Journal articles: 'Roman sentimental'

1

Cadet, Christiane. "Roman sentimental ou histoire de sentiments." Pratiques 50, no. 1 (1986): 101–10. http://dx.doi.org/10.3406/prati.1986.1390.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Péquignot, Bruno. "Les femmes dans le roman sentimental moderne." L Homme et la société 99, no. 1 (1991): 115–25. http://dx.doi.org/10.3406/homso.1991.2542.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Atzenhoffer, Régine. "Du roman sentimental à la littérature féminine érotique contemporaine." Germanica, no. 55 (December 30, 2014): 211–27. http://dx.doi.org/10.4000/germanica.2741.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Sapino, Roberta. "Métamorphoses du roman sentimental. xixe-xxie siècle, éds. Fabi." Studi Francesi, no. 180 (LX | III) (December 1, 2016): 581–82. http://dx.doi.org/10.4000/studifrancesi.5470.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Boussahba-Bravard, Myriam. "Le roman sentimental Regency, entre continuités et ruptures (2000-2020)." Le Temps des médias 37, no. 2 (December 2, 2021): 164–82. http://dx.doi.org/10.3917/tdm.037.0164.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Janjatović, Violeta. "Sentimental novel and transformation of the role of women in post-revolutionary America." Naucne publikacije Drzavnog univerziteta u Novom Pazaru. Serija B, Drustvene & humanisticke nauke 2, no. 2 (2019): 120–30. http://dx.doi.org/10.5937/npdunp1902134j.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Agbamu, Samuel. "Smash the Thing: William Kentridge, Classical Antiquity, and his Refusal of Time in O Sentimental Machine." Classical Receptions Journal 14, no. 2 (January 11, 2022): 264–87. http://dx.doi.org/10.1093/crj/clab017.

Full text

Abstract:

Abstract This article examines a 2018 exhibition of William Kentridge’s work, entitled O Sentimental Machine, at the Liebieghaus Skulpturensammlung in Frankfurt. This exhibition placed the South African artist’s work in confrontation with the museum’s collections, which offer an overview of sculpture from antiquity to early modernity. The exhibition draws together themes explored in Kentridge’s sustained engagement with Greek and Roman antiquity: critiques of triumphant narratives of history; questions of memorialization and ruination; and the probing of narratives of enlightenment, which begin with Plato’s allegory of the cave (Rep. 514a–521b). The first half of the article considers Kentridge’s dialogues with Greek and Roman antiquity in his wider works before turning to his Triumphs and Laments (2016), a series of images telling the story of Rome, imprinted on the embankment walls of the Tiber. The second half focuses on O Sentimental Machine, paying particular attention to The Refusal of Time, a piece presented at the exhibition. The article argues that this piece offers a compelling challenge to narratives of ‘civilisation’, at the centre of which lie hegemonic notions of time, underpinned by constructions of the classical tradition. Kentridge thus offers a vision for emancipatory engagements with Greek and Roman antiquity.

APA, Harvard, Vancouver, ISO, and other styles

8

Hajok, Alicja, and Katarzyna Gabrysiak. "Structures lexico-syntaxiques fondées sur les verbes hurler, crier, gémir dans le roman policier et dans le roman sentimental." Białostockie Archiwum Językowe, no. 22 (2022): 147–64. http://dx.doi.org/10.15290/baj.2022.22.08.

Full text

Abstract:

The aim of our work is to describe some structures with hurler, gémir, crier in two literary genres: the detective novel and the sentimental novel. Focusing on structures with hurler, gémir, crier, we will try to show that there are privileged structures in a genre that convey additional information in specific contexts. Finally, we establish the conceptual scheme which consists of obligatory elements such as sound verb, sound element, appropriate interjection and other elements such as human names, body parts, appropriate predicate.

APA, Harvard, Vancouver, ISO, and other styles

9

Bernads’ka, Nina. "Novitniy ukrayinsʹkyy roman: zhanrovi poshuky." Studia Ucrainica Varsoviensia, no. 8 (August 31, 2020): 207–15. http://dx.doi.org/10.31338/2299-7237suv.8.16.

Full text

Abstract:

The article outlines the main trends of development of the newest Ukrainian novel, its achievements and genre searches of the last decades. Increased interest of prose writers in historical subjects, documents, biographies has been noted, so the matrix of the historical novel is modified, history is artistically reproduced both as a private destiny of man, and as a hero, and as a trauma and as a game. At the same time, new psycho-biography novels, techno- and psychotriller novels, quotation books, retro-detectives are emerging for Ukrainian literature, and the genre of dystopia is being activated. The boundaries between mass and elitist literature are blurred, postmodern practices of writing are fading away, while realistic, romantic, even sentimental accents in the image of the past and present are intensified.

APA, Harvard, Vancouver, ISO, and other styles

10

Daiber, Karl-Fritz. "La religion dans le roman feuilleton allemand." Social Compass 34, no. 1 (February 1987): 109–29. http://dx.doi.org/10.1177/003776868703400108.

Full text

Abstract:

The Author studies the mode of appearance of religion in the popular, serialized, German novel. Through the different versions of this literary genre (sentimental novel, medical novel, regional history, western...) the analysis permits the discovery of a functio nal, lived experience comparable to the religious experience habi tually investigated by the social sciences with the aid of other indicators. « Trivial religion » with this light shed upon it seems to corres pond rather well to aesthetic or philosophical needs for security, the very simple structure of which accord with the role of the con sumer as individual.

APA, Harvard, Vancouver, ISO, and other styles

11

Sag, Mélanie. "1599-1629 : le roman français du premier xviie siècle et la mémoire des guerres de Religion." Tangence, no. 111 (December 23, 2016): 71–90. http://dx.doi.org/10.7202/1038507ar.

