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Journal articles on the topic 'Romanesque ages'

Author: Grafiati

Published: 22 June 2024

Last updated: 31 July 2025

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1

Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe

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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe

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Štivičić, Štefan. "Ivan Josipović, Pridraga u zaleđu Zadra." Miscellanea Hadriatica et Mediterranea 6, no. 1 (2020): 249–54. http://dx.doi.org/10.15291/misc.2918.

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The book Pridraga in the hinterland of Zadar was written by the art historian and university professor from the Department of Art History of the University of Zadar Ivan Josipović. The research enterprise published in this book is the result of a lengthy study of early Christian and pre-Romanesque reliefs found at the archaeological sites in Pridraga near Zadar. Comprehensive and detailed presentation of all early Christian and pre-Romanesque reliefs found in the Pridraga region until the year 2018 reflects importance of this book as a unique and systematic research project. Since Josipović ea

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Michniewicz, Jacek, Danuta Nawrocka, Anna Pazdur, and Marta Żurakowska. "Issue of Actual Chronology of a Romanesque Chapel at the Wlen Castle (Lower Silesia, Poland) in the Light of Mortar Radiocarbon Dating." Geochronometria 26, no. -1 (2007): 31–33. http://dx.doi.org/10.2478/v10003-007-0010-5.

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Issue of Actual Chronology of a Romanesque Chapel at the Wlen Castle (Lower Silesia, Poland) in the Light of Mortar Radiocarbon DatingThe presented work discusses results of radiocarbon dating of lime mortars sampled from walls of a Romanesque chapel at the Wleń castle. Considering a homogeneous structure of the mortars, an attempt to determine the chronology was made. Radiocarbon dating was carried out both on carbonate binders and laboratory-selected charcoals from the mortars. According to obtained data, charcoal ages are older than the age of the binders. Assuming the 12thcentury chronolog

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Sousa, Luís Correia e. "Música em pedra — imagens de música na escultura românica em Portugal." CEM 2, no. 18 (2024): 41–59. https://doi.org/10.21747/2182-9748/cem18a2.

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Since musical instruments from the Romanesque period are practically non-existent, iconographic sources are particularly important to get close to the musical universe of that time. Studying the images allows us to shed a little on the way they were played, the relative dimensions of the instru-ments, their relationship with other artistic expressions, such as dance, for example, or to confirm other relevant elements. It should be noted that for the sculptors of that period, the figuration of instruments was a new challenge, since in the High Middle Ages, musical images appeared almost exclusi

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Viñuales Gavn, Ederlinda. "Astronomy in romanic churches." Proceedings of the International Astronomical Union 15, S367 (2019): 471–73. http://dx.doi.org/10.1017/s1743921321000363.

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AbstractIn this poster we present a study of the orientation of the church of San Adrián de Sasabé in Borau, Huesca (Spain) in a practical way. This church is a characteristic Romanesque construction, predominant in the High Middle Ages, mainly in southwestern Europe.The apse of Romanesque churches are oriented towards the east. But, in some churches, the apse has three windows and these are oriented in the direction of the sunrises on the days of the solstices and equinoxes. But sunrises and sunsets depend on the latitude of the place.The church of San Adrián de Sasabé, the object of our stud

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Kim, Kyuchin. "Czech Culture in Prague: Architecture." International Area Review 6, no. 1 (2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.

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Prague's main feature is that, out of many cultural treasures, it preserved its architectural culture and put it to practical use to present day. Particularly Prague has embraced a wealth of architectural styles from many ages. From the Romanesque, the Gothic culture of Czech's pinnacle age, Baroque, Neo Classicism, the Art Nouveau style buildings that concentrated in Prague at the end of 19th century and finally to modern structures. As we have studied, Prague is a textbook of historical styles: a Romanesque rotunda, a Gothic cathedral, a constellation of Baroque churches and palaces, a Renai

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Shkurat, Petr Alexandrovich, and Igor Ivanovich Orlov. "The weighing of souls at the Last Judgment in Western European medieval art." Manuscript 17, no. 3 (2024): 211–20. http://dx.doi.org/10.30853/mns20240029.

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The purpose of the research is to study key moments in the evolution of the episode of weighing souls at the Last Judgment in Western European medieval art. The article examines works of art on this subject in the early Middle Ages, in the Romanesque and Gothic styles, as well as in the works of artists of the Northern and Southern Renaissance. The scientific novelty of the study lies in the fact that for the first time a classification of different types of images of the episode of weighing souls is made. As a result, the main stages of the evolution of this episode in Western European art an

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K. Németh, András, and Melinda Takács. "A középkori Lápafő és temploma." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 2 (2013): 61–82. http://dx.doi.org/10.26080/krrmkozl.2013.2.61.

