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Journal articles on the topic 'Romance literature; Literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Silva Filho, Antonio Vieira, and João Francisco de Lima Dantas. "Romance/ Literatura: um objeto em transição [Romance/Literature: an object in transition]." Kalagatos 14, no. 1 (2017): 129. http://dx.doi.org/10.23845/kgt.v14i1.89.

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Donoso, Isaac. "«Cabayong tabla: estudi i traducció d'un romanç filipí del regne de València (II)»." Revista de Literatura Medieval 29 (December 21, 2018): 13–40. http://dx.doi.org/10.37536/rpm.2017.29.0.69405.

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Resumen: Introducció a la conformació del romacer de tradició hispànica a les illes Filipines i la presència del Regne de València com espai literari en una literatura asiàtica. Al treball acompanya la descripció i traducció directa des del bicolà al valencià d’un dels principals romanços filipins que tracten del Regne de Valencia: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Cavall de Taula»–, text per primera vegada traduït a qualsevol llengua. Així mateix, analitzem les fonts i descrivim la història argumental i la presència de València al Romancer filipí con a treball comparatista que puga donar llum a la formalització del classicisme en les Lletres Filipines des de la literatura medieval de tradició hispànica.Palabras clave: Romancer hispànic, awit i corrido, Filipines, Regne de València, literatura hispànica, bicolà.Abstract: The paper introduces the development of the Philippine metrical romances from the Hispanic tradition and the presence of the Kingdom of Valencia as Asian literary topic. It is supplied with the first translation ever done from the original Bicolano into Catalan of one of the most relevant romances dealing with the Valencian topic: Cabayong Tabla. Buhay ni Principe don Juan Asin ni Princesa Dña. Maria Sa Cahadean nin Valencia asin Asturias –«Wooden Horse». We analyse the sources and the plot of the romance in order to compare and enlight the genesis of Philippine Classical Literature with the Medieval Hispanic Romancero.Keywords: Hispanic Romancero, Philippine Metrical Romances, awit and corridor, Philippines, Kingdom of Valencia, Bicolano.

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3

Cohen, Margaret, and Rodrigo Soares de Cerqueira. "NARRATOLOGIA NO ARQUIVO DA LITERATURA * NARRATOLOGY IN THE ARCHIVE OF LITERATURE." História e Cultura 5, no. 2 (2016): 20. http://dx.doi.org/10.18223/hiscult.v5i2.1915.

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Resumo:Os historiadores literários estão escavando uma grande variedade de formas literárias esquecidas, o que coloca uma questão das mais importantes: como apreender a especificidade dessas obras. A leitura cerrada e a leitura sintomática têm sido, até aqui, as ferramentas mais importantes usadas pelo críticos literários, mas elas se mostram ineficazes para lidar com romances que não se conformam com os paradigmas realista e modernista. O artigo ilustra esse método através da redescoberta da ficção de aventura marítima enquanto uma influente prática transnacional do romance de Defoe a Conrad.Palavras-chave: narratologia; arquivo; ficção marítima Abstract:The literary historians are excavating a great range of forgotten literary forms, which posits the important question on how to apprehend their specificity. So far, close reading and symptomatic reading have been the most important tools used by literary critics, but they are unable to deal with novels that do not conform to the realist and modernist paradigms. The article examines this return to the archive discusses the methodology necessary to grasp these forgotten forms. The article illustrates this method through the rediscovery of sea adventure fiction as an influential transnational practice of the novel from Defoe to Conrad.Keywords: narratology; archive; sea adventure fiction

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4

Geertz, Clifford. "A Strange Romance: Anthropology and Literature." Profession 2003, no. 1 (2003): 28–36. http://dx.doi.org/10.1632/074069503x85553.

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5

Chude-Sokei, L. "Romance, Diaspora, and Black Atlantic Literature." Modern Language Quarterly 74, no. 1 (2013): 132–35. http://dx.doi.org/10.1215/00267929-1892789.