Full text

Abstract:

Alors qu’on associe le souvenir des guerres de Religion dans la fiction française au genre des nouvelles historiques et galantes des années 1660, cet article montre comment le roman (sentimental, chevaleresque et d’aventures) du début du xviie siècle a été un premier lieu de mémoire de ces guerres civiles. Les diverses modalités de fictionnalisation de l’histoire ainsi que le traitement romanesque de la violence sont exposés, dans le souci de dégager la spécificité de l’approche romanesque de la guerre civile. Finalement, c’est le travail de mémoire singulier de chaque sous-genre romanesque que met en lumière cette recherche : souvenir partageable, mémoire militante des troubles ou lecture critique du passé pour mieux agir au présent. Les romans écrits entre 1599 et 1629 proposent ainsi une palette intéressante de romans « historiques », bien avant que ce genre de fiction n’apparaisse sous le règne de Louis xiv.

APA, Harvard, Vancouver, ISO, and other styles

12

Le Moël, Sylvie. "La traduction française deWoldemar, « roman philosophique et sentimental » – une médiation avortée ?" Études Germaniques 277, no. 1 (2015): 81. http://dx.doi.org/10.3917/eger.277.0081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Beaulieu, Jean-Philippe. "Les données chevaleresques du contrat de lecture dans les Angoysses douloureuses d’Hélisenne de Crenne." Études françaises 32, no. 1 (March 15, 2006): 71–83. http://dx.doi.org/10.7202/036012ar.

Full text

Abstract:

Résumé Dans les parties deux et trois des Angoysses douloureuses qui procèdent d'amours (1538), Hélisenne de Crenne établit un contrat de lecture dont les clauses les plus importantes sont manifestement tributaires de l'idéal chevaleresque. Le récit lui-même, toutefois, paraît difficilement pouvoir respecter ce contrat, probablement en raison de l'influence du roman sentimental sur la matière narrative des Angoysses.

APA, Harvard, Vancouver, ISO, and other styles

14

Lorusso, Silvia. "De quelques constantes du roman sentimental féminin au début du XIXe siècle." Les Lettres Romanes 63, no. 3-4 (January 2009): 181–92. http://dx.doi.org/10.1484/j.llr.3.202.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Winston, Michael. "La sociabilité des coeurs: pour une anthropologie du roman sentimental by Paul Pelckmans." French Review 89, no. 4 (2016): 232–33. http://dx.doi.org/10.1353/tfr.2016.0155.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Christiansen, Hope. "Métamorphoses du roman sentimental: XIXe–XXIe siècle éd. par Fabienne Bercegol, Helmut Meter." French Review 91, no. 1 (October 2017): 216–17. http://dx.doi.org/10.1353/tfr.2017.0420.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Loranger, Caroline. "Parcours amoureux et économiques dans le roman sentimental publié par les éditions Édouard Garand." Études françaises 58, no. 1 (2022): 15. http://dx.doi.org/10.7202/1089739ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Velasco Chávez, José F., Héctor De J. Andrade Rodríguez, and Carlos V. Rodríguez Pérez. "El "autoconcepto" en Residentes de Medicina Familiar Intervención educativa participativa." Atención Familiar 16, no. 1 (April 13, 2010): 10. http://dx.doi.org/10.22201/facmed.14058871p.2009.1.16330.

Full text

Abstract:

<span style="font-size: 14pt; color: #231f20; font-family: Garamond-Bold; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Garamond-Bold; mso-ansi-language: ES; mso-fareast-language: ES; mso-bidi-language: AR-SA;">Introducción: el autoconcepto es una estructura mental de carácter psicosocial, ligada a la personalidad, que se construye con base en la experiencia, compuesta por tres elementos; el físico, el conductual y el afectivo. Objetivo: analizar el autoconcepto en residentes de Medicina Familiar (MF) posterior a una intervención educativa activa participativa. Material y métodos: en un diseño de pre-posprueba se aplicó la estrategia educativa a 20 residentes de primer grado de MF, durante 14 sesiones, cada una de dos horas de duración. Mediante una escala de diferencial semántico se midió el autoconcepto en cinco dimensiones. Resultados: el grupo de estudio presentó un promedio de 27.2 años ± 2.9 con un intervalo de 24 a 38 años. En la dimensión Social Normativa (SN) predominó la característica de: amable, honesto, leal, respetuoso y trabajador. Para Social Expresivo (SE) fue de sincero. Expresivo Afectivo (EA): sentimental, detallista, cariñoso y romántico. Para Intelectual (I) fue la de aplicado y ordenado. En la dimensión Rebelde (R) predominó la percepción de enojón, travieso y voluble. El autoconcepto no mostró diferencias grupales estadísticamente significativas antes y después de la intervención, sin embargo, al comparar por género, la U de Mann Whitney mostró significancia en la que la mujer se percibe más así misma como: trabajadora, responsable, cariñosa, sentimental y menos rebelde que el hombre. Conclusiones: la intervención educativa no mostró cambios grupales significativos en el desarrollo del autoconcepto, pero si en cuanto al género en algunas dimensiones y características, fue más evidente para el sexo femenino que para el masculino.

APA, Harvard, Vancouver, ISO, and other styles

19

Boisvert, Donald L. ""I seek my satisfaction in you": The sexual discourses of Eugène Prévost, religious founder." Studies in Religion/Sciences Religieuses 37, no. 3-4 (September 2008): 427–45. http://dx.doi.org/10.1177/000842980803700303.

Full text

Abstract:

Father Eugène Prévost ( 1860-1946) is the founder of two small Roman Catholic religious orders dedicated to the material and spiritual care of priests: for men, the Fraternité Sacerdotale; for women, the Oblates of Bethany. Born in rural Quebec, his religious training and thinking were fairly typical of the French Canadian Catholic environment of that time. His spirituality centres on the motif of Jesus as priest and victim. Father Prévost's extensive writings, often rather sentimental in the extreme, are remarkable for their sexual overtones, particularly their use of homoerotic language and imagery. This article examines some of the more significant themes of this "eroticized" discourse.

APA, Harvard, Vancouver, ISO, and other styles

20

Gilley, Sheridan. "Popular and Elite Religion: the Church and Devotional Control." Studies in Church History 42 (2006): 337–59. http://dx.doi.org/10.1017/s042420840000406x.