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the church of lápafő can be found on the western border of tolna county. it was first mentioned in a medieval document in 1430. the building was excavated in the calvinist cemetery of present-day lápafő in 2012. in the first, romanesque period a church with a semicircular apse was built from stones, bricks and rammed clay layers. in the late middle Ages an annex was added to the church. the full length of the building was about 18,8 meters.

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Classen, Albrecht. "The Intolerant Middle Ages: A Reader, ed. Eugene Smelyansky. Readings in Medieval Civilization and Cultures, XXIII. Toronto, Buffalo, and London: University of Toronto Press, 2020, xviii, 280 pp., 12 b/w ill." Mediaevistik 34, no. 1 (2021): 324–27. http://dx.doi.org/10.3726/med.2021.01.43.

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One of the most fascinating questions in all cultural-historical investigations might be how to evaluate a certain period from our modern perspectives. In the past, we have often heard of the ‘dark ages’ as a term for the early, but even for the high Middle Ages, a notion which has been so thoroughly debunked by now that we do not need to go into any further details here. Yet, already the Renaissance thinkers and poets were most eager to put down the previous period and used the epithet of ‘Gothic’ for the older art and architecture, and denigrated medieval literature at large, while we today

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Sulkowska-Tuszyńska, Krystyna. "KILKA UWAG O KOLORYSTYCE BAZYLIKI NORBERTANEK W STRZELNIE W XIII-XIV WIEKU." Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no. 62 (November 8, 2021): 347–74. http://dx.doi.org/10.14746/sa.2021.62.15.

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The article sums up the reflections on the relics of medieval plaster and layers of paint on the walls, columns and pillars of the Norbertine nuns convent in Strzelno completed around the 2nd-3rd quarter of the 13th century. The relics of the polychromies observed by numerous enthusiasts of the Romanesque Strzelno and discovered during archaeological excavations were topped with the results of conservation-restoration works which uncovered the first figural polychromies in the chancel’s apse. Following verification of the dating of the colours of the church’s interior, an indication was made t

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Bodner, Neta. "Romanesque Beyond Christianity: Jewish Ritual Baths in Germany in the 12th and 13th Centuries." Jewish Studies Quarterly 28, no. 4 (2021): 369–87. https://doi.org/10.1628/jsq-2021-0021.

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This article examines Jewish Christian relations in the High Middle Ages through the prism of religious architecture and ritual, focusing on the architecture of Jewish ritual baths from the Rhineland region in Germany. I argue that the baths of Speyer, Worms, Friedberg, Offenburg and Cologne were designed to maximize the experiential power of ritual immersion and arouse symbolic associations to sup- port the ceremony. Architectural details such as unusual depth, ornament, lighting schemes and monumentality contributed to a spectrum of immersion ceremonies described in contemporary sources. The

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Moss, Rachel. "Appropriating the Past: Romanesque Spolia in Seventeenth-Century Ireland." Architectural History 51 (2008): 63–86. http://dx.doi.org/10.1017/s0066622x00003026.

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Although a relatively young subject, the historiography of Irish architecture has had a remarkably significant impact on the manner in which particular styles have been interpreted and valued. Since the genesis of the topic in the mid-eighteenth century, specific styles of architecture have been inextricably connected with the political history of the country, and each has been associated with the political and religious affiliations of its patrons. From the mid-nineteenth century, the focus on identifying an Irish ‘national’ architecture became particularly strong, with Early Christian and Ro

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Wyrwa, Andrzej M., Tomasz Goslar, and Justyna Czernik. "AMS 14C Dating of Romanesque Rotunda and Stone Buildings of a Medieval Monastery in Łekno, Poland." Radiocarbon 51, no. 2 (2009): 471–80. http://dx.doi.org/10.1017/s0033822200055867.

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Archaeological excavations performed for many years in Łekno, central Poland, have exposed relicts of wooden fortified settlements, and in its enclosure also basements of stone buildings, consisting of Romanesque rotunda and a Cistercian monastery, including an oratory, church, and abbot's house. Earlier archaeological, structural, and stratigraphical studies have shown that these buildings were constructed in a sequence and represented several phases of development.In this paper, we present results of radiocarbon dating of stone buildings of the rotunda and the monastery. For 14C dating, we u

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Draper, Peter. "Islam and the West: The Early Use of the Pointed Arch Revisited." Architectural History 48 (2005): 1–20. http://dx.doi.org/10.1017/s0066622x00003701.

