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Dissertations / Theses on the topic 'Romance and trauma'

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1

Crumbo, Daniel Jedediah, and Daniel Jedediah Crumbo. "The Comedy of Trauma: Confidence, Complicity, and Coercion in Modern Romance." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626362.

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Stories engage a form of virtual play. Though they incorporate language and abstractions, stories engage many of the same biological systems and produce many of the same anatomical responses as simpler games. Like peek-a-boo or tickle play, stories stage dangerous or unpleasant scenarios in a controlled setting. In this way, they help develop cognitive strategies to tolerate, manage, and even enjoy uncertainty. One means is by inspiring confidence in difficult situations by tactical self-distraction. Another is to reframe negative or uncertain situations as learning opportunities, that is, to
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Philip, Laure. "The novels of French noblewomen émigrées in London in the 1790s : memory, trauma and female voice in the émigré novel." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80219/.

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French émigré literature is both under-explored and under-valued by scholars. This thesis aims to rehabilitate the female émigré novel within its nineteenth-century landscape, putting to the fore its originality and pertinent contribution to contemporary movements such as Romanticism and the realist novel. Recent work has unearthed the émigré-specific way of narrating the Revolution; yet no clear definition has yet been established. This thesis defines what the émigré novel is based on the dichotomy for novelists of having experienced the exile first-hand or not. The memoirs and novels of thre
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Bolfarine, Mariana. "Between \"Angels and Demons\": trauma in fictional representations of Roger Casement." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-15012016-140005/.

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The life of the controversial Irish nationalist Roger David Casement, who was sentenced to death for high treason by the British Crown, has inspired writers to produce works of various literary genres: prose, poetry, drama and critical essays. This doctoral dissertation aims to investigate, under the light of trauma theory as suggested chiefly, but not solely by Cathy Caruth, Ron Eyerman and Dominick La Capra, the ways in which the figure of Roger Casement can be associated with traumatic events that have sealed Anglo-Irish relations. Thus, I have selected works that deal with Casements Life a
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Nickel, Vivian. "Trauma, memória e história em A Mercy, de Tony Morrison." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/61717.

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Em pleno século XXI, assistimos ao surgimento do romance A Mercy (2008), da norte-americana Toni Morrison, que invoca o passado de povos que estiveram historicamente às margens da cultura nacional norte-americana. A Mercy retorna a história da colonização anglo-saxõnica do século XVII, para contar, a partir dos viés do trauma, a história de Florens, que ainda menina é oferecida pela mãe, no lugar de seu irmão menor, para pagamento de dívidas do dono da plantação. O romance marca o envolvimento por parte de Toni Morrison em um projeto estético-político que visa resgatar a história das relações
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Cervo, Juliana Milman. "A casa das bolsas." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2018. http://tede2.pucrs.br/tede2/handle/tede/8262.

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Moura, Taís Leite de. "Transgressões em O Deus das Pequenas Coisas, de Arundhati Roy: níveis e motivações em contraponto." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-03102018-134348/.

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No romance O Deus das Pequenas Coisas (1997) de Arundhati Roy, as transgressões são atitudes que se configuram como abundantes na narrativa, sendo realizadas em sua maioria pelos personagens marginalizados. A fim de obter uma compreensão mais profunda das razões que impulsionam tanto a narrativa quanto os personagens a cometer estas infrações, elas foram divididas em três níveis neste trabalho: pós-colonial, sociopolítico e afetivo. São aqui analisadas as transgressões dos personagens Velutha, Ammu, Estha, Rahel e Sophie. Os níveis das transgressões, suas motivações e os conceitos de trauma in
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Santos, Bárbara da Silva. "Dom Casmurro à luz da onomástica: tramas e tramoias do Romance Machadiano." Universidade Federal do Espírito Santo, 2016. http://repositorio.ufes.br/handle/10/3313.

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Made available in DSpace on 2016-08-29T14:11:35Z (GMT). No. of bitstreams: 1 tese_9413_Dissertação Bárbara da Silva Santos.pdf: 550886 bytes, checksum: c426c2a2500a93732ed4b7117a9cc7bf (MD5) Previous issue date: 2016-01-08<br>A presente dissertação de mestrado tem por objetivo realizar uma análise onomástica dos antropônimos e topônimos empregados no romance Dom Casmurro (1899), de Machado de Assis, considerando a relevância do nome próprio para a construção dos personagens, da semântica e da ambientação da obra. Nossa interpretação parte do diálogo Crátilo, de Platão, do qual destacamos a
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Louzada, Laura da Cunha. "Réquiem para o romance de casamento: a paródia em A Trama do Casamento, de Jeffrey Eugenides." Pontifícia Universidade Católica do Rio Grande do Sul, 2015. http://hdl.handle.net/10923/7162.

