Relevant bibliographies by topics / Romance literature; Literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Romance literature; Literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "Romance literature; Literature"

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Silva Filho, Antonio Vieira, and João Francisco de Lima Dantas. "Romance/ Literatura: um objeto em transição [Romance/Literature: an object in transition]." Kalagatos 14, no. 1 (2017): 129. http://dx.doi.org/10.23845/kgt.v14i1.89.

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Donoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.

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Resumen: Introducció a la conformació del romacer de tradició hispànica a les illes Filipines i la presència del Regne de València com espai literari en una literatura asiàtica. Al treball acompanya la descripció i traducció directa des del bicolà al valencià d’un dels principals romanços filipins que tracten del Regne de Valencia: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Cavall de Taula»–, text per primera vegada traduït a qualsevol llengua. Així mateix, analitzem les fonts i descrivim la història argumental i la presència de València al Romancer filipí con a treball comparatista que puga donar llum a la formalització del classicisme en les Lletres Filipines des de la literatura medieval de tradició hispànica.Palabras clave: Romancer hispànic, awit i corrido, Filipines, Regne de València, literatura hispànica, bicolà.Abstract: The paper introduces the development of the Philippine metrical romances from the Hispanic tradition and the presence of the Kingdom of Valencia as Asian literary topic. It is supplied with the first translation ever done from the original Bicolano into Catalan of one of the most relevant romances dealing with the Valencian topic: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Wooden Horse». We analyse the sources and the plot of the romance in order to compare and enlight the genesis of Philippine Classical Literature with the Medieval Hispanic Romancero.Keywords: Hispanic Romancero, Philippine Metrical Romances, awit and corridor, Philippines, Kingdom of Valencia, Bicolano.
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Cohen, Margaret, and Rodrigo Soares de Cerqueira. "NARRATOLOGIA NO ARQUIVO DA LITERATURA * NARRATOLOGY IN THE ARCHIVE OF LITERATURE." História e Cultura 5, no. 2 (2016): 20. http://dx.doi.org/10.18223/hiscult.v5i2.1915.

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Resumo:Os historiadores literários estão escavando uma grande variedade de formas literárias esquecidas, o que coloca uma questão das mais importantes: como apreender a especificidade dessas obras. A leitura cerrada e a leitura sintomática têm sido, até aqui, as ferramentas mais importantes usadas pelo críticos literários, mas elas se mostram ineficazes para lidar com romances que não se conformam com os paradigmas realista e modernista. O artigo ilustra esse método através da redescoberta da ficção de aventura marítima enquanto uma influente prática transnacional do romance de Defoe a Conrad.Palavras-chave: narratologia; arquivo; ficção marítima Abstract:The literary historians are excavating a great range of forgotten literary forms, which posits the important question on how to apprehend their specificity. So far, close reading and symptomatic reading have been the most important tools used by literary critics, but they are unable to deal with novels that do not conform to the realist and modernist paradigms. The article examines this return to the archive discusses the methodology necessary to grasp these forgotten forms. The article illustrates this method through the rediscovery of sea adventure fiction as an influential transnational practice of the novel from Defoe to Conrad.Keywords: narratology; archive; sea adventure fiction
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Geertz, Clifford. "A Strange Romance: Anthropology and Literature." Profession 2003, no. 1 (2003): 28–36. http://dx.doi.org/10.1632/074069503x85553.

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Chude-Sokei, L. "Romance, Diaspora, and Black Atlantic Literature." Modern Language Quarterly 74, no. 1 (2013): 132–35. http://dx.doi.org/10.1215/00267929-1892789.

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Delany, Sheila. "English 380: Literature in Translation: Medieval Jewish Literature; Studies in medieval culture." Florilegium 20, no. 1 (2003): 201–5. http://dx.doi.org/10.3138/flor.20.047.