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6

Delany, Sheila. "English 380: Literature in Translation: Medieval Jewish Literature; Studies in medieval culture." Florilegium 20, no. 1 (2003): 201–5. http://dx.doi.org/10.3138/flor.20.047.

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Jewish culture has a continuous existence of nearly three millennia. This course isolates a small portion of it to read, in translation, work composed during the Middle Ages by authors from several countries and in several genres: parable and fantasy, lyric and lament, polemic, marriage manual, romance. Some of our material has not been translated into English before and is not yet available in print. We are fortunate to have brand-new pre-print copies of Meir of Norwich and especially of the famous Yiddish romance the Bovo-buch (in the course-pack)—an early modern version of a widely-read (non-Jewish) medieval text. Primary texts will be supplemented by scholarly books on which each student will offer a short class presentation.

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7

Fisher, Heather. "Young Adult Literature: From Romance to Realism." Journal of the Australian Library and Information Association 66, no. 2 (2017): 201–2. http://dx.doi.org/10.1080/24750158.2017.1319015.

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8

Câmara Simões da Silva, Rafaela. "«Do rei exemplar: alguns ecos bíblicos na oratoria do Lancelot en prose»." Revista de Literatura Medieval 29 (December 21, 2018): 81–90. http://dx.doi.org/10.37536/rpm.2017.29.0.69393.

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Resumen: O Lancelot en Prose, extenso romance que desenvolve a biografia de Lancelot, insere-se no grande ciclo de romances arturianos escrito em França durante a década de vinte do séc. XIII. Este texto testemunha, no nosso entender, uma clara exploração das potencialidades bíblicas na literatura medieval. A nossa análise incidirá essencialmente num momento discursivo que consideramos fundamental no romance, a repreensão dirigida a Artur por um preudome que se apresenta perante a corte do rei. Procuraremos identificar, através do confronto entre este excerto do Lancelot en Prose e as Escrituras, quais os elementos bíblicos nele retido e de que modo foram tratados. Esperaremos poder, assim, averiguar quais as intenções autorais no uso da fonte bíblica.Palabras clave: Lancelot en Prose, Bíblia, teoria da realeza, romance arturiano.Abstract: Lancelot en Prose, an extensive romance where Lancelot’s biography is developed, is integrated into the wide cycle of Arthurian romances that was written in France during the second decade of the thirteenth century. This text testifies, as long as we are concerned, a clear exploration of the biblical potentials in medieval literature. Our analysis will focus essentially on a discursive moment that we consider to be central to the romance: the reprimand directed to Arthur by a preudome that presents himself before the king’s court. We will try to identify, through the confrontation between the referred excerpt of Lancelot en Prose and the Scripture which are the elements withheld in it and how they were treated. By this confrontation we hope to ascertain the authorial intentions in the use of the biblical source.Keywords: Lancelot en Prose, Bible, theory of kingship, Arthurian romance.

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9

Cohen, Walter. "The Rise of the Written Vernacular: Europe and Eurasia." PMLA/Publications of the Modern Language Association of America 126, no. 3 (2011): 719–29. http://dx.doi.org/10.1632/pmla.2011.126.3.719.

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When Students of Western European Medieval Literature speak of the rise of the vernacular, they often do not mean what you might think they mean—neither the continued use of Latin as a written vernacular for over five hundred years after the fall of the Roman Empire nor the first texts in Celtic, Germanic, and Semitic languages, from the fourth to the tenth century. They mean something later and geographically narrower—the writing that emerges from the breakup of Latin into distinct regional speech patterns, the Romance languages and literatures, primarily in the territories of modern France, Spain, Italy, and Portugal. Although understanding the rise of Romance-language literature as the rise of vernacular writing misrepresents medieval European literature, it has an important rationale. The twelfth-century literature of what is now France—Old French romance in the north, Occitan (formerly Provençal) lyric in the south—establishes continent-wide norms, thereby giving European literature a coherent set of forms and themes for the first time.

