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1

Kim. "Aesthetics of Romanesque Architecture." Journal of Aesthetic Education 55, no. 1 (2021): 90. http://dx.doi.org/10.5406/jaesteduc.55.1.0090.

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Olympios, Michalis. "The Romanesque as Relic:." Journal of the Society of Architectural Historians 77, no. 1 (2018): 10–28. http://dx.doi.org/10.1525/jsah.2018.77.1.10.

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With The Romanesque as Relic: Architecture and Institutional Memory at the Collegiate Church of Saint-Omer, Michalis Olympios contributes to ongoing discussions about the architectural visualization of institutional history practiced by medieval religious foundations in Latin Europe. This article focuses on the collegiate church of Saint-Omer (Pas-de-Calais), a rare surviving example of a building from the region of French Flanders preserving architectural fabric fromthe eleventh to the sixteenth centuries. More specifically, Olympios examines the Romanesque apsidiole in the chapel of Notre-Da
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3

Singleton, Barrie. "Köln-Deutz and Romanesque Architecture." Journal of the British Archaeological Association 143, no. 1 (1990): 49–76. http://dx.doi.org/10.1179/jba.1990.143.1.49.

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Popoola, Oluwanifemi, Morisade Adegbie, and Rokhsaneh Rahbarianyazd. "Developments of Medieval Romanesque and Byzantine to Modern Architecture through the Gothic: Recourse to the Darwin’s Theory." Proceedings of the international conference of contemporary affairs in architecture and urbanism-ICCAUA 8, no. 1 (2025): 131–37. https://doi.org/10.38027/iccaua2025en0232.

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This study appraised the developments from Medieval Byzantine, Romanesque, and Gothic styles to Modern Architecture through a historical deductive research method. It posits that developments in Gothic and Modern Architecture were adapted from the Romanesque by what Darwin implied in the human and animal body, as beneficial selection. In this way, the study observed that major features of the Romanesque are copious in the Gothic and Modern Architecture. However, the study showed that this was further inflected in response to the demands of the era. The study observed that these demands in Goth
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Каптиков, Анри Юрьевич. "Романские храмы Сории". Академический вестник УралНИИпроект РААСН, № 2(37) (27 серпня 2018): 48–51. https://doi.org/10.25628/uniip.2018.37.16233.

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В статье рассматриваются памятники романского стиля в городе Сория (Испания), их композиционные и декоративные особенности. Путем сопоставления с современными им памятниками Кастилии и Леона обосновывается существование здесь особой ветви испанской романской архитектуры. The article is devoted to architectural monuments of the Romanesque style, in Spanish city Soria, their features of space-planning composition and decoration. By the way of juxtapositions with contemporary monuments of Castilia and Leon the existence here of special branch of Romanesque architecture in Spain is proved.
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Curran, Kathleen. "Romanesque Revival Architecture in Transnational Perspective." Historically Speaking 5, no. 2 (2003): 29–31. http://dx.doi.org/10.1353/hsp.2003.0011.

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7

Armi, C. Edson. "Parts and Words in Romanesque Architecture." Gesta 54, no. 2 (2015): 127–41. http://dx.doi.org/10.1086/681951.

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8

Coll-Pla, Sergio, Josep Lluis Guuinovart, Agustí Costa Jover, and Cinta Lluis Teruel. "Metric study of the Romanesque architecture of Aran Valley." Church Archaeology 21 (January 2022): 91–100. http://dx.doi.org/10.3828/churcharch.2022.21.91.

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The Romanesque architecture of the Aran Valley is characterised by its invariance over time since its construction, fostered by its isolation and climate. This architecture has earned the interest of scholars such as Domenech i Montaner, Puig i Cadafalch, and Bassegoda Nonell, among others. Domenech i Montaner was the first to catalogue this architecture, focusing on the churches. The objective of this study is to delve into the geometric basis of the churches belonging to the first Romanesque of the Aran Valley. For this, the plans and sections of the churches were studied, and the proportion
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9

Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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Calvo Díaz, Andrea Auxiliadora. "La arquitectura medieval y el pensamiento de Nicolás de Cusa." ACCADERE. Revista de Historia del Arte, no. 3 (2022): 87–106. http://dx.doi.org/10.25145/j.histarte.2022.03.05.