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Jewish culture has a continuous existence of nearly three millennia. This course isolates a small portion of it to read, in translation, work composed during the Middle Ages by authors from several countries and in several genres: parable and fantasy, lyric and lament, polemic, marriage manual, romance. Some of our material has not been translated into English before and is not yet available in print. We are fortunate to have brand-new pre-print copies of Meir of Norwich and especially of the famous Yiddish romance the Bovo-buch (in the course-pack)—an early modern version of a widely-read (non-Jewish) medieval text. Primary texts will be supplemented by scholarly books on which each student will offer a short class presentation.
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Fisher, Heather. "Young Adult Literature: From Romance to Realism." Journal of the Australian Library and Information Association 66, no. 2 (2017): 201–2. http://dx.doi.org/10.1080/24750158.2017.1319015.

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Câmara Simões da Silva, Rafaela. "«Do rei exemplar: alguns ecos bíblicos na oratoria do Lancelot en prose»." Revista de Literatura Medieval 29 (December 21, 2018): 81–90. http://dx.doi.org/10.37536/rpm.2017.29.0.69393.

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Resumen: O Lancelot en Prose, extenso romance que desenvolve a biografia de Lancelot, insere-se no grande ciclo de romances arturianos escrito em França durante a década de vinte do séc. XIII. Este texto testemunha, no nosso entender, uma clara exploração das potencialidades bíblicas na literatura medieval. A nossa análise incidirá essencialmente num momento discursivo que consideramos fundamental no romance, a repreensão dirigida a Artur por um preudome que se apresenta perante a corte do rei. Procuraremos identificar, através do confronto entre este excerto do Lancelot en Prose e as Escrituras, quais os elementos bíblicos nele retido e de que modo foram tratados. Esperaremos poder, assim, averiguar quais as intenções autorais no uso da fonte bíblica.Palabras clave: Lancelot en Prose, Bíblia, teoria da realeza, romance arturiano.Abstract: Lancelot en Prose, an extensive romance where Lancelot’s biography is developed, is integrated into the wide cycle of Arthurian romances that was written in France during the second decade of the thirteenth century. This text testifies, as long as we are concerned, a clear exploration of the biblical potentials in medieval literature. Our analysis will focus essentially on a discursive moment that we consider to be central to the romance: the reprimand directed to Arthur by a preudome that presents himself before the king’s court. We will try to identify, through the confrontation between the referred excerpt of Lancelot en Prose and the Scripture which are the elements withheld in it and how they were treated. By this confrontation we hope to ascertain the authorial intentions in the use of the biblical source.Keywords: Lancelot en Prose, Bible, theory of kingship, Arthurian romance.
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Cohen, Walter. "The Rise of the Written Vernacular: Europe and Eurasia." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 719–29. http://dx.doi.org/10.1632/pmla.2011.126.3.719.

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When Students of Western European Medieval Literature speak of the rise of the vernacular, they often do not mean what you might think they mean—neither the continued use of Latin as a written vernacular for over five hundred years after the fall of the Roman Empire nor the first texts in Celtic, Germanic, and Semitic languages, from the fourth to the tenth century. They mean something later and geographically narrower—the writing that emerges from the breakup of Latin into distinct regional speech patterns, the Romance languages and literatures, primarily in the territories of modern France, Spain, Italy, and Portugal. Although understanding the rise of Romance-language literature as the rise of vernacular writing misrepresents medieval European literature, it has an important rationale. The twelfth-century literature of what is now France—Old French romance in the north, Occitan (formerly Provençal) lyric in the south—establishes continent-wide norms, thereby giving European literature a coherent set of forms and themes for the first time.
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Davidson, Cathy N., and Janice A. Radway. "Reading the Romance: Women, Patriarchy, and Popular Literature." American Literature 57, no. 3 (1985): 526. http://dx.doi.org/10.2307/2925808.

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Dissertations / Theses on the topic "Romance literature; Literature"

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Ribeiro, Rosária Cristina Costa. "A espacialidade no romance histórico francês no século XIX : Balzac, Hugo e Elémir /." Araraquara, 2013. http://hdl.handle.net/11449/115584.

