Relevant bibliographies by topics / Roman Propaganda

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Roman Propaganda'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 March 2023

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Journal articles on the topic "Roman Propaganda"

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Whalin, Douglas C. "A note reconsidering the message of Heraclius’ silver hexagram, circa AD 615." Byzantinische Zeitschrift 112, no. 1 (2019): 221–32. http://dx.doi.org/10.1515/bz-2019-0011.

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Abstract The hexagram was first minted during the darkest days of the final Roman-Persian War (602-628) when Roman fortunes were at their lowest. As a result, commentators have read the coin’s novel inscription, Deus Adiuta Romanis (God, help the Romans) as evidence for the ’stressful and desperate’ state of the empire. This paper presents the case that reading the coin alongside evidence for popular military practices instead paints a picture of the Roman state apparatus deftly manipulating mass propaganda. For the Romans in the 610s, these new coins signalled not defeatism but defiance and the promise of victory.
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Weima, Jeffrey A. D. "‘Peace and Security’ (1 Thess 5.3): Prophetic Warning or Political Propaganda?" New Testament Studies 58, no. 3 (2012): 331–59. http://dx.doi.org/10.1017/s0028688512000045.

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The phrase ‘Peace and security’ in 1 Thess 5.3 has traditionally been understood as an echo of the OT prophetic warnings (Jer 6.14; Ezek 13.10; Mic 3.5) against false claims of peace. Stronger evidence exists, however, that the apostle is making use of a popular theme of the imperial Roman propaganda machine. The Romans vigorously promoted themselves through various public media as those who provided not only ‘peace’ but also ‘security’, thereby providing a closer parallel to Paul's statement in 5.3 than any OT text. This essay reviews four kinds of evidence—numismatic, monumental, inscriptional and literary—in order to demonstrate in a decisive fashion that the phrase ‘peace and security’ involves an allusion not to prophetic warning but to Roman political propaganda.
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AKHIEV, S. N. "Formation of a Roman Public Opinion by Octavian (from Ilyrian Campaign to Actium)." Ancient World and Archaeology 19 (December 18, 2019): 119–28. http://dx.doi.org/10.18500/0320-961x-2019-19-119-128.

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The article discusses the means and methods that Octavian used to form the public opinion of the Romans in the period 34–32 BC. The author notes their diversity and intensive use in political propaganda, but their effectiveness should not be exaggerated. Only patriotic slogans made Octavian the true leader of the Roman Republic. Octavian`s political talent was that he managed to capture and use Romans moods in his interests.
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Vannan, Eleanor Mary. "The Queen of Propaganda: Boudica’s Representation in Empire." Arbutus Review 12, no. 1 (2021): 24–40. http://dx.doi.org/10.18357/tar121202120187.

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Boudica was an Iceni queen c. 60 CE in Roman-occupied Britain who revolted against the Roman empire. While there is a scarcity of primary sources that document her life, Boudica has remained a dominant figure in conceptualisations of British national identity. This paper examines the works of the Roman historians, the archaeological record, and the depictions of Boudica in different periods and analyses the ability of historians to record events without being influenced by the ideology of their contemporary periods. Through a comparative examination of sources, this paper argues that Boudica should not be approached as a verifiable historical figure but as a tool to understand imperial propaganda.
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Ławrynow, Daria. "Kreowanie negatywnego obrazu instytucji religijnych w polskojęzycznej propagandzie radzieckiej okresu międzywojennego (na podstawie czasopisma „Bezbożnik Wojujący”)." LingVaria 17, no. 2(34) (2022): 129–40. http://dx.doi.org/10.12797/lv.17.2022.34.09.

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CREATING A NEGATIVE IMAGE OF RELIGIOUS INSTITUTIONS IN POLISH-LANGUAGE SOVIET PROPAGANDAIN THE INTERWAR PERIOD (BASED ON THE MAGAZINE “BEZBOŻNIK WOJUJĄCY” [“MILITANT ATHEIST”])
 The main issue discussed in this article is the negative image of religious institutions present in Polishlanguage propaganda in the interwar period. The research is based on the analysis of Polish-language Soviet magazine “Bezbożnik Wojujący”. It was published in USSR between 1929 and 1935. “Bezbożnik Wojujący” had some language variants (for example Georgian, Latvian, Russian, Ukrainian) and its main goal was anti-religious atheist propaganda among national minority communities. The magazine presented religious institutions as obscurantist, hypocritical, aimed at sabotage, and anti-Soviet. The objects of pejorativization included the Orthodox, Roman and Greek Catholic Churches, but also Protestants, members of locals sects, and certain Church initiatives such as the third order and the rosary circles. In the Soviet propaganda, which was based on Leninism, all religions were alien and hostile for working classes.
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Akhiev, S. N. "The «Coin Propaganda» in the Late Roman Republic." Series History. International Relations 15, no. 4 (2015): 47–51. http://dx.doi.org/10.18500/1819-4907-2015-15-4-47-51.

