Relevant bibliographies by topics / Roman sentimental

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Roman sentimental'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Roman sentimental"

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Cadet, Christiane. "Roman sentimental ou histoire de sentiments." Pratiques 50, no. 1 (1986): 101–10. http://dx.doi.org/10.3406/prati.1986.1390.

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Péquignot, Bruno. "Les femmes dans le roman sentimental moderne." L Homme et la société 99, no. 1 (1991): 115–25. http://dx.doi.org/10.3406/homso.1991.2542.

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Atzenhoffer, Régine. "Du roman sentimental à la littérature féminine érotique contemporaine." Germanica, no. 55 (December 30, 2014): 211–27. http://dx.doi.org/10.4000/germanica.2741.

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Sapino, Roberta. "Métamorphoses du roman sentimental. xixe-xxie siècle, éds. Fabi." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 581–82. http://dx.doi.org/10.4000/studifrancesi.5470.

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Boussahba-Bravard, Myriam. "Le roman sentimental Regency, entre continuités et ruptures (2000-2020)." Le Temps des médias 37, no. 2 (December 2, 2021): 164–82. http://dx.doi.org/10.3917/tdm.037.0164.

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Janjatović, Violeta. "Sentimental novel and transformation of the role of women in post-revolutionary America." Naucne publikacije Drzavnog univerziteta u Novom Pazaru. Serija B, Drustvene & humanisticke nauke 2, no. 2 (2019): 120–30. http://dx.doi.org/10.5937/npdunp1902134j.

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Agbamu, Samuel. "Smash the Thing: William Kentridge, Classical Antiquity, and his Refusal of Time in O Sentimental Machine." Classical Receptions Journal 14, no. 2 (January 11, 2022): 264–87. http://dx.doi.org/10.1093/crj/clab017.

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Abstract This article examines a 2018 exhibition of William Kentridge’s work, entitled O Sentimental Machine, at the Liebieghaus Skulpturensammlung in Frankfurt. This exhibition placed the South African artist’s work in confrontation with the museum’s collections, which offer an overview of sculpture from antiquity to early modernity. The exhibition draws together themes explored in Kentridge’s sustained engagement with Greek and Roman antiquity: critiques of triumphant narratives of history; questions of memorialization and ruination; and the probing of narratives of enlightenment, which begin with Plato’s allegory of the cave (Rep. 514a–521b). The first half of the article considers Kentridge’s dialogues with Greek and Roman antiquity in his wider works before turning to his Triumphs and Laments (2016), a series of images telling the story of Rome, imprinted on the embankment walls of the Tiber. The second half focuses on O Sentimental Machine, paying particular attention to The Refusal of Time, a piece presented at the exhibition. The article argues that this piece offers a compelling challenge to narratives of ‘civilisation’, at the centre of which lie hegemonic notions of time, underpinned by constructions of the classical tradition. Kentridge thus offers a vision for emancipatory engagements with Greek and Roman antiquity.
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Hajok, Alicja, and Katarzyna Gabrysiak. "Structures lexico-syntaxiques fondées sur les verbes hurler, crier, gémir dans le roman policier et dans le roman sentimental." Białostockie Archiwum Językowe, no. 22 (2022): 147–64. http://dx.doi.org/10.15290/baj.2022.22.08.

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The aim of our work is to describe some structures with hurler, gémir, crier in two literary genres: the detective novel and the sentimental novel. Focusing on structures with hurler, gémir, crier, we will try to show that there are privileged structures in a genre that convey additional information in specific contexts. Finally, we establish the conceptual scheme which consists of obligatory elements such as sound verb, sound element, appropriate interjection and other elements such as human names, body parts, appropriate predicate.
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Bernads’ka, Nina. "Novitniy ukrayinsʹkyy roman: zhanrovi poshuky." Studia Ucrainica Varsoviensia, no. 8 (August 31, 2020): 207–15. http://dx.doi.org/10.31338/2299-7237suv.8.16.