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Orientador: Sidney Barbosa<br>Banca: Guacira Marcondes Machado Leite<br>Banca: Márcia Valéria Zamboni Gobbi<br>Banca: Claudia Felicia Falluh Balduino Ferreira<br>Banca: Henrique Silvestre Soares<br>Resumo: Inicialmente o trabalho distingue as várias denominações desse tipo de romance para fazer a escolha de uma delas. De acordo com diversos críticos contemporâneos, o romance histórico tradicional nasceu pelas mãos de Sir Walter Scott, no Romantismo inglês. Entretanto, foi na França oitocentista que este tipo de romance alcançou sua maior expressão com obras como Les chouans (1829) e Notre-Dame de Paris (1831). É preciso distinguir também o romance histórico tradicional daqueles outros tipos muito célebres e comuns que, naquela época, utilizavam a história como pano de fundo, ou romanceavam essa mesma história (e aqui podemos citar, por exemplo, La Reine Margot, de 1845). Assim, o percurso teórico parte de teóricos como Louis Maigron (1866-1954) passa por Georg Lukàcs (1885-1971) até Gérard Gengembre (1949), Jean Molino (1945) e Claudie Bernard1, já na segunda metade do século XX. O trabalhou centrou-se em um embate direto com os textos literários, objetivando caracterizar a construção da espacialidade nos romances do corpus escolhido. A escolha dos romances partiu do conceito de micro-gênero (Molino, 1975), que estabelece a determinação de características em comum entre as obras a serem analisadas, como, por exemplo, o tema ou a data de publicação. Dessa forma, baseando-se na data e local de publicação (França do século XIX), foram escolhidos os seguintes romances: Les Chouans (1829) de Honoré de Balzac, Quatrevingt-treize (1874) de Victor Hugo e Sous la hache (1883) de Élémir Bourges. A partir da leitura e análise da realização de algumas reflexões a respeito dessas obras, pôde-se comprovar que, apesar da distância temporal entre a publicação delas, todas seguem o mesmo padrão de definição da espacialidade e fazem parte da mesma escola literária, o Romantismo. Resta dizer que o romance histórico tradicional francês do século XIX foi a expressão autêntica de um povo castigado pelas...<br>Résumé: Dans un premier temps, ce travail fait la distinction parmi les plusieurs dénominations de ce que l'on appelle roman historique pour choisir seulement un type parmi eux. Selon divers critiques contemporains, le roman historique traditionnel est né avec l'oeuvre de Walter Scott, dans le Romantisme Anglais. Cependant, c'est la France du XIXe siècle qui a connu la plus grande expression de cet espèce de roman, avec la parution de Les chouans (1829) et Notre-Dame de Paris (1831). Il faut aussi distinguer le roman historique traditionnel des autres types de romans historiques, três célèbres et répandus dans la même époque, que tantôt utilisaient l'histoire comme toile de fond, tantôt romançaient cette même histoire (et là on peut citer, par exemple, La Reine Margot, paru en 1845). En effet, le parcous théorique part de théoriciens comme Louis Maigron (1866-1954), passe par Georg Lukàcs (1885-1971), allant jusqu'à Jean Molino (1945) et Claudie Bernard (sans date de naissance connue), dans la deuxième partie du XXe siècle. Donc, le travail de recherche consiste en la lecture, le réperage et l'analyse des extraits, nottament ceux liés à la description de l'espace, l'établissement de parallèles entre eux, et la compréhension du rapport espace-roman historique du XIXe siècle. Pour composer le corpus, un 'microgenre' a été établi (microgenre peut désigner, d'après Molino (1975), un groupe « d'oeuvres proches par le temps et par le lieu, qui appartiennent à un même ensemble culturel et entre lesquelles existent de nombreux liens de filiation, influence, ressemblance, etc. »). Ainsi, les romans choisis, Les Chouans (1829) de Honoré de Balzac, Quatrevingt-treize (1874) de Victor Hugo et Sous la hache (1883) de Élémir Bourges, appartiennent à la France du XIXe siècle. Il faut dire encore que le roman historique traditionnel français du XIXe siècle a été l'expression authentique...<br>Doutor
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Weber, Raquel. "Pós-modernismo e regionalidade no romance Glaucha." reponame:Repositório Institucional da UCS, 2009. https://repositorio.ucs.br/handle/11338/407.

