Academic literature on the topic 'Romanesque architecture'

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Journal articles on the topic "Romanesque architecture"

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Kim. "Aesthetics of Romanesque Architecture." Journal of Aesthetic Education 55, no. 1 (2021): 90. http://dx.doi.org/10.5406/jaesteduc.55.1.0090.

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Olympios, Michalis. "The Romanesque as Relic:." Journal of the Society of Architectural Historians 77, no. 1 (2018): 10–28. http://dx.doi.org/10.1525/jsah.2018.77.1.10.

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With The Romanesque as Relic: Architecture and Institutional Memory at the Collegiate Church of Saint-Omer, Michalis Olympios contributes to ongoing discussions about the architectural visualization of institutional history practiced by medieval religious foundations in Latin Europe. This article focuses on the collegiate church of Saint-Omer (Pas-de-Calais), a rare surviving example of a building from the region of French Flanders preserving architectural fabric fromthe eleventh to the sixteenth centuries. More specifically, Olympios examines the Romanesque apsidiole in the chapel of Notre-Da
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Singleton, Barrie. "Köln-Deutz and Romanesque Architecture." Journal of the British Archaeological Association 143, no. 1 (1990): 49–76. http://dx.doi.org/10.1179/jba.1990.143.1.49.

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Popoola, Oluwanifemi, Morisade Adegbie, and Rokhsaneh Rahbarianyazd. "Developments of Medieval Romanesque and Byzantine to Modern Architecture through the Gothic: Recourse to the Darwin’s Theory." Proceedings of the international conference of contemporary affairs in architecture and urbanism-ICCAUA 8, no. 1 (2025): 131–37. https://doi.org/10.38027/iccaua2025en0232.

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This study appraised the developments from Medieval Byzantine, Romanesque, and Gothic styles to Modern Architecture through a historical deductive research method. It posits that developments in Gothic and Modern Architecture were adapted from the Romanesque by what Darwin implied in the human and animal body, as beneficial selection. In this way, the study observed that major features of the Romanesque are copious in the Gothic and Modern Architecture. However, the study showed that this was further inflected in response to the demands of the era. The study observed that these demands in Goth
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Каптиков, Анри Юрьевич. "Романские храмы Сории". Академический вестник УралНИИпроект РААСН, № 2(37) (27 серпня 2018): 48–51. https://doi.org/10.25628/uniip.2018.37.16233.

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В статье рассматриваются памятники романского стиля в городе Сория (Испания), их композиционные и декоративные особенности. Путем сопоставления с современными им памятниками Кастилии и Леона обосновывается существование здесь особой ветви испанской романской архитектуры. The article is devoted to architectural monuments of the Romanesque style, in Spanish city Soria, their features of space-planning composition and decoration. By the way of juxtapositions with contemporary monuments of Castilia and Leon the existence here of special branch of Romanesque architecture in Spain is proved.
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Curran, Kathleen. "Romanesque Revival Architecture in Transnational Perspective." Historically Speaking 5, no. 2 (2003): 29–31. http://dx.doi.org/10.1353/hsp.2003.0011.

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Armi, C. Edson. "Parts and Words in Romanesque Architecture." Gesta 54, no. 2 (2015): 127–41. http://dx.doi.org/10.1086/681951.

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Coll-Pla, Sergio, Josep Lluis Guuinovart, Agustí Costa Jover, and Cinta Lluis Teruel. "Metric study of the Romanesque architecture of Aran Valley." Church Archaeology 21 (January 2022): 91–100. http://dx.doi.org/10.3828/churcharch.2022.21.91.

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The Romanesque architecture of the Aran Valley is characterised by its invariance over time since its construction, fostered by its isolation and climate. This architecture has earned the interest of scholars such as Domenech i Montaner, Puig i Cadafalch, and Bassegoda Nonell, among others. Domenech i Montaner was the first to catalogue this architecture, focusing on the churches. The objective of this study is to delve into the geometric basis of the churches belonging to the first Romanesque of the Aran Valley. For this, the plans and sections of the churches were studied, and the proportion
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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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Dissertations / Theses on the topic "Romanesque architecture"

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Plant, Richard. "English Romanesque architecture and the Holy Roman Empire." Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367929.

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Laurent-Brière, Chantal. "Victor Hugo, architecture et roman mêlés : dela représentation architecturale dans l'oeuvre romanesque de Victor Hugo." Aix-Marseille 1, 2003. http://www.theses.fr/2003AIX10090.

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L'œuvre de Victor Hugo témoigne du goût de son auteur pour l'art architectural. Les travaux de Jean Mallion ont montré l'importance des références, tous genres confondus, et analysé l'étroite imbrication entre l'écriture et l'engagement de Hugo en matière de préservation des monuments historiques. Inspirée par les recherches de Philippe Hamon, qui associent littérature et architecture au XIXe siècle dans leur commune aptitude à produire de la narrativité, notre réflexion choisit de limiter le corpus établi par Jean Mallion pour se concentrer sur la représentation romanesque de l'architecture.
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Neuenschwander, J. Brody. "The art history of Speyer." Thesis, Courtauld Institute of Art (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325778.

