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Mahoney, Brian E. "Substantial unity of the Roman Rite a structural interpretation /." Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
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Setitit, Alloysius. "A Roman-Indonesian rite of ordination a commentary and evaluation /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.
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Long, Alexander D. "The Development of the Roman Missal: Fostering the Growth of the Ordinary and Extraordinary Forms of the Roman Rite." University of Dayton / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1470605225.
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Faulkner, Neil Martin. "The rise and fall of the Romano-British towns." Thesis, University College London (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.300155.
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Wachs, Anthony M. "The rhetoric of aesthetics : the beauty of the traditional Roman rite of the Mass." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/661.
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Bunisset, Isabelle. "La dérision dans les premiers romans céliniens." Bordeaux 3, 2002. http://www.theses.fr/2002BOR30023.
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Cette étude a pour visée d'analyser le fonctionnement de la dérision selon une double perspective :l'écriture et l'imaginaire. Il s'est agi, non pas de donner une définition de la dérision , mais d'en dégager les phénomènes et les traductions formelles, d'en déterminer les motivations et les implications intimes, et de révéler l'extraordinaire puissance d'un tel comique qui se situe autant dans les forces vives de l'écriture que dans le déferlement d'un imaginaire débridé. La dérision n'a jamais cessé d'être pour nous la possibilité d'une voie royale menant au texte célinien, à ses richesses, ses profondeurs et ses zones d'ombre. Notre étude aura donc pour tâche de cerner la dérision célinienne, dans sa nature, sa tonalité parodique, sa finalité subversive. Puis notre étude proposera quelques pistes thématiques qui renseignent sur l'imaginaire propre à cette dérision. Dans ces romans, la dérision et la mort ne sont qu'un seul élan et une seule perception confondus. C'est ainsi que l'univers entier est gouverné par l'obsession de la mort, qu'il s'agisse de l'existence fébrile des hommes ou de la dégradation inéluctable du monde matériel. La dérision célinienne ne cesse de ressasser à même le texte cette fatalité atroce et grotesque qui unit les êtres et les choses Nous révélerons aussi cette complicité avec l'univers matériel qui est le défi de l'artiste, la rançon de son éternité. Nous tenterons de prouver que la singularité de la dérision célinienne réside dans l'intensité d'une écriture qui offre un puissant démenti au pessimisme ambiant, et qui ne cesse de combattre la mort dans les mots, dans ce mélange détonant de fougue et de tristesse, de désespoir tonique et de plaintes sarcastiques. Dans un premier temps, nous tenterons d'appéhender la dérision, cette fois-ci du côté des circonstance d'une vie et d'une pratique artistique.
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Tanaka, Shuko. "Le rire et la mélancolie dans les romans de Milan Kundera." Thesis, Strasbourg, 2013. http://www.theses.fr/2013STRAC008/document.
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Le rire et la mélancolie constituent l'ambiance dominante des romans de Milan Kundera. Ce sont les deux faces de son attitude vis-à-vis du narcissisme de l'homme reflété par ses personnages. Comme Narcisse, l'homme n'est jamais celui pour qui il se prend. Le narrateur présente cette vision kundérienne de l'homme, en racontant le comique et la misère des personnages. Comme le vécu de Kundera se reflète dans les situations des personnages, ce narrateur assume d'un côté une fonction d'autocritique. Mais d'un autre côté, ce narrateur reflète également le romancier, en prenant jusqu'au nom même de Kundera, et présente son image du romancier que croit être Kundera. Ainsi, Kundera lui-même n'est pas non plus hors de l'emprise narcissique. Néanmoins, le roman est le seul espace qui lui permet de méditer sa subjectivité narcissique en la relativisant. Pour Kundera, le roman permet d'échapper momentanément à la condition de Narcisse, grâce au jeu solitaire et sérieux de l'écriture dans les marges de l'hypothèseLaughter and melancholy constitute the dominant atmosphere of the novels of Milan Kundera. These are the two faces of his attitude about man’s narcissism and of which his characters are reflections. But man is never the person he thinks he is. Kundera expresses this vision of man through the narrators in his novels, who explore the comic and the miserable aspects of the characters appearing in them. Given the fact that the experience of Kundera is reflected in the characters’ situations, on one hand, the narrator endorses a function of self-criticism. On the other hand, this narrator reflects the novelist, sometimes taking even the name of Kundera himself, and presents his image of the novelist which Kundera believes himself to be. Therefore, Kundera is not free of narcissism. Nevertheless, the novel is the only place that allows him to ponder over his narcissistic subjectivity by the way of relativization. For Kundera, the novel enables him to escape momentarily the condition of Narcissus, by the solitary and serious game of writing in the margins of hypothesis
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Way, Anthony David, and res cand@acu edu au. "Lift Up Your Hearts:A Musico-liturgical Study of the Eucharistic Prayer of the Roman Rite." Australian Catholic University. School of Arts and Sciences, 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005.
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It is a well established fact that the practice of the eucharistic prayer in the roman, rite is seriously underdeveloped. This survey of complete or partially through -composed settings of the eucharistic prayer attempts to shed some light on why and how composers have responded to the wide-spread opinion that the eucharistic prayer is rarely experienced as the high point of the eucharistic celebration as it was intended. Divided into two parts, the study initially considers the official aims and norms of the post-conciliar liturgy, both in general and as they pertain to the eucharistic prayer, noting some tension between the aims and their realisation. Three broad themes are identified for the entire work: ritual structure, the role of music and participation. The texts of the eucharistic prayers are then discussed to see how the official expectations are realised. A survey of the theoretical writings on rnusic and the eucharistic prayer concludes the first part. The second part focuses on over 100 musical settings, both published and unpublished d the eucharistic prayer. After offering a general chronological overview of the music, noting its forces and general characteristics, the music is scrutinised to see whether its various parts are celebrated or submerged by music, the broader shape of the compositions is examined and then a discussion concerning participation issues follows. The use of tabulated data aids the discussion. While acknowledging that there are many ways to evaluate the usefulness of such compositions and that this study does not touch on their actual reception and performance, it is hoped the current work will offer some insights into the variety of existing responses to the challenge of the setting the eucharistic prayer and offer some suggestions as to how this important work may continue.
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Bond, Sarah Emily Talbert Richard J. A. "Ob Merita the epigraphic rise and fall of the civic patrona in Roman North Africa /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1043.
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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.Title from electronic title page (viewed Mar. 27, 2008). "... in partial fulfillment of the requirements for the degree of Masters in the Department of History." Discipline: History; Department/School: History.
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Schrüfer-Kolb, Irene. "Roman iron production in Britain : technological and socio-economic landscape development along the Jurassic Ridge /." Oxford : Archaeopress, 2004. http://catalogue.bnf.fr/ark:/12148/cb399435708.
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Correard, Nicolas. ""Rire et douter" : lucianisme, septicisme(s) et pré-histoire du roman européen (XVème -XVIIIème siècle)." Paris 7, 2008. http://www.theses.fr/2008PA070065.
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Peut-être le plus grand auteur ménippéen de l'Antiquité, sans doute le plus influent de la Renaissance aux Lumières, Lucien de Samosate satirisait les philosophes discordants. Sur son exemple, Alberti, Érasme, Rabelais, Quevedo, Cyrano, Swift, Voltaire, Sterne et bien d'autres (Galateo, Vives, Doni, Des Périers, Cunaeus, Saavedra Fajardo, Cavendish, Fontenelle, Prior, Peacock) satirisent les disputes savantes de leur temps, prenant pour cibles les métaphysiciens chimériques, les maîtres humanistes, les théologiens querelleurs, les pédants qui dogmatisent, les historiographes minutieux, les savants expérimentaux ou les philosophes systématiques. Notre thèse parcourt ce vaste corpus suivant un plan chrono-thématique : la première partie s'attache aux formes de la satire à la Renaissance, quand l'incrédulité lucianesque, le doute sceptique, l'anti-intellectualisme cynique et la réprobation chrétienne de la lidido sciendi se conjuguent dans la critique railleuse de la vanité et de l'incertitude affectant les discours savants. La seconde montre la marginalisation progressive de ce type d'écriture serio-comique, désormais perçu comme « littéraire », au cours des XVIIe et XVIIIe siècles. Destinée à être absorbée par le roman, cette tradition de la fiction pré-moderne permet de critiquer l'excès de savoir et d'intellectualité, de méditer en moraliste sur les limites de la connaissance, parfois de reconnaître humblement son ignorance pour la donner en exemple. Pour être comprise, l'invention fantaisiste ne doit pas être détachée de son enjeu épistémologique : quand la fiction traite les savoirs de fables et les doctes de fabulateurs, le rire est souvent l'autre face du doutePossibly the fînest of all Menippean satirists in antiquity and certainly the most influential from the Renaissance on to the Enlightenment, Lucian of Samosata used to satirize dissenting philosophers. Following his example, Alberti, Erasmus, Quevedo, Cyrano, Swift, Voltaire, Sterne and niany more (Galateo, Vives, Doni, Des Periers, Cunaeus, Saavedra Fajardo, Cavendish, Fontenelle, Prior, Peacock) intended to satirize the scholarly disputes of their time, targeting fanciful metaphysicians, masters of the humanist encyclopaedia, quarrelsome theologians, dogmatizing pedants, minute historiographes, experimental scientists or systematic philosophers. The first part of our study deals with the forms ma functions of satire during the Renaissance period: lucianic incredulity, sceptical doubt, cynical anti-intellectualism and the Christian reproof of libido sciendi ail concur in the jesting criticism of the vanity and uncertainty of science. The second part shows the progressive marginalization of this type of serio-comical writing, now perceived as "literary", during the early-modern period (XVIIth - XVIIIth century). Ultimately absorbed by the novel, this tradition of serio-comical fiction was originally very distinct from it: its main aim was to criticize the excesses of intellectuality and to meditate on the limits of knowledge. Sometimes, authors used it to express an openly sceptical point of view, confessing their ignorance to set an example. Their fanciful creations should not be detached from their epistemological point: when fiction treats knowledge as fables and scholars as fiction writers, laughing and doubting are often the two sides of the same coin
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Nguyen, Duy. "The Ancient Christian Ritual and its Theological Meaning in the 21st Century:A Study of the Sign of Peace in the Novus Ordo in the Roman Rite." Athenaeum of Ohio / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=athe1506338017115164.