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As this is a valedictory rather than an inaugural lecture, it seemed legitimate to be a little self-indulgent in the choice of theme. Every medievalist at some time or other has to take an interest in the role of the pointed arch in the transformation of medieval architecture from Romanesque to Gothic and in the ways that the pointed arch form was subsequently manipulated through the later Middle Ages. It is only a short step, but one that has been taken less often than you might expect, to pursue that interest back into the early use of the pointed arch in Islamic architecture: to ask how it

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Yuliya Ivanovna, Arutyunyan. "Interpretation of Medieval art in the scientific illustration of France in the 1820s – 1860s." Vestnik of Saint Petersburg State University of Culture, no. 2 (51) (2022): 154–61. http://dx.doi.org/10.30725/2619-0303-2022-2-154-161.

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In the XIX century, the importance of scientific illustration increases. Images of the Middle Ages appear in works on the history of art and material culture, reference books, periodicals, and guidebooks. The characteristic features of scientific illustration are the desire to observe the real proportions and composition of monuments of architecture and fine art, diligence, understanding the patterns of style and reflecting them in graphic reproductions. The publications combine detailed images of architectural monuments and schematically interpreted details of facades and interiors. In the wo

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Ghimpu, Vlad D. "NUME ROMÂNEȘTI ȘI CREȘTINISM PRESLAVON ÎN RUSIA KIEVEANĂ." Magazin Bibliologic 3-4, 2021 (December 10, 2021): 145. https://doi.org/10.5281/zenodo.5771811.

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As a result of the study of wall inscriptions from the Saint Sophia Cathedral and other churches in Kiev, the capital of Kievan Rus’, we can formulate some signifi cant reasoning for the history and culture of the Romanian people of this period. Thus, we can state that in Kiev, in its parishes, the Romanian population had lived since the early Middle Ages. It was attested thanks to characteristic names of the early Romanesque era, as well as from the Romanian elements of the late Middle Ages, known from historical documents, some of which still exist. According to the specific of the bri

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Lubas-Bartoszyńska, Regina. "Tłumaczka Aleksandra Olędzka-Frybesowa jako eseistka i poetka." Przestrzenie Teorii, no. 31 (December 6, 2019): 373–86. http://dx.doi.org/10.14746/pt.2019.31.20.

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This article presents the essays and poems of Aleksandra Olędzka-Frybesowa, who was a renowned translator from French and also English. In her essays, Olędzka-Frybesowa specialises in the Romanesque and Gothic architecture and sculpture of Western Europe as well as European painting from Medieval Ages onwards. She is also familiar with the art of South-East Europe. Her essays cover literary criticism devoted especially to poetry, with a particular interest in French and mystical poetry, as well as haiku, which was also her own artistic activity. The author of this article analyses Olędzka-Fryb

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Barral Rivadulla, María Dolores, and Xosé M. Sánchez Sánchez. "La pluma y el cincel. Animales reales y fantásticos en la Galicia medieval: dónde encontrarlos y cómo entenderlos." Cuadernos del CEMyR, no. 31 (2023): 43–77. http://dx.doi.org/10.25145/j.cemyr.2023.31.03.

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In the Middle Ages, the presence of animals, both real and fantastic, on written and sculptural holders, has the generic purpose of transmitting values considered of necessary knowledge or compliance. This article will examine the fundamental uses in which they materialize, taking the society of medieval Galicia as a general framework of study and paying attention both to the sources in which they appear –stone and parchment– as well as to the issues they convey. To do this, we will define two spheres and we will read them from different perspectives: the written one, for an individual receive

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Węcławowicz, Tomasz. "Medieval Krakow and its Churches." Lidé města 9, no. 1/20 (2007): 54–69. https://doi.org/10.14712/12128112.3790.

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The first part of this paper aims to analyze the pattern of the network of Krakow town churches in the Romanesque and Gothic periods and studies the role of these individual components of urban landscape taking into account the significance of their dedications (patrocinia) in the symbolic space of the town. The rocky (Wawel) Hill, rising among the meanders of the Vistula River, constitutes the centre of Krakow. Since the very end of the 10th century it was the seat of the bishops and the ducal residence, and later it became the main residence of the Polish kings. In the Romanesque period ten

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Karge, Henrik. "Early Studies in Romanesque Architecture and the Discovery of the Pilgrimage Routes to Santiago de Compostela." Ad limina XVI-1, no. 16-1 (2025): 65–90. https://doi.org/10.61890/adlimina/16.1.2025/02.