Full text

Abstract:

Popular and elite are imprecise terms, but it may be possible to give them a closer definition by relating them to categories in the work of John Henry Newman. In 1877, Newman was growing old. He was republishing his Anglican writings, both to preserve what they contained of value and to draw what poison remained. A particular difficulty attached to hisLectures on the Prophetical Office of the Church, published forty years before, in 1837, which classically defined the peculiar merit of the Church of England as occupying a middle way orvia mediabetween Romanism and popular Protestantism. The work contained some sharp attacks on Rome, which Newman had retracted even before his Roman conversion. There remained, however, a particular matter which had long been an obstacle to his submission to Rome, his conviction that the honours which Roman Catholics paid to the Virgin and saints derogated from the unique worship due to Christ, which Newman combined with a fastidious distaste for the more ‘unmanly’ and sentimental or sugary aspects of modern Catholic devotion.

APA, Harvard, Vancouver, ISO, and other styles

21

Laporte, Dominique. ""Ne m'appelez donc jamais femme auteur ": Deconstruction et refus du roman sentimental chez George Sand." Nineteenth Century French Studies 29, no. 3 (2001): 247–55. http://dx.doi.org/10.1353/ncf.2001.0015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Luneau, Marie-Pier, and Jean-Philippe Warren. "D’amour et d’or pur. Les impératifs matérialistes du bonheur amoureux dans le roman sentimental québécois de l’après-guerre." Études françaises 58, no. 1 (2022): 33. http://dx.doi.org/10.7202/1089740ar.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Mounier, Pascale. "Les Angoysses douloureuses d’Hélisenne de Crenne : un antiroman sérieux." Études françaises 42, no. 1 (May 16, 2006): 91–109. http://dx.doi.org/10.7202/012925ar.

Full text

Abstract:

Il est un parti pris discutable : celui qui consiste à valoriser les principes du roman comique par rapport à ceux du roman sérieux. Comme l’a montré Mikhaïl Bakhtine, le genre romanesque est caractérisé, dans son ensemble, par les liens qui l’unissent à d’autres textes et par la mise en cause de leur fonctionnement thématique, stylistique et idéologique. Cela peut être vérifié au sujet des Angoysses douloureuses qui procedent d’amours d’Hélisenne de Crenne. Cette oeuvre atteste, en effet, l’existence d’une créativité romanesque proprement française à la Renaissance. Le paradoxe tient à ce qu’elle emprunte nombre de ses procédés d’écriture à des textes antérieurs. Sans explorer une voie parodique, elle se présente comme un antiroman sérieux. Tout en affichant son appartenance au genre sentimental, elle met ainsi à distance les traditions italienne et espagnole en même temps que la veine chevaleresque nationale. Elle tire profit du jeu d’influences entre les topiques qu’elle pastiche, mais explore également les incompatibilités entre ces hypotextes. Du coup, la formule narrative à laquelle elle parvient est tout à fait originale. À lire le texte, on voit ses attentes constamment trompées : tout pronostic générique est successivement confirmé, modifié et subverti et toute hypothèse interprétative infléchie, détournée et invalidée.

APA, Harvard, Vancouver, ISO, and other styles

24

Wypustek, Andrzej. "Laughing in the Face of Death: a Survey of Unconventional Hellenistic and Greek-Roman Funerary Verse-Inscriptions." Klio 103, no. 1 (June 1, 2021): 160–87. http://dx.doi.org/10.1515/klio-2020-0305.

Full text

Abstract:

Summary Starting from late Classical-early Hellenistic age a series of witty, lighthearted and irreverent funerary verse-inscriptions aiming to produce some effect of amusement or laughter appeared on a number of monuments, reaching their apogee during Greek-Roman era. Most of them originated in Asia Minor and Rome. Some earliest examples were related to widespread hedonistic exhortations on tombs. Their later ramifications, consisting of ironical or playful expressions, amusing puns and instances of black humour, were written in a more satirical vein, except with inscriptions dedicated for animals that were rife with sentimental motifs. Remarkably diverse as they were, such verse-inscriptions cannot be defined in terms of a distinctly separate, continuous tradition, but they shared some common features. Lacking – for the most part – conventional and formulaic elements, they struck us as heavily individualised, which sets them apart from the mainstream tradition of funerary poetry. This in turn might shed some light on social standing or/and mentality of individuals who opted for such expressive ways of remembering the dead.

APA, Harvard, Vancouver, ISO, and other styles

25

Joseph, Waliya Yohanna. "Contrastive study of the trend of metamorphosis of political activism using theatre in the twentieth and twenty-first century." International Journal of Pedagogy, Innovation and New Technologies 4, no. 1 (June 30, 2017): 80–86. http://dx.doi.org/10.5604/01.3001.0010.4988.

Full text

Abstract:

Ever since antiquities, theatre has been a medium of provoking sentimental reaction and an entertainment of the populace especially the elite. Authors of this genre do present active noble characters in their works making as if it is real. We do learn in Greco-Roman Empire how amphitheatre hosted Caesars, their officials and empiric subjects watching the gladiators and the persecuted Christians in the medieval era. Fifty years of cinema and the television as well as the new media have changed the mind-set of the global community towards life in general to form a unique interconnected universal cultural chains. In this research, we would like to use political activism theories called pluralist theories of Norris Pippa as critical lens to analyse the trend of political activism in the modern theatre of the early 21st century in comparison to that of the 20th century which led to violent revolutionary movements.

APA, Harvard, Vancouver, ISO, and other styles

26

Zou, Ying. "Talent, Identity, and Sociality in Early Qing Scholar-Beauty Novels." T’oung Pao 102, no. 1-3 (October 3, 2016): 161–208. http://dx.doi.org/10.1163/15685322-10213p06.