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This article aims to analyze the architectural transition from romanesque to gothic through the passage from the abbey to the cathedral. To proceed with the analysis, the thought of Nicholas of Cusa is taken into consideration in relation to the notion of number and geometry. It is important to clarify that the following work corresponds to an interdisciplinary study, for which it takes up the architecture of the romanesque and gothic in correspondence with the philosophical position of cusanus. This research is not a study of historical coincidence, but an analogical (comparative) study betwe
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11

Crow, James. "Rosa Bacile and John McNeill (eds). Romanesque and the Mediterranean, Points of contact across the Latin, Greek and Islamic Worlds, c.1000- c.1250." Journal of Greek Archaeology 1 (January 1, 2016): 465–66. http://dx.doi.org/10.32028/jga.v1i.672.

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This informative and well-presented volume is the result of papers presented in Palermo in 2012 at the British Architectural Association’s second international Romanesque conference. The Romanesque is essentially a Latin, central and western European expression of art and architecture and the papers identify and question those points of contact with the established traditions of Byzantium and Islam. Few places are better placed to see this interaction than Sicily and this is reflected in two of the main papers on the Cappella Palatina, Roger of Sicily’s new Norman palace in Palermo (it should
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Kim, Kyuchin. "Czech Culture in Prague: Architecture." International Area Review 6, no. 1 (2003): 19–33. http://dx.doi.org/10.1177/223386590300600102.

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Prague's main feature is that, out of many cultural treasures, it preserved its architectural culture and put it to practical use to present day. Particularly Prague has embraced a wealth of architectural styles from many ages. From the Romanesque, the Gothic culture of Czech's pinnacle age, Baroque, Neo Classicism, the Art Nouveau style buildings that concentrated in Prague at the end of 19th century and finally to modern structures. As we have studied, Prague is a textbook of historical styles: a Romanesque rotunda, a Gothic cathedral, a constellation of Baroque churches and palaces, a Renai
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Guo, Chun Yan, Da Ke Wei, and Chun Ying Guo. "Study on Relation between Architectural Form and Structure." Advanced Materials Research 374-377 (October 2011): 2114–17. http://dx.doi.org/10.4028/www.scientific.net/amr.374-377.2114.

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Multiple longitudinal unified times are spread out laterally by this paper through analysis on ancient Greek temples, ancient Romanesque arched architecture, Gothic churches, domed architecture and other western classical architectural forms in various historical periods, and five types of relations between architectural forms and structures are found out through summarization in combination with contemporary technological characteristics. The conclusion is that harmonic coexistence of technology and art can be truly achieved through architectural form creation on basis of respect to the laws
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Thurlby, Malcolm. "The Romanesque Elevations of Tewkesbury and Pershore." Journal of the Society of Architectural Historians 44, no. 1 (1985): 5–17. http://dx.doi.org/10.2307/990057.

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The later medieval remodeling of the stylistically related abbey churches of Tewkesbury and Pershore has presented the architectural historian with the problem of ascertaining the nature of the original Romanesque design. One school of thought favors a four-story elevation for choir and transepts which would have entailed a wood roof; the other, while not agreeing on the number of stories, suggests the reconstruction of high barrel vaults. Detailed analysis of both fabrics in the context of West Country architecture after the Conquest and select French Romanesque structures will demonstrate th
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Malheiro, M. "Mediterranean traditions in northern portuguese romanesque architecture." International Journal of Heritage Architecture: Studies, Repairs and Maintence 1, no. 3 (2017): 430–40. http://dx.doi.org/10.2495/ha-v1-n3-430-440.