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Since Émile Mâle’s book L’art religieux du XIIe siècle en France (1922) and Arthur Kingsley Porter’s ten-volume work Romanesque Sculpture of the Pilgrimage Roads (1923), the pilgrimage routes to Santiago de Compostela have been the subject of many studies on medieval culture. In the nineteenth century, the early days of art history as an academic discipline, the situation was quite different: the architectural heritage of the Middle Ages in France and Spain was almost exclusively studied in a national context, with the Islamic culture of Al-Andalus being the main focus in Spain. An important i

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Bondareva, V. V. "Cathedrals as Instruments of Influence on Public Consciousness in Medieval Western Europe (10th-16th Centuries)." Nauchnyi dialog 13, no. 8 (2024): 325–48. http://dx.doi.org/10.24224/2227-1295-2024-13-8-325-348.

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This study explores the functional impact of Christian cathedrals in Western Europe on medieval public consciousness. Utilizing a systemic analysis method and a values-based approach, cathedrals are examined as structural elements within the framework of religious communication, serving as key instruments for shaping public consciousness during the Middle Ages. Through these edifices, the core tenets of Christianity were disseminated to the masses. Special attention is given to the art of stone calendars, which are considered a significant factor in the formation of a Christian worldview durin

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Quagliarini, Enrico, Marta Carosi, and Stefano Lenci. "Novel Sustainable Masonry from Ancient Construction Techniques by Reusing Waste Modern Tiles." Sustainability 15, no. 6 (2023): 5385. http://dx.doi.org/10.3390/su15065385.

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The recycling and reuse of wastes, especially Construction Waste (CW), is a fundamental way for sustainability. The act of reusing is not a modern practice; as early as in Ancient Rome and even more during the Middle Ages, materials were already being taken from existing buildings in order to reuse them in different ways. Starting from these general considerations and taking inspiration from specific construction techniques found in some Roman and Romanesque masonries made by unbroken tiles and tile fragments, two novel sustainable masonry constructive techniques are proposed here. They are co

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Dudkiewicz, Margot. "Application of PiCUS® Sonic Tomograph 3 in studies on the cultural heritage of the Lublin region – restoration of the Eastern Orthodox church of the Dormition of the Blessed Virgin Mary in Uhrusk." Annals of Warsaw University of Life Sciences - SGGW - Horticulture and Landscape Architecture, no. 40 (January 15, 2020): 3–14. http://dx.doi.org/10.22630/ahla.2019.40.1.

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Uhrusk is a small town located in eastern Poland, in the Lublin region, along the border river, the Bug. The temple is situated on the outskirts of the village, on a low hill, where there was a castle founded by Prince Daniel Halicki in the Middle Ages. The Orthodox church existed here before 1220, and for the first decades of its functioning it had the status of a council. Today, the existing church building was erected in 1849 as a Greek Catholic temple founded by the owner of local estate, Laura Kirsztejnowa. In 1915, the church was abandoned when the Orthodox residents of Uhrusk became ref

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Russo, Francesco. "The Printed Illustration of Medieval Architecture in Pre-Enlightenment Europe." Architectural History 54 (2011): 119–70. http://dx.doi.org/10.1017/s0066622x00004020.

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The aim of this article is to bring to the attention of readers a series of significant examples of texts printed prior to 1700 and illustrated with images of medieval architecture in continental Europe. British illustrations of buildings and ruins from the Middle Ages have received relevant attention from modern scholarly writers, but studies of analogous continental examples are lacking. Illustrations of medieval architecture have been little considered in most studies of the Early Modern period, as compared with those of their sixteenth-to eighteenth-century counterparts. In addition, the f

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Novotný, Jan, and Kateřina Bártová. "Vzácné obalové vazby ve sbírkách Knihovny Národního muzea." Časopis Národního muzea. Řada historická 191, no. 3-4 (2023): 59–74. http://dx.doi.org/10.37520/cnm.2022.010.

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Rare double-cover bindings in the collections of the National Museum Library Unlike contemporary embossed bindings, Gothic double-cover bindings are mostly undecorated, as priority was given to the binding’s useful function. Covered codexes were stored in a horizontal position and the wide overlaps on the front edge of the back panel were inserted between the front panel and the book block; after the fastening of the clasps, the parchment block was perfectly protected by this “packaging“ against the adverse effects of the surrounding environment. The originally Romanesque type of binding was u

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Yuliya Ivanovna, Arutyunyan. "Allegories of virtues and vices in the European art VIII–XVIII centuries." Vestnik of Saint Petersburg State University of Culture, no. 2 (55) (2023): 102–9. http://dx.doi.org/10.30725/2619-0303-2023-2-102-109.