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The article outlines the main trends of development of the newest Ukrainian novel, its achievements and genre searches of the last decades. Increased interest of prose writers in historical subjects, documents, biographies has been noted, so the matrix of the historical novel is modified, history is artistically reproduced both as a private destiny of man, and as a hero, and as a trauma and as a game. At the same time, new psycho-biography novels, techno- and psychotriller novels, quotation books, retro-detectives are emerging for Ukrainian literature, and the genre of dystopia is being activated. The boundaries between mass and elitist literature are blurred, postmodern practices of writing are fading away, while realistic, romantic, even sentimental accents in the image of the past and present are intensified.
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Daiber, Karl-Fritz. "La religion dans le roman feuilleton allemand." Social Compass 34, no. 1 (February 1987): 109–29. http://dx.doi.org/10.1177/003776868703400108.

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The Author studies the mode of appearance of religion in the popular, serialized, German novel. Through the different versions of this literary genre (sentimental novel, medical novel, regional history, western...) the analysis permits the discovery of a functio nal, lived experience comparable to the religious experience habi tually investigated by the social sciences with the aid of other indicators. « Trivial religion » with this light shed upon it seems to corres pond rather well to aesthetic or philosophical needs for security, the very simple structure of which accord with the role of the con sumer as individual.
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Dissertations / Theses on the topic "Roman sentimental"

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Tennö, Beatrice. "Indiana de George Sand, un roman sentimental?" Thesis, Karlstad University, Division for Culture and Communication, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-601.

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Ali, Mohamad Amine. "L'écriture du roman sentimental chez Mme Cottin." Thesis, Toulouse 2, 2011. http://www.theses.fr/2011TOU20055.

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Constamment publiées, de la fin du XVIIIe siècle jusqu’aux années 1880, les œuvres de Mme Cottin ont eu un énorme succès à l’heure de leur publication. Traduites en sept langues, les œuvres de cette romancière lui assuraient, sous le Premier Empire et la Restauration, une réputation comparable à celle de Chateaubriand et de Mme de Staël. Pourtant, les moments de gloire ont été suivis, à partir de 1889, de larges éclipses voire d’un profond oubli.Ce contraste, entre une prodigieuse réputation et un oubli presque total, suscite un moment de réflexion et donne l’envie de feuilleter l’écriture sentimentale de cet écrivain qui a pu faire « battre le cœur de nos aïeules ». L’objet de cette thèse est de mieux faire connaître Sophie Cottin et de chercher à la fois les facteurs du succès et les causes de l’oubli dans lequel est tombée cette romancière. Cette thèse constitue, dans ce sens, une réhabilitation et un hommage à une femme qui a collaboré au succès du roman sensible et qui devrait retrouver sa place parmi les plus grands écrivains romantiques
Constantly published, of the end of the XVIIIth century until 1880s, Mrs Cottin's works had an enormous success at the time of their publication. Translated into seven languages, the works of this novelist assured her, under the First Empire and the Restoration, a reputation comparable to that of Chateaubriand and Mrs de Staël. Nevertheless, the moments of glory were followed, from 1889, by wide eclipses even of a profound oversight.This contrast, between a prodigious reputation and an almost total oversight, arouses a moment of reflection and gives the envy to go through the sentimental writing of this writer who was able to make " beat the heart of our grandmothers ".The object of this thesis is to become known better Sophie Cottin and to look at the same time for the factors of the success and the causes of the oversight in which fell this novelist.This thesis constitutes, in this sense, a rehabilitation and a tribute to a woman who collaborated in the success of the sensitive novel and who should find her place among the biggest romantic writers
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Soran, Stéphanie. "Le roman sentimental et ses avatars dans le roman contemporain de langue anglaise." Thesis, Paris 4, 2009. http://www.theses.fr/2009PA040127/document.

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Une nouvelle forme de roman sentimental est apparue durant les années 1990, faisant suite à la parution de Bridget Jones’s Diary destinée à la fois aux femmes (chick-lit) et aux hommes (lad-lit). Ces deux types de fiction se distinguent du roman sentimental sériel par leur narration et leurs thèmes qui n’avaient jusqu’à présent jamais été évoqués puisqu’ils offrent aux lecteurs un reflet de notre société actuelle. La thèse analyse ce nouvel avatar du roman sentimental et en dégage les spécificités aussi bien sur le plan narratif que thématique ainsi que les liens qu’il entretient avec le genre, sans négliger son aspect commercial
When Helen Fielding published Bridget Jones’s Diary in the middle of the 1990s, she gave birth to a new kind of romantic fiction written for women (chick-lit) and men (lad-lit). The difference with formulaic novels such as Mills and Boon, lies in the narration, characterisation and themes related to our times and society, that no romance writer had dealt with so far. The plots focus on men and women's every day lives. The thesis analyses the specificities of chick-lit regarding its narration and themes, the links with women’s fiction from earlier generations and the genre as well as its influence on mainstream novels
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Olivier, Séverine. "Le roman sentimental: productions contemporaines et pratiques de lecture." Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210245.