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Made available in DSpace on 2015-04-30T14:06:01Z (GMT). No. of bitstreams: 1 000467546-Texto+Completo-0.pdf: 446242 bytes, checksum: e1633525e592a274be1e156d89cea0a0 (MD5) Previous issue date: 2015<br>This thesis analyzes the Anglo-American tradition of courtship novels focusing on three works from different periods : Pride and Prejudice, by Jane Austen, Jane Eyre, by Charlotte Brontë, and The House of Mirth, by Edith Wharton. After going through this recapitulation of the novelistic tradition involving the passage from adolescence to adulthood in the life of a woman, there is a comparative
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Zwicker, Marianne Christine. "Journeys into memory : Romani identity and the Holocaust in autobiographical writing by German and Austrian Romanies." Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/6201.

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This PhD thesis examines the ‘working through’ of traumatic memories of the Holocaust and representations of Romani cultural identity in autobiographical writing by Romanies in Germany and Austria. In writing their memories in German, these Romani writers ended the ‘muteness’ previously surrounding their own experiences of persecution in the Third Reich and demanded an end to the official silence regarding the Romani Holocaust in their home countries. The thesis aims to explore how the writing of these narratives works to create a space for Romani memories within German language written tradit
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Louzada, Laura da Cunha. "R?quiem para o romance de casamento : a par?dia em A Trama do Casamento, de Jeffrey Eugenides." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2015. http://tede2.pucrs.br/tede2/handle/tede/5933.

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Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-04-23T11:52:22Z No. of bitstreams: 1 467546 - Texto Completo.pdf: 446242 bytes, checksum: e1633525e592a274be1e156d89cea0a0 (MD5)<br>Made available in DSpace on 2015-04-23T11:52:22Z (GMT). No. of bitstreams: 1 467546 - Texto Completo.pdf: 446242 bytes, checksum: e1633525e592a274be1e156d89cea0a0 (MD5) Previous issue date: 2015-01-07<br>This thesis analyzes the Anglo-American tradition of courtship novels focusing on three works from different periods : Pride and Prejudice, by Jane Austen, Jane Eyre, by Charlotte
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Hartmann, Anja [Verfasser], and Virginia [Akademischer Betreuer] Richter. "Bildlich gesprochen : Medien, Trauma und Terror in ausgewählten Romanen zum 11. September 2001 / Anja Hartmann. Betreuer: Virginia Richter." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1015500838/34.

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Collares, Paula Renata Lucas. ""D'este viver aqui neste papel descripto": memória, trauma e infância em António Lobo Antunes (2008-2012)." Pontifícia Universidade Católica do Rio Grande do Sul, 2015. http://hdl.handle.net/10923/7420.

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Made available in DSpace on 2015-06-24T02:06:48Z (GMT). No. of bitstreams: 1 000470936-Texto+Completo-0.pdf: 1544296 bytes, checksum: c74cd923896d59b43baa01e9e7a7d407 (MD5) Previous issue date: 2015<br>This thesis studies the space of childhood in the narrative of the Portuguese writer António Lobo Antunes. The object of analysis are the follow in novels: O arquipélago da insónia (2008), Que cavalos são aqueles que fazem sombra no mar? (2009), Sôbolos rios que vão (2010), Comissão das lágrimas (2011) and Não é meia noite quem quer (2012). The study shows how the childhood theme is fictionall
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Barros, Leila Cristina. "Urdidura fílmica na trama literária: os romances de Chico Buarque e as adaptações cinematográficas de "Estorvo" e "Benjamim"." Universidade Federal de Minas Gerais, 2008. http://hdl.handle.net/1843/ECAP-7J7GYZ.

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Os desdobramentos da obra de Chico Buarque evidenciam sua vasta experiência com diversas manifestações artísticas: música, teatro e ficção. Sua obra ficcional exibe um entrelaçamento de diversas mídias, artísticas e não-artísticas, dentre as quais a TV, a fotografia, a música e especialmente o cinema, revelando uma linguagem fortemente cinematográfica. Este estudo analisa aspectos recorrentes nos romances Estorvo, Benjamim e Budapeste, tais como a relação com outras artes (em especial o cinema) e a questão do duplo, articulada à errância dos personagens e, principalmente, ao elemento estrangei
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14

SCARAMUCCI, MARIANNA. "K. RELATO DE UMA BUSCA E NÃO FALEI: DUE NARR(AZIONI) DEL TRAUMA." Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/571540.

