de la Méditerranée. Le contrôle de la Mare Nostrum et la connexion entre Rome et ses provinces sont assurés grâce aux réseaux de ports. À l’époque impériale, les ports jouent ainsi un rôle crucial puisqu’ils permettent de maintenir un rayonnement économique et commercial tout autour de l’Empire. Plus qu’une simple interface entre la mer et laterre, les ports font l’objet d’une attention particulière et forment un réel paysage urbain, constitué de bâtiments et de monuments organisés autour de l’espace portuaire de façon scénographique et programmée, que l’on peut qualifier de « portscape » (paysage portuaire). Cette notion théorique, que j’ai développée dans cette thèse, est dérivée du concept de «townscape » (paysage de la ville) introduit par P. Zanker dans sa publication sur l’urbanisme de Pompéi publiée en 19981. Elle consiste à analyser l’organisation spatiale des bâtiments et monuments, individuellement et dans l’ensemble de l’espace portuaire, ainsi que leurs fonctions respectives. Cette approche a également pour objectif d’étudier la relation entre la fabrication de cet espace urbain et la société. Cette réflexion holistique est combinée au concept de « maritimecultural landscape » (paysage culturel maritime), introduit par C. Westerdhal en 19922, qui permet d’aborder les aspects culturels de cet espace construit constituant le cadre de vie des sociétés portuaires et de leurs activités.Le développement disciplinaire de l’archéologie sous-marine et l’intérêt croissant pour les réseaux et le commerce maritime ont mené à la multiplication des études portant sur les infrastructures portuaires au cours des dernières décennies. Malgré cela, la réalité des infrastructures portuaires reste assez mal comprise car les vestiges ne sont généralement pas très bien conservés. Il est donc fondamental d’utiliser d’autres types de sources, comme l’iconographie,pour mieux appréhender les « portscapes » romains. Sous l’Empire, les ports apparaissent fréquemment dans les représentations artistiques. Au cours de cette recherche, j’ai rassemblé un corpus de 264 images portuaires sur des supports variés : lampes, monnaies, peintures, mosaïques, sculptures, verres incisés, pierres gravées etc. Sur ces documents figurent des vues générales de paysages maritimes, des éléments architecturaux isolés de ports (tels que des phares) et des activités portuaires suggérant les infrastructures portuaires (comme des scènes de pesée ou bien des scènes de chargement/déchargement de marchandises). Bien que l’essentiel du corpus date de l’époque impériale, l’intégration de documents appartenant aux périodes préromaines et à l’Antiquité tardive permet d’établir des comparaisons diachroniques.Cette recherche constitue la première tentative d’évaluation, à grande échelle, du potentiel documentaire des sources iconographiques pour comprendre l'aspect, la disposition et le design des ports romains. Considérer les images comme sources historiques est un concept assez récent puisque l'art, longtemps considéré comme étant simplement illustratif, n’occupait qu’une place marginale dans les études d’histoire ancienne. Les images peuvent apporter, en effet, unecontribution importante pour l'étude de l'aspect architectural et urbain des principaux ports de Méditerranée car elles montrent ce qui n'existe plus archéologiquement, telles que les élévations de bâtiments portuaires, souvent réduits aujourd’hui à leurs seuls niveaux de fondations. Ainsi, cette thèse de doctorat soulève les questions de recherche suivantes : - Quelle contribution l'iconographie peut-elle apporter à notre compréhension des paysagesportuaires de l’époque impériale ? Quelles sont les caractéristiques du portscape romain selon les sources iconographiques ? Quels sont les éléments réels et quels sont les éléments standardisés ? D’où viennent cesstandards ?
Under the Roman Empire, harbours played an important role for the image of the city. They were more than utilitarian constructions. The buildings and monuments were organised within the space of the port in a programmatic way that made up a genuine urban landscape that I have described as a “portscape”. This term, derived from Zanker’s townscape concept, is understood as the urban aspect, layout and design of Roman ports but also as the lived environment with its societies reflected by its cultural characteristics. Despite recent excavations conducted at Roman ports, our knowledge of portscapes under the Roman Empire is very unclear and the reality of port monuments remains poorly understood. Most known ancient Mediterranean ports are not well preserved, and often only preserved archaeologically at the level of their foundations. Whilearchaeologists are able to reconstruct a plan, understanding ports three dimensionally is at best a challenge. What did Roman ports really look like?Due to the lack of ancient sources relating to Roman ports, using iconography could be useful. This research aims to demonstrate that port depictions, quite abundant during the Imperial period and decorating various type of artistic media (coins, ceramics, mosaics, paintings, gemstones etc.), can make an important contribution for learning more about ports as they are the only source of information that allows us to understand volumetrically, the architecture of portsthat no longer survives archaeologically.Through this work, I will see how the pictorial genre of maritime landscape emerged during the Augustan period as well as the process of its diffusion, reception and standardisation in art during the Imperial period. I will also address the issue of the contexts in which port-themed decoration has been found. I will focus on the main characteristics of portscapes by means of a linguistic approach that distinguishes the different messages conveyed by images according to their contexts (domestic, funeral, politics, etc.).By means of three specific case studies, I will demonstrate how it is possible to deal with the iconographic and epigraphic evidence in order to better understand the components of Roman portscapes. Case-study 1 focuses on the weighing control systems (sacomaria). Case-study 2 studies the single monuments that decorated the portscape, such as freestanding column monuments and honorific arches. Case-study 3 aims to better understand cult spaces in portcontexts by using the example of the sanctuaries of Isis.Finally, I will focus on the urban syntax of the portscape through the case-study of the port of Leptis Magna. Enquiry will ascertain the extent to which the urban programme of its portscape corresponded to a standard design in reality and in iconography