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Este estudo tem como objetivo investigar aspectos do fenômeno pós-modernista na literatura por meio da análise do romance Glaucha, de Paulo Ribeiro. Discute-se o contexto que permitiu o surgimento dessa tendência contemporânea, explorando sua condição de continuidade e ruptura em relação ao movimento que a antecedeu, o modernismo. Juntamente com a análise do romance, são exploradas as características atribuídas à tendência pós-modernista, ressaltando-se a forte presença da intertextualidade e da paródia. Estuda-se, também, sua relação com conceitos de cultura e de identidade regional, propondo-se a presença da regionalidade como característica constituidora do discurso pós-modernista.<br>Submitted by Marcelo Teixeira (mvteixeira@ucs.br) on 2014-05-28T16:34:28Z No. of bitstreams: 1 Dissertacao Raquel Weber.pdf: 4682234 bytes, checksum: 8377ceda95fbe0e25229a74622ffaf41 (MD5)<br>Made available in DSpace on 2014-05-28T16:34:28Z (GMT). No. of bitstreams: 1 Dissertacao Raquel Weber.pdf: 4682234 bytes, checksum: 8377ceda95fbe0e25229a74622ffaf41 (MD5)<br>This study intents to investigate the postmodernist phenomenon´s aspects in literature through the analysis of the novel Glaucha, by Paulo Ribeiro. It is argued the context that allowed the appearing of this contemporary trend, exploring its condition of continuity and rupture in relation to the movement that preceded it, modernism. The characteristics attributed to the postmodernist trend are explored with the analysis of the novel, standing out the strong presence of the intertextuality and the parody. It is studied also its relation with culture and regional identity concepts, considering the presence of the regionality as a constitutive characteristic of the postmodernist speech.
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Fisher, Marianne. "Nobility in Middle English romance." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/54052/.

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Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romance and lost heirs (Degaré Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octvian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis-Belisaunt plot from Amis and Amiloun); type 3: romances of improversihed knights (Amiloun's story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobillity, but draws on the full range of contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistence is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue. However, no romance text offers just one definition; implicitly or explicitly, there are always alternatives. This internal variety indicates tha the romances imagine nobility scene-by-scene; even a text seemingly committed to one perspective is liable to abandon it temporarily if there is another better suited to the narrative moment. Ideological expression always comes second to effective story-telling. This means the texts are frequently inconsistent and sometimes illogical, but that multiplicity is of their very essence.
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Rocha, Carlos. "A caminho do romance : Machado de Assis e a formação da consciência literária /." Araraquara, 2018. http://hdl.handle.net/11449/154438.