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Carragáin, Tomás Ó. "Regional Variation in Irish Pre-Romanesque Architecture." Antiquaries Journal 85 (September 2005): 23–56. http://dx.doi.org/10.1017/s0003581500074369.

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This paper demonstrates that the five Irish early medieval church types have markedly differential distributions. In particular, most of those with antae are in the east, while most of those without antae are in the west. It is shown that this regionalism cannot be interpreted as a deliberate strategy of material differentiation on the part of particular politico-cultural groups. A reconsideration of the chronology suggests that many of the antae-less churches are relatively late, and so the division is primarily indicative of differences in the period and rate of mortared church construction,
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17

Moss, Rachel. "Appropriating the Past: Romanesque Spolia in Seventeenth-Century Ireland." Architectural History 51 (2008): 63–86. http://dx.doi.org/10.1017/s0066622x00003026.

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Although a relatively young subject, the historiography of Irish architecture has had a remarkably significant impact on the manner in which particular styles have been interpreted and valued. Since the genesis of the topic in the mid-eighteenth century, specific styles of architecture have been inextricably connected with the political history of the country, and each has been associated with the political and religious affiliations of its patrons. From the mid-nineteenth century, the focus on identifying an Irish ‘national’ architecture became particularly strong, with Early Christian and Ro
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18

Bodner, Neta. "Romanesque Beyond Christianity: Jewish Ritual Baths in Germany in the 12th and 13th Centuries." Jewish Studies Quarterly 28, no. 4 (2021): 369–87. https://doi.org/10.1628/jsq-2021-0021.

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This article examines Jewish Christian relations in the High Middle Ages through the prism of religious architecture and ritual, focusing on the architecture of Jewish ritual baths from the Rhineland region in Germany. I argue that the baths of Speyer, Worms, Friedberg, Offenburg and Cologne were designed to maximize the experiential power of ritual immersion and arouse symbolic associations to sup- port the ceremony. Architectural details such as unusual depth, ornament, lighting schemes and monumentality contributed to a spectrum of immersion ceremonies described in contemporary sources. The
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19

Boca, Anamaria, Tudor Panfil Toader, and Călin Mircea. "Romanesque Historical Monuments Reconstruction by Using Original Materials and Recycling of Those that Have Lost Their Historical Value." Proceedings 63, no. 1 (2020): 7. http://dx.doi.org/10.3390/proceedings2020063007.

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The aim of this paper is to present the way of reconstruction of historical monuments of Romanesque architecture by reusing and highlighting the original component materials, related to the subassemblies of the construction, respectively the recycling of those components that have lost their historical value. The Romanesque buildings are part of Romanian national cultural heritage and have been through controversial historical periods, and therefore have undergone important modifications or structural losses. The reconstruction or rehabilitation of the Romanesque historical buildings is a way
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20

Brownlee, David B. ""Neugriechisch/Néo-Grec:" The German Vocabulary of French Romantic Architecture." Journal of the Society of Architectural Historians 50, no. 1 (1991): 18–21. http://dx.doi.org/10.2307/990543.

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The enigmatic term néo-grec, attached to the architecture and architectural thinking of mid-nineteenth-century France, seems to have been born in Germany. There, in the first years of the century, neugriechisch was used to describe the Byzantine-influenced Romanesque architecture of the Rhineland. Ludovic Vitet, soon to be named Inspecteur général des Monuments historiques, learned about this terminology in 1829, when he toured Germany and met with Sulpiz Boisserée, the antiquarian who had invented it. Vitet translated the term and took it home, along with the romantic view of history that it
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21

Fernández García, Noelia. "El regionalismo en la arquitectura religiosa de posguerra en Asturias: el proyecto neoprerrománico para la reconstrucción de la iglesia parroquial de La Felguera, Langreo." Liño 23, no. 23 (2017): 115. http://dx.doi.org/10.17811/li.23.2017.115-124.