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Panaite, Adriana, and Alexandru Barnea. "Tropeum Traiani. Monument și propaganda." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 1 (2010): 223–34. http://dx.doi.org/10.47950/caieteara.2010.1.09.

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Many times History was used to legitimate the Power, speaking about the past means speaking about the present. The past was re-constructed and reinterpreted as to support the policy and the propaganda of the rulers, also by building official monuments. But sometimes the monuments were used by the subsequent political regimes to legitimate themselves. The triumphal monument Tropaeum Traiani was erected in 109 to celebrate the victory of the Romans against the local inhabitants. In the vicinity was founded the roman town with the same name. First excavations were made by Grigore Tocilescu beginning with 1882, shortly after Romania wins the state independence. During a period when the national states appear this monument became an important support for the origins of the Romanians. The idea to reconstruct it on a central square from Bucharest seems natural. The original pieces were brought to Bucharest but the monument was never reconstructed. Till the 60’s they were exposed in different places in the city (museum and park) and then were brought back to Adamclisi. During the communist regime the idea of the reconstruction of the monument was again brought to life in connection with the celebration of a century since the wining of the state independence. In May 1977 Nicolae Ceauşescu featured the opening ceremony of the recently restored monument. The main newspapers on the first pages presented the event as the final moment of a so-called “working visit” in Constanţa county. The press presents almost the same photos and commentaries, reflecting the official propaganda, even “Pontica” the publication of the Archaeological and Historical Museum in Constanţa, published three articles concerning the restoration of the monument and also the future development of the village into a “model village” (rather a “communist” town, with blocks, factories nearby and a modern agriculture). According to the propaganda Tropaeum Traiani was “a true chronicle engraved in stone, telling of the bloody confrontations of the 101-106 A.D. period”. The manifestation from Adamclisi is specific for the communist propaganda and manipulation: a historical event is turned into an occasion to demonstrate the unity of the nation all around the Party and to express love for the unique leader of the Party and Country. The propaganda was based on a very complex system of rituals which were supposed to be more powerful then the religion, forbidden in the communist countries. In 1992 the local authorities organized a new anniversary – 1890 years from the Romans’ victory against the Dacians. The ritual is the same like before and for the people participating it is not so difficult to remember the past, in their mind the clichés are still alive. But this time a group of orthodox priests participate at the celebration. This was a double abuse! In 2007 during the electoral campaign for a referendum for the president Traian Băsescu the posters in the village puts the accent on the name of the president (the same with the Roman Emperor) and on the fact that he has to come back to make History!
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Portefaix, Lilian. "Ancient Ephesus: Processions as Media of Religious and Secular Propaganda." Scripta Instituti Donneriani Aboensis 15 (January 1, 1993): 195–210. http://dx.doi.org/10.30674/scripta.67212.

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The significance of religious rituals often reaches beyond their strict religious intentions. Specifically a procession, performed in front of the public, is a most effective instrument of disseminating a message to the crowds. Consequently, this ritual, as is well known, has often been used not only in religious but also in secular contexts; a procession under the cloak of religion can even become a politically useful medium to avoid popular disturbances on peaceful terms. This was the case in ancient Ephesus, where Roman power conflicted with Greek culture from the middle of the first century B.C. onwards. In the beginning of the second century A.D. the public religious life in the city of Ephesus was to a great extent characterized by processions relating to the cult of Artemis Ephesia. The one traditionally performed on the birthday of the goddess called to mind the Greek origin of the city; it was strictly associated with the religious sphere bringing about a close relationship between the goddess and her adherents. The other, artificially created by a Roman, was entirely secular, and spread its message every fortnight in the streets of Ephesus. It referred to the political field of action and intended to strengthen the Roman rule over the city. The Greek origin of Ephesian culture was later included in the message of the procession, reminding the Greeks not to rebel against Roman rule.
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Schmidt, Karl Matthias. "Zu Wasser und zu Land." Millennium 14, no. 1 (2017): 1–30. http://dx.doi.org/10.1515/mill-2017-0001.