Full text

Abstract:

This article rereads early Qing scholar-beauty novels from the perspective of a new interest in self-fashioning and resocialization right after the dynastic transition. It analyzes the particular ways in which these works reflected on the late Ming notion of qing (feelings) and moved to a new sense of self through an emphasis on innate cai (talent), and suggests that they employed romance to express a sense of community and male sociality based on talent, thereby striking a complex balance between the autonomy of elite communities and their accommodation with the new regime. The talented woman figure is both agent and product of the early Qing Han elite’s self-fashioning project in reaction to the Manchu conquest. Sexual relations are channelled into newly responsible ends. Historically, scholar-beauty novels developed a romantic discourse that helped construct personal identities, promote cultural autonomy, and eventually reintegrate literature into the new political order of the Qing dynasty. Cet article propose une relecture des romans du début des Qing associant un lettré talentueux et une jeune beauté (caizi jiaren) à la lumière de l’intérêt nouveau pour la construction du soi et la resocialisation apparu immédiatement après la transition entre les Ming et les Qing. Est analysée la façon particulière dont ces ouvrages s’interrogent sur la notion de qing (sentiment) caractéristique de la fin des Ming et élaborent un nouveau sentiment du soi en mettant l’accent sur le talent inné (cai). Le recours à l’idylle, est-il suggéré, aide à faire passer la notion d’une communauté et d’une sociabilité masculine basées sur le talent, créant du même coup un équilibre complexe entre l’autonomie des communautés de l’élite et les compromis qui les lient au nouveau régime. Le personnage de la femme de talent est à la fois l’agent et le produit du projet de construction du soi des élites chinoises réagissant à la conquête mandchoue. Les relations amoureuses sont canalisées au service de buts nouveaux et responsables. Historiquement, le roman caizi jiaren a développé un discours sentimental facilitant la construction d’identités individuelles, la promotion de l’autonomie culturelle, et en fin de compte la réintégration de la littérature dans l’ordre politique nouveau de la dynastie des Qing.

APA, Harvard, Vancouver, ISO, and other styles

27

Martínez-Falero, Luis. "Amor, locura, enfermedad y muerte en la literatura medieval europea." Revista de Poética Medieval 36 (November 21, 2022): 249–70. http://dx.doi.org/10.37536/rpm.2022.36.36.90866.

Full text

Abstract:

En primer lugar, en este trabajo pretendo realizar un breve recorrido por el concepto de «amor» en la Edad Media, así como sobre los cánones literarios en los que se desarrolla tanto una visión idealizada de las relaciones amorosas como una retórica del discurso sentimental. Ello debe conducirnos hacia los efectos de esa concepción del amor en la literatura, con un gran peso tanto de la tradición establecida por Horacio (Ars amatoria y Remedia amoris), refundida y mostrada en diferentes textos a lo largo de la Edad Media, y por la Iglesia como impulsora de una contención de los sentimientos y de los impulsos de los enamorados. La consecuencia de todo ello es la enfermedad (con diferentes síntomas), la locura o la muerte por amor, como nos muestra la literatura europea medieval. Tomaremos diversos ejemplos de la poesía goliárdica, de la lírica amorosa provenzal, gallego-portuguesa, castellana, francesa o italiana, o del roman courtois. Con ello, quedará suficientemente ilustrado nuestro trayecto por el amor y sus consecuencias.

APA, Harvard, Vancouver, ISO, and other styles

28

Ghosh, Peter. "Gibbon's First Thoughts: Rome, Christianity and the Essai sur l'Étude de la Littérature 1758–61." Journal of Roman Studies 85 (November 1995): 148–64. http://dx.doi.org/10.2307/301061.

Full text

Abstract:

While Gibbon's Roman History and his Memoirs are established as classic works in any canon of English or historical literature, the first of his three books, the youthful Essai sur l'Étude de la Littérature (1758–61), remains the victim of comparative neglect. There has been no edition of this work since 1814, but we can ill afford to ignore a text which is at once the first fruit of Gibbon's intellectual ‘creation’ at Lausanne in the 1750s, and also serves as an indispensable general and methodological introduction to his History. One symptom of our casual attitude lies in the fact that, although the Essai is the only one of Gibbon's works which can be traced from its manuscript conception through to final publication, no attempt has been made to explore his compositional and intellectual processes by this route. Furthermore, in an age where every scrap of new text by the great historian has become a precious relic worthy of immediate publication, we have overlooked thereby the last really significant cache of his unpublished writing. Given its subject matter, one may say that the omission is not merely significant but spectacular. In a series of cancelled passages from the Essai's first draft of 1758, Gibbon dealt with topics such as the need for philosophic detachment, rather than sentimental alignment, in discussing Roman history; the role of ‘general’ or profound causes in explaining Rome's rise and fall; and the significance of Pagan corruption for the rise of Christianity.

APA, Harvard, Vancouver, ISO, and other styles

29

Vigier, Françoise. "Le de Arte Amandi d' André le Chapelain et la triste deleytaçión: Roman sentimental anonyme de la seconde moitié du XVe s." Mélanges de la Casa de Velázquez 21, no. 1 (1985): 159–74. http://dx.doi.org/10.3406/casa.1985.2442.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Mazur, Aneta. "Śródziemnomorskie kody polskości w twórczości Jana Parandowskiego." Prace Literackie 58 (April 28, 2020): 129–41. http://dx.doi.org/10.19195/0079-4767.58.12.

Full text

Abstract:

One is used to regarding Jan Parandowski (1895–1978) as a great connoisseur of the ancient world and a kind of “Olympic” writer with a distance to his own time and space. A thorough exam-ination of his literary essays, short stories and novels hardly proves this opinion. Treating Polish his-tory and culture, especially of the Renaissance epoch, as originating from and inspired by the ancient Roman/Greek tradition (“Poland is situated in the Mediterranean”), he conceals at the same time an evidently emotional approach to national legacy. There are several modes in which he evokes unique Polish history in the 19th century, with the great but problematic heritage of Romanticism as well as the controversial destiny of modern Polish artists obliged to fulfil national duties; he describes in classically discreet style Polish war experiences; he creates in different ways a sentimental image of his lost home country in Lwów. One of the clearest manifestos of the writer’s involvement in Polish identity can be also found in his defence of national sentiments and their qualities against the attitude presented in the famous work La Trahison des clercs (The treason of the intellectuals) by Julien Benda. According to Parandowski’s own declaration, his patriotism was responsive to aesthetic-al and sensory epiphany (geographical, landscape, etc. impressions) rather than to some abstract national symbols and declarations. There is also a close, mutual correspondence between ancient impulses in his work and his biography (Polish history); the writer has been frequently seeking for any consolation in Mediterranean utopian dimensions. Last but not least, the “postmortal” testimony of Polish identity in Parandowski’s biography and work seems to be related to the experience — for a long time unknown and only recently revealed — during his exile in revolutionary Soviet Russia; his pioneering study about “Bolshevism” documents the history of 20th-century totalitarianism and definitely denies the allegedly apolitical mind-set of the “Olympian.”