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RESUMEN:1Tras el establecimiento de la dictadura en la España de la posguerra, la arquitectura se vio supeditada a sus intereses políticos e ideológicos, hecho que unido al aislamiento del país desembocó en la recuperación de las formas constructivas anteriores y, por ende, de los historicismos. El proceso de reconstrucción de la arquitectura religiosa estuvo marcado, en gran medida, por la línea regionalista o casticista, motivo por el que, en el caso del Principado de Asturias, destaca la recuperación del prerrománico asturiano. El primer proyecto para la reconstrucción de la iglesia parroqu
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Djamali, Morteza, and Nicolas Faucherre. "Sasanian architecture as viewed by the 19th century French architect Pascal-Xavier Coste." DABIR 7, no. 1 (2020): 91–100. http://dx.doi.org/10.1163/29497833-00701007.

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The 19th century French architect Pascal-Xavier Coste was one of the first European artists to recognize Sasanian architecture as a distinct and significant architectural style in Late Antiquity. He considered this style to be parallel to Byzantine and Romanesque architecture in the Eastern and Western Roman Empire, respectively. Sasanian architecture, according to Coste, belonged to a period of ‘decadence of the arts’ following the fall of the Roman Empire, during which small construction materials replaced large masonry blocks. Despite this general ‘decadence’, Coste attributed several archi
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Joshi, Ar Minu, and Ar Manali Deshmukh. "Quality of space in Romanesque and Gothic Architecture." International Journal of Engineering Research 7, special2 (2018): 160. http://dx.doi.org/10.5958/2319-6890.2018.00047.8.

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Coghlan, H. Cecil, and Leslie Coghlan. "Cardiac Architecture: Gothic Versus Romanesque. A Cardiologist’s View." Seminars in Thoracic and Cardiovascular Surgery 13, no. 4 (2001): 417–30. http://dx.doi.org/10.1053/stcs.2001.29964.

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Budayová, Lýdia, and Katarína Terao Vošková. "Medieval Sacral Architecture in Banská Štiavnica – Architectural Interpretation." Muzeológia a kultúrne dedičstvo 13, no. 1 (2025): 87–112. https://doi.org/10.46284/mkd.2025.13.1.5.

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Knowledge about the architectural–historical development of medieval sacral buildings in Banská Štiavnica has gained clearer contours in recent years thanks to many new findings from monument research and published studies that have been processed in the last two decades. Based on these scientific documents, we have elaborated on the theoretical reconstructions of the medieval architectural form of the churches and chapels of Banská Štiavnica from the thirteenth to the middle of the sixteenth century: Romanesque churches and chapels: the Church of the Virgin Mary, the Chapel of St Michael and
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Hoey, Lawrence R., and Malcolm Thurlby. "A Survey of Romanesque Vaulting in Great Britain and Ireland." Antiquaries Journal 84 (September 2004): 117–84. http://dx.doi.org/10.1017/s0003581500045820.

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This paper examines the use of vaults in ecclesiastical and secular architecture in Great Britain and Ireland from 1066 to around nyo. We commence with an investigation of the distribution of vaults in various types of buildings. Local workshop traditions are explored and aspects of architectural iconography are considered. The gazetteer provides full references to one-word place names in the text, along with descriptions of the vaults and bibliographical references.
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Burgetová, Eva, Kristýna Michalová, and Marco Violo. "Contribution to Solving the Damp Masonry of the Romanesque Church." Key Engineering Materials 776 (August 2018): 167–76. http://dx.doi.org/10.4028/www.scientific.net/kem.776.167.

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The paper deals with damp investigation of the St Giles Church in Milevsko Monastery which is an important example of the Romanesque religious architecture. Non-invasive rehabilitation measure, designed by authors and based on detailed damp investigation and analysis, gives support natural moisture movement in structure and respects outstanding importance of this unique Romanesque monument. Protection of building against water and moisture belongs to the most important measures in ensuring the service life and serviceability of historical buildings.
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Thurlby, Malcolm. "The Former Romanesque High Vault in the Presbytery of Hereford Cathedral." Journal of the Society of Architectural Historians 47, no. 2 (1988): 185–89. http://dx.doi.org/10.2307/990329.