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Abstract The paper lines up with studies that discuss the impact of the Jewish War and Vespasian’s advancement on the composition of the Gospel According toMark. Its topic is to show that Mk 4,35-41 and Mk 5,1-20 form a structural unity that insinuates the idea of a Christian peace, distinguished from Roman warfare and peace. Following those scholars who read Mk 5,1-20 as an allusion to the legio X Fretensis it is argued that Mk 4,35-41 and Mk 5,1-20 are tied together in light of the Roman peace propaganda that claimed apeace by land and by sea - as did Vespasian after the civil war, when he reminded the Romans of Octavian’s victory at fretum Siculum.
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MORALES, FÁBIO AUGUSTO. "Propaganda, Resistência, Propaganda... Um Balanço dos Estudos sobre as Intervenções Urbanas em Atenas na época de Augusto (1927-2012) * Propaganda, Resistance, Propaganda... An assessment of the studies on the Urban Interventions in Augustan Athens..." História e Cultura 2, no. 3 (2014): 109. http://dx.doi.org/10.18223/hiscult.v2i3.1100.

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<h1>Resumo: O objetivo deste artigo é realizar um balanço dos estudos historiográficos e arqueológicos sobre as transformações do espaço urbano de Atenas durante o principado de Augusto (31 a.C. / 14 d.C.), escritos ao longo dos últimos 90 anos. Duas revoluções marcaram a trajetória do campo: a primeira, de ordem documental, foi gerada pelas escavações na ágora ateniense pela Escola Americana (a partir da década de 1930); a segunda, conceitual e metodológica, esteve vinculada à revisão crítica dos paradigmas eurocêntricos (a partir da década de 1990). O artigo termina com a proposição de possíveis novos enquadramentos para o debate da “romanização de Atenas”.</h1><p><strong>Palavras-chave:</strong> Atenas augustana – Espaço urbano – Império Romano – Historiografia.</p><p> </p><p><strong>Abstract:</strong> This paper aims to realize an assessment of the historical and archaeological studies on the urban interventions at Athens during the principate of Augustus (31 B.C. / 14 A.D.), written over the last ninety years. Two revolutions shaped these studies: first, a revolution generated by the excavations on the Athenian Agora by the American School (from the 1930’s); second, a methodological revolution, linked to the critical revision of Eurocentric paradigms (from the 1990’s). The paper ends with the suggestion of new framings to the ‘romanization of Athens’ debate.</p><p><strong>Keywords:</strong> Augustan Athens – Urban space – Roman Empire – Historiography.</p>
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Dissertations / Theses on the topic "Roman Propaganda"

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Bell, David. "Ardent propaganda : miners' novels and class conflict 1929-1939 /." Umeå (Sweden) : Umeå university, 1995. http://catalogue.bnf.fr/ark:/12148/cb37042088w.

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Coulston, Jonathan Charles Nelson. "Trajan's column : the sculpting and relief content of a Roman propaganda monument." Thesis, University of Newcastle Upon Tyne, 1988. http://hdl.handle.net/10443/174.

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This thesis examines the reliefs of Trajan's Column in Rome (dedicated A. D. 113). It explores sculptural processes and provides a full and critical commentary on the relief content. Section 1 reviews prior work on the column and explains how the present research was conducted whilst taking advantage of scaffolding erected in conjunction with conservation studies. Section 2 examines the role of the column as a propaganda monument, exploring the value of the depictions of Trajan's wars as a source of historical information. This runs parallel to an enquiry into the imperial propaganda functions of the project. These two lines of approach are set against the column's immediate architectural environment which suggests how the reliefs were observed by the public audience. Section 3 is a technical enquiry into the methods by which the column was fabricated, and the sculptures were planned and executed, based on minute observation and computer-assisted recording of the reliefs. Section 4 deals with each of the potential sources of information concerning historical events, warfare, architecture and the Roman army available to, and employed by the sculptors working in Rome. It concludes that input from the war zone on the Danube was minimal in comparison with models and verbal information available in the capital. In Section 5, the sixteen categories of human figures on the spiral frieze ('Figure Types') are dealt with in turn and examined in the light of comparative textual, artefactual and representational evidence with regard to their accuracy. Relationships with other contemporary monuments are also examined. The last Section reviews the place of Trajan's Column in Roman monumental art, examining its innovative features and-its influence on later works.
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Fischer, Julia Claire. "Private Propaganda: The Iconography of Large Imperial Cameos of the Early Roman Empire." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1414586866.