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10

Davidson, Cathy N., and Janice A. Radway. "Reading the Romance: Women, Patriarchy, and Popular Literature." American Literature 57, no. 3 (1985): 526. http://dx.doi.org/10.2307/2925808.

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Ohmann, Richard. "Reading the Romance: Women, Patriarchy, and Popular Literature." Radical Teacher 113 (February 14, 2019): 23–24. http://dx.doi.org/10.5195/rt.2019.575.

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Simons, Judy. "Reading the romance: Women, patriarchy and popular literature." Women's Studies International Forum 13, no. 3 (1990): 277. http://dx.doi.org/10.1016/0277-5395(90)90016-q.

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13

Jasnow, Richard. "The Greek Alexander Romance and Demotic Egyptian Literature." Journal of Near Eastern Studies 56, no. 2 (1997): 95–103. http://dx.doi.org/10.1086/468524.

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14

Siker, E. S. "Romance, Poetry, and Surgical Sleep: Literature Influences Medicine." JAMA: The Journal of the American Medical Association 275, no. 7 (1996): 567. http://dx.doi.org/10.1001/jama.1996.03530310073040.

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15

Kepple, Stephen R. "Romance, Poetry, and Surgical Sleep: Literature Influences Medicine." American Journal of Health-System Pharmacy 54, no. 6 (1997): 724–28. http://dx.doi.org/10.1093/ajhp/54.6.724.

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16

Soares, Leonardo Francisco. "Literatura e política: Walter Benjamin e o caso Berlim Alexanderplatz." Cadernos Benjaminianos 13, no. 1 (2018): 45. http://dx.doi.org/10.17851/2179-8478.13.1.45-57.

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Resumo: Este ensaio apresenta uma reflexão sobre a relação entre literatura e política, tomando como pré-texto o romance Berlim Alexanderplatz, de Alfred Döblin, publicado em 1929. Para tanto situamos, brevemente, o romance, seu caráter suis generis no contexto da literatura alemã, relacionando-o com a tradição literária e as vanguardas do século XX, e discutimos algumas concepções teóricas relativas ao diálogo entre literatura e política, a partir, principalmente, da leitura do ensaio, de 1934, “o autor como produtor”, de Walter Benjamin.Palavras-chave: literatura alemã; política; Alfred Döblin; Berlim Alexanderplatz.Abstract: This essay presents a reflection on the relationship between Literature and Politics bringing as a pretext the Alfred Döblin’s novel, Berlim Alexanderplatz, published in 1929. In such a manner, the novel and its sui generis in the German Literature context character are briefly situated, relating it with the literary tradition as well as to the XX century avant-gardes. Moreover, is also discussed some theoretical conceptions related to the dialogue between Literature and Politics, considering mainly the Walter Benjamin’s essay, 1934, “the author as the producer”.Keywords: German literature; politics; Alfred Döblin; Berlim Alexanderplatz.

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17

Cornelsen, Elcio Loureiro. "O conceito de Kinostil e o princípio da montagem no romance Berlim Alexanderplatz, de Alfred Döblin." Aletria: Revista de Estudos de Literatura 8 (March 2, 2018): 194–210. http://dx.doi.org/10.17851/2317-2096.8..194-210.

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Resumo: O objetivo do presente artigo é apresentar alguns aspectos teóricos postulados pelo escritor alemão Alfred Döblin ao desenvolver sua própria concepção da obra épica na “era da técnica”. Tais aspectos contribuem para uma melhor compreensão da relação entre literatura e cinema nas primeiras décadas do século XX.Palavras-chave: literatura alemã; montagem e cinema; montagem e literatura; literatura e cinema; romance da grande cidade.Abstract: The aim of this article is to present some theoretical aspects developed by the German writer Alfred Döblin in his own conception of the epic work in the “era of the technique”. These aspects contribute to a better comprehension of the relationship between Literature and Film in the first decades of the 20th century.Keywords: German literature; montage and film; montage and literature; literature and film; novel of the big city.