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Etiqueté péjorativement « roman à l’eau de rose », le roman sentimental, critiqué et plutôt méconnu, est pourtant un genre paralittéraire à succès. Bien qu’inspirant mépris et indifférence, cette production et son lectorat francophone méritent dès lors qu’on s’y attarde. Produit emblématique de la culture médiatique, le roman sentimental représente en effet un indicateur de mutations culturelles d’importance. Articulée en deux temps, notre analyse se centre, d’une part, sur les spécificités de cette production et, d’autre part, sur son lectorat francophone. L’examen du roman sentimental sous l’angle textuel, éditorial et auctorial est donc couplé à une enquête qualitative basée sur un ensemble d’entretiens semi-directifs visant à circonscrire les pratiques du lectorat, à éclaircir les motifs à la base de la lecture sentimentale et à déterminer sa fonction principale.
Doctorat en Langues et lettres
info:eu-repo/semantics/nonPublished
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len, Esther Helen Esther. "Plautus and the sentimental ideal of the Roman family." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/809/.

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In 1991 Suzanne Dixon published an article that suggested that, from the late Republic onwards, it is possible to detect a sentimental ideal of family life at Rome. She also argued that there is a significant paucity of affectionate terminology in Plautus' mid-republican works. My thesis looks for traces of a Roman sentimental ideal in Plautus' comedies. I analyse his plays, being careful to interpret them in the light of comic convention and paying attention to the varying forms of comic drama, and I search for sentimental themes related to wives and husbands, parents and children, the home, and slaves and outsiders. I consider the evidence and arguments used by Dixon and other historians and also look at modern examples of sentimentality (in literature and in other cultural material), using these as a tool to measure sentimentality in Plautus. My overall contention is that Plautus' metatheatrical plays deliberately explored and exploited the sentimental ideology of his original audience. In fact, some of the works’ humour depended upon the spectators' knowledge of the ideal and its claims upon their attention; Plautus wryly exposed the tensions that existed between the ideal and the realities of daily life. Plautus’ plays were successful and obviously communicated well with his contemporaries. I therefore conclude that sentimental ideology was well known in Rome prior to the late Republic – that it is an enduring concept, discernible in many cultures and eras.
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Vigier, Françoise. "Recherches sur le roman sentimental espagnol (vers 1440-1548)." Paris 3, 1992. http://www.theses.fr/1993PA030028.

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Le roman sentimental espagnol apparait au milieu du xveme siecle avec le siervo libre de amor de juan rodriguez del padron, atteint son apogee sous le regne des rois catholiques et acheve sa trajectoire en 1548 avec le proceso de cartas de amores de juan de segura, premier roman epistolaire. Ses dominantes generiques sont la narration a la premiere personne, le procede epistolaire, une fable sentimentale type au denouement tragique (mort, suicide du ou des heros) et un discours amoureux marque par la tradition courtoise. Ce genre doit etre mis en relation avec le developpement de la vie de cour et l'emergence de la femme dans la societe de la pre-renaissance et de la renaissance
The spanish sentimental romance appears in the middle of the fifteenth century with juan rodriguez des padron's siervo libre de amor, culminates in the age of the catholic monarchs and comes to an end in 1548, with the first epistolary novel, juan de segura's proceso de cartas de amores. The main generic traits of the spanish sentimental romance are narration in the first person, epistolary process, sentimental fable with a tragic ending (death, suicide of the hero(es)) and amorous discourse influenced by the courtly love tradition. This genre should be related to the development of court life and the emergence of woman in the pre-renaissance and the renaissance society
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Thiene-Basoli, Angela. "Le Mythe du grand amour dans le roman sentimental." Paris 7, 1985. http://www.theses.fr/1985PA07A012.

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Boisvert, Anik. "Le roman historique sentimental : le cas des "J'ai lu"." Thèse, Université du Québec à Trois-Rivières, 2009. http://depot-e.uqtr.ca/1659/1/030098489.pdf.