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Winn, Adam. "The purpose of Mark's gospel an early Christian response to Roman imperial propaganda." Tübingen Mohr Siebeck, 2007. http://d-nb.info/988963329/04.

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Bell, David. "Ardent propaganda : miner's novels and class conflict, 1929-1939." Doctoral thesis, Umeå universitet, Humanistiska fakulteten, 1995. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-66446.

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This study of the contribution of working-class fiction to the debate on class conflict in Britain is based on four novels written by two ex-miners between 1929 and 1939: The Gate of a Strange Field (1929) and Last Cage Down (1935), by Harold Heslop, and Cwmardy (1937) and We Live (1939), by Lewis Jones. These novels represent, in work­ing-class fiction, a unique combination of an archetypal working-class occupation, min­ing, with central features of the 1930s cultural discourse, the role of political ideology in literature. This study takes as its starting point the perception of these novels as having a spe­cifically communicative function in the social and cultural context of the 1930s. It recognises their role in articulating the radical voice of the miner in the conflict of inter­ests between capital and labour as exemplified by the coal industry. I also argue that the novels are influenced by the polarised discourse of British social and cultural life in this period. Cultural context is not seen simply as a reflection of 1930s attitudes and ideas, but also in relation to a tradition of working-class and miners' fiction that appropriates accepted literary forms for specific needs, in this case, the articulation of miners' griev­ances in the 1930s, seen in terms of class conflict. This conjuncture of historical and contemporary cultural discourses acts as the organising principle of the first part of this study. The four novels are analysed in terms of a sub-genre classification of the realist novel: the roman à thèse. This approach facilitates an analysis focusing on the deter­mining influence of ideology as a totalising concept affecting the structure, content and message of these novels. I argue that the prime purpose of these novels is to constrain interpretation to a desired outcome, as represented by the doctrine inherent in the text. Two types of roman à thèse are distinguished: the apprenticeship, which builds on the precepts of the Bildungsroman, and the confrontational, which is non-transformational, depicting scenes of class conflict. The apprenticeship model consists of two types of exemplary narrative: positive and negative. This study demonstrates that, by applying the analytical model of a positive apprenticeship to Cwmardy, the narrative structures of the novel limit the potential for interpretation to the doctrinal assumptions underlying the text. The reader is expected to identify with the class-conscious insights gained by the hero. The Gate of a Strange Field, in contrast, acts as a cautionary tale, illustrating the consequences of embracing a false doctrine. Both We Live and Last Cage Down are considered as novels of confrontation in which the primary conflict between capital and labour is modified by a secondary conflict within labour on the question of ways and means of achieving a socialist society. The conclusion reached is that these novels can only be understood in relation to the polarised social and cultural attitudes of the 1930s, and in relation to their place in a history of miners' literature that appropriates literary forms to engage in a debate on the class nature of British society.<br>digitalisering@umu
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Schmuhl, Yvonne. "Römische Siegesmonumente republikanischer Zeit : Untersuchungen zu Ursprüngen, Erscheinungsformen und Denkmalpolitik /." Hamburg : Kovač, 2008. http://www.verlagdrkovac.de/978-3-8300-3425-4.htm.

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O'Neill, Sean J. "The Emperor as Pharaoh: Provincial Dynamics and Visual Representations of Imperial Authority in Roman Egypt, 30 B.C. - A.D. 69." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1313493890.

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Barbat, Victor. "Roman Karmen, la vulgate soviétique de l'histoire : stratégies et modes opératoires d'un documentariste au XXème siècle." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H047.