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The struggle of the forces of Good and Evil is one of the leading themes of European art of the Middle Ages, Renaissance, Baroque. Personifications of positive and negative qualities of a person are depicted in book miniatures, monumental paintings, mosaics and sculpture from the time of the Carolingians up to the XIX century. The victory of Virtues over Vices described in the «Psychomachy» by Aurelius Prudentius Clement functioned as subjects of the art of the book of the Carolingian and Ottonian eras, sculpture of the facades of Romanesque and Gothic churches, in memorial plastic and allegor

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Alberzoni, Maria Pia. "Nascita dei Comuni e memoria di Roma: un legame da riscoprire." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 102, no. 1 (2022): 159–89. http://dx.doi.org/10.1515/qufiab-2022-0011.

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Abstract The historiography on the Italian Communes has investigated the motives behind the new city governments. Jean-Claude Maire Vigueur and Chris Wickham have stressed different rationales in the actions of the communal elites. However, we should avoid underestimating the cultural power of a model still very much present in the Middle Ages: imperial Rome. In the crisis linked to the struggle for investiture, city elites were inspired by the Roman institutional model, albeit following different ‚models‘ (classical, Byzantine, Carolingian and Saxon). The communal world interpreted this legac

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Tourneur, Francis. "Global Heritage Stone: Belgian black ‘marbles’." Geological Society, London, Special Publications 486, no. 1 (2018): 129–47. http://dx.doi.org/10.1144/sp486.5.

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AbstractThe appellation ‘Belgian black “marbles”’ usually designates dark fine-grained limestones present in the Paleozoic substrate of south Belgium. They have been extracted mostly in Frasnian (Upper Devonian) and Viséan (Lower Carboniferous) strata, in various different localities (Namur, Dinant, Theux, Basècles, Mazy-Golzinne among others). Nearly devoid of fossils and veins, they take a mirror-like polished finish, with a pure black colour. These limestones were already known during Antiquity but were only intensively exploited from the Middle Ages. Many different uses were made of these

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Miedziak, Witold. "Fundacje architektoniczne rodziny Rozdrażewskich – problemy stylu i znaczenia formy." Artium Quaestiones, no. 29 (May 7, 2019): 321–47. http://dx.doi.org/10.14746/aq.2018.29.12.

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The paper is a monograph of the churches founded by the Doliwita Rozdrażewski family, which make a significant percent of the total number of churches built in the region of Wielkopolska at the turn of the 17thcentury. Those churches, constructed under the supervision of Hieronim, Archbishop of Włocławek, and the Poznań Chamberlain Jan, have not been analyzed by scholars, and some of them have not been even mentioned in scholarly publications. The analysis presented in the paper allows one to consider the churches founded by the Rozdrażewski family in the context of the architecture of the reg

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Mubadillah, Rosita. "Gerakan Perubahan (Renaissence) Oleh Dinasti Umayyah II (Islam di Andalusia) Terhadap Berkembangnya Intelektual dan Kebudayaan di Eropa." AL-MIKRAJ Jurnal Studi Islam dan Humaniora (E-ISSN 2745-4584) 5, no. 01 (2024): 1237–46. http://dx.doi.org/10.37680/almikraj.v5i01.6257.

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The second period of the Umayyad dynasty, known as the Andalusian Umayyads, had a significant influence on the development of European civilization in the Middle Ages. After the fall of Damascus, this dynasty continued its rule in the Iberian Peninsula with its center in Cordoba. This article aims to analyze the influence of the Umayyad Dynasty II on Europe, especially in the fields of science, art, architecture and cross-cultural relations. The research method used in this article is a literature review, where literature study is a method that involves collecting, evaluating and synthesizing

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Kristensen, Hans Krongaard. "Træbyggede korsgange ved danske klostre." Kuml 66, no. 66 (2017): 123–54. http://dx.doi.org/10.7146/kuml.v66i66.98806.