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Bigey, Magali. "Rencontres en séries. Matériel romanesque, lecteurs et lexique : une analyse du roman sentimental de type sériel (1942-2004)." Besançon, 2007. http://www.theses.fr/2007BESA1012.

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Associé à des images préconçues et pétrit de préjugés, le roman sentimental de type sériel est un produit de consommation qui représente un miroir social et culturel. Présent en France depuis plusieurs dizaines d’années, il a conquis un public hétérogène et fidèle. Quels sont les ressorts de ces romans qu’on dit tous similaires ? Que représentent-ils pour le lectorat ? Comment sont-ils perçus par ceux qui les lisent ? Comment sont-ils lu, appréhendés, interprétés ? Autant de questions auxquelles nous nous efforçons de répondre dans ce travail pluridisciplinaire. Les objectifs de cette thèse sont multiples : - sur un corpus constitué de 61 romans : réaliser une étude diachronique et morphologique du paratexte, des personnages et des schéma narratifs, analyser les évolutions de vocabulaire sur ce corpus numérisé de 2 millions de mots à l’aide de différents logiciels de lexicométrie ; du point de vue de la réception : enquêter auprès des lectrices d’une part, explorer un corpus constitué de messages issus d’un forum de discussion consacré à ces romans d’autre part, en convoquant les méthodologies du traitement automatique. Cette recherche a permis de mettre au jour les mécanismes à l’œuvre dans l’évolution du roman sentimental sériel depuis la seconde guerre mondiale, elle a également permis d’observer différents modes de réception et de lecture
Associated with preconceived images and full of prejudices, romance is a consumption product which embedies a social and cultural mirroring. In France for several decades, romance has gained an heterogeneous but loyal readership/audience. What are the motives of those novels which are said to be all similar? What do they represent for the readership? How are they perceived by those who read them? How are they read, apprehended and interpreted? These are some of the questions we try to give an answer to in this multidisciplinary work. The aims of this thesis are several : - On a 61-novel corpus: studying diachronically and morphologically the covers, the characters, the narrative patterns; analysing the lexical evolution on a digitized corpus of two million words thanks to different Natural Language Processing softwares ; - Studying reception, first by interviewing the readers, then by exploring a corpus constituted by messages posted on a discussion forum devoted to romance, applying Natural Language Processing methodologies. This research enabled to unveil the mecanisms involved in the evolution of romance since World War II, and to observe the different modes of reading and reception of these novels
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Ntsobé, Njoh André-Marie. "Victor Hugo, romancier : les apprentissages 1818-1829." Paris 10, 1985. http://www.theses.fr/1985PA100287.

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Books on the topic "Roman sentimental"

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Colloque sentimental: Roman. Paris: P.O.L., 2001.

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Un roman sentimental. Paris: Fayard, 2007.

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Thiên thần hai mặt. Hà Nội: Văn học, 2013.

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Un soupçon d'interdit: [roman]. Paris: France Loisirs, 2010.

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Schlechter, Lambert. Ruine de parole: Roman schématique & sentimental. Echternach, Luxembourg: Editions Phi, 1993.

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Randa, Philippe. L' assassin sentimental: Roman spécial-police. Paris: Fleuve Noir, 1987.

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Je suis un thriller sentimental: Roman. Montréal, Québec: Boréal, 2013.

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Céleste, Desoille Martine, ed. Eternels célibataires: Roman. Paris: Presses de la Cité, 2007.

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La promesse des sources: Roman. Paris: A. Michel, 1998.

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Colette, Vlérick, ed. Retour à Dublin. Paris: Presses de la Cité, 2012.

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Book chapters on the topic "Roman sentimental"

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Mehmood, Khawar, Daryl Essam, and Kamran Shafi. "Sentiment Analysis System for Roman Urdu." In Advances in Intelligent Systems and Computing, 29–42. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01174-1_3.

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Erstic, Marijana. "Livia als Emma." In »Madame Bovary, c'est nous!« - Lektüren eines Jahrhundertromans, 109–30. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839452844-009.