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18

House, Tom. "Mail Romance." Chicago Review 46, no. 1 (2000): 74. http://dx.doi.org/10.2307/25304463.

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Bradley, G. "Village Romance." Literary Imagination 5, no. 3 (2003): 422. http://dx.doi.org/10.1093/litimag/5.3.422.

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20

Annico, Alyssa. "Young Adult Literature: From Romance to Realism (3rd edition)." Reference Reviews 31, no. 8 (2017): 12–20. http://dx.doi.org/10.1108/rr-06-2017-0149.

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21

Beekman, E. M. "Realism of Romance: The Case for Dutch Colonial Literature." Dutch Crossing 14, no. 42 (1990): 3–28. http://dx.doi.org/10.1080/03096564.1990.11783949.

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22

Kennon, Raquel. "Romance, Diaspora, and Black Atlantic Literature by Yogita Goyal." Callaloo 36, no. 2 (2013): 466–69. http://dx.doi.org/10.1353/cal.2013.0114.

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23

Husen, Aida. "Romance, Diaspora, and Black Atlantic Literature (review)." MFS Modern Fiction Studies 57, no. 4 (2011): 789–92. http://dx.doi.org/10.1353/mfs.2011.0083.

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24

Bigsby, Shea. "Romance, Diaspora, and Black Atlantic Literature by Yogita Goyal." African American Review 45, no. 4 (2012): 665–67. http://dx.doi.org/10.1353/afa.2012.0103.

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25

Almeida, Sandra Regina Goulart. "Geographies of old olaces and bodies: revisioning Caribbean literature written by women." Aletria: Revista de Estudos de Literatura 19, no. 1 (2009): 181–93. http://dx.doi.org/10.17851/2317-2096.19.1.181-193.

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Resumo: O presente ensaio discute uma possível revisão da literatura caribenha contemporânea por meio da “ficção especulativa” produzida por mulheres. Ao analisar como essas escritoras procuram unir aspectos tradicionais da literatura caribenha com um discurso distópico e questionador, este ensaio aborda essa ficção especulativa produzida na diáspora, a partir de uma perspectiva de gênero, focalizando o romance Midnight Robber, da escritora caribenha-canadense Nalo Hopkinson.Palavras-chave: literatura caribenha; ficção especulativa; gênero.Abstract: This essay discusses how speculative fiction produced by women writers has revisited contemporary Caribbean Literature. By analyzing how these writers combine traditional aspects of Caribbean literature with a dystopian and transgressive discourse, this text addresses the questionings proposed by women writers from a gender perspective, focusing on the novel Midnight Robber by the Caribbean-Canadian writer Nalo Hopkinson.Keywords: Caribbean literature; speculative fiction; gender.

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De Sousa, Camila Galvão, and Joelma Santana Siqueira. "Precariedade, solidão e desintegração em "O Mundo Inimigo", de Luiz Ruffato." Jangada: crítica | literatura | artes, no. 10 (April 19, 2018): 66–82. http://dx.doi.org/10.35921/jangada.v0i10.89.

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RESUMO: O presente trabalho analisa a trajetória de vida da personagem Zé Pinto nas narrativas de O mundo inimigo, de Ruffato, com objetivo de discutir aspectos importantes sobre o mundo do trabalho na ficção. Como destacou Candido, a vida da personagem do romance depende da economia da obra, pois relaciona-se diretamente aos demais elementos que a constituem. A trajetória de Zé Pinto está relacionada a de demais personagens e a análise pretendida permite discutir as temáticas da precariedade, da solidão e da desintegração, também relacionadas à forma romanesca. PALAVRAS-CHAVE: Romance brasileiro contemporâneo, Personagem de ficção, O trabalhador na literatura, Literatura e sociedade. __________________________________________ ABSTRACT: The present work analyzes the life trajectory of the character Zé Pinto in the narratives of O mundo inimigo, by Ruffato, aiming to discuss important aspects about the world of work in fiction. As Candido pointed out, the life of the novel's character depends on the economy of the work, as it relates directly to the other elements that constitute it. The trajectory of Zé Pinto is related to that of other characters and the intended analysis allows to discuss the themes of precarious, solid and disintegration, also related to the romance form. KEYWORDS: Contemporary Brazilian Romance, Fiction character, The worker in literature, Literature and society.