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Jalabert, Laurent Martin Philippe. "Catholiques et protestants sur la rive gauche du Rhin droits, confessions et coexistence religieuse de 1648 à 1789 /." Nancy : Université Nancy 2, 2006. http://cyberdoc.univ-nancy2.fr/THESE/htdocs/docs_ouvert/doc282/2006NAN21020.pdf.
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Bélisle, Mathieu. "Le drôle de roman : rire et imaginaire dans les oeuvres de Marcel Aymé, Albert Cohen et Raymond Queneau." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115637.
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The drole de roman gathers works by Marcel Ayme, Albert Cohen and Raymond Queneau, French novelists who belong to the same generation, share common readers and inspiration and, most of all, a specific vision: the nonserious. Their novels draw from the most obvious manifestations of the comical tradition (farce, burlesque) to its most subtle (irony, parody). In their works, laughter does not occupy a secondary position nor does it simply provide some reading impressions. In fact, laughter is often expressed by the characters and narrators themselves, whose sense of mischeviousness demonstrates the Rabelaisian joy of body and soul.Besides, the drole is not restricted to its usual comical characteristics. In the prospect of literary history, it also refers to what stands apart from the realistic conventions inherited from Balzac and Zola. In other words, the drole is made of antirealism, merveilleux and fantasy. Thus, Ayme, Cohen and Queneau put forward their own response to the mimetic function of the 19th century realistic novel. Instead of renouncing the power of fiction, as Gide and Valery will often suggest, instead of denouncing its falseness, the three novelists give fiction even greater powers.
Based on the conclusions of the history of the novel and on studies concerning various aspects of its construction (the relation between reality and fiction, the conception of character and of its place in the community, the forms of the plot), this thesis wishes to shed light on the role and value of laughter through the study of three major themes: comedy, community and enchantment.
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Pham, Binh Van. "The Vietnamese concept of tình nghĩa in marriage and its contribution to the Roman Catholic rite of marriage." Chicago, IL : Catholic Theological Union at Chicago, 2008. http://dx.doi.org/10.2986/tren.033-0825.
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Toninato, Paola. "The rise of written literature among the Roma : a study of the role of writing in the current re-definition of Romani identity with specific reference to the Italian case." Thesis, University of Warwick, 2004. http://wrap.warwick.ac.uk/1224/.
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So far, textual hetero-representations of the Romani people (usually called `Gypsies' by the non-Roma) have focused on their foreignness and alleged `non-conformity' to the dominant order. Such depictions, conflating history and myth, art and reality, promote the perception of an unbridgeable divide between the `primitive', `illiterate' Roma and the `civilized' society. In this respect, the forging of a fictional `Gypsy' identity can be seen as an ethnic strategy aimed at endorsing harsh policies of oppression and social marginalization of the Roma. The recent rise of *a Romani written literature has shown that, contrary to common belief, the Roma cannot simply be defined as people `without writing'. This thesis aims to highlight the complex features of their literature, characterized by an irreducible plurality of voices and styles which is in striking contrast with the rigid, monolithic structure of the conventional images of the 'Gypsy'. The intertextual, hybrid features of Romani literature seem to suggest alternative ways of looking at Romani identity which substantially undermine the rigid binarism of ethnocentric definitions of the 'Gypsy'. More specifically, the study of Romani literature enables us to view Romani textual hetero- and auto-representations not as irreconcilable, mutually exclusive terms, but in the light of their interconnections and mutual influences. The adoption of a dynamic, intercultural approach is a crucial factor in our understanding of the complex features of Romani identity, and may ultimately contribute to a profound (and long due) reassessment of the troubled Roma/Gağe relationship.
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Ravet, Roger. "La vie et demie de Sony Labou Tansi : du rire a l'abjection : ressorts thematiques et effets d'un roman fondateur." Thesis, University of Aberdeen, 2002. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=128368.
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This thesis is an in-depth analysis of La Vie et demie, the first novel of the Congolese writer Sony Labou Tansi, which I consider as a foundational text to the five novels he wrote subsequently. The novel concerns an imaginary and chaotic country called Katamalanasie which is ruled by the Guide Proventiel, a cruel and sadistic dictator, followed in time by a string of equally barbaric and ruthless tyrants. The thesis explores in close detail the novel’s underlying themes, discusses the literary or mode it belongs to, and maps out the possible effects it has on the reader. My analysis has as its theoretical focus the violence, the ambiguity and the uncanny which characterize three important episodes. Following Christopher L. Miller’s recommendation, that a better understanding by a Western reader of a text emanating from, and embedded in, Africa should involve a dialogic reading of other texts, the thesis is structured as a dialogue between a range of theorists in the fields of the fields of philosophy, sociology, anthropology, psychoanalysis, and literary theory. This thematic exploration leads me to identify one overarching theme, namely the precariousness of the state of culture and the dangers of the state of nature. The literary aspects of this analysis shows that the highly ambiguous nature of the novel forces the reader to question and relativize his or her approach to any African writer whose work is set within an African context. And in a concluding stage to my thesis, I show how the effects of the violence, the ambiguity and the uncanny eventually give way to abjection, causing the reader to experience him or herself the dangers that the breakdown of the state of culture by barbarism represents.
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Jalabert, Laurent. "Catholiques et protestants sur la rive gauche du Rhin : droits, confessions et coexistence religieuse de 1648 à 1789." Nancy 2, 2006. http://docnum.univ-lorraine.fr/public/NANCY2/doc282/2006NAN21020.pdf.
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L'histoire confessionnelle de la rive gauche du Rhin est indissociable de l'histoire politique des XVIIe et XVIIIe siècles. Cet espace dominé par le protestantisme connaît de profonds bouleversements religieux après 1648 en raison de la politique d'occupation de Louis XIV et de changements propres aux dynasties princières : occupations, héritages et conversions ouvrent la voie au renouveau catholique. La phase de bouleversements des deux dernières décennies du XVIIe siècle s'achève avec le traité de Ryswick (1697) qui avalise au regard du droit international les nouveautés religieuses favorables au catholicisme ; les fondements de la paix d'Osnabrück (1648) doivent alors cohabiter avec une nouvelle règle confessionnelle qui reconnaît le culte public aux catholiques. Le XVIIIe siècle apparaît alors comme une longue phase de normalisation religieuse et d'approfondissement des identités confessionnelles qui se renforcent dans l'opposition mais qui coexistent également au quotidienThe denominational history on the left bank of the Rhine is indissociable from the political history of the 17th and 18th centuries. This period, which was dominated by Protestantism, knew deep religious upheavals after 1648, because of the policy of occupation led by Louis XIV, and because of the changes emerging from princely dynasties : occupations, heritages and conversions opened the way to the catholic revival. Some other upheavals that took place during the 17th century were ended by the treaty of Ryswick (1697), which endorsed the religious innovations favorable to Catholicism, taking international law into consideration. The bases of the peace of Osnabrück (1648) had then to cohabit with a new denominational rule which recognized the public worship with the Catholics. That's why the 18th century seems to be a long phase of religious standardization which witnessed the deepening of denominational identities, both reinforced in opposition and coexisting in everyday life
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FEITOSA, Maria de Belém Rolla Bôas. "Leitura recombinativa de palavras de inglês com onset e rime em braille e alfabeto romano em relevo por cegos." Universidade Federal do Pará, 2009. http://repositorio.ufpa.br/jspui/handle/2011/5743.
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Estudos têm demonstrado que o ensino explícito de discriminações de sílaba promove a emergência da leitura das sílabas de ensino, das sílabas com recombinação das letras das sílabas de ensino e a leitura de palavras formadas pelas sílabas de ensino e recombinadas. As pesquisas sobre leitura recombinativa em inglês têm demonstrado a emergência de leitura de novas palavras formadas pela recombinação de onset e rime. A presente pesquisa investigou se o ensino de leitura de palavras monossilábicas com recombinação de onset e rime pode promover a leitura de novas palavras em inglês, impressas em braille e alfabeto romano impressas em relevo. Três adultas cegas participaram do estudo que compreendeu três etapas. A Etapa I compreendeu um préteste, três sequências de ensino gradual de discriminações condicionais de palavras simples, intercaladas com fases de teste de leitura textual das palavras de ensino e recombinadas. Na Etapa Ic era aplicado um teste de discriminações condicionais entre palavra impressa em braille e palavra do alfabeto romano impressa em relevo. Nas Etapas II e III eram aplicados testes de leitura textual das palavras recombinadas simples (Etapa II) e compostas (Etapa III) e nomeação dos objetos correspondentes. Após esse teste, eram testadas as relações entre palavras ditadas e objetos (AB), palavras ditadas e palavras impressas (AC, AD), objetos e palavras impressas (BC, BD) e palavras impressas e objetos (CB, DB), que documentam a leitura com compreensão. Caso as relações AB não ocorressem, eram ensinadas. Após o teste das relações de equivalência BC, CB, BD e DB eram verificados os desempenhos de cópia e ditado. Nas Etapas Ia, IIa e IIIa, as palavras eram impressas em Braille; nas Etapas Ib, IIb e IIIb, em alfabeto romano em relevo. Todas as participantes alcançaram prontamente os critérios em todas ou na maioria das fases de ensino e teste. Todas as participantes apresentaram a leitura textual e com compreensão de quase todas as palavras simples recombinadas e compostas, impressas em braille e do alfabeto romano em relevo. Os resultados mostram a emergência de leitura recombinativa após o ensino de discriminações condicionais de palavras monossílabas formadas por onset e rime.
Studies have documented that the explicit teaching of discrimination of syllables promotes the emergence of reading of taught syllables, syllables with recombination of the letters of the taught syllables and the reading of words formed by taught and recombined syllables. Research on recombinative reading in English has demonstrated the emergence of reading of new words formed by the recombination of onset e rime. The present study investigated if the teaching of reading monosyllabic words formed by recombination among onset and rime promote reading of new English words in Braille code and Roman alphabet in raised letters to blind people. Three blind adults participated in the study that was divided in three stages. In Stage I, the participants were exposed to a pretest, three sequences of gradual teaching units of conditional discrimination interspersed with textual reading tests of training and generalization words. In Stage Ic it was applied a test of conditional discrimination among words printed in braille and words in Roman alphabet printed in raised letters. In Stages II and III, tests of textual reading of simple generalization words (Stage II) and compound words (Stage III) and the naming of objects were applied. After that, the relations AB (spoken words – objects), AC, AD (spoken words – printed words), BC, BD (objects – printed words) e CB, DB (printed words – objects) were tested. These relations have documented reading comprehension. After the equivalence tests, it was also verified the emergency of performance in copy and dictation. The words were printed in braille in Stages Ia, IIa e IIIa. The words in Roman alphabet were printed in raised letters in Stages Ib, IIb, and IIIb. All participants reached immediately the criterion in all or in most stages of teaching and test. All participants have presented both textual reading and reading comprehension of simple generalization words and compound words, printed in braille and Roman alphabet in raised letters. The results showed the emergence of recombinative reading after the teaching of conditional discrimination of monossilabic words formed by onset and rime.