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Orientador: Wilton José Marques<br>Banca: Luiz Gonzaga Marchezan<br>Banca: Maria Célia de Moraes Leonel<br>Banca: Eduardo Vieira Martins<br>Banca: Jefferson Cano<br>Resumo: O objetivo do presente estudo é compreender, por meio da análise dos textos críticos e ficcionais publicados entre 1858 e 1878, como se forma a consciência literária de Machado de Assis e como o escritor interfere na produção literária, ao demonstrar sua preocupação com a qualidade dos textos dos escritores coetâneos, com a aceitação do público leitor e com a criação de um ambiente favorável para a sua obra ficcional desse período - teatro, conto e, principalmente, romance. Pretende-se, a partir disso, entender como Machado de Assis, ao reutilizar os recursos literários trabalhados em outros gêneros (teatro e conto), ressignificando-os, desenvolve as primeiras obras de seu projeto romanesco, uma vez que, nelas, o autor persegue de perto a mais bem acabada configuração do perfil do personagem, que, ao expor seu drama particular, expressa os interesses subjacentes das relações, formatando um recorte ímpar daquela sociedade e vislumbrando a concepção machadiana de cor local, por conseguinte, sua crítica aos costumes e às debilidades das instituições do Rio de Janeiro de sua época.<br>Abstract: The aim of the present study is to understand, through the analysis of the critical and fictional texts published between 1858 and 1878, how the literary consciousness of Machado de Assis is formed and how the writer interferes in literary production by demonstrating his concern for the quality of texts of the contemporaneous writers, with the acceptance of the reading public and with the creation of a favorable environment for his fictional work of this period - theater, short story and, mainly, novel. It is intended, from this, to understand how Machado de Assis, by reusing the literary resources worked in other genres (theater and short story), re-signifying them, develops the first works of his novel project, since, in them, the author pursues the most well-defined configuration of the character's profile, which, in exposing his particular drama, expresses the underlying interests of the relationship, shaping a unique cut of that society and looking at Machado's conception of local color, hence his critique of customs and to the weaknesses of the institutions of Rio de Janeiro of his time.<br>Doutor
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Foukara, Abderrahim. "Alienation in South African literature." Thesis, University of Glasgow, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287285.

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Vilela, André Ricardo Freitas Bezerra. "O romance tragicômico de Lourenço Mutarelli." Niterói, 2017. https://appdesenv.uff.br/riuff/handle/1/3523.

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Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-02T18:45:40Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) O-romance-tragicÃmico-de-LourenÃo-Mutarelli-1-4.pdf: 1951745 bytes, checksum: 4ec5a16b50b43f8411fd40f637fee85b (MD5)<br>Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-11T15:14:07Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) O-romance-tragicÃmico-de-LourenÃo-Mutarelli-1-4.pdf: 1951745 bytes, checksum: 4ec5a16b50b43f8411fd40f637fee85b (MD5)<br>Made available in DSpace on 2017-05-11T15:14:07Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) O-romance-tragicÃmico-de-LourenÃo-Mutarelli-1-4.pdf: 1951745 bytes, checksum: 4ec5a16b50b43f8411fd40f637fee85b (MD5)<br>Analisa-se O cheiro do ralo e O natimorto de Lourenço Mutarelli a partir da perspectiva do romance tragicômico, que reúne o jocoso e o trágico como constitutivos da narrativa, fazendo com que o leitor não saiba, muitas das vezes, se ri ou se compadece. Ou seja, são provocados sentimentos antagônicos, mas que acabam por se complementar no decorrer da escrita de Lourenço Mutarelli. Nas narrativas e dramaturgias contemporâneas não se encontra mais tanto espaço para tragédias ou comédias como gêneros apartados. Se demonstra assim em nosso contexto, e como veremos na literatura de Mutarelli, o fim da grande segregação entre o nobre trágico e baixo cômico. Para sustentar nossa argumentação, comprovaremos que, ao contrário do que fala George Steiner sobre a morte da tragédia, é possível encontramos uma visão trágica em nossos dias, no entanto, reatualizada ao nosso contexto histórico-social. O caráter sério próprio da tragédia, não se sustenta mais em nosso mundo, onde não há mais nada que possa sobreviver a muita seriedade. Além disso nosso tempo, não temos mais os nobres heróis de outrora, mas é cada vez mais a figura do homem comum, do homem quotidiano, que vai sustentar o trágico. Um “homem sem importância” que não pode ser chamado de “herói”, a não ser impropriamente, pois estariam mais para os anti-heróis<br>It analyzes O cheiro do ralo and O natimorto of Lourenço Mutarelli from the perspective of the tragicomic novel that combines the playful and tragic as constitutive of the narrative, so that the reader does not know, often, if it laughs or pities. In the other words, antagonistic feelings are caused, which end up in complementing themselves in the course of Lourenço Mutarelli's writing. In the contemporary narratives and dramaturgies it can not be found so much room for tragedies or comedies as separated genres. It Is shown in this manner in our context, and as we shall see in Mutarelli's literature, the end of the great division between the high tragic and the low comic. To support our argument, we will prove that, contrary to what George Steiner speaks about the death of tragedy, you can find a tragic vision on our day, however, updated to our historical and social context. The serious aspect proper of the tragedy, no longer holds in our world, where there is nothing more that can survive much seriousness. Also, in our time, we do not have the noble heroes of yore, but it is increasingly the figure of the common man, the everyday man, who will sustain the tragic. A "man of no importance" that can not be called "hero", unless improperly, because they would be more the antiheroes
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Randall, Lesa Beth. "Representations of syphilis in sixteenth-century French literature." Diss., The University of Arizona, 1999. http://hdl.handle.net/10150/284029.