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Lo studio analizza due romanzi brasiliani degli anni Duemila, K. Relato de uma busca, di Bernardo Kucinski (2011) e Não falei, di Beatriz Bracher (2004), che raccolgono la memoria dei traumi delle vittime della dittatura militare che ha segnato il Brasile dal 1964 al 1985. L’analisi si snoda dalla problematizzazione del panorama della memoria collettiva della dittatura militare nel Brasile contemporaneo, dal punto di vista della giustizia di transizione e da quello culturale e letterario. Se confrontato con altri paesi del Cono Sud, il Brasile si presenta come un paese sui generis nella collet
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Gavrilovici, Ovidiu. "EXPOSURE TO VIOLENCE AND ITS PSYCHOLOGICAL CORRELATES IN INSTITUTIONALIZED CHILDREN AND ADOLESCENTS 8 TO 17 YEARS OF AGE IN IASI COUNTY, ROMANIA." Case Western Reserve University School of Graduate Studies / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=case1074852094.

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16

Winblad, Julia. ""I feel like a person who is already dead" : Förlust, läkning och magisk realism i tre japanska romaner." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-86284.

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In this thesis the subject of grief and healing are examined in three novels by the Japanese writers Hiromi Kawakami, Ruth Ozeki and Banana Yoshimoto. The method for the analysis is based on psychiatrist Elisabeth Kübler-Ross’ Five Stages of Grief theory, but in the analysis of these novels, it became clear that the grief/healing-stages for the protagonists are not expressed in the exact same manner as the non-fictional patients of Kübler-Ross’ study. The analysis shows that this is partly due to the fact that the narratives take place in Japan and that there is a clear intervention where the
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17

Collares, Paula Renata Lucas. ""D'este viver aqui neste papel descripto" : mem?ria, trauma e inf?ncia em Ant?nio Lobo Antunes (2008-2012)." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2015. http://tede2.pucrs.br/tede2/handle/tede/6163.

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Submitted by Setor de Tratamento da Informa??o - BC/PUCRS (tede2@pucrs.br) on 2015-06-23T11:43:24Z No. of bitstreams: 1 470936 Texto Completo.pdf: 1544296 bytes, checksum: c74cd923896d59b43baa01e9e7a7d407 (MD5)<br>Made available in DSpace on 2015-06-23T11:43:24Z (GMT). No. of bitstreams: 1 470936 Texto Completo.pdf: 1544296 bytes, checksum: c74cd923896d59b43baa01e9e7a7d407 (MD5) Previous issue date: 2015-03-30<br>This thesis studies the space of childhood in the narrative of the Portuguese writer Ant?nio Lobo Antunes. The object of analysis are the follow in novels: O arquip?lago da ins?nia
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REQUILIANI, VALERIA. "Libertà d'avventura e verosimiglianza dei caratteri nel romanzo del Seicento: il caso del Calloandro di Giovan Ambrogio Marini." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/928.

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La tesi mira a esaminare la genesi del Calloandro di Giovan Ambrogio Marini nel contesto del ricco e dinamico contesto sociale e culturale della Genova della prima metà del XVII secolo. Le pagine prefattorie premesse alle varie edizioni dell’opera rappresentano un contributo importante per la definizione di un genere la cui diffusione non fu accompagnata, in Italia, da uno studio teorico e sistemico. Dopo una ricognizione delle fonti sulla biografia e la produzione letteraria dell’autore, nel primo capitolo viene proposta una sintesi dettagliata della trama del romanzo che illumina gli element
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REQUILIANI, VALERIA. "Libertà d'avventura e verosimiglianza dei caratteri nel romanzo del Seicento: il caso del Calloandro di Giovan Ambrogio Marini." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/928.

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La tesi mira a esaminare la genesi del Calloandro di Giovan Ambrogio Marini nel contesto del ricco e dinamico contesto sociale e culturale della Genova della prima metà del XVII secolo. Le pagine prefattorie premesse alle varie edizioni dell’opera rappresentano un contributo importante per la definizione di un genere la cui diffusione non fu accompagnata, in Italia, da uno studio teorico e sistemico. Dopo una ricognizione delle fonti sulla biografia e la produzione letteraria dell’autore, nel primo capitolo viene proposta una sintesi dettagliata della trama del romanzo che illumina gli element
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Zahavi, Hadas. "Le statut de témoignage dans l'œuvre de Jean Rouaud." Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030042.

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De nombreuses études ont tenté de définir les formes d’écritures relatives à l’expérience du soi face aux atrocités de la guerre. En revanche, la recherche testimoniale et littéraire ignore l’idée inverse : comment témoigner d’une guerre que l’on n’a pas vécue ? Cette question non investie jusqu’à présent soulève aujourd’hui des enjeux éthiques et politiques importants. L’occultation de la guerre menée par le monde occidental est essentielle pour la compréhension de la situation politique dont témoignent de nombreux auteurs contemporains. Au cœur de leurs récits de guerre, des écrivains contem
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(11391437), Alicia Kindleysides. "Broken Hearts: Writing the Representation of Trauma and Trauma Recovery in a Post-Trauma Romance Novel." Thesis, 2024. https://figshare.com/articles/thesis/Broken_Hearts_Writing_the_Representation_of_Trauma_and_Trauma_Recovery_in_a_Post-Trauma_Romance_Novel/27414189.