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Kakoulidou, Kristina. "I romanernas tid : En studie av historiemedvetande, historiebruk och den historiska romanens funktioner i Vilhelm Mobergs romaner Raskens - en soldatfamiljs historia och Rid i natt! Roman från Värend 1650." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-12762.
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Bavuso, Irene. "The sixth and earlier seventh centuries : preconditions of the rise of the emporia." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:b0f77d19-e741-40a1-9af9-99dce539cbc9.
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This thesis assesses the sixth-/early seventh-century socio-economic roots of the eighth-century transmarine system connecting England and the Continent through major coastal trading sites (emporia). Part 1 discusses socio-economic developments in the coastal areas of Kent, Sussex, Hampshire and the Isle of Wight, and the Pas-de-Calais, through a close investigation of fifth- to early seventh-century archaeological evidence. The inclusion of later written sources has been fundamental to recognise that the two shores of the Channel were connected in a more complex network than previously assumed, beyond the major emporia. These areas are then considered comparatively: after challenging substantivist approaches that assume an overwhelming importance of gift-exchange in sixth-century England, Part 2 stresses the role of transmarine traffic and exploitation of natural resources in the socio-economic development of coastal areas. The examination of sixth-century written sources has also proved rewarding to reconsider the sixth-century political relationships between Franks and Anglo-Saxons. The role of kings, churches and laymen in the later transmarine network (seventh/eighth centuries) is then discussed by including the Thames Valley, the estuaries of the rivers Seine and Loire, and the Rhine Delta, examined through the written sources. One crucial question is the role of political actors in the development of a cross-Channel system of exchange. In this regard, scholars have mainly focused on the period when this system was already in place, pointing to a pivotal role of kings and political institutions for its establishment, or to the later appropriation by elites of a coastal area already integrated in the maritime network, but detached from political power. This thesis argues that a close link existed between elites and coastal areas before the emporia; thus, although kings were not the driving stimulus for the establishment of trading sites, the transmarine traffic fostered the socio-economic development of the coastal communities.
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AGUILAR, Fábio. "Emergência da leitura de palavras de inglês com recombinação de onset e rime em braille e alfabeto romano em relevo para cegos." Universidade Federal do Pará, 2011. http://repositorio.ufpa.br/jspui/handle/2011/10462.
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CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico
Pautado no paradigma de equivalência, as pesquisas sobre leitura recombinativa têm evidenciado que o controle parcial silábico dificulta a emergência da leitura e a necessidade do controle por todas as sílabas da palavra para promover a generalização da leitura. Pesquisas recentes têm demonstrado que o ensino explícito de discriminações das sílabas de ensino promove a leitura recombinativa e de novas sílabas recombinadas. Promove prontamente também a leitura textual e com compreensão de palavras formadas por essas sílabas. Nesses estudos, o controle parcial não é estabelecido e a emergência da leitura recombinativa é promovida prontamente. O ensino de palavras novas por recombinação utilizando segmentação onset e rime têm sido demonstrado como um elemento facilitador quando a língua inglesa é ensinada como língua materna. Utilizando a simbologia Braille e o alfabeto romano em relevo para cegos, investigou se por meio da utilização da discriminação de palavras com segmentação onset/rime facilitaria a leitura de novas palavras em inglês, como segunda língua. Participaram do estudo três pessoas cegas, leitores fluentes em Braille. O estudo compreendeu três etapas. Na Etapa I foi aplicado um pré-teste, o ensino das discriminações condicionais de palavras simples e teste da leitura textual das palavras simples de ensino e recombinadas em duas condições, em Braille e em alfabeto romano em relevo. Na Etapa II era aplicado um teste de leitura textual de palavras, teste e ensino das relações AB (palavras ditadas – objetos), teste das relações AC (palavra ditadas – palavras impressas), BC (objetos – palavras impressas) e CB (palavras impressas – objetos) com palavras simples e compostas e os testes de ditado e cópia. A Etapa III foi idêntica a Etapa II, substituindo-se as palavras simples pelas palavras compostas. A emergência da leitura de novas palavras simples e compostas em inglês impressas em Braille e no alfabeto romano em relevo ocorreu prontamente. No teste das relações emergentes e testes de cópia e ditado todos atingiram os critérios de acerto. Os resultados confirmam a eficiência do procedimento utilizado na emergência da leitura de palavras simples, compostas e recombinadas em inglês em participantes cegos.
Based on the equivalence paradigm, research on recombinative reading has evidenced that pardal syllabic control makes reading emergency difficult, and the need for control for all the word syllables in order to promote generalized reading. Recent research has shown the explicit teaching of discrimination of teaching syllables promotes recombinative reading and new recombined syllables. It also promptly promotes text reading with understanding of words formed by these syllables. In these studies, partia.' control is not established and recombinative reading emergency is promptly promoted. Teaching of new words through recombination of words by onset and rime segmentation has been showed as a facilitator element when the English language is taught as a mother tongue. By using the Braille system and Roman alphabet in raised letters to the blind people, it was investigated if using word discrimination with onset/rime segmentation it will facilitate the reading of new words in English as a second language. Three persons with visual impairment and fluent in Braille participated in the study. The study was divided in three parts. On Phase I a pre-test was given, conditional discrimination teaching of single words and the text reading test of teaching and recombined single words under two conditions, in Braille and in Roman alphabet in raised letters. On Phase II a test of word tpyt reading was applied, teci and teaching of AB relations (dictated words — objects), AC relation test (dictated word —printed words), BC (objects printed words) and CB (printed words objects) with single and composite words and a dictated test and copy. Phase III was identical to Phase II, replacing the single words by composite words. The emergence of new reading simple words and typeset in a combined English and printed in Braille on the Roman alphabet in relief occurred promptly in blind subjects. In testing the relationships emerging and copy test and dictation readily achieved all the criteria of success. The results confirm the efficiency of the procedure used in the emergence of rcading Singlc wutt15, wmpuunds and recombined in tnglish atter teaching conditional discrimination segmentation using onset / rime in the blind. The stimulus equivalence procedures to promote the emergence of reading with comprehension of words composed in combined and recombined in blind people. These results indicate that the procedure was effective teaching-learning can be characterized as errorless-learning. The results show the need to generate new teaching procedures more economical and efficient like alternative to the inclusion occuring.
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Amanatidis-Saadé, George. "Yazdgird I - He Who Maintains Peace in His Dominion: Re-examining the Rise and Fall of Romano-Iranian Relations in the Early Fifth Century." Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39075.
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It is generally acknowledged among scholars in the field of Late Antiquity that relations
between the Roman and Iranian Empires reached its climax in the early fifth century. Countless
sources report a variety of co-operative events depicting positive dealings between the Iranian
shah Yazdgird and the Roman emperors Arcadius and Theodosius II. On the other hand, there
exist just as many accounts that Yazdgird persecuted the Christians of his realm towards the end
of his life. We are thus left with opposing narratives about the Iranian monarch, and no
clarification about what truly transpired.
This thesis seeks to clarify the ambiguities surrounding Yazdgird‟s reign. In order to
achieve this goal, the events and circumstances that led to the apogee of Roman-Iranian relations
is first retraced. An examination of potential sources of tension follows this, with the thesis
culminating in the final chapter directly engaging the question of whether Yazdgird persecuted
the Christians of his realm or not.
The focus of this study is not solely to answer the question outlined above, but also to
analyze and revise the entire topic utilizing a more holistic approach. Recent scholarship on East
Syrian Christianity and the Sasanian Empire aided in providing alternative perspectives to the
traditionally unilateral Roman views of the outlined issues. These different viewpoints in turn
helped shape new interpretations and conclusions concerning the apogee and decline of RomanoIranian relations in the early fifth century.
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Ward, John Benjamin. "A comparative study of the impediments to marriage of the canon law of the Latin rite of the Roman Catholic Church and the law of the state of Maryland." Theological Research Exchange Network (TREN), 2005. http://www.tren.com.
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Zigui, Koléa Paulin. "Les contes à rire de la France médiévale, "Le Roman de Renart" et les contes d'animaux de l'Afrique de l'Ouest : étude de morphologie et de physiologie comparées. types, structures, idéologies." Tours, 1995. http://www.theses.fr/1995TOUR2029.
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La recherche des types, des structures et des idéologies des contes pose un double problème : une question de forme, aspect visible ; une question de fond, aspect caché. La première consiste en la décomposition des contes, des récits en unités constitutives : manipulation des unités narratives, des épisodes, des traits. Même si la comparaison révèle des rapprochements certains entre les récits renardiens et les contes africains, elle met aussi en exergue certaines spécificités culturelles. Avant tout, les contes de Renart et les contes africains sont des textes vocalisés. Occidental ou africain, le conteur est moins un philosophe qu'un amuseur. Mais son jeu s'appuie toujours sur une expérience sociale. Le discours narratif reflète les problèmes du milieu de son auteur. Dans le "Roman de Renart", l'idéologie féodale s'observe dans une sorte de dérision des individus et des valeurs, alors que les récits africains ressortent l'intérêt de la vie, la vie communautaire et de la hiérarchie, la hiérarchie des êtres et des choses. La littérature populaire est l'expression des aspirations, des angoisses, des fantasmes de la sociétéThe search for types, structures and ideologies in tales and stories raises a twin problem, on the one hand of form and of visible appearance, and on the one other of concealed, inner essence. The former is a matter of the breakdown of the tales and stories into their constituent units, involving the manipulation of the narrative units, episodes and storylines. Although comparative study reveals some similarities between the Renard tales and the african narratives, it highlights a number of culturally specific features. Above all, the renart and the african tales are socialised. Whether western european or african, the story teller is less of a philosopher than an entertainer. Yet the story telling technique is always based on social experience. The narrative discourse reflects the problems of the social environment of the author. In the "Roman de Renart", feudal ideology is observable as a kind of derision of individuals and values, whereas in the african tales there is a zest for life, and interest in community and hierarchical values, the hierarchy of beings and things. Popular literature is the expression of the aspirations, anguish, and fantasies of society
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Pénot, Alexandra. "Étude et projet d'édition du recueil de l'origine de la langue et poésie française, ryme et romans de Claude Fauchet." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE3062.