APA, Harvard, Vancouver, ISO, and other styles

3

Guativa, Lina Milena Huertas. "Medida da seção de choque difrativa simples dσ/d|t| a √s = 8 TeV no experimento CMS." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6247.

Full text

Abstract:

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
A análise descrita nesta dissertação tem como objetivo a medida da seção de choque difrativa dσ/d|t| à energia no sistema do centro de massa de √s = 8 TeV. Os eventos usados para obter a seção de choque difrativa foram selecionados para processos de difração simples com um próton espalhado na região frontal e na região cinemática de 0,03 <|t| < 1,0 GeV e 0,03 < ξ < 0.1, usando os dados em comum obtidos em 2012 dos detectores CMS e TOTEM, o qual permite ter uma perspectiva mais detalhada do processo difrativo, devido à aceitação completa que oferece a combinação dos detectores. Os dados foram corrigidos devido à aceitação e eficiência do detector. A partir de uma parametrização exponencial da forma Ae ^Bt, o valor da inclinação do processo em que o próton espalhado é detectado em ambas as direções positiva da CMS é de B= -6,403 1,241 GeV- .
The goal of the analysis presented in this dissertation is the measurement of the diffractive cross section dσ/d|t| at center of mass energy of √s = 8 TeV. The events were selected for single diffractive processes with one scattering proton in the forward region and the kinematic region of 0,03 <|t| < 1,0 GeV e 0,03 < ξ < 0.1, using the data collected during 2012 by both the CMS and TOTEM detectors, whose joint acceptance allows a more detailed perspective of the diffractive processes. The data were corrected for the effects of detector acceptance and efficiency. Since the exponential parametrization Ae ^Bt was fit to data, the value obtained for the slope for a precess when the scattering proton is detected in both positive or negative regions of CMS is of B= -6,403 1,241 GeV- .

APA, Harvard, Vancouver, ISO, and other styles

4

Braithwaite, Gillian Mary. "Faces from the past : the face pots and face breakers of the Western Roman Empire." Thesis, University of London, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.394084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Lapart, Christian. "Thomas deloney, poete et romancier elisabethain." Paris 3, 1988. http://www.theses.fr/1989PA030024.

Full text

Abstract:

L'etude vise a susciter un renouveau d'interet pour t. Deloney, en corrigeant par une vision plus humaniste, sans negiger les criteres de l'objectivite, une critique souvent severe, fragmentaire, superficielle. La figure du "balletter" est evoquee, sur un arriereplan litteraire et social, montrant les voies difficiles d'une litterature digne d'attention. La ballade de deloney est presentee comme florilege exceptionnel. On l'etudie en relation avec les poemes et musiques du temps, recherchant le vouvement qui chez deloney limite l'oralite au profit de formes ecrites; l'on montre les impulsions contraires, dont l'interet est de reveler de facon concrete la confection d'une poesie. L'analyse des romans fait ressortir la rencontre entre le "jestbook" et le romanesque courtois, le resultat etant un romanesque du quotidien lie a la vie de l'artisan, contexte democratise, aux heros bourgeois ou ordinaires. L'inflechissement permet d'entrevoir quelques traits d'une tendance "realiste". La qualite scenique de l'ecriture retient aussi l'attention. Enfin la peinture est vue en ses aspects economiques, sociaux, psychologiques. Le poete de l'evenement et le romancier du metier est aussi le chantre des vertus civiques, des vertus du protestant; en une periode de vicissitudes, il definit pour l'elisabethain le devoir d'etat
The goal of the study is to renew interest in t. Deloney, a writer who never had his due. A humanistic approach aims at complementing objective criteria. A tentative sketch of the "ballad-maker" sets him on the literary and social background; it enhances the author's merit in his attempt at noteworthy literature. A study of the diversified handling of the ballad shows how the transition from ballad-making to true poetry is achieved. The personal case is treated in relation to the contemporary poetical context. Special interest is found in the illustration of concrete poetic "workmanship". The analysis of the movels shows how the merging of jestbook tradition and courtois romance evolves into a novel of daily life, linked to the artisan's concerns, depicting bourgeois or ordinary heroes. Incipient realistic trends are traced; stress is laid on the scenic quality. An ultimate study deals with economic, social and moral aspects. The elizabethan citizen is delineated in deloney's views concerning labour, the city, religion, the state - a spirit emphasized in an environment of religious and political struggle