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Syphilis caused unprecedented terror as it rapidly spread through Western Europe at the onset of the sixteenth century. In France, a flourish of literary production specifically about syphilis provides an important record of various reactions to what constituted the first known experience of deadly disease, sexually transmitted. This dissertation examines three types of literary representations of syphilis in texts dating from 1500-1550, by authors as familiar as Rabelais and Jean LeMaire de Belges, in addition to many that remain anonymous. With a foundation of anthropological theories of sickness as danger and pollution, psychoanalytic theory is employed to elucidate the thought processes that led to the pervasive blaming and scapegoating of women, the most common social reaction to syphilis seen in this literature. Organization of texts on the same subject into separate units was achieved by considering the tone with which they deal with syphilis. Chapter One presents and analyses Le Triomphe de Treshaulte et Puissante Dame Verolle, the only known Renaissance compilation of texts about syphilis. Reliance on allegory and myth to explain the origins and causes of syphilis make this text a prime example of socially sanctioned literary reaction to the disease, clearly the most polite discourse found to date. Chapter Two examines the cornucopian representations of syphilis found in Rabelais. As a monk, physician and writer, Rabelais had a unique and varied perspective on the disease. His text imitates, reverses or mocks most common reactions to syphilis while advancing the important message of 'temperance in all things' that forms and informs his works. Twelve popular poems, mostly anonymous, are presented in Chapter Three. Analysis of vivid, realistic descriptions of loss associated with syphilis and a discourse of warning whose foundation rests on the denigration of women demonstrate that these texts were both cathartic and didactic. A compilation and translation of the works discussed in chapters one and three appear as special appendices, so that these cultural artifacts may be considered in future studies of social reaction to deadly, sexually transmitted disease in Renaissance France.
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Chiaruttini, Riccardo. "Exile, migration, and borders in contemporary Italian literature." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3319907.

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Thesis (Ph.D.)--Indiana University, Dept. of French & Italian Studies, 2008.<br>Title from PDF t.p. (viewed on May 11, 2009). Source: Dissertation Abstracts International, Volume: 69-08, Section: A, page: 3167. Adviser: Andrea Ciccarelli.
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Marques, Ana Maria dos Santos. "O anacronismo no romance histórico português oitocentista." Tese, Porto : [Edição do Autor], 2010. http://aleph.letras.up.pt/F?func=find-b&find_code=SYS&request=000204153.

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O romance histórico português oitocentista, de carácter didáctico e pretensamente fidedigno, foi desafiado pela dificuldade de representar fielmente os costumes e as mentalidades do passado. Cedo os autores se aperceberam da inevitabilidade do anacronismo e se, em termos de reconstituição arqueológica do ambiente, o conseguiram afastar, reforçando, assim, a intenção de complementar a História oficial, ao nível da representação da psicologia das personagens acabaram por falhar completamente. Por isso, os heróis do passado sentem e pensam como os típicos heróis românticos. Podemos então observar um "anacronismo cultural e psicológico" que afecta a representação de personagens referenciais e fictícias, a sua integração no universo diegético e a repercussão dos acontecimentos públicos na sua vida privada.
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Marques, Ana Maria dos Santos. "O anacronismo no romance histórico português oitocentista." Doctoral thesis, Porto : [Edição do Autor], 2010. http://hdl.handle.net/10216/39321.