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A travers l’étude de l’œuvre du cinéaste Roman Karmen, nous souhaitons reconstituer un patrimoine et tenter d’en définir les enjeux autour de questions historiographiques. En effet, les images de l’opérateur soviétique n’ont pas seulement marqué l’histoire du XXème, elles ont en partie contribué à la construire en un objet unique. Les propriétés métonymiques de l’image (photographies et prises de vues) ont bouleversé notre perception en même temps qu’elles ont participé à la construction d’un récit historique général d’un nouvel ordre. Il s’agit d’un récit visuel complexe où se mêlent prises de vues sur le vif et mises en scène, motifs et emblèmes, personnages principaux, personnages secondaires et masses anonymes. Disséminées, ces prises de vues constituent le principal réservoir d’images dites d’archives dont se servent régulièrement les documentaristes contemporains pour faire « témoigner l’Histoire ». Retracer le parcours de Karmen permet de revenir aux sources de ces images, de comprendre leurs enjeux, leurs contextes de production et leurs rapports au sein d’une œuvre dont le récit se confond avec l’Histoire. Nous faisons ici l’hypothèse que ce récit constitué de prises de vues, d’actualités et de films documentaires est à l’origine « d’une vulgate soviétique de l’Histoire »<br>With the study of Roman Karmen’s cinematographic work, we want to retrace a heritage and to identify its implications through an historiographical approach. Not only did the Soviet filmmaker’s images go down in history but they also contributed to shape the twentieth century into a single object. Indeed, the metonymic properties of Karmen’s shootings (cinematographic photography and live action) upset our perception and contributed to build an historical account that sustains a new order. It is a complex visual narrative bringing together live action and staging, subjects and emblems, main characters, secondary characters and anonymous masses. Disseminated, Roman Karmen’s work is the main reservoir of “archival images” often used by contemporary documentary filmmakers as a mean to present “first-hand History”. Following Roman Karmen’s artistic itinerary allows us to gain a better understanding of these images: their initial purposes, their making process, and their relationships in a work within which story merges with History. We assume that this narrative consisting of pictures, cinematic newsreels, and documentary films shaped the “Soviet vulgate of history”
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Bell, Roslynne. "Power and Piety: Augustan Imagery and the Cult of the Magna Mater." Thesis, University of Canterbury. Classics and Linguistics, 2007. http://hdl.handle.net/10092/955.

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This thesis examines the ways in which the Magna Mater became an integral part of Augustan ideology and the visual language of the early principate. Traditionally, our picture of the Augustan Magna Mater has been shaped by evidence from literary sources. Here, however, the monuments of the goddess' cult are considered in their religio-political context. Works that link Augustus himself to the Magna Mater are shown to reveal that the goddess played a significant and hitherto unappreciated role in official propaganda. Part I examines the nature of the Augustan reconstruction of the Palatine Temple of the Magna Mater and challenges persistent claims that the princeps was disinterested in the metroac cult. Augustus' use of inexpensive building materials is shown to be, not a display of parsimony, but an attempt to retain the traditional appearance of a venerable structure. A reinterpretation of the temple's pedimental and acroterial sculpture, using the Valle-Medici reliefs, demonstrates that Augustus promoted the Magna Mater as an allegory of Rome's Trojan heritage and as a symbol of a new Golden Age. Part II investigates the topography of the Augustan precinct on the Palatine, and argues that the geographic linkage of the metroön and the House of Augustus became a topos in imperial imagery. It then demonstrates that several well-known works of art echo this connection between the princeps and the goddess. These works range from statues in the Circus Maximus designed to be viewed by thousands, to the Gemma Augustea, a luxury item intended for the elite. They are also found both inside and outside Rome. A reassessment of the Vicus Sandaliarius altar and the Sorrento base illustrates popular recognition of Augustus' reinvention of the Magna Mater as a national deity of Rome and the tutelary goddess of the Julio-Claudii.
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Hedlund, Ragnar. ""...achieved nothing worthy of memory" : Coinage and authority in the Roman empire c. AD 260-295." Doctoral thesis, Uppsala University, Classical archaeology and ancient history, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-8511.

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<p>This study examines how the Roman emperors <i>c</i>. AD. 260–295 attempt at maintaining their power-bases through legitimation of their claims to power, with reference to various potentially powerful groups of society, such as the military, the inhabitants of the provinces and the senate in Rome. The purpose has been to discern the development of ‘Roman imperial ideology’ in an age which has frequently been referred to as an ‘age of military anarchy.’ Focus is on how claims to power could be expressed through visual media. Of such media, mainly the coins struck for the emperors <i>c</i>. AD 260-295 have been studied. A close investigation has been made of the iconography of these coins. Furthermore, the ways in which coin-images are modified and combined with various legends are studied. An additional purpose of this investigation has been to provide a comment on the general potential of conveying visual imagery and messages on objects such as coins and medallions. </p><p>The study argues that novel, intricate and multi-layered images were created on the coins struck for the emperors <i>c</i>. AD 260-295. Furthermore, it is suggested that these coin-images were created to assume the function of larger-scale expressions of imperial authority, such as triumphal arches and imperial statues. This adaption of coinage was made because there was a need for intensified communication of imperial authority. This need arose due to the incessant warfare of the age, and a process of regionalization of the empire, which was connected to this warfare. The conclusion is that these coins provide an illustration of the development of the Roman empire in the second half of the third century. This was a development by which the city of Rome lost its importance in favour of regional capitals, and ultimately in favour of Constantinople.</p>
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Books on the topic "Roman Propaganda"