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Im Zentrum des Aufsatzes »Livia als Emma« steht Luchino Viscontis Film »Senso« (1954, dt. »Sehnsucht«). André Bazin zufolge ist dieser Film »der romanhaften Ästhetik ähnlich, die in der Tradition Flauberts steht und besonders durch den Naturalismus bekräftigt ist.« Zwar hat Viscontis Senso eine andere literarische Vorlage als Gustave Flauberts so genannten realistischen Roman »Madame Bovary«, doch ist seine Contessa Livia in ihrem Selbstbetrug und vielleicht auch in ihrem nüchtern geschilderten schwärmerischen Charakter Flauberts Figuren nahe. Diese sind bekanntlich für eine sentimentale Erziehung empfänglich, so vor allem, auf je unterschiedliche Art, Frédéric Moreau und Emma Bovary. Luchino Viscontis Film zeigt in flaubertscher Manier, was passiert, wenn der Wunsch nach einem anderen und vermutlich besseren Lieben und Leben jemanden ergreift, der zur Oberschicht gehört - und das inmitten einer Revolution. Der italienische Neorealist gestaltet in »Senso« aus der gleichnamigen Novelle Camillo Boitos einen filmischen und typisch italienischen Ehebruchsroman, der mit Verweisen auf die großen Romane des 19. Jahrhunderts arbeitet. So wird Livias und Emmas vergleichbare Vorliebe für Liebes-Sujets in Luchino Viscontis Film »Senso« auch als entlarvendes Kristallbild (Gilles Deleuze) eingesetzt. Der Beitrag befasst sich mit Parallelen und Unterschieden zwischen Text und Film.
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Khan, Moin, and Kamran Malik. "Sentiment Classification of Customer’s Reviews About Automobiles in Roman Urdu." In Advances in Intelligent Systems and Computing, 630–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03405-4_44.

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Noor, Faiza, Maheen Bakhtyar, and Junaid Baber. "Sentiment Analysis in E-commerce Using SVM on Roman Urdu Text." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering, 213–22. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23943-5_16.

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Khurana, Nisha. "Sentiment Analysis of Regional Languages Written in Roman Script on Social Media." In Lecture Notes on Data Engineering and Communications Technologies, 113–19. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4474-3_13.

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Revellio, Marie. "“Roma” in the Letters of Jerome. A Pattern and Sentiment Analysis." In Instrumenta Patristica et Mediaevalia, 461–82. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.ipm-eb.5.122969.

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Tihanov, Galin. "World literature, war, revolution: the significance of Viktor Shklovsky’s Sentimental Journey." In Roman Jakobson, linguistica e poetica, 139–47. Ledizioni, 2018. http://dx.doi.org/10.4000/books.ledizioni.4537.

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"Topique du jardin dans le roman sentimental (Grèce, France, Chine)." In Natura in fabula, 83–116. Brill | Rodopi, 2018. http://dx.doi.org/10.1163/9789004382152_007.

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Cadegan, Una M. "American and Catholic and Literature: What Cultural History Helps Reveal." In Roman Catholicism in the United States, 133–49. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282760.003.0007.

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This chapter focuses on the so-called “American Catholic literature” (in the form of diaries, journals, and descriptive accounts of their work intended for European sponsors). With the development of a print culture in the early national period, an American literature designed for a domestic audience began to emerge. The U.S. Catholic Church soon grew sufficiently well organized to generate its own separate literary apparatus meeting the varied needs of immigrants and acculturated readers alike. Catholics were melded into a parallel reading public by their common faith, largely insulated from a national literary industry supplying Protestant readers with tales of moral uplift and sentimental piety not so very different from the Catholic versions.
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Pintor, Ángela Magdalena Romera. "CODIFICATION ET STÉRÉOTYPES FÉMININS CHEZ DELLY DANS LE CADRE DU ROMAN SENTIMENTAL DU DÉBUT DU XXE SIÈCLE." In Escritoras y personajes femeninos en relación., 1049–62. Dykinson, 2021. http://dx.doi.org/10.2307/j.ctv20hcss2.71.

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Conference papers on the topic "Roman sentimental"

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Nazir, Muhammad Kashif, Mudassar Ahmad, Haseeb Ahmad, Muhammad Abdul Qayum, Muhammad Shahid, and Muhammad Asif Habib. "Sentiment Analysis of User Reviews about Hotel in Roman Urdu." In 2020 14th International Conference on Open Source Systems and Technologies (ICOSST). IEEE, 2020. http://dx.doi.org/10.1109/icosst51357.2020.9332979.