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Wooden cloisters at Danish monasteriesVarious studies have shown that most of the cloisters known at Danish monasteries were constructed in the Late Middle Ages. There are several reasons for this. One is that these brick-built cloisters replaced earlier structures of wooden or half-timbered construction. None of the latter cloister types have survived in Denmark, so they have either to be discovered by archaeological excavation or through indications evident on standing monastery buildings.Archaeological excavations have demonstrated the existence of wooden cloisters associated with the monas

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Gevorgyan, Ashot, and Varduhi Ghambaryan. "Reliquaries in the form of church buildings in european culture." Multidisciplinary Reviews 7 (August 16, 2024): 2024ss004. http://dx.doi.org/10.31893/multirev.2024ss004.

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The report is dedicated to the consideration of several reliquaries of the Catholic Church, which are made in the form of different buildings. With their external decoration and features of appearance, these reliquaries can provide enough interesting material for research in various fields. Reliquaries were most often given the form of an oblong building, decorated with ivory and enamel, often with niches in the side walls, which contained the figures of the apostles or saints, with statues of Christ and the Mother of God on the pediments. Since the 11th century, the form and size of the reliq

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Vežić, Pavuša. "Dalmatinski trikonhosi." Ars Adriatica, no. 1 (January 1, 2011): 27. http://dx.doi.org/10.15291/ars.428.

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The phenomenon of early Christian triconchal churches on the Adriatic has already been noted in the scholarly literature. A separate study ‘Le basiliche cruciformi nell’area adriatica’ was published by S. Piussi in 1978, followed by N. Cambi with the 1984 publication ‘Triconchal churches on the Eastern Adriatic’. However, both scholars include triconchal churches in the typological group of ‘cruciform basilicas’ or treat them together with the churches which have three apses with spaces between them placed along the nave. However, because of their specific morphology consisting of the closely

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Mcclain, Aleksandra. "Urnes Stave Church and its Global Romanesque Connections . (Studies in the Visual Cultures of the Middle Ages, vol 18) Urnes Stave Church and its Global Romanesque Connections . (Studies in the Visual Cultures of the Middle Ages, vol 67). Edited by Kirk Ambrose, Margrete Syrstad Andås and Griffin Murray. 23 × 29 cm. 480 pp, 270 colour and b&w pls and figs. Turnhout: Brepols, 2021. ISBN 978-2-503-59451-4. Price: €165.00 hb." Medieval Archaeology 67, no. 2 (2023): 511–12. http://dx.doi.org/10.1080/00766097.2023.2262966.

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Тюпанова, О. Е. "«Archaeological Impulse» by Peter Saenredam and Arnold Buhelius: the Views of an Artist and an Antiquarian on the Monuments of Medieval Architecture." Scientific Papers of St Petersburg Academy of Fine Arts, no. 69 (July 9, 2024): 17–31. http://dx.doi.org/10.62625/2782-1889.2024.88.82.002.

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В первой половине XVII в. в Северных Нидерландах стали распространяться новаторские идеи в архитектурной живописи и гравюре. Тогда как последователи Фредемана де Фриса продолжали маньеристическую традицию изображения архитектурных фантазий, Питер Санредам из Харлема обратился к реальным романским и готическим церквям и ратушам. Поиски новой художественной образности проходили на фоне повсеместного увлечения сбором материальных свидетельств прошлого и сочинением текстов, посвященных старым постройкам. В статье сопоставляется визуальная репрезентация образов нидерландской средневековой архитекту

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Bradanović, Marijan. "Outlines about Senj’s Hidden Heritage of the Middle Ages in the Context of the Arts of the Eastern Adriatic Coast and Islands." Senjski zbornik 48, no. 1 (2021): 187–214. http://dx.doi.org/10.31953/sz.48.1.4.

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Senj’s heritage in general is historically and artistically extremely poorly researched and interpreted in the wider context of the heritage of the Eastern Adriatic coast. This is especially true of the monuments of the Middle Ages, hidden under completely different later architectural layers in the Early Modern Age of the militarised town. The examples analysed here are hypothetically interpreted in a new way, with suggestions for the dating and stylistic connections from the region of Kvarner, as well as from the wider Adriatic area. Along with the emphasis on the historical circumstances an

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Yarnykh, Vera. "The knight’s fall: personification of Pride in Southern French hagiography and iconography of the 11th — early 12th centuries." St. Tikhons' University Review 115 (December 25, 2023): 11–23. http://dx.doi.org/10.15382/sturii2023115.11-23.