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Miller, John N. "Eros and Ideology: At the Heart of Hawthorne's Blithedale." Nineteenth-Century Literature 55, no. 1 (2000): 1–21. http://dx.doi.org/10.2307/2903055.

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The Blithedale Romance dramatizes Nathaniel Hawthorne's career-long preoccupation with the human heart. Rather than the oft-acknowledged "head versus heart" struggle, his third mature romance features a "heart versus heart" conflict, in which "heart" represents both the passional, erotic impulses of the romance's characters and the ideals of sympathy, brotherhood/sisterhood, community, and familial love. Blithedale's utopianism, especially as asserted by the romance's first-person narrator, Miles Coverdale, rests upon the latter, ideal, or ideological notion of "heart." Much to Coverdale's nostalgic regret, neither Blithedale's ideology nor the community itself can survive the jealousies, rivalries, and erotic entanglements of the romance's four main characters. This ideology corresponds to Hawthorne's own desperately affirmed belief in "the magnetic chain of humanity," "the great universal heart," and the powers of sympathy and familial love. This belief, in turn, might derive from the Age of Sentiment-the later eighteenth century and subsequent decades. Despite his dour portrayal of Puritan behavior in The Scarlet Letter, Hawthorne posits a "larger and warmer heart of the multitude" that can vibrate "into one accord of sympathy." An abstract, authorially asserted ideology in The Scarlet Letter, it becomes a motive and emotional complication for Coverdale and others in The Blithedale Romance, tested and ultimately defeated by eros.

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Costa, Carlos Augusto Carneiro. "Realismo em Adorno e Lukács: o caso Em câmara lenta, de Renato Tapajós." Estudos de Literatura Brasileira Contemporânea, no. 39 (June 2012): 19–36. http://dx.doi.org/10.1590/s2316-40182012000100002.

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A primeira parte deste trabalho apresenta um estudo dos ensaios Introdução aos escritos estéticos de Marx e Engels, de Georg Lukács, e Posição do narrador no romance contemporâneo, de Theodor W. Adorno, em que procuramos analisar suas respectivas concepções de realismo em literatura, considerando seus critérios de valoração estética da obra literária. A segunda parte corresponde à análise do romance Em câmara lenta (1977), de Renato Tapajós, em que examinamos de sua constitui-ção formal à luz das noções de realismo em questão, procurando apontar uma plausível base teórica para leitura de romances que, a exemplo do de Tapajós, são elaborados a partir de uma negatividade constitutiva.

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Benjamin La Farge. "Comic Romance." Philosophy and Literature 33, no. 1 (2009): 18–35. http://dx.doi.org/10.1353/phl.0.0034.

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Salido, José Vicente. "El mundo infantil en el romancero hispánico barroco: educación, juegos y folclore." Ocnos: Revista de estudios sobre lectura, no. 11 (May 30, 2014): 141–68. http://dx.doi.org/10.18239/ocnos_2014.11.08.

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En el presente artículo pretendemos hacer un retrato del mundo infantil del Barroco a partir de los textos del romancero español. El romance, por su carácter popular, suele tener elementos costumbristas que forman parte de la cultura en la que se crea y se transmite. La idea es extraer del rastreo de nuestras principales colecciones de romances las noticias sobre la vida cotidiana del niño en la época barroca. Por acotar un campo tan amplio, nuestro análisis se centra en las informaciones sobre la educación, los juegos y las canciones infantiles que se documentan en el romancero, convencidos de que componen unretrato suficientemente amplio de la cotidianidad del niño del Barroco

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Oliveira, Luiz Henrique Silva de. "Manifestações do negrismo no modernismo brasileiro: poesia e romance." Navegações 10, no. 2 (2018): 156. http://dx.doi.org/10.15448/1983-4276.2017.2.23862.