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O romance histórico português oitocentista, de carácter didáctico e pretensamente fidedigno, foi desafiado pela dificuldade de representar fielmente os costumes e as mentalidades do passado. Cedo os autores se aperceberam da inevitabilidade do anacronismo e se, em termos de reconstituição arqueológica do ambiente, o conseguiram afastar, reforçando, assim, a intenção de complementar a História oficial, ao nível da representação da psicologia das personagens acabaram por falhar completamente. Por isso, os heróis do passado sentem e pensam como os típicos heróis românticos. Podemos então observar um "anacronismo cultural e psicológico" que afecta a representação de personagens referenciais e fictícias, a sua integração no universo diegético e a repercussão dos acontecimentos públicos na sua vida privada.
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Books on the topic "Romance literature; Literature"

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"Literatury mniejsze" Europy romańskiej: "Minor literatures" of Romance Europe. Wydawnictwo Naukowe UAM, 2012.

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Romance, diaspora, and black Atlantic literature. Cambridge University Press, 2010.

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Young adult literature: From romance to realism. American Library Association, 2011.

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Cart, Michael. Young adult literature: From romance to realism. American Library Association, 2010.

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Puerto Rican nation-building literature: Impossible romance. University Press of Florida, 2005.

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History and romance in Graeco-Oriental literature. Garland Pub., 1987.

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Romance revived: Postmodern romances and the tradition. Umeå University, 1998.

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Monterroso, Augusto. Literatura y vida. Alfaguara, 2004.

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Reading the romance: Women, patriarchy and popular literature. Verso, 1987.

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Romance, family, and nation in Japanese colonial literature. Palgrave Macmillan, 2010.

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Book chapters on the topic "Romance literature; Literature"

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van der Poel, Dieuwke. "The Romance of the Rose and I." In Courtly Literature. John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/upal.25.45van.

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Kalinke, Marianne. "Norse Romance (Riddarasögur)." In Old Norse-Icelandic Literature. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741654-008.

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Jones, Timothy S. "Outlawry and Romance." In Outlawry in Medieval Literature. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114685_6.

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Schippers, Arie. "Hispano-Arabic Literature and the Early Romance Literature." In Études de langue et de littérature médiévales offertes à Peter T. Ricketts à l’occasion de son 70ème anniversaire. Brepols Publishers, 2010. http://dx.doi.org/10.1484/m.stmh-eb.3.2522.

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Collins, Marsha S. "Romance." In The Palgrave Handbook of Philosophy and Literature. Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-54794-1_13.

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Robinson, Benedict S. "Unfinished Romance." In Islam and Early Modern English Literature. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230607439_4.

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Saunders, Corinne. "The Romance Genre." In A Companion to British Literature. John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118827338.ch11.

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Moore, Helen. "Romance." In A Companion to English Renaissance Literature and Culture. Blackwell Publishers Ltd, 2007. http://dx.doi.org/10.1002/9780470998731.ch29.

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Moore, Helen. "Romance." In A New Companion to English Renaissance Literature and Culture. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch57.

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Goodwin, Ken, Alan Lawson, Bruce Bennett, et al. "Realism And Romance." In The Macmillan Anthology of Australian Literature. Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20665-0_11.

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Conference papers on the topic "Romance literature; Literature"

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Scrivner, Olga, and Sandra Kübler. "Tools for Digital Humanities: Enabling Access to the Old Occitan Romance of Flamenca." In Proceedings of the Fourth Workshop on Computational Linguistics for Literature. Association for Computational Linguistics, 2015. http://dx.doi.org/10.3115/v1/w15-0701.