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Ce projet d’édition et d’étude du Recueil de l’origine de la langue et poesie françoyse, Ryme et Romans. Plus les noms et sommaires des œuvres de CXXVII. poetes françois, vivans avant l’an M. CCC. de Claude Fauchet est accompagné d’un commentaire du livre I. Publié en 1581, le Recueil de Claude Fauchet se donne pour mission de retracer l’origine de la poésie, de la langue française, de la rime et du roman ; un objectif précisé dès son titre et auquel répond le livre I. C. Fauchet entreprend de retracer ces genèses multiples sous un angle nationaliste. La haute estime qu’il a vis-à-vis de son pays transparaît à de nombreuses reprises, notamment lorsqu’il développe l’exportation internationale de la culture française, l’influence des poètes français sur leurs condisciples européens, la précocité littéraire de la langue vernaculaire française, etc. Toutes ces informations sont données selon une progression diachronique : sont d’abord précisées l’origine de la parole, puis celle du langage et de la langue, vient ensuite la diversification de celle-ci en idiomes divers et enfin les causes expliquant les mutations dont ils sont l’objet. Sont également développées dans le Recueil l’émergence et l’évolution de la poésie : sa naissance est dite grecque grâce à l’excellence des productions helléniques qui ont servi de modèles aux Romains. C. Fauchet distingue ensuite deux types de poésie : celle de langue latine et celle de langue vernaculaire. Alors que la première répond à un impératif de mesure et de quantité ; la seconde nécessite quant à elle de la mesure et du son. Pour cette raison, c’est à la poésie vernaculaire que revient l’émergence de la rime. L’ensemble des réflexions qui constituent le Recueil sont par ailleurs traitées de manière scientifique : C. Fauchet prouve sans cesse ce qu’il affirme par la caution d’auteurs et de textes variés manifestant l’étendue de son érudition ; il s’oppose également à tout ce qui relève du mythe et de l’invraisemblance, préférant aux discours fabuleux des explications rationnelles. En tant qu’humaniste, C. Fauchet tient à diffuser largement ses savoirs, c’est pour cette raison qu’il traduit presque systématiquement les citations qu’il emprunte, que celles-ci soient grecques, latines ou en vieux-haut-allemand. En aucun cas, le Recueil ne se veut polémique : chacune des positions est subtilement exposée et les réprobations deC. Fauchet sont toujours exprimées avec modération. Le Recueil est donc une œuvre riche, traitant de thèmes variés, et engagée dans la défense de la langue française. C’est d’ailleurs afin d’en conserver les premiers monuments littéraires que le livre II trouve sa raison d’être : afin de les préserver, C. Fauchet a recopié de nombreux extraits de textes de trouvères antérieurs à 1300 ; c’est uniquement grâce à lui que certains ont été conservésThis project of an edition of the Recueil de l’origine de la langue et poesie françoyse, Ryme et Romans. Plus les noms et sommaires des œuvres de CXXVII. poetes françois, vivans avant l’an M. CCC by Claude Fauchet comes with a commentary of the first book. Published in 1581, le Recueil, is expected to trace the origin of poetry, of the French language, rhyme, and novel : an objective which is clearly set in its title and accomplished in the first book.C. Fauchet undertakes this multiple genesis under a nationalist point of view : all of his work is tinged with patriotism. The high esteem he has for his country shows on numerous occasions, especially when he explains the international export of French culture, the influence of French poets on their European peers, the literary precocity of its vernacular language, etc. All these elements are unfolded in a diachronic progression : first the origin of the word and that of language ; then comes its diversification in various idioms ; and, finally, the causes for these variations. Also developed in the Recueil, is the emergence and evolution of poetry, said to be of Greek origins thanks to the excellence of Greek productions, which have served as models to the Romans. C. Fauchet makes a distinction between two types of poetry: Latin and vernacular. While the first addresses the need for measure and quantity, the latter requires measure and sound. For this reason, rhyme blooms in vernacular poetry. Besides, the sum of reflections which make up the Recueil are treated scientifically :C. Fauchet constantly proves what he says by the authority of authors and various texts demonstrating the extent of his erudition ; he also opposes anything mythical or implausible, preferring rational explanations to fables. As a humanist, C. Fauchet wishes to widely disseminate his knowledge ; this is why he almost invariably translates his quotes from Greek, Latin or Old High German. In no case is the Recueil meant to be controversial : each position is subtly exposed and C. Fauchet’s disapproval is always expressed with moderation. Therefore, the Recueil is a rich work, covering various themes, and is committed to the defence of the French language. It is also in the preservation of the first literary monuments that the second book finds its reason for being : to preserve them, C. Fauchet has copied many extracts from texts written by trouvères prior to 1300 ; it is exclusively thanks to him that some are preserved
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LEITÃO, Graça Maria Evangelista. "Ensino de discriminações de palavras com Onset/Rime e a emergência da leitura recombinativa em inglês da simbologia braille e do alfabeto romano em relevo em cegos." Universidade Federal do Pará, 2009. http://repositorio.ufpa.br/jspui/handle/2011/5587.
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Estudos recentes têm documentado que o ensino explícito de discriminação de sílabas promove a emergência da leitura das sílabas de ensino e das sílabas com recombinação das letras das sílabas de ensino. Promove também prontamente a leitura de palavras, formadas pelas sílabas de ensino e recombinadas. Estudos têm demonstrado a leitura de palavras novas com recombinação de onset e rime como fator facilitador quando a língua inglesa é ensinada como língua materna. O aprendizado do inglês por cegos tem sido documentado como um fator de inclusão. O presente estudo investigou se o ensino de discriminação de palavras com segmentação onset/rime facilita a leitura de novas palavras em inglês, como língua estrangeira, usando o Braille e o alfabeto romano em relevo. Três cegas, leitoras fluentes em Braille, participaram. O estudo compreendeu três etapas. Etapa I: Etapa Ia (auditivo/Braille), Etapa Ib (Braille/alfabeto romano em relevo) e Etapa Ic (auditivo/alfabeto romano em relevo). A Etapa I (a e b) compreendeu um pré-teste, fases de ensino de discriminações condicionais de palavras simples e testes de leitura textual das palavras simples e recombinadas. Na Etapa Ic era aplicado um teste de discriminações condicionais. Nas Etapas II e III eram aplicados testes de leitura textual das palavras simples recombinadas (Etapa II) e compostas (Etapa III) e nomeação de objetos. Eram testadas as relações entre palavras ditadas e objetos (AB), palavras ditadas e palavras impressas (AC), objetos e palavras impressas (BC) e palavras impressas e objetos (CB) que documentam a leitura com compreensão das palavras impressas em Braille e no alfabeto romano em relevo, e ainda, a emergência de cópia e ditado. As três participantes atingiram o critério de acertos em todas as fases em todas as etapas. Os resultados mostraram que o ensino de discriminações de palavras com a segmentação onset/rime facilita a emergência da leitura recombinativa em inglês, como língua estrangeira, com cegos falantes do português, usando o Braille e o alfabeto romano em relevo, mostraram ainda a emergência da leitura com compreensão com os procedimentos de equivalência de estímulos. Estes resultados indicam que novas tecnologias de ensino, que permitam uma maior inclusão de pessoas cegas na comunidade, podem ser geradas.
Recent studies have documented that the explicit teaching of discrimination of syllables promotes the emergence of reading of syllables of teaching and syllables with recombination of the letters of the syllables of teaching. It also readily promotes the reading of words formed by the syllables of teaching and recombined. Studies have shown the reading of new words with recombination of onset and rime as facilitator factor when the English language is taught as mother tongue. The learning of English by blind people have been documented as a factor of inclusion. This study investigated whether the teaching of discrimination of words with segmentation onset/rime facilitates the reading of new words in English, as foreign language, using Braille symbols and the Roman alphabet in raised letters. Three blind women, fluent Braille readers, participated. The study comprised three stages. Stage Ia (auditory/Braille), Stage Ib (Braille/Roman alphabet in raised letters) and Stage Ic (auditory/Roman alphabet in raised letters). In Stage I the participants were exposed to a pretest, teaching of conditional discrimination and textual reading test of training and generalization words. In Stage Ic it was applied a test of conditional discrimination. In Stages II and III were applied tests of textual reading of recombined simple (Stage II) and compound (Stage III) words and naming of objects. It was tested the relations between spoken words and objects (AB), spoken words and printed words (AC), objects and printed words (BC) and printed words and objects (CB) which documented the comprehension reading of the words in Braille and Roman alphabet in raised letters, and the emergence of copy and dictation. The three participants reached the criterion in all phases of all stages. The results showed that the teaching of discrimination of words with segmentation onset/rime facilitated the emergence of recombinative reading in English, as foreign language, with blind speakers of Portuguese, using Braille and Roman alphabet in raised letters, it also showed the emergence of reading with comprehension with the equivalence of stimuli procedure. These results indicate that new technologies for teaching, that enable greater inclusion of blind people in community, can be generated.
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Hamilou, Ahmed. "Le roman négro-africain d'expression française au lendemain des indépendances : analyse textuelle à travers "Les Soleils des indépendances" d'Ahmadou Kourouma, "Le Jeune-homme de sable" de Willams Sassine et "Le Pleurer-rire" d'Henri Lopes." Paris 12, 1988. http://www.theses.fr/1988PA120032.
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Dumoulin, Sophie. "Écriture ensauvagée, écriture de combat : une ethnocritique des romans de jeunesse de V. Hugo." Thèse, Université de Lorraine, 2013. http://www.archipel.uqam.ca/5729/1/D2502.pdf.
