Relevant bibliographies by topics / Romanesque ages

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Romanesque ages'

Author: Grafiati
Published: 22 June 2024
Last updated: 31 July 2025

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Journal articles on the topic "Romanesque ages"

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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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Štivičić, Štefan. "Ivan Josipović, Pridraga u zaleđu Zadra." Miscellanea Hadriatica et Mediterranea 6, no. 1 (2020): 249–54. http://dx.doi.org/10.15291/misc.2918.

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The book Pridraga in the hinterland of Zadar was written by the art historian and university professor from the Department of Art History of the University of Zadar Ivan Josipović. The research enterprise published in this book is the result of a lengthy study of early Christian and pre-Romanesque reliefs found at the archaeological sites in Pridraga near Zadar. Comprehensive and detailed presentation of all early Christian and pre-Romanesque reliefs found in the Pridraga region until the year 2018 reflects importance of this book as a unique and systematic research project. Since Josipović ea
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Michniewicz, Jacek, Danuta Nawrocka, Anna Pazdur, and Marta Żurakowska. "Issue of Actual Chronology of a Romanesque Chapel at the Wlen Castle (Lower Silesia, Poland) in the Light of Mortar Radiocarbon Dating." Geochronometria 26, no. -1 (2007): 31–33. http://dx.doi.org/10.2478/v10003-007-0010-5.

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Issue of Actual Chronology of a Romanesque Chapel at the Wlen Castle (Lower Silesia, Poland) in the Light of Mortar Radiocarbon DatingThe presented work discusses results of radiocarbon dating of lime mortars sampled from walls of a Romanesque chapel at the Wleń castle. Considering a homogeneous structure of the mortars, an attempt to determine the chronology was made. Radiocarbon dating was carried out both on carbonate binders and laboratory-selected charcoals from the mortars. According to obtained data, charcoal ages are older than the age of the binders. Assuming the 12thcentury chronolog
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Sousa, Luís Correia e. "Música em pedra — imagens de música na escultura românica em Portugal." CEM 2, no. 18 (2024): 41–59. https://doi.org/10.21747/2182-9748/cem18a2.

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Since musical instruments from the Romanesque period are practically non-existent, iconographic sources are particularly important to get close to the musical universe of that time. Studying the images allows us to shed a little on the way they were played, the relative dimensions of the instru-ments, their relationship with other artistic expressions, such as dance, for example, or to confirm other relevant elements. It should be noted that for the sculptors of that period, the figuration of instruments was a new challenge, since in the High Middle Ages, musical images appeared almost exclusi
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Viñuales Gavn, Ederlinda. "Astronomy in romanic churches." Proceedings of the International Astronomical Union 15, S367 (2019): 471–73. http://dx.doi.org/10.1017/s1743921321000363.

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AbstractIn this poster we present a study of the orientation of the church of San Adrián de Sasabé in Borau, Huesca (Spain) in a practical way. This church is a characteristic Romanesque construction, predominant in the High Middle Ages, mainly in southwestern Europe.The apse of Romanesque churches are oriented towards the east. But, in some churches, the apse has three windows and these are oriented in the direction of the sunrises on the days of the solstices and equinoxes. But sunrises and sunsets depend on the latitude of the place.The church of San Adrián de Sasabé, the object of our stud
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Kim, Kyuchin. "Czech Culture in Prague: Architecture." International Area Review 6, no. 1 (2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.

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Prague's main feature is that, out of many cultural treasures, it preserved its architectural culture and put it to practical use to present day. Particularly Prague has embraced a wealth of architectural styles from many ages. From the Romanesque, the Gothic culture of Czech's pinnacle age, Baroque, Neo Classicism, the Art Nouveau style buildings that concentrated in Prague at the end of 19th century and finally to modern structures. As we have studied, Prague is a textbook of historical styles: a Romanesque rotunda, a Gothic cathedral, a constellation of Baroque churches and palaces, a Renai
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Shkurat, Petr Alexandrovich, and Igor Ivanovich Orlov. "The weighing of souls at the Last Judgment in Western European medieval art." Manuscript 17, no. 3 (2024): 211–20. http://dx.doi.org/10.30853/mns20240029.

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The purpose of the research is to study key moments in the evolution of the episode of weighing souls at the Last Judgment in Western European medieval art. The article examines works of art on this subject in the early Middle Ages, in the Romanesque and Gothic styles, as well as in the works of artists of the Northern and Southern Renaissance. The scientific novelty of the study lies in the fact that for the first time a classification of different types of images of the episode of weighing souls is made. As a result, the main stages of the evolution of this episode in Western European art an
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K. Németh, András, and Melinda Takács. "A középkori Lápafő és temploma." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 2 (2013): 61–82. http://dx.doi.org/10.26080/krrmkozl.2013.2.61.