APA, Harvard, Vancouver, ISO, and other styles

6

Ladds, Bryan. "Persians, Ports, and Pepper: The Red Sea Trade in Late Antiquity." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32863.

Full text

Abstract:

There has been an increased interest in Romeʼs connections with the Far East over the course of the last 20 years. This has resulted in the publication of many articles and monographs about the Roman involvement in the Red Sea which was the key maritime region linking the Far East with the West. This thesis synthesizes the recent scholarship on the Red Sea trade in Late Antiquity by merging all of the most up to date information into a concise narrative. In order to accomplish this, three major sources of information have been analyzed. Firstly, the historical time frame of all of the major regions of the Red Sea including Egypt, Aksum, and Himyar have been laid out in a straight forward narrative. This offers the most pertinent background information for the development of Red Sea trade. Secondly, the most up to date archaeological evidence has been incorporated into a description of the ancient maritime trade infrastructure of the Red Sea and Indian Ocean. The archaeological evidence broadens our knowledge of the roads through the Eastern Desert of Egypt, the ports of the Red Sea, and the development of the Indian subcontinent more generally. Thirdly, this thesis builds on all of the historical as well as archaeological data and attempts to quantify the impact of Red Sea trade on the Late Antique Roman Empire both economically and culturally. This synthesis helps to elucidate the growing conception among Late Antique scholars that the Roman Empire was far more interconnected with its eastern neighbours. This further nuances the role which outside forces had on the evolution of the Late Antique world.

APA, Harvard, Vancouver, ISO, and other styles

7

Braithwaite, Gillian. "Faces from the past : a study of Roman face pots from Italy and the western provinces of the Roman Empire /." Oxford : Archaeopress, 2007. http://www.loc.gov/catdir/toc/fy0715/2007408620.html.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Lyne, Raphael. "Studies in English translation and imitation of Ovid, 1567-1609." Thesis, University of Cambridge, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368503.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Wenzel, Aaron Walter. "Pots of Honey and Dead Philosophers: The Ideal of Athens in the Roman Empire." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243876996.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Moerman, Martine. "Le Port romain des Laurons (Martigues)." Aix-Marseille 1, 1994. http://www.theses.fr/1994AIX10046.

Full text

Abstract:

Le port romain des laurons (martigues, bouches-du-rhone) a ete installe a l'abri par une crique rocheuse tribolee. C'est un site appartenant peut-etre a l'ensemble portuaire romain du golfe de fos, debouche maritime de la ville d'arles. Il a ete occupe du 3e siecle avant j. C au 7e siecle de notre ere. Les structures portuaires comprennent des digues et des jetees en blocs tailles, ainsi qu'un quai construit a sec dans un caisson de bois remarquablement conserve. Parmi les epaves, l'epave 2 est particulierement connue pour son architecture, car elle avait conserve son pont et possedait encore un element de gouvernail. Le site est peut-etre celui identifie sous le dilis posito dans l'itineraire maritime d'antonin. Il etait au debouche de plusieurs plaines fertiles, ou etaient installes des villas et des sites agricoles romains. La principale caracteristique de cette etude est de montrer l'unicite du port a travers des elements tres differents, structures portuaires, epaves, villa maritime, tombes, aqueduc, et depotoir comprenant un important materiel archeologique, provenant de l'ensemble du bassin mediterraneen
The roman port of laurons (martigues, bouches-du-rhone) was built under the protection of a rocked creek with three coves. The site was perhaps the property of the roman portuary complex in the gulf of fos, the seaside opening of the city of arles. It was occupied since the third century bc until the seventh century ac. The harbour strucutres comprise dykes and piers in big cut stones, as well as un quay, builded out of the wet in a wood caison, well preserved. Among the wreks, the boot 2 is particularly well know for its architecture, because it preserved its deck, and a element of the rudder. The site id perhaps dilis positio,which is called so in the "itineraire maritime" of antonin. It was at the opening of several fertile plains, where ware builed romans villas and agricultural sites. The principal characteristic of this study is the evidence that a harbour site is a unity through very different elements, harbour strucutres, wrecks, maritime villa, graves, aqueduc, and dump, with a important lot of archaeological artefacts, coming of the whole of the mediterranean basin