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Este trabalho pretende analisar as manifestações do negrismo enquanto procedimento literário do século XX e estudar suas variantes no âmbito do modernismo brasileiro. Para tanto, tomaremos exemplares da poesia e do romance modernistas como elementos de análise. Será necessário para isso evidenciar as fontes e influências do negrismo e estabelecer diálogo com outros sentidos que o termo possui. Finalmente, deseja-se evidenciar como o negrismo no modernismo brasileiro representou uma etapa de transição entre a literatura de perspectiva etnocêntrica, em relação ao negro, e a chamada literatura afro-brasileira.********************************************************************Manifestations of “negrismo” in Brazilian Modernism: poetry and novelAbstract: This work aims to examine the manifestations of “negrismo” as a literary procedure of the twentieth century and study their variations in the Brazilian modernism. Therefore, we will take examples of poetry and romance modernists as elements of analysis. It will be necessary to show that the sources and influences to “negrismo” and establish dialogue withother senses that the term has. Finally , we want to show how the “negrismo” in Brazilian modernism represented a transitional stage between literature ethnocentric perspective, in relation to black, and the called african-Brazilian literature.Keywords: Negrismo; Modernismo; Poetry; Novel; Brazilian literature

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Hume, Kathryn, and John McClure. "Late Imperial Romance." American Literature 67, no. 1 (1995): 175. http://dx.doi.org/10.2307/2928063.

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Selinger, Eric Murphy. "Rereading the Romance." Contemporary Literature 48, no. 2 (2007): 307–24. http://dx.doi.org/10.1353/cli.2007.0033.

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Oldham, Gerda, and A. S. Byatt. "Possession: A Romance." Antioch Review 49, no. 2 (1991): 302. http://dx.doi.org/10.2307/4612389.

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Henson, Eithne. "Johnson's romance imagery." Prose Studies 8, no. 1 (1985): 5–24. http://dx.doi.org/10.1080/01440358508586228.

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Kadir, Djelal. "Turkish Family Romance." World Literature Today 66, no. 1 (1992): 63. http://dx.doi.org/10.2307/40147859.

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Newman, Eric H. "A Queer Romance." English Language Notes 59, no. 1 (2021): 58–72. http://dx.doi.org/10.1215/00138282-8814983.

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Abstract This essay argues that the queer romances at the margins of Claude McKay’s Romance in Marseille operate as sites of possibility for a happy, egalitarian social relation that is longed for but not otherwise accessible in the novel. The essay contends that this novel, read against Home to Harlem (1928) and Banjo (1929), offers one of the most sustained, nuanced representations of queer life in McKay’s archive and in early twentieth-century LGBT literature more generally, one in which same-sex-oriented characters are rendered as normal, integral figures in urban life rather than as outré characters whose primary function is to add spice to the narrative. As the novel demonstrates the continuing appeal of queerness as a site for imagining a more liberated, loving form of social organization—one that relishes the pleasure-in-difference that is a hallmark of McKay’s writing—it also anticipates formations within the queer liberationist politics of the decades that followed.

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Sassón-Henry, Perla. "Gabriella Infinita: a perspective of Colombian history and culture through electronic literature." Texto Digital 11, no. 1 (2015): 46. http://dx.doi.org/10.5007/1807-9288.2015v11n1p46.

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http://dx.doi.org/10.5007/1807-9288.2015v11n1p46Gabriella Infinita é um marco da literatura latino-americana digital do autor colombiano Jaime Alejandro Rodríguez Ruiz. É um "romance hipermídia" em espanhol que foi originalmente escrito e publicado como um romance tradicional, impresso em 1994, para mais tarde se tornar um hipertexto e um romance hipermídia. Como uma peça literária, Gabriella Infinita é um excelente exemplo de literatura latino-americana. Ela traz à tona os assuntos que têm sido comuns a muitos países latino-americanos, tais como uma guerra civil, conflitos de guerrilha, repressão, liberdade de expressão, medo e exílio. Também destaca o fascínio da América Latina com os Estados Unidos e os movimentos de contracultura da década de 1970. Este ensaio explora como o escritor colombiano Jaime Alejandro Rodríguez Ruiz usa as várias modalidades das novas mídias em seu hipermídia Gabriella Infinita para fornecer uma melhor compreensão da cultura e da história colombiana.