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Fitria, Zena. "The Analysis of Romanticism in Bonjour Tristesse Romance by Françoise Sagan." In Tenth International Conference on Applied Linguistics and First International Conference on Language, Literature and Culture. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007171906150617.

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Turan DOĞAN, Ahmet. "TÜRKÇEDE DOĞAL ÜNLEM EDATLARININ YAZIM BİÇİMLERİ." In International Research Congress of Language and Literature of Language and Literature. Rmar Academy, 2021. http://dx.doi.org/10.47832/languagecongress978-605-065876-3.

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Ünlem edatları, Türkçede diğer sözcük türlerine göre üzerinde daha az değerlendirmenin yapıldığı sözcük grubudur. Diğer taraftan, ünlem edatlarının kökeni, yapısı, dil bilgisel anlamları gibi konularda çalışmalar giderek artmaktadır. Bu çalışmalardan biri de doğal ünlem edatlarının diğer ünlem edatlarından farklılık gösteren yazım biçimlerinin araştırılmasıdır. Söz konusu çalışmada bu biçimler üzerinde durulmuştur. Ünlemler içerisinde köken bakımından herhangi bir dünya diline ait olmayan bir tür doğal refleks durumundaki doğal ünlem edatları boğumsuz seslerden oluşurlar. Dildeki boğumlu seslerden oluşan sözcüklerin aksine bunların standartları belirlenmiş bir yazım biçimi de bulunmamaktadır. Bu çalışmada doğal ünlem edatlarının Türkiye Türkçesindeki söz konusu farklı yazım biçimleri çeşitli roman, hikâye ve derlemden seçilen örnek kullanımlarla incelenmiştir
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Rodrigues, Beatriz. "Ficções impressas: jornalismo e literatura no romance ilusões perdidas de Honoré de Balzac." In IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.353.

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BOHDANYUK, Antonina. "Educational Potential of Ukrainian Children’s Literature of Canada." In 15th Edition of the International Conference on Sciences of Education, Studies and Current Trends in Science of Education, ICSED 2017, 9-10 June 2017, Suceava (Romania). LUMEN Publishing House, 2018. http://dx.doi.org/10.18662/lumproc.icsed2017.6.

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Sabrina, Reno Mardhatillah, and Yenni Hayati. "Domestic Violence Against Women in Isinga: Roman Papua Novel by Dorothea Rosa Herliany." In The 3rd International Conference on Language, Literature, and Education (ICLLE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201109.029.

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Li, Zhikai. "The Use of Latin Literature During the Transition Period Between the Roman Republic and the Roman Empire—How Latin Literature was Utilized to Achieve Various Political Approaches." In 5th International Symposium on Social Science (ISSS 2019). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.021.

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CAZAN, Ionut-Catalin. "Community Participation in Tourism Destination Development: A Literature Review." In The 14th Economic International Conference: Strategies and Development Policies of Territories: International, Country, Region, City, Location Challenges, May 10-11, 2018, Stefan cel Mare University of Suceava, Romania. LUMEN Publishing House, 2018. http://dx.doi.org/10.18662/lumproc.75.

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TRIPON, Ioana Maria, and Smaranda Adina COSMA. "The Evolution of Tourism Destination: A Review of Literature." In The 14th Economic International Conference: Strategies and Development Policies of Territories: International, Country, Region, City, Location Challenges, May 10-11, 2018, Stefan cel Mare University of Suceava, Romania. LUMEN Publishing House, 2018. http://dx.doi.org/10.18662/lumproc.79.

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Costandache, Ana-Elena. "Models of Moral Education in Some Romanian Language and Literature Textbooks for Secondary School." In 4th International Scientific Conference "Sports, Education, Culture - Interdisciplinary Approaches in Scientific Research", SEC-IASR 2019, Galati, Romania, 7th - 8th June, 2019. LUMEN Publishing house, 2020. http://dx.doi.org/10.18662/lumproc/sec-iasr2019/14.

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