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In his article on "Hereford Cathedral" published in the Archaeological Journal in 1877, Sir George Gilbert Scott suggested that the Romanesque presbytery was originally covered with a high groin vault on the basis of the suitability of the broad pilasters on the piers for supporting transverse arches of such a vault. While Scott's case for a high vault has been generally accepted, it has not been seriously tested through a detailed examination of the fabric. This note presents new evidence in the masonry above the eastern crossing arch in support of a Romanesque high vault, considers the manne
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Fernie, Eric. "Design and Construction in Romanesque Architecture: First Romanesque Architecture and the Pointed Arch in Burgundy and Northern Italy. C. Edson Armi." Speculum 81, no. 1 (2006): 140–41. http://dx.doi.org/10.1017/s0038713400019412.

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Каптиков, Анри Юрьевич. "Романские храмы Авилы". Академический вестник УралНИИпроект РААСН, № 1(36) (30 березня 2018): 30–35. https://doi.org/10.25628/uniip.2018.36.12218.

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Статья продолжает серию публикаций автора о средневековой архитектуре Испании. В статье рассматриваются храмы романского стиля в городе Авила (Испания), их типологические группы, композиционные и декоративные особенности. Путем сопоставления с современными им памятниками Кастилии и Леона обосновывается существование здесь особой ветви испанской романской архитектуры и степень их своеобразия. © Каптиков А. Ю., 2018 The article continues the publication series of the author of the medieval architecture of Spain. The article is devoted to many temples of the Romanesque style in Spanish city Avila
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Freitas, Eduardo Pacheco. "O desenvolvimento da arquitetura gótica a partir da filosofia escolástica." Nuntius Antiquus 9, no. 2 (2013): 201–20. http://dx.doi.org/10.17851/1983-3636.9.2.201-220.

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This paper aims to explore the onset and peak of the development of Gothic architecture, religious art and architecture eminently urban, between the twelfth and thirteenth centuries in the medieval West, in a socio-religious Catholic hegemony. The message sent to the faithful through the Gothic architecture, replacing Romanesque, indicates in this case a major change in mindset, since we consider the importance of semiotics in art, architecture and urban space.
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Kraljić, John P. "Predromanička arhitektura u Hrvatskoj - Pre-Romanesque Architecture in Croatia." Journal of Croatian Studies 36 (1995): 292–94. http://dx.doi.org/10.5840/jcroatstud1995-9636-3721.

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Armi, C. Edson. "Report on the Destruction of Romanesque Architecture in Burgundy." Journal of the Society of Architectural Historians 55, no. 3 (1996): 300–327. http://dx.doi.org/10.2307/991150.

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Folli, Luisa, and Roberto Bugini. "Masonries and stone materials of Romanesque architecture (Northern Italy)." International Journal of Masonry Research and Innovation 1, no. 1 (2020): 1. http://dx.doi.org/10.1504/ijmri.2020.10029902.

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Bugini, Roberto, and Luisa Folli. "Masonries and stone materials of Romanesque architecture (Northern Italy)." International Journal of Masonry Research and Innovation 6, no. 1 (2021): 45. http://dx.doi.org/10.1504/ijmri.2021.112068.

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36

Vescovi, Michele Luigi. "Romanesque Architecture: the First Style of the European Age." Journal of the British Archaeological Association 170, no. 1 (2017): 207–10. http://dx.doi.org/10.1080/00681288.2017.1366724.

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37

Breese, Lauren Wood. "Early Normandy and the emergence of Norman Romanesque architecture." Journal of Medieval History 14, no. 3 (1988): 203–16. http://dx.doi.org/10.1016/0304-4181(88)90003-6.