APA, Harvard, Vancouver, ISO, and other styles

31

Sherman, Sarah Way. "Sacramental Shopping: Little Womenand the Spirit of Modern Consumerism." Prospects 26 (October 2001): 183–237. http://dx.doi.org/10.1017/s0361233300000922.

Full text

Abstract:

Although Critics Have frequently observed that Louisa May Alcott's enormously popularLittle Women(1868) is a novel of education, they have not addressed just how much this is a consumer education. This essay tackles the question by placing the novel at the intersection of Victorian religious and consumer cultures. It argues thatLittle Womenengages the emerging “spirit of modern consumerism” through traditional moral discourse, particularly Protestantism and its romantic/sentimental descendants. For not only does the book trace its young heroines' progress toward “little womanhood,” but it sets many of their ethical challenges in a Victorian “Vanity Fair.” And, much as in Bunyan's originalPilgrim's Progress, those challenges are often temptations to idolatrous materialism. In the Protestant imagination, such idolatry found crucial expression in the Roman Catholic interpretation of the sacraments. For the Protestant, the communion bread and wine were merely symbols of divine grace, a grace that only God could confer. For the Catholic, they were the transubstantiated body and blood of Christ Himself, and therefore possessed salvific power. InLittle Women, this anxiety about the proper interpretation of the sacraments becomes anxiety about the proper use of material objects and the qualities they signify. Here the Catholic's belief that the consecrated host could confer grace and transform the spirit threatens Protestant integrity in a new guise, as the modern consumer's faith that fashionable goods can construct identity and deliver happiness.

APA, Harvard, Vancouver, ISO, and other styles

32

Stepanova, Olga. "Comment les jeunes parlent d’amour dans les banlieues littéraires." Acta Universitatis Lodziensis. Folia Litteraria Romanica, no. 16 (May 19, 2021): 233–40. http://dx.doi.org/10.18778/1505-9065.16.21.

Full text

Abstract:

Le parler des jeunes qui se développe intensément dans les banlieues depuis les années 90 trouve sa place dans le roman contemporain. Les auteurs analysés se focalisent sur les contraintes sentimentales que les adolescents rencontrent dans les banlieues avec leurs codes et leurs rites. La recherche, qui s’inscrit dans les études de genre, révèle la tension entre le sentiment d’amour que l’adolescent a du mal à verbaliser et l’acte sexuel associé à la transgression d’un tabou côté filles et à l’affirmation de la masculinité côté garçons. Les garçons adoptent un comportement sexuel agressif, cachent ou dominent les sentiments perçus comme un signe de faiblesse. Chez les filles la sexualité provoque un sentiment de culpabilité en raison d’une domination masculine abusive, de la violence sexiste et sexuelle envers elles. Pour gagner en liberté et en respect elles deviennent aussi viriles que les garçons. L’amour est un thème relativement nouveau dans la représentation de la banlieue qui n’est plus uniquement considérée comme un lieu de violence, de conflit mais aussi comme un univers relationnel complexe.

APA, Harvard, Vancouver, ISO, and other styles

33

Chekalov, Kirill. "L’éducation sentimentale dans" Le Fugitif" de Nikolaï Doubov." Ondina - Ondine, no. 5 (January 12, 2021): 244–56. http://dx.doi.org/10.26754/ojs_ondina/ond.202053923.

Full text

Abstract:

L’article est centré autour de l’oeuvre de Nicolas Doubov, un des plus remarquables écrivains soviétiques pour la jeunesse, dont les romans sont presque méconnus par la génération 2000. Dans son meilleur roman, Le Fugitif , paru en 1966 (déclin du dégel dans la culture soviétique), Doubov brosse un tableau très critique de la vie provinciale peu conforme aux principes du réalisme socialiste (alcoolisme, philistinisme, hypocrisie...). Le protagoniste, Yourka, jette un défi aux philistins qui l’entourent et quitte sa famille – pour la rejoindre (enfant prodige !) lorsque son père a de gros ennuis. Son éducation sentimentale obéit donc à la logique chrétienne, chose tout à fait exceptionnelle pour la littérature soviétique adressée aux enfants. Mots-clé : dégel, roman, adultère, alcoolisme, l’enfant prodigue, philistinisme.

APA, Harvard, Vancouver, ISO, and other styles

34

Buisine, Valérie. "Art roman et art moderne : « affinités sentimentales »." Anastasis. Research in Medieval Culture and Art 8, no. 1 (May 29, 2021): 165–94. http://dx.doi.org/10.35218/armca.2021.1.08.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Shanzer, Danuta Renu. "Resurrections before the Resurrection in the Imaginaire of Late Antiquity." Biblical Annals 9, no. 4 (March 21, 2019): 711–38. http://dx.doi.org/10.31743/biban.4536.