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The paper explores the dismounted knight as the personification of Pride in the context of Southern French art and hagiography of the 11th–12th centuries. This motif is based on the Psychomachia, the Late Antique allegorical poem by a 4th-century Christian poet Prudentius that visualizes a series of combats between Virtues and Vice. The key point in the sequence is the battle between Humility and mounted Pride culminating in the fall of the latter into the pit. The metaphor of Pride brought low literally visualized as the fall of a proud she-warrior from her steed resonates in the literature o

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Alttoa, Kaur. "Anmerkungen zur Baugeschichte der St. Olaikirche auf Worms (Vormsi) im Bistum Ösel-Wiek (Saare-Lääne)." Baltic Journal of Art History 14 (December 27, 2017): 7. http://dx.doi.org/10.12697/bjah.2017.14.01.

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Vormsi is a small island that belonged to the Oesel-Wiek bishopric during the Middle Ages. There is a church on the island that is dedicated to St Olaf, the Norwegian king who was undoubtedly the most popular saint among the Scandinavians. A short article written by Villem Raam in the anthology Eesti Arhitektuur (Estonian Architecture, 1996) is the only one worth mentioning that has appeared to date on the architectural history of the Vormsi church.The Vormsi church is comprised of a sanctuary and nave. Only the sanctuary was completed during the Middle Ages, and the stone nave was not complet

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Lemm, Thorsten. "Husby in Angeln – Ein königlicher Hof der späten Wikingerzeit?" Praehistorische Zeitschrift 89, no. 2 (2014): 371–89. http://dx.doi.org/10.1515/pz-2014-0023.

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Zusammenfassung: Seit langem nehmen in Norwegen und Schweden Ortschaften und Höfe mit dem Namen Huseby o. ä. zentrale Punkte in der Frühgeschichtsforschung ein. Sie werden dort als seit jeher bedeutende Orte interpretiert, die in der späten Wikingerzeit oder am Übergang zum Mittelalter zu königlichen Höfen aufstiegen und in diesem Zuge mit der standardisierten Bezeichnung *húsabýr versehen wurden. Die dadurch ersetzten ursprünglichen Ortsnamen sind nur selten überliefert. Die Huseby-Orte Alt-Dänemarks fanden in der Forschung hingegen nur wenig Beachtung. Die vorläufigen Ergebnisse der in den l

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Fihurnyi, Yuriy, and Olga Shakurova. "ETHNOCULTURAL STUDIES OF L. ZALIZNYAK (1991-2018)." Journal of Ukrainian History, no. 40 (2019): 69–77. http://dx.doi.org/10.17721/2522-4611.2019.40.9.

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The article analyzes the ethnocultural problems in the scientific works of L. Zalizniak, published by them in 1991-2018. The methodological basis of the study was the principles of historicism and historical retrospective. Also, the researchers applied comparative-analytical, systemic-structural, objective-subjective, biographical, concrete-generalization, chronological, concrete-historical, retrospective and other methods of research. The researcher was interested in the problem of the origin of the Ukrainian people with the arrival to the Institute of Ukrainian Studies in 1992. The fruitful

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Milošević, Ante. "The Early Medieval relief from Malo Čajno nearby Visoko with great Nespina kaznac’s added inscription." Godišnjak Centra za balkanološka ispitivanja, no. 41 (January 6, 2022): 187–200. http://dx.doi.org/10.5644/godisnjak.cbi.anubih-41.10.

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This text deals with circumstances of the finding as well as with the art and iconographic characteristics of an interesting relief accidentally dug out in 1947, north-east from Visoko, in Central Bosnia. Field examination that followed afterwards determined that the relief once was a part of itinerary and interior decoration of a smaller building. Supposedly, this was a medieval tomb construction based on the fact that in a nearby environment there were several other unornamented tombstones as well as after the Cyrillic inscription which was probably carved on the relief afterwards. The afore

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Terpak, Frances. "The Role of the Saint-Eutrope Workshop in the Romanesque Campaign of Saint-Caprais in Agen." Gesta 25, no. 2 (1986): 185–96. http://dx.doi.org/10.2307/766980.

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Bill, Jan, and Oliver Grimm. "Skibsstaderne ved Harre Vig – Nye undersøgelser." Kuml 51, no. 51 (2002): 197–220. http://dx.doi.org/10.7146/kuml.v51i51.102997.

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The Harre vig boathousesNew investigationsMedieval and prehistoric boathouses are especially known from Norway, where more than 800 structures from the 1st-16th century have been recorded. They normally appear in the terrain as U-shaped structures, built from stones and/or turf, and with the open end oriented towards a nearby coastline. The medieval constructions tend to be rectangular in plan, while older boathouses have curved sidewalls. Studies of the large boathouses (15-40111 internal length) has demonstrated that throughout time they can be connected to places of administrative importanc

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Henningsen, Helle. "Koustrup –En middelalderlig torp i Vestjylland." Kuml 51, no. 51 (2002): 221–66. http://dx.doi.org/10.7146/kuml.v51i51.102998.