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BOUVIER, BOURRAIN MIREILLE. "La plume et la pierre : architecture et création romanesque chez Henry James." Chambéry, 1997. http://www.theses.fr/1997CHAML005.

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Décor de l'oeuvre de fiction et métaphore du projet littéraire, l'architecture constitue l'un des thèmes majeurs des romans de James. Son importance est liée à l'intérêt de l'auteur pour les arts plastiques et au respect d'une tradition qui, par le biais de l'analogie, a depuis longtemps rapproché l'art des mots de celui de la pierre. Cette étude se propose de dégager les fondements d'une telle attirance pour l'esthétique architecturale et d'en apprécier l'application dans le roman, ces deux aspects soulignant, à leur tour, le caractère "spatial" de l'écriture jamesienne. En l'absence d'essais
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Harris, Roland Benedict. "The origins and development of English medieval townhouses operating commercially on two storeys." Thesis, University of Oxford, 1994. http://ora.ox.ac.uk/objects/uuid:edbe4dc8-fc54-42f4-9db0-6b7d5c468795.

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Although split-level townhouses have proved elusive on the continent, examples are known in the Zähringen towns of modern Switzerland: several of these towns have also developed elevated walkways. There can be little doubt that the split-level townhouse and its variants were the result of commercial pressure, and an insatiable demand, not found again after the early to mid fourteenth century, for numerous small-scale retail units and undercrofts.
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Ni, Ghradaigh Jenifer. "The Romanesque architecture sculpture of the medieval kingdoms of Meath, Bréifne and Argialla." Thesis, Courtauld Institute of Art (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406532.

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Givans, Duncan Blair Cameron. "English Romanesque tympana : a study of architectural sculpture in church portals c.1050-c.1200." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/4168/.

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This thesis presents a study of the use made of tympana in English Romanesque portals and the evidence they offer for religious, social and cultural expression in village churches where the vast majority of examples are preserved. In order to achieve this a significant proportion of the analysis has been addressed to the manner in which people may have interpreted what they saw. For the convenience of the reader basic descriptions of all examples noted during the course of the research and details of manorial and patronal circumstances are given as the Handlist in Volume 2. The first two chapt
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Roy, Brian E. "The Baptistery San Giovanni in Florence and its placement within the chronology of Tuscan Romanesque churches /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68134.

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The controversial dating of the Baptistery San Giovanni is approached through formalistic considerations. Formal analyses of the Baptistery and the Duomo of Pisa lead to comparison and isolation of definitive features of Pisan and Florentine styles. As such, the buildings are shown to be prototypes and their respective receptions are traced in the Romanesque churches of Fiesole, Empoli, Lucca, Pistoia and Sardinia. It is concluded that the Baptistery must have been completed before the Duomo of Pisa was begun.
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Gourgues, Morgane. "Les églises rurales dans l’ancien diocèse d’Elne (Roussillon et Vallespir, Pyrénées-Orientales), entre le Vème et le XIème siècle : l’expression d’un palimpseste architectural ? Un répertoire des formes, entre préroman et anté-roman." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30026/document.

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La pâleur des témoignages distillés par une Antiquité tardive et un haut Moyen Âge roussillonnais, pourtant florissant, a jeté un voile nous privant pour longtemps de toute la richesse chromatique d’une longue période, qui n’a d’obscure que les a priori que l’on s’en fait. Opérer une introspection sur la genèse du vocabulaire formel chrétien est inévitable pour en comprendre les raccourcis, ceux souvent initiés par une vision monofocale n’offrant que trop peu souvent la possibilité d’envisager le bâtiment ecclésial selon sa polysémie : tout à la fois lieux de l’accomplissement du culte, de ras
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Stobbe, Frauke. "Romanischer und gotischer Sakralbau in Frankreich : am Beispiel der Abteikirche von Saint-Denis." Master's thesis, Universität Potsdam, 2008. http://opus.kobv.de/ubp/volltexte/2011/5503/.

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Die Magisterarbeit „Romanischer und gotischer Sakralbau in Frankreich am Beispiel der Abteikirche von Saint-Denis“ beschäftigt sich mit den Gründen für den im 12. Jahrhundert stattfindenden Baustilwandel, wie und warum er sich ausgerechnet zuerst an der kleinen Abteikirche im Pariser Umland vollzog und welche Rolle dem dortigen Abt Suger zukam. Zunächst werden grundlegende Fakten und Beispiele zum mittelalterlichen Sakralbau in Frankreich vermittelt, anschließend die beiden aufeinanderfolgenden Epochen Romanik und Gotik temporal, territorial und vor allem architektonisch eingeordnet und besc
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Books on the topic "Romanesque architecture"

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Kubach, Hans Erich. Romanesque architecture. Faber and Faber, 1988.

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Kubach, Hans Erich. Romanesque architecture. Electa/Rizzoli, 1988.