Full text

Abstract:

This paper is a study of transformations and mutations of a natural human desire, to be buried in one grave with one’s beloved. Most partners don’t die simultaneously, and burial-practices needed to provide flexibility for the dead and for the living. At the same time, religions had Views about the grave and the afterlife, and about the survival of the individual. Judaism and especially Christianity featured an astonishing doctrine, the Resurrection of the Flesh. Starting from Roman antiquity and in its epitaphic practices, the paper analyzes an intriguing early 4th C. Gallic poem, the Carmen de Laudibus Domini and its account of how the corpse of a dead woman was momentarily reanimated to greet her husband’s corpse. The poem reworks the resurrection of Lazarus with a little help from Juvencus. But a crucial (and unrecognized) source is (perhaps indirectly) Tertullian’s De Anima. These texts somehow generated a Late Antique urban legend about the mini-Resurrections of lovers’ bodies than can be traced into the central Middle Ages and beyond. It proved astonishingly lively and adaptable—to mariages blancs, to homosocial monastic situations, and to grave robbery, to name a few. This deeply sentimental legend needed to elbow aside darker phenomena, charnel (and also erotic) horrors from the pagan past, including zombies, vampires, and revenants, in order to preach its Christian message and help lovers who had been separated by death. Such resurrections were a down-payments on The Resurrection.

APA, Harvard, Vancouver, ISO, and other styles

36

Rana, Toqir A., Kiran Shahzadi, Tauseef Rana, Ahsan Arshad, and Mohammad Tubishat. "An Unsupervised Approach for Sentiment Analysis on Social Media Short Text Classification in Roman Urdu." ACM Transactions on Asian and Low-Resource Language Information Processing 21, no. 2 (March 31, 2022): 1–16. http://dx.doi.org/10.1145/3474119.

Full text

Abstract:

During the last two decades, sentiment analysis, also known as opinion mining, has become one of the most explored research areas in Natural Language Processing (NLP) and data mining. Sentiment analysis focuses on the sentiments or opinions of consumers expressed over social media or different web sites. Due to exposure on the Internet, sentiment analysis has attracted vast numbers of researchers over the globe. A large amount of research has been conducted in English, Chinese, and other languages used worldwide. However, Roman Urdu has been neglected despite being the third most used language for communication in the world, covering millions of users around the globe. Although some techniques have been proposed for sentiment analysis in Roman Urdu, these techniques are limited to a specific domain or developed incorrectly due to the unavailability of language resources available for Roman Urdu. Therefore, in this article, we are proposing an unsupervised approach for sentiment analysis in Roman Urdu. First, the proposed model normalizes the text to overcome spelling variations of different words. After normalizing text, we have used Roman Urdu and English opinion lexicons to correctly identify users’ opinions from the text. We have also incorporated negation terms and stemming to assign polarities to each extracted opinion. Furthermore, our model assigns a score to each sentence on the basis of the polarities of extracted opinions and classifies each sentence as positive, negative, or neutral. In order to verify our approach, we have conducted experiments on two publicly available datasets for Roman Urdu and compared our approach with the existing model. Results have demonstrated that our approach outperforms existing models for sentiment analysis tasks in Roman Urdu. Furthermore, our approach does not suffer from domain dependency.

APA, Harvard, Vancouver, ISO, and other styles

37

Sanconie, Maïca. "« Tout un monde d’évasion » : adapter les romans sentimentaux pour un lectorat français." Meta 55, no. 4 (February 22, 2011): 732–51. http://dx.doi.org/10.7202/045688ar.

Full text

Abstract:

Les romans sentimentaux, notamment ceux qui se prétendent à vocation historique, proposent à leur lectorat « tout un monde d’évasion », dans lequel se nouera et se résoudra une intrigue amoureuse. La narration construit un ailleurs qui doit littéralement capter l’imagination des lectrices durant le temps de la lecture du roman. Dans la traduction en français de ces ouvrages d’origine anglo-saxonne, le maintien d’un contexte territorial précis permet de façonner cet ailleurs en un univers clos, sans équivalences avec le monde familier des lectrices françaises. La traduction en français des romans sentimentaux à vocation historique met donc en oeuvre non pas une stratégie d’adaptation au réel et au local, mais la représentation d’un exotisme sans faille. En examinant un corpus d’oeuvres traduites par nos soins et publiées aux Éditions J’ai Lu, nous montrerons comment l’opération de réécriture s’inscrit dans un processus d’identification de la lectrice à l’héroïne du roman, et comment la traduction doit soutenir – voire renforcer – les fantasmes à l’oeuvre dans le récit.

APA, Harvard, Vancouver, ISO, and other styles

38

Glancy, Jennifer. "FAMILY PLOTS: BURYING SLAVES DEEP IN HISTORICAL GROUND." Biblical Interpretation 10, no. 1 (2002): 57–75. http://dx.doi.org/10.1163/156851502753443290.

Full text

Abstract:

AbstractDespite the anthropological identification of slavery as an anti-kinship structure, some New Testament scholars have attempted to "kin-ify" the relations between slaveholders and slaves, that is, to interpret slavery as a fictive kinship structure. Commentators on Acts of the Apostles, for example, are likely to accept the patriarchal or matriarchal right of householders to enforce decisions concerning the cultic practices of household slaves. By suggesting that the Spirit responds to the invitations of slaveholders, household by patriarchal household, Acts treats enslaved members of households as dependent bodies subjected to the intellectual and spiritual authority of slaveholders. By accepting uncritically Luke's portrait of the growth of the church, household by patriarchal household, commentators unwittingly buy into a family plot that legitimates the slaveholder's preferred vision of the household. Drawing on sources as disparate as Egyptian papyri of the Roman era and personal family history, this article challenges attempts to subsume relationships of slavery within the warm circle of the family. At the same time, the article warns against sentimental depictions of maternal and other family ties. In the first century as in the twenty-first century, the family could be a locus of exploitation and alienation. The natal alienation at the heart of the ancient slave experience is ultimately intertwined with the forms of alienation inherent within families themselves. It is not that relations of slavery are warmer than we might expect, but rather that relations between even the closest of kin can be more exploitative than we want to admit.

APA, Harvard, Vancouver, ISO, and other styles

39

Pierre, Chantal. "Viols naturalistes : « commune histoire » ou « épouvantable aventure » ?" Tangence, no. 114 (September 26, 2017): 61–78. http://dx.doi.org/10.7202/1041073ar.