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Perreaudin, Philippe. "Cité de l’architecture et du patrimoine: a library dedicated to contemporary architecture in the heart of Paris." Art Libraries Journal 33, no. 4 (2008): 5–10. http://dx.doi.org/10.1017/s0307472200015546.

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Located in the heart of the French capital, between the Eiffel Tower and the Champs-Elysées, the Cité de l’architecture et du patrimoine opened its doors in September 2007. This new cultural institution offers its varied visitors, from specialists to the simply curious, a vast reference library specialising in modern and contemporary architecture. Unique in Europe because of the nature of its holdings and its accessibility, this new library is also an architectural adventure, mixing contemporary volumes and reproductions of Romanesque paintings.
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Nicolai, Bernd, and Klaus Rheidt. "New research on the history of the construction of the cathedral of Santiago de Compostela." Ad limina 1 (July 25, 2010): 55–81. http://dx.doi.org/10.61890/adlimina/1.2010/11.

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An interdisciplinary project by the BTU (Brandenburgische Technische Universität) Cottbus (Germany) and the University of Bern (Switzerland) is analysing the construction of the Romanesque cathedral of Santiago de Compostela. The in-depth study of the construction through an accurate planimetric survey of the walls and a complete study of the documentation concerning the sculpture has led to knowledge of several changes in the architecture and the sculptural programme due to substantial modifications in the initial project. This article uncovers several changes previous to the consecration in
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Maxwell, Robert. "Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine." Architectural History 53 (2010): 41–76. http://dx.doi.org/10.1017/s0066622x00003865.

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Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same ti
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Hoey, Lawrence R. "Pier Form and Vertical Wall Articulation in English Romanesque Architecture." Journal of the Society of Architectural Historians 48, no. 3 (1989): 258–83. http://dx.doi.org/10.2307/990431.

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Gorazd-Dziuban, Paulina. "Sacred Romanesque Architecture of Knights Hospitaller in the Polish Lands." Acta FF 10, no. 2-3 (2018): 35–52. http://dx.doi.org/10.24132/actaff.2018.10.2-3.2.

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Gaber, Tammy. "In Pursuit of “Islamic Art and Architecture”." American Journal of Islam and Society 26, no. 2 (2009): 102–9. http://dx.doi.org/10.35632/ajis.v26i2.1410.

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Books Reviewed: Richard Yeomans. The Art and Architecture of IslamicCairo. United Kingdom: Garnet Publishing, 2006; Doris Behrens-Aboseif.Cairo of the Mamluks: A History of the Architecture and Its Culture. UnitedKingdom: I.B. Tauris, 2007. GeorgeMichell. The Majesty ofMughalDecoration:The Art and Architecture of Islamic India. New York: Thames andHudson, 2007.Many people take it for granted that the blanket term Islamic art and architectureis sufficient to convey the vast production carried out in the name ofIslam; however, they often have a limited vision of what this term actuallyentails. I
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Salgado Pantoja, José Arturo. "Struggle as Image and Symbol in Spanish Romanesque Parish Porticoes." Arts 13, no. 6 (2024): 186. https://doi.org/10.3390/arts13060186.

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The extensive bibliography on medieval architecture highlights that parish church porticoes are one of the most singular features of the Spanish Romanesque tradition. These structures, which regulated the transition to the Aula Dei, provided villagers with a safe space for conducting liturgical ceremonies and rituals, administering sacraments, and burying the dead. However, parish porticoes soon took on other uses of a secular nature. Thanks to their social role and privileged location, they became ideal spaces for admonishing and instructing the faithful through well-chosen visual repertoires
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Waszak, Przemysław. "Inkluzje spraw polityczno-społecznych i światopoglądowych w badaniach z zakresu historii sztuki średniowiecznej. Studia przypadku." Świat Idei i Polityki 15, no. 1 (2016): 477–91. http://dx.doi.org/10.15804/siip201624.