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the church of lápafő can be found on the western border of tolna county. it was first mentioned in a medieval document in 1430. the building was excavated in the calvinist cemetery of present-day lápafő in 2012. in the first, romanesque period a church with a semicircular apse was built from stones, bricks and rammed clay layers. in the late middle Ages an annex was added to the church. the full length of the building was about 18,8 meters.
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Classen, Albrecht. "The Intolerant Middle Ages: A Reader, ed. Eugene Smelyansky. Readings in Medieval Civilization and Cultures, XXIII. Toronto, Buffalo, and London: University of Toronto Press, 2020, xviii, 280 pp., 12 b/w ill." Mediaevistik 34, no. 1 (2021): 324–27. http://dx.doi.org/10.3726/med.2021.01.43.

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One of the most fascinating questions in all cultural-historical investigations might be how to evaluate a certain period from our modern perspectives. In the past, we have often heard of the ‘dark ages’ as a term for the early, but even for the high Middle Ages, a notion which has been so thoroughly debunked by now that we do not need to go into any further details here. Yet, already the Renaissance thinkers and poets were most eager to put down the previous period and used the epithet of ‘Gothic’ for the older art and architecture, and denigrated medieval literature at large, while we today
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Dissertations / Theses on the topic "Romanesque ages"

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Theophilopoulou, Calliope-Catherine. "Figures du héros antique dans le roman médiéval : didactisme et œuvre romanesque." Thesis, Lyon 2, 2009. http://www.theses.fr/2009LYO29999.

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Les mythes comme aussi les personnages qui les peuplent, les héros, ont exercé au fil du temps, un charme sur les sociétés. Les hommes du Moyen Age, à leur tour, se tournaient vers eux chaque fois qu’ils éprouvaient le besoin. D’abord, personne ne peut contredire ou rejeter ces récits. Il s’agit des auctoritas que personne ne peut rejeter. Les écrivains de cette époque, pas soucieux de créer, se chargent donc de les transmettre aux illiterrati. Par ailleurs, les personnages jouent un rôle modélisant ; ils constituent des modèles archétypaux que personne ne peut contredire. Les écrivains se réf
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Gourgues, Morgane. "Les églises rurales dans l’ancien diocèse d’Elne (Roussillon et Vallespir, Pyrénées-Orientales), entre le Vème et le XIème siècle : l’expression d’un palimpseste architectural ? Un répertoire des formes, entre préroman et anté-roman." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30026/document.

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La pâleur des témoignages distillés par une Antiquité tardive et un haut Moyen Âge roussillonnais, pourtant florissant, a jeté un voile nous privant pour longtemps de toute la richesse chromatique d’une longue période, qui n’a d’obscure que les a priori que l’on s’en fait. Opérer une introspection sur la genèse du vocabulaire formel chrétien est inévitable pour en comprendre les raccourcis, ceux souvent initiés par une vision monofocale n’offrant que trop peu souvent la possibilité d’envisager le bâtiment ecclésial selon sa polysémie : tout à la fois lieux de l’accomplissement du culte, de ras
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Santos, Aline Benvegnú dos. "A ornamentalidade dos capitéis do claustro Sant Benet de Bages: as funções do decor na arte românica." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-26052015-102954/.

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O claustro do mosteiro beneditino de Sant Benet de Bages, na Catalunha espanhola, é caracterizado pela grande quantidade e diversidade de elementos ornamentais esculpidos em seus capitéis, o que é um importante indício de como a ornamentação se constituía em tanto que instância fundamental para a estética medieval. No entanto, até hoje poucas pesquisas foram realizadas sobre este claustro, o que é revelador da pouca atenção dada pela historiografia da arte tradicional ao tema da ornamentação. De modo geral, as imagens medievais mais valorizadas enquanto objeto de estudo são as historiadas. Iss
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Nicolier, Anelise. "La construction d'un paysage monumental religieux en Brionnais à l'époque romane." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20120/document.

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Au Sud de la Bourgogne, le Brionnais peut de loin apparaître comme une génération spontanée du XII° siècle. De fait, ce n’est ni une région physique naturelle, ni une division ecclésiastique. En un temps où une frontière vient séparer la France et la Bourgogne, puis l’Empire, une sorte de hasard va faire de ce territoire disparate, en marge, dirait-on, une marche, vouée à se définir. Le Brionnais va se former, bénéficiant d’une politique volontaire, due à la présence active de deux seigneuries féodales, incarnées par les familles de Semur et Le Blanc : autour d’elles, par le jeu des alliances,
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Ducret, Sophie. "La fabrique de la création artistique : Approche historiographique et épistémologique du processus de la commande au Moyen Âge : l’exemple des peintures murales du Midi de la France aux âges romans (XIe-XIIe siècle)." Electronic Thesis or Diss., Montpellier 3, 2023. http://www.theses.fr/2023MON30047.

