Academic literature on the topic 'Romanesque Christian art and symbolism Decoration and ornament'

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Dissertations / Theses on the topic "Romanesque Christian art and symbolism Decoration and ornament"

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Dathe, Stefanie. "La Vera Cruz in Segovia dialektische Untersuchung zu Ursprung, Baugeschichte und Funktion eines romanischen Zentralbaus in Alt-Kastilien /." Weimar : VDG, Verlag und Datenbank für Geisteswissenschaften, 2001. http://catalog.hathitrust.org/api/volumes/oclc/47702819.html.

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Kellaris, Georgios. "The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine iconostasis." Thesis, McGill University, 1991. http://books.google.com/books?id=4OjVAAAAMAAJ.

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Thesis (M.A.)--McGill University, 1991.<br>Contains an English abstract and a French résumé. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-87).
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Heath, Anne Elizabeth. "Architecture, ritual and identity in the Cathedral of Saint-Etienne and the Abbey of Saint-Germain in Auxerre, France /." View online version; access limited to Brown University users, 2005. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3174619.

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Kiracofe, James Bartholomay. "Architectural fusion and indigenous ideology in early colonial Mexico : a case study of Teposcolula, Oaxaca, 1535-1580, demonstrating cultural transmission and transformation through negotiation and consent in planning a new urban environment /." Diss., This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-11082006-133633/.

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Tomasztczuk, Daria Olana. "Theodoric the Great's palace church of Christ the Redeemer at Ravenna, the later Sant' Apollinare Nuovo." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98588.

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This thesis is an overview of the historical context in which the church of Christ the Redeemer (Sant'Apollinare Nuovo) in Ravenna, Italy, was erected. It explores the forces responsible for shaping the church at the time of its construction and decoration in the sixth century. The basilica had gained popularity of usage as a model for the Christian Church in the West by this time. This thesis further explores the conclusions put forth by scholars that the basilica was the forum in which the transition of architectural imperial symbolism from the pagan empire to the new Christian Church took p
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Matos, Michael Anton Hahn Cynthia J. "The icon of the Madonna Della Clemenza patronage, placement, purpose /." Diss., 2005. http://etd.lib.fsu.edu/theses/available/etd-04102005-191335.

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Thesis (M.A.)--Florida State University, 2005.<br>Advisor: Dr. Cynthia Hahn, Florida State University, School of Visual Arts and Dance, Dept. of Art History. Title and description from dissertation home page (viewed June 8, 2005). Document formatted into pages; contains vii, 70 pages. Includes bibliographical references.
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Slaymaker, Peter James Victor. "Augustine and the Trinity vision in the Vita Sancti Augustini Imaginibus Adornata." Thesis, 2013. http://hdl.handle.net/1805/3886.

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Books on the topic "Romanesque Christian art and symbolism Decoration and ornament"

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Thoumieu, Marc. Dictionnaire d'iconographie romane. Zodiaque, 1996.

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Maestros del románico en el Camino de Santiago. Fundación Santa María La Real, 2010.

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Albertini, Gabriella. Simboli d'arte nel romanico d'Abruzzo. Ediars, 1999.

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Albertini, Gabriella. Simboli d'arte nel romanico d'Abruzzo. Ediars, 1999.

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D'Elia, Pina Belli. Puglia romanica. Jaca book, 2003.

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Adrian, Henrik. Den romanske kirke: Billede og betydning. Nationalmuseet, 1995.

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Broscheit, Felicia. Figürliche Darstellungen in der romanischen Bauornamentik des Rhein-Maas-Gebietes. Abt. Architekturgeschichte des Kunsthistorischen Instituts, 1990.

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Smålands medeltida dopfuntar. Acta Universitatis Gothoburgensis, 2002.

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16 romanische Kirchen in Köln am Rhein =: 16 Romanesque churches in Cologne. Wienand, 1985.

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La sculpture romane en Bas-Limousin: Un domaine original du grand art languedocien. Picard, 2004.

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