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Medieval art frequently had political functions. After depicting the scope of political aspects and an example of political thoughts in Ottonian illuminated manuscripts there is an analysis of perspectives on medieval art. For example, point of view at Romanesque architecture can be marked in terms of outlook typical for a particular period. All the more important is the large-scale recent research on Romanesque architecture in Poland. There are attempts at demythologization of art and attempts to free the approach to art from ideology. Two different examples of well-known Gothic equestrian st
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Trusov, O. A. "First monument of stone architecture in Belarus, created in the Romanesque building tradition." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 66, no. 3 (2021): 293–302. http://dx.doi.org/10.29235/2524-2369-2021-66-3-293-302.

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The article for the first time proposed a new version of the origin of masters who were invited to build the Minsk temple. The article says that the masters could be invited from Germany (Saxony), and not from Poland, as previously thought.In 1949–1951 the archaeologist Vasil Tarasenka found the ruins of an unfinished temple on the territory of Minsk Castle (later this monument was studied by E. Zagarulsky, G. Shtykhaŭ and A. Miadzvedzeŭ). The foundation and lower parts of the walls of the temple are made of stone and are squared with stone tiles of a rectangular shape on a mortar. The masonry t
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Oladunmoye, Oluranti Mobolaji, and Destiny Eni Eni. "Role of Culture in Architecture Style: Efficiency of Courtyard as a Cultural Element in Yoruba Architecture." Advances in Multidisciplinary & Scientific Research Journal Publications 12, no. 2 (2024): 108–15. http://dx.doi.org/10.22624/aims/humanities/v12n2p11.

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Architectural styles and building typologies are influenced by the culture (lifestyle, beliefs) of the people for which the buildings are designed. The use of massive stone blocks for the Pyramids of Gaza, classical orders in in the design of theaters for Greek Architecture, arches and domes in the construction of Roman Colosseums, semi-circular arches in the Abbeys during the Romanesque architecture era, pointed arches and flying buttresses in the Gothic architecture era, symmetry and proportion for Renaissance architecture, gilded details for Baroque Architecture, simplicity for Neoclassical
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Bogdanski, Candice. "A “North Sea School of Architecture?”: Nidaros Cathedral's Romanesque Transepts and North Sea Medieval Architecture." Journal of the North Atlantic 2013, sp4 (2013): 77. http://dx.doi.org/10.3721/037.004.sp401.

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Bullen, J. B. "The Romanesque Revival in Britain, 1800–1840: William Gunn, William Whewell, and Edmund Sharpe." Architectural History 47 (2004): 139–58. http://dx.doi.org/10.1017/s0066622x00001738.

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The Romanesque revival, like the Gothic revival, was an international movement. It passed easily across national boundaries and its effects were felt throughout Europe and across America. In Britain it was overshadowed by the Gothic revival out of whose historiography it grew, and is easily confused with the Norman revival that enjoyed considerable popularity in the 1830s and 1840s. Both the Norman revival and the study of the Romanesque were the fruit of British antiquarianism, because in the eighteenth and early nineteenth centuries there was in this country a well developed scholarly intere
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Kristiadi, Adimas. "STUDY OF THEORY, METHOD, APPLICATION OF GOTHIC CHURCH ARCHITECTURE." ARSITEKTURA 16, no. 2 (2018): 165. http://dx.doi.org/10.20961/arst.v16i2.20998.

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<p><em>The architecture of Gothic church is the outcome from creation process of knowledge by human in 12<sup>th</sup> – 15<sup>th</sup> Century which originating from France, which one the evolution from Romanesque church architecture (10<sup>th</sup> – 13<sup>th</sup> Century). The word of “evolution” is being a keyword and be a reason of Gothic church, to change characters from Romanesque church architecture are monastic buildings (not large), heavy in appearance, simple in construction to be a larger and finer, much details and sy
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