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Cette thèse porte sur l'univers ethnoculturel que donnent à lire les quatre premiers romans de V. Hugo : Han d'Islande (1823), Bug-Jargal (1826), Le Dernier Jour d'un Condamné (1829) et Notre-Dame de Paris (1831). La récurrence de certains motifs dans cette jeune écriture fait apparaître une architecture formée de réseaux symboliques que nous pouvons appréhender suivant deux grandes structures culturelles : la dialectique littératie/oralité (ou culture écrite/culture orale) et le schème carnaval/carême. Deux structures qui sous-tendent l'organisation fictionnelle et narrative de chacune des œuvres, et s'agencent de manière à y faire émerger une dynamique générale : l'antinomie ordre et désordre. Partant d'une approche ethnocritique (V. Cnockaert, J.-M. Privat, M. Scarpa), nous nous penchons ainsi sur la question des rites et des coutumes pris comme signes ethnographiques, et des modalités de leur intégration dans le tissu romanesque. Notre thèse repose d'une part sur l'étude des rapports entre ce qui relève de la logique du carême – les grandes institutions, qui imposent un ordre et instaurent des régimes oppressifs – et ce qui relève du carnavalesque (ou des pratiques collectives des carnavals traditionnels) – les personnages-désordre, qui sont tous voués à un destin singulier –, et s'attache à montrer d'autre part comment ces représentations ethno-logiques sont, suivant une perspective plus large, au cœur de relations belligérantes entre littératie et oralité. Nos lectures tiennent également à mettre en lumière ce qu'autorise cette pluralité culturelle à l'écriture même de Hugo, qui se veut une écriture de changement. Réappropriés par l'auteur, transformés dans et par l'écriture, les schèmes (et motifs) culturels reçoivent, de fait, « un nouveau sens dans le système de relations constitutif de l'œuvre » (Bourdieu). Aussi non seulement sont-ils à l'origine d'une carnavalisation littéraire (Bakhtine), mais encore donnent-ils lieu à la mise en place d'un système unifiant dans notre corpus de jeunesse. La portée polyphonique des effets de carnavalisation générés dans les textes – à partir de ces croisements, métissages et confrontations culturels – permet d'avancer une interprétation d'ensemble en regard des récits, de même qu'en regard de la pensée hugolienne (les vues, croyances et convictions de l'auteur) que véhiculent les romans. Il s'agit en somme, dans cette thèse, d'examiner comment Hugo, à travers une écriture de combat, éclaire autrement la situation générale de la France du début du XIXe siècle – la situation de cette jeune nation qui tente de se redresser après les violences (encore fraîches) de la Révolution de 1789.
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MOTS-CLÉS DE L’AUTEUR : Victor Hugo, Littératie, Oralité, Carnaval, Carême, Carnavalisation, Ethnologie du symbolique, Littérature, XIXe siècle.
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Hamilou, Ahme Ahmed. "Le Roman négro-africain d'expression française au lendemain des indépendances analyse textuelle à travers "Les Soleils des indépendances" d'A. Kourouma, "Le Jeune homme de Sable" de W. Sassine et "Le Pleurer-rire" de H. Lopez /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376142363.
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Robert, Jean-Simon. "Décoder le rire québécois : l'étude du phénomène humoristique dans les romans Aaa, Aâh, Ha ou les amours malaisées de François Barcelo et Les dindons du destin de François Landry." Mémoire, Université de Sherbrooke, 2014. http://hdl.handle.net/11143/5413.
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Dans la société québécoise, l'utilisation du mot humour est omniprésente. Que ce soit dans le domaine du spectacle avec les stand-up d'humoristes, au cinéma avec les comédies ou encore dans les téléséries, il est un composant essentiel du secteur du divertissement et des arts au Québec. Incidemment, il se retrouve également dans la littérature. Alors que les manifestations provoquées par le phénomène se limitent généralement à une appréciation par le rire, nous oublions fréquemment que l'humour – selon son concept théorique – va prendre une forme plus subtile, telle que l'image du sourire au travers des larmes que Freud propose dans son essai Le mot d’esprit et ses rapports avec l’inconscient. Nous nous proposons donc dans ce mémoire d'analyser l'humour présent dans deux romans québécois contemporains, l'objectif étant de déterminer de quelle manière il fonctionne, quels thèmes il exploite et s'il existe une corrélation dans son interprétation entre chaque œuvre.
Pour parvenir à nos fins, nous amorçons notre travail en circonscrivant les définitions des termes théoriques que nous utilisons ; par exemple, la différence primordiale existant entre le concept du comique, qui a pour objectif de produire un effet ludique – faire rire – et l'humour, qui, une fois décodé, produit une superposition de sens, de « scripts » différents. Pour décrypter ce sens second, nous procédons à l'analyse des personnages, de leurs interactions avec leur milieu et des interventions du narrateur dans la diégèse, en employant comme support méthodologique le modèle théorique de Violette Morin.
Dans le premier chapitre, nous procédons à l'analyse des personnages principaux du roman de François Barcelo, Ha, aaa, aâh ou les amours malaisées, habitant sur chaque île. D'abord Catherine et le maréchal St-André qui proviennent de Ha, ensuite Anatolanskov et Bessaguérini, membres du peuple vivant sur l'île de Aaa, puis Celsius 1er et Magina, couple royal à la tête de l'île de Aâh. Le rapport conflictuel que chacun nourrit avec le monde qui l'entoure témoigne de leur relation ambiguë avec l'autre à l'origine d'une bonne partie de l'humour retrouvé dans le récit.
Le second chapitre est consacré à l'analyse comparative de personnages dans la diégèse du roman de François Landry, Les dindons du destin, et qui manifestent une ressemblance troublante avec des figures mythiques importantes de la religion catholique. Ce chapitre analyse également les différents procédés stylistiques employés par le narrateur pour discréditer certains mythes de la chrétienté.
La dernière étape de notre mémoire met en relation les deux récits, ce qui permet de constater en quoi ils sont similaires et participent d'un même domaine littéraire culturel.
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Kahia, Béchir. "L'ironie dans l'oeuvre de Jean Giono d'après-guerre." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3000.
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L'ironie atteint au plus complexe par le plus simple, à la raison par l'irrationnel, à la puissance par la douceur, au sérieux par la raillerie. C'est l'éclosion de l'art de subversion ironique. Dans la tradition rhétorique, nulle mention n'est faite d'une forme d'utilisation littéraire de l'ironie qui permettrait au sein d'une oeuvre romanesque, dramatique ou poétique l'intrusion de la figure de l'auteur. Dans la période d'après-guerre, on voit un nouveau Giono qui renouvelle l'édifice de son oeuvre sur une sorte de vertige : l'ironie, les sous-entendus, l'implicite, les vides narratifs aussi bien dans le style que dans la conception du monde. Les oeuvres qui paraissaient au moment où naît cette ère du soupçon qui a divisé l'oeuvre et a changé l'esthétique de l'écrivain, sont les plus marquées par l'ironie. Giono assigne l'ironie à un foyer de production fictionnelle qui ne saurait bénéficier de quelques immunités philosophiques, esthétiques, techniques. L'ironie c'est aussi l'effet des procédés typographiques. Dans cet univers, toute authenticité risque d'être pervertie dans un roman. Mais l'ironie de Giono est avant tout une vision tragique du monde. Elle est également une interprétation de la condition humaine. Le romancier est donc celui qui nage dans les eaux troubles de la contradiction. Il examine le monde en dévoilant les ambiguïtésThe irony achieves to the most complex by the simplest, to the reason by the irrational, to the power by the sweetness, to the seriously by the mockery. It is the hatching of the art of the ironic subversion. In the Rhetoric tradition, no mention was made of a shape of a literary use of irony which would allow within a novelistic, dramatic or poetic work, the intrusion of the figure of the author. In the post-war period, we see a new Giono who renews the building of his work on a kind of dizziness: the irony, the allusions, the implicit and the narrative emptiness, in the style and in the conception of the world as well. The works which appeared as is born this era of suspicions which divided the work and changed the esthetics of the writer, are the most marked by the irony. Giono assigns the irony to a home of fictional production which could not benefit philosophical, esthetical, and technical immunity. Irony is also the effect of the typographic processes. In this universe, any authenticity risks to be perverted in a novel. But the irony of Giono is primarily a tragic vision of the world, a form of belonging to this world and a way of participation in its mockeries and its delights. It is also an interpretation of the human condition. The novelist is thus the one who swims in shady waters of the contradiction. He examines the world by revealing the ambiguities
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Ntsoulamba, Jean-Paul. "Oralité et écriture romanesque : étude comparative axée sur trois romans congolais : 1° La Légende de Mpfoumou Ma Mazono, de Jean Malonga ; 2° La Palabre stérile, de Guy Menga ; 3° Le Pleurer-rire, de Henri Lopès." Paris 3, 1993. http://www.theses.fr/1994PA030050.
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Les litteratures nationales negro-africaines sont aujourd'hui l'objet d'une etude approfondie. De nombreux travaux : memoires de maitrise et de dea, theses de doctorat et essais attestent avec brio cette realite culturelle. Ils font emerger et restaurent l'image des litteratures jusqu'alors meconnues sur l'echiquier international. Ces travaux s'appuient en general sur la tradition orale et offrent une vision poetique et esthetique pour peu qu'ils mettent en valeur les traits saillants de l'oralite. L'etude que nous presentons ici, souligne les donnees formelles de l'oralite et ses interferences avec l'ecriture romanesque. L'oralite s'inscrit donc implicitement dans l'ecrit litteraire. Cette peinture que nous vous offrons est un reservoir de resonances de la litterature congolaise d'expression francaise. Mais, cette peinture glose avant tout les gisements profonds du roman congolais meme si nous evoquons parfois d'autres genres litteraires aussi pregnants et signifiantsNegro-african national litteratures are nowadays the object of a thorough study. Numerous works : master's degree and detailed studies diploma papers, doctoral thesis and essays attest brilliantly to this cultural reality. They rise up and restore the image of litteratures which have remained unrecognized for a long time. Those works are generally based on oral tradition and offer a poetic and esthetic vision of the world so far as they lay on the outstanding aspects of orality. The study we present here underlines the definite data of orality and its interferences qith novelistic works. Orality is implicity framed in literary written work the painting here presented has a wealth of literary resonances from the congo a french speaking country. But this painting glosses before all the deep deposits of the congolese novel even if we sometimes evoke other literary styles which are so stately and so significant
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Marty, Christophe. "L’aventure coloniale dans le roman britannique vue par le cinéma américain : King Solomon’s Mines (1950), Kim (1950), The Quiet American (1958 ; 2002), The Man Who Would Be King (1975), Apocalypse Now (1979 ; 2001)." Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030125.