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Roman poets"

1

Ottescu, Nicolae I. Homer: Roman. București: Ed. Junior, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Ulrich. Frauendienst: Roman. Klagenfurt: Wieser, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Invisible: Roman. Arles: Actes Sud, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Gnedich: Roman. Moskva: Vremi︠a︡, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Latin poets and Roman life. London: Duckworth, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Griffin, Jasper. Latin poets and Roman life. Chapel Hill: University of North Carolina Press, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Levchev, Li͡ubomir. Ti si sledvashtii͡at: Roman ot spomeni. [Bulgaria]: Knigoizdatelska kŭshta "Trud", 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

J, Boyle A., and Sullivan J. P, eds. Roman poets of the early empire. London, England: Penguin Books, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

1946-, Vasi︠u︡chenko Irina, and Zinger Gali-Danah 1962-, eds. Zaveshchanie ubitogo evreĭskogo poėta: Roman. Moskva: Tekst, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Oprokinutyĭ Olimp: Zapiski shestidesi͡a︡tnika : roman-vospominanie. Moskva: T͡s︡entrpoligraf, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Roman poets"

1

Cuvier, Georges. "14. The Roman Poets." In Cuvier’s History of the Natural Sciences, 461–69. Publications scientifiques du Muséum, 2012. http://dx.doi.org/10.4000/books.mnhn.3793.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Holford-Strevens, Leofranc. "Roman Orators and Poets." In Aulus Gellius, 193–225. Oxford University Press, 2003. http://dx.doi.org/10.1093/acprof:oso/9780199263196.003.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"Philosophers and poets in the Augustan Age." In Roman Philosophers, 143–72. Routledge, 2013. http://dx.doi.org/10.4324/9780203451816-11.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Corbeill, Anthony. "Roman Poets on Grammatical Gender." In Sexing the World. Princeton University Press, 2015. http://dx.doi.org/10.23943/princeton/9780691163222.003.0003.

Full text

Abstract:

This chapter examines eight different explanations that scholars have put forward since antiquity for the literary phenomenon of the non-standard gender. More specifically, it investigates why some poets were thought to have greater access to literary authority than others. The explanations range from semantic distinctions to morphology and analogy, metrical convenience, sound, and Greek intertextuality. Informing these various ancient explanations is an assumption that the desire and ability of the most highly respected poets to transform grammatical gender provides tangible evidence of the superior knowledge that these poets possess of the relationship between language and the natural world. Roman scholars attributed to poets the privileged knowledge of an early poetic language, one that had access to mythic and folkloric associations dating back to the period when the Latin language was first coming into existence.

APA, Harvard, Vancouver, ISO, and other styles

5

Thorsen, Thea S. "Sappho, Alcaeus, and the Literary Timing of Horace." In Roman Receptions of Sappho, 165–84. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198829430.003.0010.

Full text

Abstract:

This chapter argues on the basis of cues in Horace’s Odes 4.9 that Sappho fr. 16 is an important intertext for Horace’s Odes 1.15. Though neglected as such in scholarship, this chapter aims at showing that the poem’s background is precisely Sappho fr. 16, which helps bring out the crucial question of literary timing. This question, which is more or less important to all Augustan poets, emerges as an especially important topic in both Horatian poems. The Trojan War features prominently in this chapter, which, in addition to the Horatian poems and the fragment of Sappho, investigates several passages from Homer, Alcaeus, and Proclus’ summary of the Cypria.

APA, Harvard, Vancouver, ISO, and other styles

6

"Staging the Poets: Ben Jonson’s Poetaster." In Afterlives of the Roman Poets, 56–84. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781316847879.003.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

"Roman Comedy and Scholarship." In Cicero and the Early Latin Poets, 155–72. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781009031820.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

"Appendix A: Papal Poets Laureate." In Poets Laureate in the Holy Roman Empire, 2330–45. De Gruyter, 2006. http://dx.doi.org/10.1515/9783110912746.2330.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"Appendix Β: Spurious Poets Laureate." In Poets Laureate in the Holy Roman Empire, 2346–79. De Gruyter, 2006. http://dx.doi.org/10.1515/9783110912746.2346.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