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Azhar, Nikhar, and Seemab Latif. "Roman Urdu Sentiment Analysis Using Pre-trained DistilBERT and XLNet." In 2022 Fifth International Conference of Women in Data Science at Prince Sultan University (WiDS PSU). IEEE, 2022. http://dx.doi.org/10.1109/wids-psu54548.2022.00027.

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Younas, Aqsa, Raheela Nasim, Saqib Ali, Guojun Wang, and Fang Qi. "Sentiment Analysis of Code-Mixed Roman Urdu-English Social Media Text using Deep Learning Approaches." In 2020 IEEE 23rd International Conference on Computational Science and Engineering (CSE). IEEE, 2020. http://dx.doi.org/10.1109/cse50738.2020.00017.

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Kim, Young-Min, Jong-Chan Park, and Dong-Soo Kwon. "Behavior Coordination of Socially Interactive Robot using Sentiment Relation Model." In RO-MAN 2007 - The 16th IEEE International Symposium on Robot and Human Interactive Communication. IEEE, 2007. http://dx.doi.org/10.1109/roman.2007.4415234.

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Talat, Muneeba, Hira Asim, and Ayesha Asmat. "Classification of Sentiments of the Roman Urdu Reviews of Daraz Products using Natural Language Processing Approach." In 2021 International Conference on Innovative Computing (ICIC). IEEE, 2021. http://dx.doi.org/10.1109/icic53490.2021.9692987.

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Durba i Cardo, Victor. "“Reptes en pràctiques tradicionals dins d'un món global”." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. València: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10330.

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En l'àmbit de la pilota valenciana s'assisteix a un escenari en què la gestió de la pràctica obeeix a interessos particulars i no a l'expressió d'un conflicte o a la denúncia de la desigualtat. La classe hegemònica valenciana ha fet una política institucional en què s'ha apropiat de les emocions i els afectes. A través d'una pràctica tradicional ha articulat un discurs que dota als valencians d'història i identitat. La pilota en el trinquet tradicional és, de fet, una pràctica cultural que encarna una resistència al canvi cultural. Aliè a les revolucions burgeses és una pràctica subalterna contrahegemònica que tensiona el debat institucional sobre la pràctica sense voler erigir-se com una institució a l'ús. Ultra això, roman com una pràctica en què la vessant tradicional, cultural i local preval per damunt de l'esportivització completa. Si el neolliberalisme ha trobat en l'esport l'escenari perfecte per plasmar el seu poder hegemònic, les institucions públiques valencianes han cercat un consens a fi d'esportificar aquest joc arrossegat en la lluita per adaptar-s'hi o morir, per mirar el present i afrontar el futur, és a dir, han intentat sotmetre la pràctica a una domesticació segons els canons esportius. D'aquesta manera es tempta la capacitat de renunciar a allò que fa aquesta pràctica diferent. S'ha entès el paradigma globalitzador com una relació de poder simètrica en una escala micro local-macro global i no s'ha considerat que la relació pot ser asimètrica i que, per tant, podria contemplar un canvi polèmic i conflictiu en què sentiments i emocions formen part d'aquesta política, si més no, tenint en compte que el desencant ha emergit entren els agents que configuren la pràctica arran d'aquestes decisions i que els conats de rebel·lia i inconformisme han estat eliminats quan els agents han intentat empoderar el canvi. La fraternitat i l'empatia amb els poder fàctics han estat els sentiments naturalitzats de manera que no s'atisbe cap element conflictiu i qüestionable a fi d'evitar incomodar i fer resorgir el conflicte. S'ha optat per amagar-ne d'altres com la resignació. Així, en un col·lectiu que, històricament, ha estat estigmatitzat per la ideologia hegemònica hi ha una desafecció cap a les institucions democràtiques valencianes que són vistes com alienes i contraproduents.
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7

Natsvaladze, Mamuka. "“GREEK PROJECT” – CLUE TO THE HISTORY OF GEORGIA 50-90-IES OF XVIII CENTURY." In Proceedings of the XXIII International Scientific and Practical Conference. RS Global Sp. z O.O., 2020. http://dx.doi.org/10.31435/rsglobal_conf/25112020/7247.