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Melaver, Martin, Wendy Steiner, and Celia Britton. "Pictures of Romance: Form against Context in Painting and Literature." Poetics Today 10, no. 3 (1989): 652. http://dx.doi.org/10.2307/1772924.

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Cunnar, Eugene R., and Wendy Steiner. "Pictures of Romance: Form against Context in Painting and Literature." Rocky Mountain Review of Language and Literature 43, no. 4 (1989): 263. http://dx.doi.org/10.2307/1347025.

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OKADA, Emiko. "Image of Woman in Romance Epics in Classical Persian Literature." Bulletin of the Society for Near Eastern Studies in Japan 28, no. 1 (1985): 37–54. http://dx.doi.org/10.5356/jorient.28.37.

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42

Jary, Sheena. "Stanivukovic, Goran, ed. Timely Voices: Romance Writing in English Literature." Renaissance and Reformation 41, no. 4 (2018): 278. http://dx.doi.org/10.7202/1061956ar.

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Bove, Cheryl K., and Wendy Steiner. "Pictures of Romance: Form against Context in Painting and Literature." South Atlantic Review 54, no. 2 (1989): 112. http://dx.doi.org/10.2307/3200556.

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Quealy-Gainer, Kate. "Young Adult Literature: From Romance to Realism by Michael Cart." Bulletin of the Center for Children's Books 70, no. 6 (2017): 291. http://dx.doi.org/10.1353/bcc.2017.0155.

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Berlant, Lauren. "Reading the Romance: Women, Patriarchy, and Popular Literature. Janice Radway." Modern Philology 84, no. 3 (1987): 346–50. http://dx.doi.org/10.1086/391569.

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Bennett, Ian Bethell. "Puerto Rican Nation-Building Literature Impossible Romance - by Zilkia Janer." Bulletin of Latin American Research 27, no. 3 (2008): 460–62. http://dx.doi.org/10.1111/j.1470-9856.2008.00278_19.x.

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Bacon, Douglas R. "Book Review: Romance, Poetry, and Surgical Sleep: Literature Influences Medicine." Bulletin of the History of Medicine 70, no. 4 (1996): 725. http://dx.doi.org/10.1353/bhm.1996.0157.

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Quinn, Mary B. "An Early Self: Jewish Belonging in Romance Literature, 1499–1627." Comparative Literature 68, no. 3 (2016): 359–61. http://dx.doi.org/10.1215/00104124-3631639.

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Fink, Thomas, and Eileen Tabios. "My Romance." MELUS 29, no. 1 (2004): 309. http://dx.doi.org/10.2307/4141811.

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De Donno, Fabrizio. "Translingual Affairs of World Literature." Journal of World Literature 6, no. 1 (2020): 103–22. http://dx.doi.org/10.1163/24056480-20201005.

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Abstract:

Abstract This essay explores a number of texts of the exophonic, or non-native literary production, respectively in Italian and German, of translingual authors Jhumpa Lahiri and Yoko Tawada. While the paper looks at how their dominant languages, respectively English and Japanese, continue to play a role in these writers’ non-native production, it focuses on the different approaches the two authors adopt to translingualism and the “linguistic family romance” metaphor, which they equally employ in highly imaginative ways in order to address both their condition of rootlessness and their attitudes to the notion of “mother tongue.” The essay argues that while Lahiri seems to remain a writer that does not contaminate languages (she is a writer in English, a writer in Italian, and a translator of Italian literature into English), Tawada brings German and Japanese together and dwells on the space of contamination between them in her production in German (and Japanese).

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