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KoustrupA medieval thorp in Western JutlandIn the mid-1980s, a farmer ploughed up stones and clay on some fields adjoining an old road in an area known as Koustrup in the parish of Velling near Ringkøbing (fig. 1). Following this, amateur archaeologists investigated the area and located five medieval farm sites. Four farm sites were on the southern side and one was on the northern side of an east-west running road, which may go back to the Middle Ages. Some of the farm sites were visible on aerial photos (fig. 2).The farms were built on a moor in the early Middle Ages, and the settlement was p

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Kock, Jan, and Mette Svart Kristiansen. "Skjern Slot – En undersøgelse af en borg og dens omgivelser gennem middelalder og renæssance." Kuml 59, no. 59 (2010): 129–77. http://dx.doi.org/10.7146/kuml.v59i59.24535.

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Skjern Castle – an archaeological investigation of a castle through the Middle Ages and RenaissanceIn the very middle of the river Nørreå’s extensive meadowlands, 15 km west of Randers, lies the striking castle mound of Gammel Skjern. During the Middle Ages and Renaissance period this site was the centre of a manorial complex which at times was one of the largest in Denmark and some of the country’s most influential noble families resided here. Its location, where the highway between Viborg and Randers crosses the river today, was one of the few good crossing points over Nørreå (fig. 1). A maj

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Ursachi, Rodica. "The image of woman in the creation of Valentina Rusu Ciobanu." Akademos, no. 1(76) (April 2025): 170–76. https://doi.org/10.52673/18570461.25.1-76.21.

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In the work of Valentina Rusu Ciobanu, a special section is dedicated to feminine faces. The artist has created a gallery of female portraits, representing them in various contexts: within nature, among friends, in the family, as well as in a wide range of emotional states - dreamy, melancholic, calm, or energetic, filled with longing, passion, or thirst for knowledge, in motion or static, in an inner monologue or in dialogue with a visible or invisible interlocutor etc. (Girl at the Window (1954), Morning. Breakfast (1979), Quotes from the History of Art (1978), Sibyl II (1985) etc.). The fem

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Pagh, Lars. "Tamdrup – Kongsgård og mindekirke i nyt lys." Kuml 65, no. 65 (2016): 81–129. http://dx.doi.org/10.7146/kuml.v65i65.24843.

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TamdrupRoyal residence and memorial church in a new light Tamdrup has been shrouded in a degree of mystery in recent times. The solitary church located on a moraine hill west of Horsens is visible from afar and has attracted attention for centuries. On the face of it, it resembles an ordinary parish church, but on closer examination it is found to be unusually large, and on entering one discovers that hidden beneath one roof is a three-aisled construction, which originally was a Romanesque basilica. Why was such a large church built in this particular place? What were the prevailing circ

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Tomas, Ivana. "Sv. Mihajlo; Ston; arhitektura; skulptura; zidne slike; 10. stoljeće; 11. stoljeće; Mihajlo Višević; Stefan Vojislav." Ars Adriatica, no. 6 (January 1, 2016): 41. http://dx.doi.org/10.15291/ars.176.

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St Michael’s church in Ston is an important monument of medieval architectural heritage within a wider area of Dubrovnik and the only positively attested monument of the so-called southern Dalmatian single-nave dome type in the area of historical Zahumlje. The church stands on the top of the Gradac hill or St Michael’s Mount (107 m.a.s.l.), at the location of an earlier fortification. Based on an analysis of St Michael’s architecture, as well as its stone furnishing, the author has argued that the church is pre-Romaneseque in origin. It has also been suggested that the belfry (the structure to

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Ulriksen, Jens. "Gevninge – leddet til Lejre." Kuml 57, no. 57 (2008): 145–85. http://dx.doi.org/10.7146/kuml.v57i57.24659.

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Gevninge – the gateway to LejreGevninge is one of many Danish villages characterised by having extensive modern housing estates built around a medieval core. The oldest part of the village, with a late Romanesque church, lies on the west side of a small river, Lejre Å, about 2 km from its mouth at Roskilde Fjord (fig. 1).Both in the 1880s and in the 1970s, remains of human skeletons were found in Grydehøj to the west of the old village core (fig. 2). These clearly originate from burials, but the finds are undated. In 1974, remains of an inhumation grave from Viking times were found a short dis

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