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<p>This PhD research thesis, titled Broken hearts: writing the representation of trauma and trauma recovery in a post-trauma romance novel, comprises a creative artefact and accompanying reflective exegesis. The primary aim of the thesis is to make an original contribution to the fields of literary theory, trauma theory, and literary trauma theory by formally identifying, defining, and providing an example of a new subgenre of romance coined ‘post-trauma romance’ (PTR). </p> <p>The creative artefact, a novel titled The love healer, serves as an example of PTR, by combining the subgenre’s three
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Morello, Henry James. "Masking the past : trauma in Latin American and Peninsular theatre /." 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3242946.

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Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-11, Section: A, page: 4175. Adviser: Dara Goldman. Includes bibliographical references (leaves 179-192) Available on microfilm from Pro Quest Information and Learning.
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Mahon, Margaret Ellen. "Questioning the Writing Cure: Contemporary Sub-Saharan African Trauma Fiction." Diss., 2012. http://hdl.handle.net/10161/5529.

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<p>This dissertation examines a series of novels by Aminata Zaaria, Ken Bugul, Gaston-Paul Effa, Boubacar Boris Diop and Yolande Mukagasana. At the heart of my study is a problem that haunts much literary production and literary criticism about post-colonial Francophone African writing: the layers of distance and misunderstanding that often exist between readers and writers. Several of the authors in this study express frustration at the limited expectations that readers have of them, complaining that readers outside of the continent continue to read their novels solely in order to gain a gra
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Sadeghzadegan, Majid. "Reading No Country for Old Men and The Road: Trauma in Contemporary Literature and Cinema." Doctoral thesis, 2021. http://hdl.handle.net/10451/50063.

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Barely has literature failed to inspire the concept of trauma. Nor has trauma been a trivial cogitation for literature. This reciprocation, which is ingrained in the ineludible alliance between the two, has given rise to innumerable masterpieces throughout the history of literature from classic works of Homer to the modernist works of Woolf, Faulkner, and Hemingway. Nonetheless, trauma studies were not formulated in literature until two decades ago, which shapes an uncanny question mark never to be erased. Cormac McCarthy’s traumatic footprint in literature is as inerasable as the very same q
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(9017870), Adrian James McClure. "Haunted by Heresy: The Perlesvaus, Medieval Antisemitism, and the Trauma of the Albigensian Crusade." Thesis, 2020.

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<p>This study presents a new reading of the <i>Perlesvaus</i>, an anonymous thirteenth-century Old French Grail romance bizarrely structured around an Arthurian restaging of the battle between the Old and the New Law. I construe this hyper-violent, phantasmagorical text as a profoundly significant work of “trauma fiction” encoding a hitherto-unrecognized crisis of religious ethics and identity in Western Europe in the first half of the thirteenth century. Combining literary and historical analysis and drawing on current trends in trauma studies, I tie what I term the “deranged discourse” of th
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Rodrigues, Pedro Jorge. "A personagem D. Pedro na narrativa portuguesa do dealbar do século XXI: Inês de Portugal, de João Aguiar: A trança de Inês, de Rosa Lobato Faria: A Rainha morta e o Rei Saudade, de António Cândido Franco." Master's thesis, 2006. http://hdl.handle.net/10400.2/600.

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Dissertação de Mestrado em Estudos Portugueses Interdisciplinares apresentada à Universidade Aberta<br>Resumo - O presente trabalho incide simultaneamente sobre a figura histórica do rei D. Pedro I e sobre o seu reflexo enquanto personagem literária. Num primeiro momento, tentamos reconstruir uma imagem deste monarca, necessariamente parcelar, focando a sua dupla faceta histórica e mítica. Fazemo-lo a partir dos documentos oficiais do seu reinado e da escrita historiográfica dos séculos seguintes. Analisamos ainda o modo como a literatura se apropriou dos dados históricos, acrescentando-lhes
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BULGINI, Giulia. "Il progetto pedagogico della Rai: la televisione di Stato nei primi vent’anni. Il caso de ‹‹L’Approdo››." Doctoral thesis, 2018. http://hdl.handle.net/11393/251123.

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Non c’è dubbio sul fatto che la RAI, dal 1954 a oggi, abbia contribuito in misura considerevole a determinare la fisionomia dell’immaginario collettivo e dell’identità culturale dell’Italia. Si tratta di un assunto che, a distanza di più di sessant’anni, resta sempre di grande attualità, per chi si occupa della questione televisiva (e non solo). Ma a differenza di quanto avveniva nel passato, quando la tv appariva più preoccupata dei reali interessi dei cittadini, oggi essa sembra rispondere prevalentemente a dinamiche di mercato, in grado di alterarne la funzione etica e sociale. E nonostante
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