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Portant sur six adaptations hollywoodiennes de récits de Rider Haggard, Kipling, Conrad et Greene, ce travail analyse la manière dont le cinéma américain retravaille divers aspects des supports littéraires à des fins esthétiques [attention aux détails exotiques, remaniements narratifs, jeu des acteurs, couleurs, décors] et idéologiques [réflexion sur l’impérialisme colonial]. En confrontant les films et les récits qui les précèdent, il s’agit d’examiner la manière dont le cinéma prend appui sur la littérature pour tisser un réseau où transparaît le regard que Hollywood porte sur la tentation impérialiste américaineThe study focuses on six adaptations of narratives by Rider Haggard, Kipling, Conrad and Greene. It addresses the way Hollywood worked over several aspects of the literary works for aesthetic [attention to exotic details, reshaping of narratives, acting, colours, setting] as well as ideological purposes [a reflection on colonial imperialism]. Comparing the films with their literary antecedents, the study analyses the manner cinema is backed by literature to weave a network of signs which reveal Hollywood’s approach to American imperialist temptation
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Montlahuc, Pascal. "Le pouvoir des bons mots : "faire rire" et politique à Rome du milieu du IIIe siècle a.C. à l'avènement des Antonins." Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCC130.
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Ce travail reconstitue les mécanismes humoristiques propres à la concurrence politique des époques tardo-républicaine et impériale, dans le but de montrer les adaptations du risum mouere aux changements politiques et sociaux intervenus durant cette période. Il s’agit de dépasser une lecture théorique centrée sur le rire de l’homo urbanus et du bon orateur proposée par Cicéron et Quintilien pour lui préférer une lecture historicisée et combinatoire, considérant les orateurs, les traits d’esprit, les auditoires et les causes politiques comme un tout à l’agencement variable de ce que les Modernes nomment l’« humour politique ». Scrutant les divers contextes politiques de cet humour (les procès, le Sénat, les contiones, le Forum, la campagne militaire ou encore la rue), la recherche souligne également le passage, selon des rythmes syncopés résultant d’un repli de la causticité aristocratique face à César mais qui perdure à l’époque triumvirale, d’un « faire rire » frontal articulé autour du succès oratoire vers un humour fondé sur l’anonymat des correspondances, des graffitis ou des chants du triomphe. La dernière partie du travail, centrée sur le premier siècle du Principat, part de l’opposition établie par des sources pro-sénatoriales entre les « bons princes » et les « tyrans » pour mieux montrer que, ne se limitant pas à refuser ou à accepter le rire politique selon son degré de dangerosité pour leur autorité politique, les princes utilisèrent également le rire à leur profit, entretenant par là une « inaccessible accessibilité » au fondement du charisme impérial, permettant l’aboutissement de la « Révolution romaine »This work explores the links between risum mouere and Roman political competition from the two last centuries of the Republic to the beginnings of the Principate. It is necessary to go beyond a critical discussion of the influential theories of the good orator and homo urbanus (mostly conceptualized by Cicero and Quintilian) and instead to adopt a historicizing and complex reading of the phenomenon, conceiving political humor as an ever-changing object shaped by orators, jokes, audiences, and political struggles. In order to understand its role in the roman city, political humor thus needs to be considered as a contextualized whole. The first part of the dissertation considers risum mouere in the context of trials, in the Senate, on the Forum, in the street or at war. Each of these case studies reveals a type of political humor that is freely and openly used in public life. The second part tries to determine what impact Caesar’s rise and the triumvirs had on political competition and, at the same time, on the possibilities of using political humor in the city. This section sheds light on the multiple ways in which the aristocrats and people of Rome continued to mock the powerful (Caesar, Antony and Octavian) by using more discreet channels (correspondence, graffiti, triumphal songs), and how these enabled them to keep expressing strong political opposition, which was otherwise dangerous to address in broad daylight. The third and last part focuses on the first century A.D. and discusses the opposition elaborated by ancient authors between the “good prince”, who was naturally comfortable with political humor, and the repressive “tyrant”. A critical study of the literary documentation shows that every Princeps tended to discourage political humor when it meant an effective danger for the imperial authority, but also that emperors knew how to use laughter and humor to create a form of “inapproachable approachability” which constituted a foundation of imperial charisma and strengthened the new regime, born from the “Roman revolution”
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Gonçalves, Bruno. "L’appartenance à une Église de droit propre dans l’Église catholique. D’un principe juridique établi à une réalité malmenée." Thesis, Paris 11, 2014. http://www.theses.fr/2014PA111005.
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Au sein de l’Église catholique, les critères d’appartenance à une Église sui iuris ont évolué dans l’histoire du droit canonique notamment à l’occasion de la promulgation encore récente du code latin de 1983 et du code des canons des Églises orientales de 1990. Le droit positif témoigne du souci du législateur de privilégier désormais l’objectivité du critère, sans empêcher qu’interviennent des éléments d’appréciation liés à la volonté des personnes qui souhaitent changer de rite par exemple à l’occasion de leur mariage. La loi et la praxis du Saint Siège manifestent cette recherche difficile d’un équilibre entre un déterminisme objectif de l’appartenance rituelle et une liberté subjective de choisir son rite ou d’en changer. Mais, les mutations sociales et structurelles ecclésiales récentes, caractérisées par la multiplication de structures ecclésiastiques à caractère personnel dans le monde latin, qui font droit à la volonté subjective des fidèles et l’augmentation importante du nombre des catholiques orientaux en diaspora, conduisent à s’interroger sur la pertinence de privilégier le critère territorial par rapport au critère personnel des structures ecclésiales orientales. Sauf à les condamner à la marginalité, voire à la disparition, il convient désormais de réfléchir sur le lien institutionnel qui unit les Églises de droit propre à leurs fidèles. Le poids de l’histoire, celui des relations avec les autres Églises orientales orthodoxes et enfin celui de la tradition canonique doivent être à la fois intégrés et dépassés pour ne pas enfermer les Églises orientales catholiques dans une logique mortifèreWithin the Catholic Church, the criteria for belonging to a sui iuris Church have evolved throughout the history of Canon Law, particularly after the fairly recent promulgation of the Latin Code in 1983 and of the Code of the Canons of the Eastern Churches in 1990. Positive Law is proof of the care the legislator now takes to give priority to the objectivity of the criteria, whilst not preventing other elements to be taken into account, such as the desire of people who wish to change the rite, for example in the case of their marriage. Holy See law and Praxis are a witness to this difficult search for a balance between an objective determinism concerning adherence to the ritual and a subjective freedom to choose one’s rite or to modify it. However, society and Church structures have changed in recent years, changes which are characterized by the multiplication of ecclesiastical structures with a personal character in the Latin world, giving the Faithful the right to have their own personal wishes; and a growing number of Eastern Church members in Diaspora. This has led us to reconsider whether it is now at all pertinent to favour territorial criteria as opposed to personal ones in Eastern Church structures. Unless we wish to condemn them to a marginal position or even to disappear altogether, we must now reflect carefully on the institutional link between the Sui Iuris Churches and their Faithful. The weight of History, of the link with the other Eastern Orthodox Churches, and of the tradition of Canon Law must be simultaneously integrated and transcended if Eastern Catholic Churches are not to be trapped within a death-inducing logic
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Lesgourgues, Manfred. "Construire la parole des dieux : les rites mantiques et leurs agents dans les grands sanctuaires oraculaires du monde grec aux époques hellénistique et romaine." Thesis, Paris 10, 2019. http://www.theses.fr/2019PA100110.
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La pratique de la divination en Grèce ancienne est un phénomène bien connu du grand public, qui l’associe au personnage emblématique de la Pythie de Delphes. Inspirée par Apollon, cette prophétesse délivrait ses oracles en répondant aux questions que lui posaient les fidèles et l’on trouve dans de nombreux textes anciens le déroulement des consultations du dieu résumé sous la forme de deux affirmations complémentaires : « le fidèle a demandé » et « le dieu a répondu ». Pourtant, on ne saurait réduire la pratique divinatoire qui prenait place dans les sanctuaires oraculaires à un tête-à-tête entre deux personnes. Loin de se limiter à un agent inspiré, le personnel sacerdotal des sanctuaires oraculaires était nombreux et se trouvait mobilisé dans des rites complexes pour permettre de mettre en communication le monde des hommes avec celui des dieux. C’est à la diversité de ces agents et à la manière dont leurs interactions permettait qu’advienne la parole divine qu’est consacré ce travail. Dans une première partie, sont étudiés les agents qui participaient aux rites mantiques des sept sanctuaires oraculaires les mieux attestés du monde grec aux époques hellénistique et romaine : celui de Zeus à Dodone, d’Apollon à Didymes, Claros et Delphes, celui de Trophonios à Lébadée, d’Amphiaraos à Oropos et de Glykon à Abonoteichos. Chaque sanctuaire est l’objet d’un chapitre dans lequel sont considérés, un à un, tous les agents, humains ou non, qui prenaient part au rituel afin de reconstituer les rites d’interrogation du dieu dans leur spécificité. Dans un second temps, cette pratique est pensée de manière transversale comme une pratique institutionnelle qui mobilisait des acteurs distincts à trois niveaux différents : celui de la cérémonie, du rituel et de l’échange verbalDivination in ancient Greece is a well-known phenomenon, often associated with the emblematic character of the delphic Pythia. Inspired by Apollo, this prophetess delivered her oracles by answering the questions asked to her, and in many ancient texts the oracular consultations are summarized in the form of two complementary statements: "a man asked" and "The god has answered". However, the practices that took place in the oracular sanctuaries can’t be reduced to a tête-à-tête. Far from being limited to an inspired agent, the priestly staff of the oracular sanctuaries was numerous and took part in complex rites to enable the world of men to be put in communication with the gods. This work studies the diversity of these agents and the way in which their interactions allowed the divine word to come out. In the first part, we study the agents who participated in the rites of the seven oracular sanctuaries best attested in the Greek world in the Hellenistic and Roman times: the shrine of Zeus in Dodona, Apollo in Didyma, Claros and Delphi, Trophonios in Lebadeia, Amphiaraos in Oropos and Glykon in Abonoteichos. Each sanctuary is the subject of a chapter in which all the agents, human or not, who took part in the ritual are taken into consideration, in order to reconstitute the rites of questioning the god in their specificity. In a second part, this practice is thought more broadly as an institutional process who associated distinct actors at three different levels: the ceremony, the rite and the verbal exchange
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Bergin, Patrick Michael Jr. "The Offices for the Two Feasts of Saint Dominic." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1574380099239314.
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Brasebin, Jenny. "Road novel, road movie : approche intermédiale du récit de la route." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030088.