Full text

Abstract:

On viole beaucoup dans le roman naturaliste. Mais ce qui est présenté comme une fatalité de la condition féminine ne donne pas lieu dans la plupart des récits à de véritables histoires. Contre le fait divers, les mélodrames, le roman-feuilleton, les romans sentimentaux du xixe siècle, le naturalisme désamorce le pathétique et les drames qui caractérisent la littérature du viol. Il s’agit en effet de l’afficher comme « commune histoire », dont les conditions et les raisons relèvent d’explications déterministes qui tendent finalement à soustraire le viol au scandale. Zola, néanmoins, par une évolution qui lui est propre, retrouve au fil des Rougon-Macquart ce goût du scandale et d’un viol « romanesque » qu’il s’efforce de formuler et d’évaluer dans des montages scénaristiques parfois risqués.

APA, Harvard, Vancouver, ISO, and other styles

40

Caraiane, Aureliana, Vasilica Toma, Gheorghe Raftu, Mihaela Debita, Alina-Ramona Dimofte, and Cristina Iordache. "Aesthetic Rehabilitation of the Teeth using Single Fixed Prostheses." Revista de Chimie 70, no. 2 (March 15, 2019): 714–17. http://dx.doi.org/10.37358/rc.19.2.6991.

Full text

Abstract:

Dental aesthetics has always been an integral part of practical dentistry despite the fact that only in the last decade it has benefited from an objective critical analysis. Initially, aesthetics is regarded as an art - synonym for subjective, romantic and sentimental sensations. At a time when the basic aesthetic principles were based on Greek and Roman mathematics, the painters studied the aesthetics in order to create the painting, reflected in the depths of our soul. One can have an everlasting discussion about the two facets of dental-scientific and subjective aesthetics. It can be difficult to differentiate dental aesthetics from distinct units because all components are closely interrelated and interdependent. Complete and complex oro-dental treatments should be performed in such a way as to give back the patient both the masticatory functional skills, the feeling of comfort and the aesthetically lost aspect. The general trend in dental medicine focuses on replacing materials that, while meetingfunctional requirements, are not aesthetically pleasing. Thus, new generations of composite materials or integral ceramics take precedence over metal alloys used in dental treatments, from amalgam alloys to metal prosthetic restorations, including even gold ones. The database includes selection, examination and prosthetic resolution of 38 cases in the University of Galati University Prosthetic Clinic in the period 2016-2018. The possibility of creating unidirectional prostheses is a plus in the realization of true to nature works. Prosthetic variants, like dental faces, through which changes in shape, colour and even slight position can be made, with minimal invasiveness, or even non-invasive in the case of no-prep facets are a real advantage to aesthetics. From a biological point of view, the IPS e.max Press ceramic whole system is superior in that it is chemically inert, has a dental-like hardness, therefore it does not produce abrasion, the lack of metal avoids gingival changes colour, galvanic phenomena, and also a possibility of treatment for allergic persons in different components of the metal structure; the biocompatibility of these materials is clearly superior.

APA, Harvard, Vancouver, ISO, and other styles

41

Pelerlini, Ariovaldo A. "Lucrécia e o ideal romano de mulher." Língua e Literatura 16, no. 19 (December 5, 1991): 9. http://dx.doi.org/10.11606/issn.2594-5963.lilit.1991.115998.

Full text

Abstract:

Muita coisa se explica pelo atual, mas é bem mais ampla a herança que há mister do passado como seu legítimo e profundo intérprete. O ideal romano antigo de mulher, que pode ser reconstituído à luz dos textos, quer diretamente dos quadros positivos, quer ex oppsito das visões negativas, é, sem dúvida, um dos subsídios de que pode valer-se o estudo da situação da mulher no pensamento e na sociedade de nossa época. A conhecer esse ideal nos ajudarão a crítica catoniana das reivindecações femininas em prol da abrogação da lei Ópia; a menção da igualdade de direitos da esposa e do marido como uma das más consequências da anarquia populista, no De Republica, os comentários moralistas de Salústio, no retrato de Semprônia; a revolução dos neóteroi, ao proporem a existência de uma ética do sentimento, dando à mulher o direito de amar, de escolher, de consentir a sua felicidade; o comedimento horaciano entre o amor-paixão e o "digno" da mulher de "família", enfim, o texto imortal da violação e morte de Lucrécia, de Tito Lívio, onde, sob a narrativa histórica de linha mimética, obrigada à representação icástica da vida humana, com a tensão e concentração dramática da representação trágica, entrevemos objetivos didascálicos de recuperação moral das classes dominantes e sentimentos a visão inteira que o romano tradicional tinada mulher, amarrada por preconceitos que violentavam uma moral racional, em nome até da "ciência" da época. E uma mulher inteligente e "romana" como Lucrécia conhecia seu único caminho...Sem qualquer "culpa", sabia que sua vida seria problemas; sua morte, uma solução para todos...Mas, o historiador é um homem, um romano, e a história é um gênero literário.

APA, Harvard, Vancouver, ISO, and other styles

42

Schweiger, Amélie. "Portrait de jeune écrivain en artiste (La «première» Éducation sentimentale)." Romantisme 16, no. 54 (1986): 67–77. http://dx.doi.org/10.3406/roman.1986.4845.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Rafique, Ayesha, Kamran Malik, Zubair Nawaz, Faisal Bukhari, and Akhtar Hussain Jalbani. "Sentiment Analysis for Roman Urdu." Mehran University Research Journal of Engineering and Technology 38, no. 2 (April 1, 2019): 463–70. http://dx.doi.org/10.22581/muet1982.1902.20.

Full text

Abstract:

The majority of online comments/opinions are written in text-free format. Sentiment Analysis can be used as a measure to express the polarity (positive/negative) of comments/opinions. These comments/ opinions can be in different languages i.e. English, Urdu, Roman Urdu, Hindi, Arabic etc. Mostly, people have worked on the sentiment analysis of the English language. Very limited research work has been done in Urdu or Roman Urdu languages. Whereas, Hindi/Urdu is the third largest language in the world. In this paper, we focus on the sentiment analysis of comments/opinions in Roman Urdu. There is no publicly available Roman Urdu public opinion dataset. We prepare a dataset by taking comments/opinions of people in Roman Urdu from different websites. Three supervised machine learning algorithms namely NB (Naive Bayes), LRSGD (Logistic Regression with Stochastic Gradient Descent) and SVM (Support Vector Machine) have been applied on this dataset. From results of experiments, it can be concluded that SVM performs better than NB and LRSGD in terms of accuracy. In case of SVM, an accuracy of 87.22% is achieved.