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Voĭnovich, Vladimir. Monumentalʹnai︠a︡ propaganda: Roman. Izd-vo "Izograf", 2002.

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Monumentalʹnai͡a propaganda: [roman]. Izd-vo "Izografus", 2004.

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Monumentalʹnai︠a︡ propaganda: Roman. Izograf, EKSMO-Press, 2000.

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Bagaral, Drora. Victory of propaganda: The dynastic aspect of the imperial propaganda of the Severi, the literary and archaeological evidence AD 193-235. Tempvs Reparatvm, 1996.

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Vicente, José Ignacio San. Moneda y propaganda política: De Diocleciano a Constantino. Universidad del País Vasco, Servicio Editorial, 2003.

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Baharal, Drora. Victory of propaganda: The dynastic aspect of the Imperial propaganda of the Severi, the literary and archaeological evidence AD 193-235. Tempvs Reparatvm, 1996.

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Baharal, Drora. Victory of propaganda: The dynastic aspect of the Imperial propaganda of the Severi : the literary and archaeological evidence AD 193-235m. Tempus Reparatum, 1996.

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Baharal, Drora. Victory of propaganda: The dynastic aspect of the imperial propaganda of the Severi : the literary and archaeological evidence, AD 193-235. Tempus Reparatum, 1996.

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Francisco, Marco Simón, Pina Polo Francisco, Remesal Rodríguez José, and Coloquio de Historia Antigua (1st : 2001 : Universidad de Zaragoza, Spain), eds. Religión y propaganda política en el mundo romano. Publicacions Universitat de Barcelona, 2002.

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E, Enenkel K. A., and Pfeijffer Ilja Leonard 1968-, eds. The manipulative mode: Political propaganda in antiquity : a collection of case studies. Brill, 2005.

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Book chapters on the topic "Roman Propaganda"

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Dewar, Michael. "11. Spinning the Trabea: Consular Robes and Propaganda in the Panegyrics of Claudian." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith. University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-016.

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"PROPAGANDA." In Aspects of Roman History 82BC-AD14. Routledge, 2010. http://dx.doi.org/10.4324/9780203856659-23.

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"Imperial Propaganda versus Kaiserkritik in the Accounts of the Second Incursion." In Latins in Roman (Byzantine) Histories. BRILL, 2021. http://dx.doi.org/10.1163/9789004499706_013.

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"4 Curial Communiqué: Memory, Propaganda, and the Roman Senate House." In Aspects of Ancient Institutions and Geography. BRILL, 2015. http://dx.doi.org/10.1163/9789004283725_007.

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RUBIN, ZEEV. "Res Gestae Diυi Saporis: Greek and Sasanian Anti-Roman Propaganda." In Bilingualism in Ancient Society. Oxford University Press, 2002. http://dx.doi.org/10.1093/acprof:oso/9780199245062.003.0011.

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"Roman Catholicism, Americanism and Americanisation: Ideology, Politics and Cultural Propaganda." In Post-War Italian Cinema. Routledge, 2011. http://dx.doi.org/10.4324/9780203884881-9.

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"The Sibyl and the Potter: Political Propaganda in Ptolemaic Egypt." In Seers, Sibyls and Sages in Hellenistic-Roman Judaism. BRILL, 1997. http://dx.doi.org/10.1163/9789004495753_016.

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Hunter Evans, Jasmine. "British Imperial Rhetoric." In David Jones and Rome. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198868194.003.0003.