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La pratique de la peinture murale aux âges romans a bénéficié, depuis sa “redécouverte“ au XIXe siècle, d’une longue tradition d’études en France et en Europe. Cette historiographie s’établit dans les développements d’un champ d’études plutôt récent mais s’est enrichie des évolutions épistémologiques des disciplines connexes, comme l’histoire et plus généralement les sciences sociales. Dans la continuité des recherches récentes portant sur les acteurs de la création artistique, en particulier dans le domaine de la peinture murale, notre thèse s’intéresse à un acteur essentiel de la production
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Varano, Mariacristina. "" Espace religieux et espace politique en pays provençal au Moyen Âge (IXe-XIIIe siècles). L'exemple de Forcalquier et de sa région "." Phd thesis, Université de Provence - Aix-Marseille I, 2011. http://tel.archives-ouvertes.fr/tel-00656210.

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Cette recherche d'archéologie médiévale a pour objet l'incidence des pouvoirs locaux et régionaux sur l'occupation du territoire du pays de Forcalquier et sur son architecture. Nous nous sommes proposé d'éclairer les évolutions de l'occupation de ce territoire sur une séquence chronologique allant du IXe au XIIIe siècle. Cette période permet d'appréhender les implications des pouvoirs locaux tant politiques que religieux et de percevoir les mutations sociales, culturelles et matérielles communes à l'Occident médiéval. Les espaces religieux et les espaces politiques ont formé autour de Forcalqu
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GREPPI, PAOLA. "IL REIMPIEGO DEI MATERIALI DA COSTRUZIONE NEL CANTIERE MEDIEVALE. DINAMICHE DI TRASFORMAZIONE, LINEE EVOLUTIVE E INDICATORI CRONOTIPOLOGICI NELLE ARCHITETTURE MILANESI TRA TARDOANTICO E XII SECOLO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3157.

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La tesi è rivolta allo studio comparativo delle tecniche costruttive datate tra tardo antico e romanico (fine IV-XII secolo), con particolare attinenza agli edifici di culto milanesi. L'obiettivo principale è stato quello di delineare le linee evolutive delle tecniche costruttive e identificare la presenza di caratteri tecnici particolari che avessero valore di indicatore cronotipologico. Il quadro complesso e articolato degli studi pregressi sulle più note basiliche medievali milanesi ha reso necessaria l'indagine, per la presenza di ipotesi interpretative contraddittorie e la frequente caren
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GREPPI, PAOLA. "IL REIMPIEGO DEI MATERIALI DA COSTRUZIONE NEL CANTIERE MEDIEVALE. DINAMICHE DI TRASFORMAZIONE, LINEE EVOLUTIVE E INDICATORI CRONOTIPOLOGICI NELLE ARCHITETTURE MILANESI TRA TARDOANTICO E XII SECOLO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2014. http://hdl.handle.net/10280/3157.

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La tesi è rivolta allo studio comparativo delle tecniche costruttive datate tra tardo antico e romanico (fine IV-XII secolo), con particolare attinenza agli edifici di culto milanesi. L'obiettivo principale è stato quello di delineare le linee evolutive delle tecniche costruttive e identificare la presenza di caratteri tecnici particolari che avessero valore di indicatore cronotipologico. Il quadro complesso e articolato degli studi pregressi sulle più note basiliche medievali milanesi ha reso necessaria l'indagine, per la presenza di ipotesi interpretative contraddittorie e la frequente caren
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Cozette, Sandrine. "Hector au Moyen Age : définition et évolution d'un personnage épique et romanesque." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30002.

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L’engouement du Moyen-Âge pour le mythe troyen se traduit tout particulièrement à travers sa figure centrale, Hector. Benoît de Sainte-Maure, qui s’appuie sur la tradition homérique telle que l’a transmise la littérature latine tardive (Ilias latina, Éphéméride de la guerre de Troie de Dictys de Crète, Histoire de la destruction de Troie de Darès le Phrygien), fait du fils de Priam le héros incontesté de son œuvre, le Roman de Troie, et glorifie les exploits de ce guerrier à la prouesse exemplaire. Ce texte constitue le jalon majeur de la construction du mythe d’Hector à l’époque médiévale, do
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Ceretti-Malinowski, Béatrice. "Le roman des brodeuses : évolution de la forme romanesque au Moyen Age (XIIème-XIVème siècles)." Montpellier 3, 1999. http://www.theses.fr/1999MON30055.