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Global international project of the 70-80-s of the XVIII century envisaging a new distribution of Europe based on the areas of the Ottoman Empire is reviewed in the article. This topic acquires a final feature in a conceptual form in the correspondence between Catherine II and the Emperor of Austria and the Holy Roman Empire Josephus II under the name of "Greek Project". The article is a scientific fragment of a monograph, reviewing the Greek Project in regard of the Caucasus for the first time in historiography. Initially, Soviet historiography strictly separated itself from the Greek Project, since the objective research of the latter would ensure presenting the Russian Empire as an aggressive state. Afterwards, the research of this project was converted into a narrow political framework and presented as a plan to conquer Crimea. The Greek Project can be unequivocally considered as a key to the history of Georgia of 50-80-ies of the XVIII century. A number of studies have shown that numerous problematic questions remain unanswered until the present day without considering the Greek Project. Patience and tolerance shown by the King of Kartli - Kakheti Erekle II towards the Russian intrigues cannot be explained without the Greek Project. Georgia acquires qualitatively different and desired form of all time through the implementation of the Greek Project. The Greek Project is an attempt to create a Christian global political model, a political background that can serve as a precondition for the restoration of a real united Caucasian Home, ensuring a guarantee of irreversible development and security for all royal principalities and khanate in the Caucasus. This is the reason, the state oriented thinker Erekle II, avoids responding with aggression to the permanent intrigues of Russia. Erekle II tries to get involved in this great political game as a sovereign of a full-fledged political entity. Such attitude of Erekle is a guarantee of success for the Imperial Court of St. Petersburg. However, Russia chooses a completely different way - confronting Erekle's benevolent alliance with hostile, imperial sentiments. The main message of these sentiments is that a united Caucasus, independent Georgian kingdoms for Russia is considered to be an anti-Russian phenomenon. This consistent and hostile attitude towards the Caucasus became the reason for the failure of Russian policy - it could neither establish a model of Christian globalization nor neutralize the Ottomans. Therefore, the study and understanding of the referred problem is rather important to determine the directions and priorities of modern political processes.
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8

Maruggi, Maria. "L'eau comme élément symbolique dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa." In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3132.

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Dans La Chartreuse de Parme de Stendhal, Les Années de Virginia Woolf et dans Le Guépard de Tomasi di Lampedusa, l'eau est présente en tant qu'élément symbolique et se charge de significations profondes. Dans La Chartreuse de Parme l'eau renvoie à la nostalgie de la patrie idéalisée, l'Italie. En particulier le souvenir de la vue du lac de Côme, avant que l'écrivain quitte l'Italie en 1821, revient dans le texte à plusieurs reprises. Ce lac est « sublime » aux yeux de Fabrice, pour qui « rien d'aussi beau ne peut se voir au monde ». L'eau, dans La Chartreuse, se manifeste ainsi sous forme de larmes ; les personnages pleurent sans cesse, exprimant les sentiments les plus profonds de leur âme, voire la joie ou le malheur. Comme l’a montré Gaston Bachelard, l'eau, peut assumer un double caractère, maternel et de rêverie. L’œuvre de Stendhal en est la parfaite illustration. Dans Les Années, les personnages, en regardant l'eau, semblent revivre les mêmes expériences intérieures que l'écrivaine avait vécues et décrites dans son journal intime. De l'eau émergent les images du passé de Rose. Il s'agit d'un passé désormais enseveli mais douloureux. Ainsi, l'eau fascine les personnages qui s’arrêtent et contemplent, comme hypnotisés, cet élément naturel. Dans Le Guépard, l'eau se charge de fonctions symboliques mais elle est ainsi présente au niveau du style. Lorsque le prince Salina meurt dans sa chambre d’hôtel située au bord de la mer, la description intérieure de sa mort se fait par des images aquatiques : « Ce n'était plus un fleuve qui déferlait de lui, mais un océan, en tempête, hérissé d'écume et de grosses vagues déchaînées... ». À travers une lecture comparée, nous verrons comment Stendhal, Tomasi di Lampedusa et Virginia Woolf, ont représenté dans leurs romans la nostalgie, la profondeur de l’âme ainsi que le binôme vie-mort à travers l'eau. DOI: http://dx.doi.org/10.4995/XXVColloqueAFUE.2016.3132
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