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Apparu au lendemain de la Seconde Guerre mondiale avec la publication en 1957 d’On the Road de Jack Kerouac et la sortie, 12 ans plus tard, d’Easy Rider de Dennis Hopper, le road novel et le road movie constituent à nos yeux les deux versants de ce que nous avons choisi de nommer le récit de la route. Devant l’absence de réelle étude conjointe entre les deux formes et la persistance d’amalgames, nous souhaitons mettre en évidence ce qui permettrait de distinguer le road novel et le road movie d’autres récits d’errance. Un tel travail nécessite la mise au jour d’un outil d’analyse intermédial permettant d’embrasser de concert des oeuvres relevant d’expressions médiatiques différentes. Nous proposons donc de recourir au concept de chronotope développé par Bakhtine en littérature, et dont il a été démontré il y a peu qu’il est aussi susceptible de s’appliquer à un objet cinématographique. Nous posons que road novel et road movie reposent sur la combinaison d’un ensemble de chronotopes fondamentaux : celui de la route, dans le contexte de la motorisation et des non-lieux de la postmodernité, et celui du seuil, compris comme l’expression du tournant d’une vie. La présence d’une dimension parodique nous amène en outre à mobiliser un autre concept bakhtinien : celui de carnavalesque, qui s’articulerait justement autour des chronotopes de la route et du seuil définis précédemment. Afin de procéder à cette analyse chronotopique, nous nous appuyons sur un corpus d’oeuvres empruntées au répertoire américain, québécois et allemand, en raison notamment des multiples passerelles susceptibles d’être érigées entre ces différentes culturesAppearing in the wake of World War II, with the publication in 1957 of On the Road by Jack Kerouac,followed 12 years later with the screening of Denis Hopper’s Easy Rider, the road novel and road movie constitute, we argue, two sides of what we call the road narrative. Faced with a lack of comprehensive studies embracing both sides concurrently, and with recurrent amalgams, we reflect on the components differentiating the road novel and road movie from other types of wandering stories. Such a project calls for the construction of an intermedial apparatus, enabling us to jointly encompass artworks belonging to different media formats. Consequently, we build on the concept of the chronotope, as developed by Bakhtin as a tool for literarycriticism, and recently extended by scholars to cinematographic objects. We show how road novels and roadmovies emerge from the combination of two fundamental chronotopes: that of the road, exemplified by a postmodern universe dominated by motor vehicles and non-places, and that of the threshold, understood as the expression of a critical turn in one’s life. The noted presence of a parodic dimension in road narrativescalls for the introduction of an additional bakhtinian concept: the carnivalesque, which, as we show, can be articulated in relation to the previously defined road and threshold chronotopes. For this chronotopical analysis, we selected artworks from the American, Quebecois and German repertoires, a choice justified by the numerous potential connections to be established between those three different cultures
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Larsson, Clarence. "Identity through the other : Canadian adventure romance for adolescents." Doctoral thesis, Umeå (Sweden) : Umeå university, 1996. http://catalogue.bnf.fr/ark:/12148/cb37048035r.
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Hedlund, Simon. "“The Kingdom of God cannot be inherited by ἀρσενοκοῖται! (1 Cor 6:9)” : Who are they, and why is Paul condemning them?" Thesis, Uppsala universitet, Nya testamentets exegetik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-254533.
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This paper will look at the interpretation and translation of ἀρσενοκοῖται (1 Cor 6:9) in the list of people who will not inherit the kingdom of God. The word is mentioned in 1 Cor 6:9-10, and it has been translated in ways going from “homosexual”, “men who lay with men” and “sodomite” to “a man who lets others use himself or who uses others for debauchery” and “pedophile”. By looking at the views on sexuality, and male same-sex sexuality in particular, pertaining the Greco-Roman society and the Jewish culture contemporary to Paul, and also paying attention to the textual context as well as the context of the congregation in Corinth, the study has its aim set on finding what the word might have denoted to the first readers in the congregation in Corinth, and to Paul. The goal, then, is not to find a translation of the word ἀρσενοκοῖται that is literal, but to find one that is as close to a dynamic equivalent as is possible. This goal will, hopefully, be attained by giving the translation to the modern reader that is the one most likely to connote the same ideas and emotional connotations as the Greek word did in its original context. As the meaning of words change with time and context, there is a need for a translation that can bridge the gap created by that shift of meaning. Building that bridge in the case of ἀρσενοκοῖται is the goal of this paper. When the meaning, or meanings, that is found most likely to have been attained by the ancient readers is found, there will be a critical evaluation of some of the modern translations (and some a bit older) of the word in 1 Cor 6:9 to see if there already exists a translation that can be said to reach the goal of dynamic equivalence, given the meaning that is found most plausible in this paper. The study will argue that that is not the case, and therefore also propose a new translation, one that is argued to be closer to dynamic equivalence than those that has been evaluated. This translation is ”Men who sexually exploit men to gain social powers”.Denna uppsats undersöker översättningen och tolkningen av ordet ἀρσενοκοῖται, det ord som avslutar 1 Kor 6:9 och är del av en lista över dem som inte kan ärva Guds rike (6:9-10). Ordet har översatts på olika sätt genom tiderna, med förslag som sträcker sig från “homosexuella”, “sodomiter”, “män som ligger med män” till “en man som låter utnyttja sig eller utnyttjar andra till osedlighet” och “pedofiler”. Genom att titta på hur sexualitet, och främst då manlig homosexualitet, sågs i den grekisk-romerska och judiska kontexten på Paulus tid, samt studera ordets litterära kontext och församlingens kontext i Korint, är målet att utröna vad ἀρσενοκοῖται bar med sig för betydelser och konnotationer för Paulus och de första mottagarna i Korint. Vad ett ord betyder är inte alltid statiskt över tid och rum utan förändras ofta, om än gradvis. Det riskerar därför att uppstå en klyfta mellan det som ordet från början innebar samt uppfattades som att det innebar, och hur det uppfattas idag. Den här uppsatsens mål är att överbrygga den klyftan för ἀρσενοκοῖται genom att ta reda på vad det grekiska ordet innebar i sin ursprungliga kontext och sedan ge en översättning som på bästa möjliga sätt ger en modern läsare konnotationer som i högsta möjliga grad stämmer överens med de konnotationer som de antika läsarna fick när de mötte ordet. Detta innebär alltså att målet inte är att ge en bokstavlig översättning av ἀρσενοκοῖται, utan en dynamisk ekvivalent översättning, där läsaren så långt det är möjligt får möjligheten att uppfatta det de första läsarna uppfattade. När den, eller de, meningar det är mest troligt att ordet bar med sig i sin ursprungliga kontext är konstaterade, kommer en kritisk utvärdering utifrån den slutsatsen göras av ett antal moderna översättningar (och några lite äldre), för att se om det finns en existerande översättning som uppnår dynamisk ekvivalens. Det kommer visa sig att så inte är fallet, och en ny översättning kommer därför att föreslås: ”Män som sexuellt utnyttjar män för att vinna social makt”.
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D'hour, Thomas. "Cultes et identités en France au XVIIe siècle : étude des calendriers et des livres liturgiques." Thesis, Clermont-Ferrand 2, 2014. http://www.theses.fr/2014CLF20012/document.
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Le XVIIe siècle est généralement considéré comme un moment de romanisation des liturgies diocésaines françaises, sur le modèle des ouvrages romains réformés à la fin du XVIe siècle par Pie V (le nouveau Bréviaire romain est imprimé en 1568). Toutefois, force est de constater que chaque diocèse conserve une certaine marge de manœuvre, notamment pour la conservation d’usages particuliers s’ils sont en pratique depuis deux cents ans, ainsi que le prévoit la bulle Quod a Nobis.Ce travail s’intéresse, par le prisme des calendriers liturgiques diocésains et des livres qui les contiennent, aux conséquences de ce mouvement de romanisation sur les cultes et l’identité des diocèses. Pour l’essentiel, la méthode choisie consiste à saisir cent trente-cinq calendriers, imprimés entre 1570 et 1680 par soixante-dix diocèses, sous la forme d’une base de données et à les interroger en série. Plus particulièrement, les calendriers sont l’objet dans les premières années du XVIIe siècle de profondes réformes, tant dans leur structure que dans leur contenu. Ainsi, le calendrier romain et les offices de saints contenus dans le Bréviaire ne sont pas adoptés de la même manière dans l’ensemble des diocèses du royaume de France. Il est alors possible de construire une cartographie des différents degrés d’adoption du modèle romain et d’identifier des espaces. De même, tous les diocèses ne font pas état d’autant d’usages propres les uns que les autres, notamment au regard du nombre de saints.Enfin, ces cultes particuliers peuvent également être partagés entre plusieurs diocèses, dessinant alors de nouveaux espaces de dévotions à certains saints, à l’échelle de la FranceUsually, the seventeenth century is considered as a time of romanisation of dioceses liturgy, following the model of Roman works that were reformed at the end of the 16th century by the pope Pie V (Roman breviary is printed in 1568). However, one has to come to the conclusion that each diocese keeps a certain margin especially concerning the conservation of particular uses if they had been in use for two hundred years, as scheduled by the bull Quod a Nobis.This study choses to show the consequences of the Roman reform on the identity and the worship of diocese through the prism of diocesan liturgic calendars and the books that contain them. Foremost, the chosen method consists in entering one hundred and thirty-five calendars, printed between 1570 and 1680 by seventy dioceses, in a data base and questionning them in series.More particularly, the calendars are the object in the early seventeenth century of deep reforms, in their structure as well as in their content. Hence, the Roman calendar and the saints services contained in the Breviary have not been adopted in the same way in all the dioceses of the French relm. It is then possible to build a cartography of the different degrees of adoption of the Roman model and identify spaces. In the same way, every diocese didn't mention as many particular uses as the others, especially in regard to the number of their own saints.Finally, these particular worships can be shared by several dioceses, defining new spaces of devotion to specific saints, on the French scale
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Obůrková, Radka. "Druhá římská jízda Karla IV." Master's thesis, 2013. http://www.nusl.cz/ntk/nusl-327805.
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The thesis "The Second Roman Ride of the Charles the Fourth" tries to cover the whole campaign of the Emperor Charles IV. between years 1368 and 1369. Also, thesis follows the basic questions related to the issues of the royal court during the journey. The first of those questions is about accompaniment of the Emperor Charles IV. on his journey across the Italian territory and how the court was transformed during the ride to Rome and back. The second question points out the effort to build the court of the Elizabeth of Pomerania, who was crucial person of the second Roman ride where she did not travel alongside the emperor. The last question attempts to describe the undergirding of the court during the campaign in italian cities - how the emperor and his court was accepted and welcomed, accommodated, supllied and gifted.