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Books on the topic "Romanesque ages"

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McClendon, Charles B. The imperial abbey of Farfa: Architectural currents of the early Middle Ages. Yale University Press, 1987.

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Christoph, Stiegemann, Westermann-Angerhausen Hiltrud, and Erzbischöfliches Diözesanmuseum Paderborn, eds. Schatzkunst am Aufgang der Romanik: Der Paderborner Dom-Tragaltar und sein Umkreis. Hirmer, 2006.

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Christoph, Stiegemann, Wemhoff Matthias, Museum in der Kaiserpfalz (Paderborn, Germany), Erzbischöfliches Diözesanmuseum Paderborn, and Städtische Galerie am Abdinghof (Paderborn, Germany), eds. Canossa 1077: Erschütterung der Welt : Geschichte, Kunst und Kultur am Aufgang der Romanik. Hirmer, 2006.

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Leroux-Dhuys, Jean-François. Cistercian Abbeys: History and architecture. Könnemann, 1998.

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(Museum), Cloisters. The Cloisters: A branch museum of the Metropolitan Museum of Art devoted to art of the Middle Ages. The Museum, 1988.

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Léo, Moulin, and Oursel Raymond, eds. The monastic realm. Rizzoli, 1985.

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Richard, Eales, and Sharpe Richard 1954-, eds. Canterbury and the Norman conquest: Churches, saints, and scholars, 1066-1109. Hambledon Press, 1995.

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author, Maliszewski Margaret, and Pearson Marjorie, eds. Trinity School and the former St. Agnes Parish House, 121-147 West 91st Street, Borough of Manhattan: Trinity School built 1893-94, architect, Charles Coolidge Haight ; St. Agnes Parish House built c. 1890-92, architect, William Appleton Potter. Landmarks Preservation Commission, 1989.

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Castel del Monte: Geometric marvel of the Middle Ages. Prestel, 1998.

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Campbell, Erin J., and Stephanie R. Miller, eds. A Cultural History of Furniture in the Middle Ages and Renaissance. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781474206464.

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The Middle Ages were marked by dramatic social, economic, political, and religious changes. Diverse regional and local conditions, and varied social classes - including peasant, artisan, merchant, clergy, nobility, and rulers - resulted in differing needs for furniture. The social settings for furniture included official and private residences both grand and humble, churches and monasteries, and civic institutions, including places of governance and learning, such as municipal halls, guild halls, and colleges. This volume explores how furniture contributed to the social fabric within these var
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Book chapters on the topic "Romanesque ages"

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Fozi, Shirin. "The Quedlinburg Frieze and Its Romanesque Context." In A Companion to the Abbey of Quedlinburg in the Middle Ages. BRILL, 2022. http://dx.doi.org/10.1163/9789004527492_010.

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"Carolingian, Ottonian and Romanesque Art and the Eucharist." In A Companion to the Eucharist in the Middle Ages. BRILL, 2012. http://dx.doi.org/10.1163/9789004221727_008.

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"Romanesque Churches of the Middle Ages, c.1080 to c.1180." In The Architecture of Wales. University of Wales Press, 2018. http://dx.doi.org/10.2307/jj.14491508.11.

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"8. The Making of Romanesque. Reform and Synergy." In Art in Spain and Portugal from the Romans to the Early Middle Ages. Amsterdam University Press, 2016. http://dx.doi.org/10.1515/9789048527151-013.

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Mehl, Manfred. "Bracteates of the Abbesses of Quedlinburg: Romanesque Craftwork of Great Quality." In A Companion to the Abbey of Quedlinburg in the Middle Ages. BRILL, 2022. http://dx.doi.org/10.1163/9789004527492_009.

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Altvater, Frances. "Chores, Computation and the Second Coming: Calendar Images and Romanesque Baptismal Fonts 1." In The Visual Culture of Baptism in the Middle Ages. Routledge, 2017. http://dx.doi.org/10.4324/9781315084954-8.

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Woods, Marjorie Curry. "Boys performing women (and men)." In Weeping for Dido. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691170800.003.0004.

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This chapter looks at passages that beg for performance and at evidence for the recitation by boys of emotional scenes, often with female characters. The manuscripts discussed fit squarely into an already established pedagogical tradition that begins long before and continues long after the “middle” ages. The chapter addresses the medieval teaching of literature from a transhistorical as well as historical perspective and in ways that encourage comparison with other periods. It begins with a translation in The Loving Subject: Desire, Eloquence, and Power in Romanesque France. The poem, thirty
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