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Henri, Stierlin, ed. Romanesque. Benedikt Taschen, 1994.

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Oursel, Raymond. Romanesque. Benedikt Taschen, 1990.

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Podolinský, Štefan. Romanesque churches. Dajama Vydavatelʹstvo, 2009.

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Rolf, Toman, Bednorz Achim 1947-, Hulse Fiona, and Macmillan Ian, eds. Romanesque: Architecture, sculpture, painting. Ullmann & Könemann, 2007.

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Martín, Ana. Romanesque art and architecture. Children's Press, 1993.

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Prina, Francesca. The story of Romanesque architecture. Prestel, 2011.

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Garcia, Mireia. Romanesque in Andorra. Editorial Andorra, 2011.

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Fernie, E. C. Romanesque architecture: Design, meaning and metrology. Pindar Press, 1995.

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Book chapters on the topic "Romanesque architecture"

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Gloag, John, and Hilton Wright. "Transitional: Romanesque." In Guide to Western Architecture. Routledge, 2022. http://dx.doi.org/10.4324/9781003333494-5.

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Kappel, Kai. "Architecture As A Visual Record? S. Maria Della Roccella In Calabria." In Romanesque and the Past. Routledge, 2024. http://dx.doi.org/10.4324/9781003580355-5.

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Andrault-Schmitt, Claude. "Archaism Or Singularity? The Nave Clerestory In Romanesque Architecture Between The Loire And Dordogne." In Romanesque and the Past. Routledge, 2024. http://dx.doi.org/10.4324/9781003580355-7.

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Martínez de Aguirre, Javier. "The Architecture of Jaca Cathedral: The Project and its Impact." In Romanesque Cathedrals in Mediterranean Europe. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ama-eb.5.109580.

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Thurlby, Malcolm. "Romanesque Architecture and Architectural Sculpture in the Diocese of Carlisle." In Carlisle and Cumbria. Routledge, 2024. http://dx.doi.org/10.4324/9781003580218-17.

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Franklin, Jill A. "Iconic Architecture And The Medieval Reformation: Ambrose Of Milan, Peter Damian, Stephen Harding And The Aisleless Cruciform Church." In Romanesque and the Past. Routledge, 2024. http://dx.doi.org/10.4324/9781003580355-6.

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Untermann, Matthias. "Between ‘Church Families’ and Monumental Architecture: German Eleventh-Century Cathedrals and Mediterranean Traditions." In Romanesque Cathedrals in Mediterranean Europe. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ama-eb.5.109565.

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Woodman, Francis. "The Romanesque Architecture of Canterbury Cathedral, 1070-1174." In The Architectural History of Canterbury Cathedral. Routledge, 2023. http://dx.doi.org/10.4324/9781003354932-3.

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Gem, Richard. "Romanesque Architecture in Chester c. 1075 to 1117." In Medieval Archaeology, Art and Architecture at Chester. Routledge, 2024. http://dx.doi.org/10.4324/9781003580188-3.

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Barral i Altet, Xavier. "Medieval Cathedral Architecture as an Episcopal Instrument of Ideology and Urban Policy: The Example of Venice." In Romanesque Cathedrals in Mediterranean Europe. Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ama-eb.5.109570.

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Conference papers on the topic "Romanesque architecture"

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Rocco, A., D. V. Oliveira, E. Garbin, and F. M. Fernandes. "Analysis of the "Ponte do arco" Stone Masonry Arch Bridge." In IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0934.

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<p>The “Ponte do Arco” stone masonry arch bridge is located in the north of Portugal, in the municipality of Marco de Canaveses, district of Porto. The bridge is immersed in a remote natural environment and is part of the Romanesque Route, which links buildings and structures built in the area during the Romanesque Period. The “Ponte do Arco” bridge is a fine example of this type of architecture and, therefore, it deserves devoted conservation and maintenance works. The geometry of the bridge, the internal structure of the pavement and the damage state were characterised by using two non
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Barelkowski, Robert. "The Optimization of Assumptions of the Reconstruction of Monumental Objects of Romanesque and Gothic Architecture - Computer Aided Archeological and Architectural Research." In eCAADe 2004: Architecture in the Network Society. eCAADe, 2004. http://dx.doi.org/10.52842/conf.ecaade.2004.617.

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Rocaciuc, Victoria. "The traditional peasant interior in pictorial representations signed by moldovan artists in the 1970." In „Cultura şi arta: cercetare, valorificare, promovare”, conferinţă ştiinţifică naţională. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2025. https://doi.org/10.55383/ca2025.11.

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This study analyzes how Moldovan painters of the 1970s represented the peasant interior as a symbol of national identity. By studying the works of some artists such as Mihai Grecu, Glebus Sainciuc, Valentina Rusu Ciobanu, Eleonora Romanescu etc. the research explores how traditional elements were integrated into painting in a period marked by rapid social transformations. The analysis focuses on recurring motifs, such as household objects and rustic decor, and how these contributed to an atmosphere of rural authenticity. By analyzing the works, we were able to classify the images into the foll
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