"APPENDIX A: PAPAL POETS LAUREATE." In Poets Laureate in the Holy Roman Empire, 533–35. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110640861-027.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Roman poets"

1

Kaspar, Jan. "First Results of the TOTEM Roman Pots." In 19th International Workshop on Vertex Detectors. Trieste, Italy: Sissa Medialab, 2011. http://dx.doi.org/10.22323/1.113.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Nabeel, Zahra, Maseeha Mehmood, Anees Baqir, and Anam Amjad. "Classifying Emotions in Roman Urdu Posts using Machine Learning." In 2021 Mohammad Ali Jinnah University International Conference on Computing (MAJICC). IEEE, 2021. http://dx.doi.org/10.1109/majicc53071.2021.9526273.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Venturini, Renata Lopes Biazotto. "Amizade na Roma Imperial: Patronos E Poetas." In V Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2011. http://dx.doi.org/10.4025/5cih.pphuem.2207.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Rodríguez Jiménez, Antonio. "Memoria de ciudades del mundo a través de los poetas en Cuadernos del sur: desde los restos arqueológicos a las reconstrucciones virtuales y reales." In International Conference Virtual City and Territory. Roma: Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8018.

Full text

Abstract:

Una visión más lírica que histórica permitirá sostener diferentes miradas sobre ciudades emblemáticas del mundo en un entorno evolutivo: desde su esplendor hasta su destrucción, descubrimiento de sus restos y recuperación. El tema gira en torno a ¿cómo ven los poetas el entorno urbano de las ciudades? ¿Cómo veían los creadores de hace varios siglos una ciudad emblemática y cómo la ven en la actualidad? ¿Cómo afectan las nuevas tecnologías a esas ciudades especiales y de qué manera puede proteger un género tan débil y tan fuerte como es la poesía a las ciudades, algunas de ellas Patrimonio de la Humanidad? Ciudades como Medina Azahara, ciudad palatina del siglo X, durante el califato de Abderramán III, en pleno esplendor de los Omeyas. La ponencia aborda cómo contemplaban la ciudad los poetas de la época y cómo la han visto o las ven ahora en el siglo XXI. También se abordarán las visiones líricas de ciudades como Córdoba, París, Roma, Florencia, Venecia, Praga, Nueva York, Madrid, Granada, Lisboa, La Habana o Sevilla. Contemplación de la ciudad y de su memoria, de su gente. Miradas míticas, sacralizadas y miradas sencillas sobre la urbe anclada en el pasado o viva en el futuro. En definitiva, cómo a través de esas miradas privilegiadas, que resplandecen el pasado se pueden conservar en el presente y dinamizarlas para el futuro. A more lyrical history will hold different views of the world's iconic cities in an evolving environment: from its splendor to its destruction, discovery and recovery of their remains. The issue revolves around how poets see the urban environment of cities? How creators saw centuries ago an iconic city and how are today? How new technologies affect these special cities and how you can protect a genre as weak and as strong as poetry to the cities, some of them World Heritage? Cities like Medina Azahara, palace city of the tenth century, during the reign of Abd al-Rahman III, in the splendor of the Umayyads. The paper discusses how the city looked poets of the time and how they have been or are now in the XXI century. It will also address the lyrical visions of cities like Cordoba, Paris, Rome, Florence, Venice, Prague, New York, Madrid, Granada, Lisbon, Havana and Seville. Vision of the city and its memory, its people. Looks mythical, Hallowed and looks simple on the city stuck in the past or living in the future. Exactly how those looks through privileged, that shine can preserve the past in the present and animate them for the future.

APA, Harvard, Vancouver, ISO, and other styles

5

Ashraf, Nadeem, Ahmed A. Kishk, and Abdel-Razik Sebak. "Printed Ridge Gap Waveguide Rotman Lens without Dummy Ports or Matching Loads for 5G." In 2020 IEEE International Symposium on Antennas and Propagation and North American Radio Science Meeting. IEEE, 2020. http://dx.doi.org/10.1109/ieeeconf35879.2020.9330143.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Adibifard, Somayeh, and Ammar Kouki. "Design of a wideband Rotman lens with dummy ports for wide-scan phased array applications." In 2016 17th International Symposium on Antenna Technology and Applied Electromagnetics (ANTEM). IEEE, 2016. http://dx.doi.org/10.1109/antem.2016.7550199.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Roman poets"

1

John A. Johnstone. Tevatron optics with magnet moves for Roman pots at CDF. Office of Scientific and Technical Information (OSTI), August 2001. http://dx.doi.org/10.2172/784419.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

Full text

Abstract:

The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!