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Bellemare, Alex. "La poétique du rire dans Le Roman comique de Scarron." Thèse, 2012. http://hdl.handle.net/1866/9820.
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Cette étude se fixe un triple objectif. Il s’agira d’abord de décrire les représentations textuelles du rire dans Le Roman comique de Scarron, en établissant d’une part les conditions de possibilité du comique et, d’autre part, en montrant la dette qu’a contractée le genre de l’histoire comique du XVIIe siècle auprès de la poétique de la comédie classique. Nous préciserons ensuite la nature et le sens à donner aux stratégies dramaturgiques mises en œuvre par Scarron pour rendre compte de l’humanité comique, tantôt disqualifiée, toujours remise en question. Nous mettrons enfin en évidence l’originalité de la structure du roman de Scarron qui accueille contradictoirement des esthétiques ennemies. Expérience de l’insubordination et affirmation d’une conscience critique, le rire de Scarron, en même temps qu’il brouille les hiérarchies culturelles, littéraires et idéologiques de l’âge classique, induit une rhétorique de la lecture comique et délivre une vision sceptique du monde. Innervée par ce rire protéiforme et ambivalent, notre étude propose donc une interprétation globale du roman scarronien à partir de l’analyse détaillée de sa poétique.The following study has three main goals. We will first describe the textual representations of laughter in Scarron’s Le Roman comique, establishing on the one hand the conditions of possibility of the comic and by showing, on the other hand, the debt that the seventeenth century’s comic novels have contracted towards the poetics of the comedy. We will then identify the nature and meaning of the dramaturgical strategies used by Scarron to represent his comical characters, sometimes disqualified but always questionned. Finally, we will highlight the originality of Scarron’s novel structure that hosts contradictory aesthetics. While it blurs the frontiers of cultural, literary and ideological hierarchies, Scarron’s laughter, an experience of insubordination and an affirmation of a critical consciousness, induces a certain way of reading comedy and delivers a skeptical view of classical age’s world. Animated by this protean and ambivalent laughter, our study proposes a global interpretation of Scarron’s novel based on a detailed analysis of his poetics.
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Nadeau, Sébastien. "Le rire et les Tartares : relecture de l'enfer du tympan de l'église abbatiale Sainte-Foy de Conques (XIIe siècle)." Mémoire, 2013. http://www.archipel.uqam.ca/5612/1/M12825.pdf.
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Depuis le XVIIIe siècle, le tympan occidental de l'église abbatiale Sainte-Foy de Conques (dit du Jugement dernier) attire l'intérêt de nombreux chercheurs. Dès les premières analyses écrites, on peut déceler la prise de conscience d'un caractère singulier qui ressort de l'ensemble, soit, selon certains des auteurs les plus éminents à s'être pencher sur ce sujet, son côté « novateur », « anecdotique », voire plus précisément dans le cadre de cette étude, de ce qui le rend « caricatural », « comic », ou encore qui manifeste un « humour de la foi ». Ce choix lexical servant à qualifier l'image, qui renvoie à un ensemble de concepts bien distincts entre eux, quoique complémentaires, n'a jamais fait l'objet d'une étude servant à le théoriser et à en montrer la richesse rhétorique inhérente. L'étude ici présente a comme but spécifique de dépasser ce choix de qualificatifs, afin de découvrir comment opère sur le regardant le message visuel livré par cet ensemble sculptural (et par conséquent de ses pairs). Plus précisément, ce postulat affirme une lecture du tympan de Conques passant par une formulation synthétique des théories abordant le rire et la satire (surtout issues de contextes littéraires), en passant également par les théories anthropologiques de la ridiculisation d'un tiers. Ainsi, la sculpture romane se voit porter un tout nouveau regard qui assimile tout un pan de l'iconographie religieuse (et fort possiblement laïque, quoique ce volet soit délibérément laissé sous silence) aux pouvoirs législatifs et exécutifs des images, et ce, à une époque où la politique (i.e. science et pratique du gouvernement de l'État) n'a qu'esquissé par des textes certaines de ses prémices.
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MOTS-CLÉS DE L’AUTEUR : Rire, Satire, Art roman, Conques, Iconographie, Pouvoir de l'image, Enfer, Tartares, Jugement dernier, Sainte-Foy d'Agen, Église abbatiale Sainte-Foy, Vision de Matthieu
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Fanning, Rosalie Patricia. "The anthropology of geste and the eucharistic rite of the Roman mass." Thesis, 1994. http://hdl.handle.net/10413/6922.
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For sixty-five years hardly anyone in the English-speaking world was aware of the anthropological theories of Marcel Jousse, a
twentieth century Jesuit scholar. In 1990, Jousse's seminal work, Le style oral rythmique et mnemotechnique chez les verbo-moteurs. (The rhythmic and mnemotechnique oral style of the verbo-motors), was translated into English and given the name The Oral Style.
His anthropologie du geste, called in this study the anthropology of geste, presented his discovery of the universal anthropological laws governing human expression: mimism, bilateralism and formulism. Jousse had sought to understand the anthropological roots of oral style, in particular the phenomenal memory of oral style peoples. In this dissertation, Jousse's theories are summarised and his anthropological laws are used to determine whether three eucharistic prayers of the Roman rite contain elements of oral style expression. The Roman Canon, Eucharistic Prayer 1 and Eucharistic Prayer for Children 1 are set out in binary and ternary balancings. An attempt is made to show that written style expression, an inheritance from the Greeks, houses in its extraordinary complexity the very oral style elements it appears
to have superseded. The assertion made is that written style, with its predilection for subordination, actually conserves, preserves and perpetuates oral style balancings, not only in the simple sentence (what Jousse calls the propositional geste), but also in clauses, phrases, words, and sound devices. Support is given to T. J. Talley's view that the Jewish nodeh lekah (thanksgiving) and not the berakah (blessing) is the prayer source that influenced the structure of the early Christians' eucharist (thanksgiving in Greek). The expressions of thanksgiving that are a distinguishing feature of anaphoras from the 1st century AD onwards, continue to shape the eucharistic prayers today. This is offered as one reason why, in a reconstruction of Eucharistic Prayer for Children 1 presented at the end of Chapter 5, it is possible to balance one recitative with another, and the recitation of one prayer component with another. The dissertation concludes by recommending that oral studies of the Christian liturgies of East and West be pursued as they have much to contribute to the orality-literacy debate not only in the
matter of liturgical language but also in gaining an appreciation of other gestes of worship.Thesis (M.A.)-University of Natal, Durban, 1994.
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Whitfield, Hugo. "The Rise of Nemausus from Augustus to Antoninus Pius: A Prosopographical Study of Nemausian Senators and Equestrians." Thesis, 2012. http://hdl.handle.net/1974/7181.
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Prosopography seeks to learn about social patterns and establish relationships within a well-defined group of individuals, which is accomplished by studying their biographies and analyzing the data within defined parametres. The adlection of provincials into the equestrian and senatorial orders started during the late Republic and continued into the early Principate. It integrated provincials into Rome’s social and political systems and provides the opportunity to closely examine how their roles evolved as time passed during the early Roman Empire. This thesis will show that Nemausus, a provincial tribal settlement in Gallia Narbonensis, was one of the most important towns of the Roman Empire during the early Principate and achieved its prominence through sustained production of senators from Augustus to Marcus Aurelius and, in particular, through its prominent role during the dynasty of the Five Good Emperors. The role of its equestrians and their inability to attain the highest offices of their order will be discussed. Chapter Three will focus on Nemausus’ physical transformation as it was converted from a Celtic settlement into a Roman colony, and will lay the groundwork for its rise in the established social structures. Chapter Four will provide a detailed examination of Nemausian equestrians, evaluate their careers individually and illustrate how indispensable they were to Nemausus’ growth even if they did not attain the highest offices within their order. Chapter Five will focus on Nemausian senators much in the same manner as the previous chapter. Unlike their equestrian counterparts, Nemausian senators attained great heights in Rome, becoming generals, consuls, and advisors to the emperor. Eventually they became the Imperial family itself, placing the provincial town at the forefront of the Western Roman Empire. Chapter Five will also propose to narrow the scope of Syme’s Hispano-Narbonensian nexus to include only the towns of Italica and Nemausus due to their influence during the dynasty of the Five Good Emperors. A variety of evidence will be used throughout the discussion, in particular epigraphical and literary sources. By examining the careers of Nemausian elites, their impact on the Roman Empire and their native town’s increased status, will be discovered.Thesis (Master, Classics) -- Queen's University, 2012-04-26 16:30:58.26
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Way, Anthony David. "Lift up your hearts a musico-liturgical study of the Eucharistic Prayer of the Roman Rite 1963-2004 /." 2004. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp59.25092005/index.html.
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Thesis (M. Mus.) -- Australian Catholic University, 2004.Submitted in partial fulfillment of the requirements for the degree of Master of Music. Supplementary volume contains a collection of unpublished Eucharistic prayer settings by various composers. Bibliography: p. 214 - 253. Also available in an electronic format via the internet.
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Gariepy, Gilbert J. "A critical evaluation of the requirement of celibacy for diocesan priests of the Latin Rite of the Roman Catholic Church." 2008. http://hdl.handle.net/1993/21275.
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Němec, Jakub. "Reformy císaře Augusta." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-357440.
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The goal of this thesis is to summarize and describe August's accession to power and his legal reform in the spheres of the administration of the empire, financial administration, military, justiciary and family law. It is fascinating how one man during the period of his government managed to change all the political arrangements of the most powerful empire in the world in such a way that determined its direction and the development of the constitutional system for centuries ahead. The truth is, there was enough time for that. If August's government counts from the Battle of Actia, it took 45 years. No other emperor ruled the Roman Empire longer than him. This brought him the possibility to carry out all the reforms individually and gradually and he was very careful so that all his actions would make the appearance of continuity with the old republican system, and could not therefore be accompanied by any revolt by his contemporaries, although from the present perspective, these reforms in their totality were revolutionary indeed. However, we can also say that, with exceptions, such as the strong opposition of the population with his laws on family relations, these changes have been accepted peacefully. Indeed, this was also given by the fact that the company was already tired of a period of constant unrest...