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1

McClendon, Charles B. The imperial abbey of Farfa: Architectural currents of the early Middle Ages. Yale University Press, 1987.

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2

Christoph, Stiegemann, Westermann-Angerhausen Hiltrud, and Erzbischöfliches Diözesanmuseum Paderborn, eds. Schatzkunst am Aufgang der Romanik: Der Paderborner Dom-Tragaltar und sein Umkreis. Hirmer, 2006.

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3

Christoph, Stiegemann, Wemhoff Matthias, Museum in der Kaiserpfalz (Paderborn, Germany), Erzbischöfliches Diözesanmuseum Paderborn, and Städtische Galerie am Abdinghof (Paderborn, Germany), eds. Canossa 1077: Erschütterung der Welt : Geschichte, Kunst und Kultur am Aufgang der Romanik. Hirmer, 2006.

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4

Leroux-Dhuys, Jean-François. Cistercian Abbeys: History and architecture. Könnemann, 1998.

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5

(Museum), Cloisters. The Cloisters: A branch museum of the Metropolitan Museum of Art devoted to art of the Middle Ages. The Museum, 1988.

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6

Léo, Moulin, and Oursel Raymond, eds. The monastic realm. Rizzoli, 1985.

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7

Richard, Eales, and Sharpe Richard 1954-, eds. Canterbury and the Norman conquest: Churches, saints, and scholars, 1066-1109. Hambledon Press, 1995.

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8

author, Maliszewski Margaret, and Pearson Marjorie, eds. Trinity School and the former St. Agnes Parish House, 121-147 West 91st Street, Borough of Manhattan: Trinity School built 1893-94, architect, Charles Coolidge Haight ; St. Agnes Parish House built c. 1890-92, architect, William Appleton Potter. Landmarks Preservation Commission, 1989.

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9

Castel del Monte: Geometric marvel of the Middle Ages. Prestel, 1998.

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10

Campbell, Erin J., and Stephanie R. Miller, eds. A Cultural History of Furniture in the Middle Ages and Renaissance. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781474206464.

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The Middle Ages were marked by dramatic social, economic, political, and religious changes. Diverse regional and local conditions, and varied social classes - including peasant, artisan, merchant, clergy, nobility, and rulers - resulted in differing needs for furniture. The social settings for furniture included official and private residences both grand and humble, churches and monasteries, and civic institutions, including places of governance and learning, such as municipal halls, guild halls, and colleges. This volume explores how furniture contributed to the social fabric within these var
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11

The Romanesque architecture and sculpture of Saint Caprais in Agen. 1986.

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12

Leroux-Dhuys, Jean-Francois, Jean-Francois Leroux, and Henri Gaud. Cistercian Abbeys. Konemann, 1999.

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13

Bernstein, Meg, ed. Towards an Art History of the Parish Church, 1200–1399. Courtauld Books Online, 2021. http://dx.doi.org/10.33999/2021.71.

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Estimated at numbering between eight and nine thousand, parish churches containing at least some medieval building fabric are ubiquitous in the English landscape. Yet, despite their quotidian familiarity, parish churches have not, by and large, been treated consistently or systematically as deserving of the attention of art historical study. This collection of essays comes out of a conference held at the Courtauld Institute of Art in June 2017 and focuses on the two centuries between 1200 and 1399. This period represents the most notable lacuna in scholarship, even though the parish church was
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14

Fitzsimmons, James L. The Greenwood Encyclopedia of Global Medieval Life and Culture. Greenwood Press, 2009. http://dx.doi.org/10.5040/9798216185611.

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The period we know as the Middle Ages, roughly the years 400–1400, saw the formation of ideas and institutions that mark modern societies. Developments as disparate as the foundation of Islam and the emergence of the middle class occurred during this pivotal millennium. Although historical study of the Middle Ages has traditionally focused on Western Europe, modern historians recognize the complex global nature of this era. For all major world regions, this three-volume work offers in-depth essays on broad themes, short entries on specific topics, and carefully selected primary documents to he
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15

Fawcett, Richard. The Cathedral. Edited by Christopher Gerrard and Alejandra Gutiérrez. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198744719.013.61.

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This chapter discusses the forms and functions of cathedrals, the principal churches of bishops within their dioceses. It outlines the ways in which the architecture and furnishings were designed to accommodate and enhance the unbroken round of worship that was their principal justification, and the means by which an ambience was created for worship that offered a foretaste of heaven for the faithful. The complex processes of design and construction of buildings that were the most sophisticated and structurally demanding of their age are touched upon. Changing architectural fashions are discus
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16

Jane, Austen. Orgueil et Préjugés: Un roman drôle et romanesque de Jane Austen sur le sujet des aventures sentimentales des cinq filles Bennet dans les rigidités de ... des xviii et xix siècle. Books on Demand, 2020.

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