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Chapter 2 is concerned with the political foundation of Jones’s Roman fragments, which stand as a challenge to British imperialism. In examining the Roman imperial analogy as it is appears in British political rhetoric across the nineteenth and early twentieth centuries, this chapter establishes the necessary context for understanding Jones’s poetry as a subversive response to imperial values, capitalism, and propaganda. Analysing the Roman fragments in this way provides the opportunity to explore both Jones’s engagement with British imperial rhetoric and his belief in the creative potential of the Roman analogy to speak to contemporary concerns. It demonstrates the ways in which he based his criticism of modern imperialism—whether of its hypocrisy or its direct acts of force (such as in the poem ‘Isis’ (1956) which responds to the Suez crisis)—within an ancient Roman setting.
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Veidlinger, Jeffrey. "Everyday Life and the Shtetl." In Polin: Studies in Polish Jewry Volume 30. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781906764500.003.0019.

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This chapter talks about the historiography and idea of the shtetl that has become so romanticized in the Jewish imagination of today that it has become difficult to separate fact from fiction. It looks at the antisemitic campaigns in interwar Poland by focusing on the propaganda of the radical movement called Ruch Narodowo-Radykalny propaganda. It also investigates the gender perspective on the rescue of Jews in Poland during the Second World War. The chapter discusses a report on the situation in Poland in mid-1941 that was prepared by Roman Catholic activists. It also looks at the interview with David Roskies on his most recent book on Holocaust literature, which was conducted by Paweł Wolski.
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Gannon, Anna. "The Bust." In The Iconography of Early Anglo-Saxon Coinage. Oxford University Press, 2003. http://dx.doi.org/10.1093/oso/9780199254651.003.0008.

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One of the most enduring legacies of Roman coinage is that of busts on coins. No matter how debased the image might appear to be, the appeal of classical prototypes is evident. Though Rome cannot claim to have introduced portraiture to coinage, it used it extensively to put forward political propaganda. On Roman coins portraiture passed from renderings of great realism to mystically idealized anonymous representations influenced by Hellenistic fashion, that is from standard profiles of Western type to three-quarter or frontal portraits of Oriental inspiration. With the advent of Christianity and the absorption of Greek abstract ideas of kingship and authority, models became more stylized with greater emphasis put on the symbols of authority rather than the physiognomy of the king. As Donald Bullough points out, it is now very difficult to appreciate the full impact that these images, whether ‘representations or presentations’, would have had on the people, because we see the coins in isolation, divorced from all the reinforcing ritualizing propaganda of the Imperial machinery. The perceived effectiveness of the imagery is evident from the close adherence to the convention of portraiture on the independent coinage of the Barbarian states. Portraits, whilst retaining their charismatic importance on coins, and many of the features of Roman prototypes, such as the positioning of the bust, headgear, and attributes, were flexible enough to accommodate different tastes and traditions, as well as artistic experiments and subtly changing propaganda messages. It is the variety of Anglo-Saxon responses that will be examined in the following sections, because these peculiarities are particularly valuable, as they allow us glimpses into ‘native’ customs and taste, and alternative sources of inspiration. Among these, for instance, are bearded portraits. Anglo-Saxon coins on the whole show clean-shaven faces, but those with beards are independent from Roman coins portraying curly-bearded emperors. The types of beards reproduced might mirror local fashions, or make a particular statement. One might wonder if the striking arrangement of the runes spelling the end of the name of the moneyer Tilbeorht on the East Anglian coins of Series R, recalling a throat beard under the chin, as seen on the Undley bracteate and the Sutton Hoo whetstone, may be a conscious archaism.
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Conference papers on the topic "Roman Propaganda"

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Kukharev, Alexander, and Alexander Rusu. "LEGAL SKETCH «THE SIGNIFICANCE OF THE LEGAL EXCUSES AND PROVERBS OF ANCIENT ROME AS A MEANS OF LEGAL PROPAGANDA ABOUT LEGAL KNOWLEDGE AND CULTURE»." In Current problems of jurisprudence. Publishing Center RIOR, 2020. http://dx.doi.org/10.29039/02032-6/136-141.

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This article discusses adaptation of the norms and ideals of Roman law to modern legal culture, the basis of Roman legal relations, which is the basis of modern law-making. It is important to learn how the culture of the law of ancient Rome influenced the formation of modern law of the digital age. The purpose of writing the paper was to highlight the influence of the legal culture of ancient Rome on modern reality.
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Carlan, Cláudio Umpierre. "Arte monetária romana reflexos: de uma propaganda." In Encontro da História da Arte. Universidade Estadual de Campinas, 2005. http://dx.doi.org/10.20396/eha.1.2005.3549.

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