APA, Harvard, Vancouver, ISO, and other styles

44

Houbre, Gabrielle. "Prémices d'une éducation sentimentale : l'intimité masculine dans les collèges (1815-1848)." Romantisme 20, no. 68 (1990): 9–22. http://dx.doi.org/10.3406/roman.1990.6122.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

ÖZKÖK, Seher. "Ateşten Gömlek: Sentimental mi Romans mı?" Journal of Turkish Studies 9, Volume 9 Issue 6 (January 1, 2014): 887. http://dx.doi.org/10.7827/turkishstudies.6823.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Frølich, Juliette. "L'homme kitsch ou le jeu des masques dans L'Education sentimentale de Flaubert." Romantisme 23, no. 79 (1993): 39–52. http://dx.doi.org/10.3406/roman.1993.6187.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Bonomo, Daniel Reizinger. ""Ventos de não deixar se formar orvalho": os romances Berlin Alexanderplatz e Grande Sertão: Veredas." Pandaemonium Germanicum, no. 11 (November 5, 2007): 77. http://dx.doi.org/10.11606/1982-8837.pg.2007.62073.

Full text

Abstract:

Die Parallelen zwischen den Romanen Berlin Alexanderplatz und Grande Sertão: Veredas werden in der brasilianischen Sekundärliteratur seit Davi Arrigucci Jr.s Kommentar sichtbar. In der Absicht, die dort begonnene Diskussion fortzusetzen, werden hier die Elemente im Detail untersucht, die beide Texte als Exponenten des modernen Romans einander annähern würden. Besonderes Augenmerk gilt den für die Laufbahn beider Protagonisten charakteris tischen Bewegungen, den räumlichen und emotionalen Veränderungen der Figuren so wie insbesondere dem „Verkehr“, der die Erzählung in beiden Romanen vorantreibt. Hiermit sollen die Besonderheiten dieser Romane, die sie in einer gemeinsamen Traditionslinie mit Wilhelm Meisters Lehrjahre und der L’Éducation Sentimentale verorten.

APA, Harvard, Vancouver, ISO, and other styles

48

Deaucourt, Jean-Louis. "Une police des sentiments : les concierges et les portiers." Romantisme 20, no. 68 (1990): 49–60. http://dx.doi.org/10.3406/roman.1990.6125.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Khan, Lal, Ammar Amjad, Kanwar Muhammad Afaq, and Hsien-Tsung Chang. "Deep Sentiment Analysis Using CNN-LSTM Architecture of English and Roman Urdu Text Shared in Social Media." Applied Sciences 12, no. 5 (March 4, 2022): 2694. http://dx.doi.org/10.3390/app12052694.

Full text

Abstract:

Sentiment analysis (SA) has been an active research subject in the domain of natural language processing due to its important functions in interpreting people’s perspectives and drawing successful opinion-based judgments. On social media, Roman Urdu is one of the most extensively utilized dialects. Sentiment analysis of Roman Urdu is difficult due to its morphological complexities and varied dialects. The purpose of this paper is to evaluate the performance of various word embeddings for Roman Urdu and English dialects using the CNN-LSTM architecture with traditional machine learning classifiers. We introduce a novel deep learning architecture for Roman Urdu and English dialect SA based on two layers: LSTM for long-term dependency preservation and a one-layer CNN model for local feature extraction. To obtain the final classification, the feature maps learned by CNN and LSTM are fed to several machine learning classifiers. Various word embedding models support this concept. Extensive tests on four corpora show that the proposed model performs exceptionally well in Roman Urdu and English text sentiment classification, with an accuracy of 0.904, 0.841, 0.740, and 0.748 against MDPI, RUSA, RUSA-19, and UCL datasets, respectively. The results show that the SVM classifier and the Word2Vec CBOW (Continuous Bag of Words) model are more beneficial options for Roman Urdu sentiment analysis, but that BERT word embedding, two-layer LSTM, and SVM as a classifier function are more suitable options for English language sentiment analysis. The suggested model outperforms existing well-known advanced models on relevant corpora, improving the accuracy by up to 5%.

APA, Harvard, Vancouver, ISO, and other styles

50

Messina, Luisa. "Le roman épistolaire français au siècle des Lumières." Estudios Románicos 28 (December 19, 2019): 89–98. http://dx.doi.org/10.6018/er/371111.

Full text

Abstract:

The eighteenth century is considered as the golden age of epistolary art. If we analyze the historical and social value of letters, we will notice that epistolary change soon becomes one of the principal ways of communication and of providing information. The most relevant merit, which is attributed to the epistolary novel, is the immediate reproduction that touches feelings. So, the epistolary novel removes the temporal distance existing between the personal history and its written reproduction. The most famous writers of the time (like Montesquieu) and libertine writers (Laclos and Sade particularly) have employed the epistolary novel showing several intentions. Le dix-huitième siècle est l’âge d’or qui concerne le roman épistolaire. Si l’on analyse la portée historique et sociale de la lettre, il est fondamental de mettre en relief que l’échange épistolaire représente l’un des principaux moyens d’information et de communication de l’époque. Le plus grand mérite que l’on attribue à la lettre est de représenter l’expression « à chaud » des sentiments parce qu’elle supprime la distance temporelle existant entre le sentiment vécu et sa reproduction écrite. Enfin, l’absence du narrateur garantit l’authenticité des faits car personne ne pense et ne parle à la place des personnages. Les auteurs les plus célèbres de l’époque (Montesquieu) ainsi que les écrivains libertins (Laclos et Sade en particulier) ont fait recours au roman épistolaire en montrant des propos très différents.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Roman sentimental'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles