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Journal articles on the topic 'Romanesque Church architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 February 2023

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1

Olympios, Michalis. "The Romanesque as Relic:." Journal of the Society of Architectural Historians 77, no. 1 (2018): 10–28. http://dx.doi.org/10.1525/jsah.2018.77.1.10.

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With The Romanesque as Relic: Architecture and Institutional Memory at the Collegiate Church of Saint-Omer, Michalis Olympios contributes to ongoing discussions about the architectural visualization of institutional history practiced by medieval religious foundations in Latin Europe. This article focuses on the collegiate church of Saint-Omer (Pas-de-Calais), a rare surviving example of a building from the region of French Flanders preserving architectural fabric fromthe eleventh to the sixteenth centuries. More specifically, Olympios examines the Romanesque apsidiole in the chapel of Notre-Da

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Carragáin, Tomás Ó. "Regional Variation in Irish Pre-Romanesque Architecture." Antiquaries Journal 85 (September 2005): 23–56. http://dx.doi.org/10.1017/s0003581500074369.

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This paper demonstrates that the five Irish early medieval church types have markedly differential distributions. In particular, most of those with antae are in the east, while most of those without antae are in the west. It is shown that this regionalism cannot be interpreted as a deliberate strategy of material differentiation on the part of particular politico-cultural groups. A reconsideration of the chronology suggests that many of the antae-less churches are relatively late, and so the division is primarily indicative of differences in the period and rate of mortared church construction,

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Burgetová, Eva, Kristýna Michalová, and Marco Violo. "Contribution to Solving the Damp Masonry of the Romanesque Church." Key Engineering Materials 776 (August 2018): 167–76. http://dx.doi.org/10.4028/www.scientific.net/kem.776.167.

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The paper deals with damp investigation of the St Giles Church in Milevsko Monastery which is an important example of the Romanesque religious architecture. Non-invasive rehabilitation measure, designed by authors and based on detailed damp investigation and analysis, gives support natural moisture movement in structure and respects outstanding importance of this unique Romanesque monument. Protection of building against water and moisture belongs to the most important measures in ensuring the service life and serviceability of historical buildings.

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Kristiadi, Adimas. "STUDY OF THEORY, METHOD, APPLICATION OF GOTHIC CHURCH ARCHITECTURE." ARSITEKTURA 16, no. 2 (2018): 165. http://dx.doi.org/10.20961/arst.v16i2.20998.

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<p><em>The architecture of Gothic church is the outcome from creation process of knowledge by human in 12<sup>th</sup> – 15<sup>th</sup> Century which originating from France, which one the evolution from Romanesque church architecture (10<sup>th</sup> – 13<sup>th</sup> Century). The word of “evolution” is being a keyword and be a reason of Gothic church, to change characters from Romanesque church architecture are monastic buildings (not large), heavy in appearance, simple in construction to be a larger and finer, much details and sy

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5

Thurlby, Malcolm. "THE ABBEY CHURCH OF LESSAY (MANCHE) AND ROMANESQUE ARCHITECTURE IN NORTH-EAST ENGLAND." Antiquaries Journal 94 (July 1, 2014): 71–92. http://dx.doi.org/10.1017/s0003581514000262.

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The date of the Romanesque fabric of the abbey church of Lessay (Manche, France) has been much debated by architectural historians. Was the eastern arm of the church completed by the time of the burial of Eudes de Capel in the choir on 3 August 1098? Or do features such as the high rib vault and scalloped capitals preclude a date in the late eleventh century? This paper argues that the choir was completed by 1098, and that the master mason of Lessay was acquainted with architectural developments in north-east England in the 1080s and early 1090s, especially those at York Minster, St Mary's Abb

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Fernández García, Noelia. "El regionalismo en la arquitectura religiosa de posguerra en Asturias: el proyecto neoprerrománico para la reconstrucción de la iglesia parroquial de La Felguera, Langreo." Liño 23, no. 23 (2017): 115. http://dx.doi.org/10.17811/li.23.2017.115-124.

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RESUMEN:1Tras el establecimiento de la dictadura en la España de la posguerra, la arquitectura se vio supeditada a sus intereses políticos e ideológicos, hecho que unido al aislamiento del país desembocó en la recuperación de las formas constructivas anteriores y, por ende, de los historicismos. El proceso de reconstrucción de la arquitectura religiosa estuvo marcado, en gran medida, por la línea regionalista o casticista, motivo por el que, en el caso del Principado de Asturias, destaca la recuperación del prerrománico asturiano. El primer proyecto para la reconstrucción de la iglesia parroqu

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Thurlby, Malcolm. "The Romanesque Priory Church of St. Michael at Ewenny." Journal of the Society of Architectural Historians 47, no. 3 (1988): 281–94. http://dx.doi.org/10.2307/990302.

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8

París Marqués, Amparo. "parroquiales de Samper de Calanda (Teruel) : historia y documentos." Studium, no. 24 (September 22, 2019): 79–125. http://dx.doi.org/10.26754/ojs_studium/stud.2018243948.

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Este trabajo es una reconstrucción hipotética de la desaparecida iglesia románica medieval de Samper de Calanda (Teruel), que se basa en las fuentes documentales conservadas y en los materiales procedentes de su fábrica, reutilizados en la iglesia barroca actual. Destacan sendos dinteles de puerta insertos en las paredes norte y sur, cuyo diseño se debe al arquitecto Giacomo de Vignola, que fechamos en el siglo xvii. Palabras clave: iglesias románicas, iglesias barrocas, Giacomo Vignola, arquitectura renacentista, siglo XVII This work is a hypothetical rebuilding of the missing med

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9

Meehan, Barry. "'Unfortunately Romanesque' Two Churches of the 1840s in Hampshire." Hampshire Studies 75, no. 1 (2020): 101–39. http://dx.doi.org/10.24202/hs2020008.

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The nineteenth century witnessed almost unprecedented church building activity in Hampshire. New district churches appeared in rapidly expanding urban parishes and most existing structures, including those in rural areas, underwent substantial restoration, refurbishment and enlargement. This paper compares two of these churches from the 1840s: St. Peter's, Southampton and St. Nicholas', Newnham. Despite their apparent differences, they share a number of characteristics in common, most obviously their Romanesque style and inclusion of a Rhenish helm spire. The history of their construction will

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Moss, Rachel. "Appropriating the Past: Romanesque Spolia in Seventeenth-Century Ireland." Architectural History 51 (2008): 63–86. http://dx.doi.org/10.1017/s0066622x00003026.

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Although a relatively young subject, the historiography of Irish architecture has had a remarkably significant impact on the manner in which particular styles have been interpreted and valued. Since the genesis of the topic in the mid-eighteenth century, specific styles of architecture have been inextricably connected with the political history of the country, and each has been associated with the political and religious affiliations of its patrons. From the mid-nineteenth century, the focus on identifying an Irish ‘national’ architecture became particularly strong, with Early Christian and Ro

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Armi, C. Edson. "The Context of the Nave Elevation of Cluny III." Journal of the Society of Architectural Historians 69, no. 3 (2010): 320–51. http://dx.doi.org/10.1525/jsah.2010.69.3.320.

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The nave of Cluny III, the largest medieval church in Christendom, was destroyed, and written documentation is limited. The Context of the Nave Elevation of Cluny III studies the physical evidence, piecing together information about its structure, construction, articulation, and decoration. C. Edson Armi uses eighteenth-century depictions of the nave and the surviving Cluny III transept, as well as the priory church at Paray-le-Monial and other related buildings, to identify the artistic strands that the masons of Cluny combined to create the unique achievement of the mother church. Their sour

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Živkov, Stanislav. "Western Influences in Medieval Church Architecture in Serbia and Montenegro - from Romanesque towards Gothic." Hortus Artium Medievalium 7 (January 2001): 115–27. http://dx.doi.org/10.1484/j.ham.2.305205.

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13

Hoey, Lawrence R. "The Articulation of Rib Vaults in the Romanesque Parish Churches of England and Normandy." Antiquaries Journal 77 (March 1997): 145–77. http://dx.doi.org/10.1017/s0003581500075181.

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Rib vaults appear in English architecture at the end of the eleventh century and by the early part of the next had spread throughout most parts of the country and across the Channel into Normandy. Rib construction was pioneered by the builders of great churches, first apparently at Durham, and was then developed and elaborated at sites such as Winchester, Gloucester, Peterborough, Lessay, Saint-Etienne in Caen, and many others. Although it is impossible to pinpoint the precise moment, by the second quarter of the twelfth century ribs were also being constructed in smaller churches in many area

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Lukomskyi, Yuriy. "Church of St. Pantaleon in medieval Halych in light of the architectural and archaeological research." Materials and studies on archaeology of Sub-Carpathian and Volhynian area 25 (December 28, 2021): 139–76. http://dx.doi.org/10.33402/mdapv.2021-25-139-176.

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The history of the study and the results of architectural and archaeological research of the Church of St. Pantaleon of the XII century, preserved near Halych on the Dniester River, are considered. During excavations in the inner part of the monument, the crypts with burials of the XVI–XVIII centuries were examined, areas of the foundations of the ancient temple were recorded and other important artifacts were found. A series of 26 survey trenches were excavated at the outer perimeter of the object. Regular foundation projections for supporting the pilasters of the ground walls, as well as two

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Thurlby, Malcolm. "The Lady Chapel of Glastonbury Abbey." Antiquaries Journal 75 (September 1995): 107–70. http://dx.doi.org/10.1017/s0003581500072991.

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After the devastating fire of 1184, the Lady Chapel of Glastonbury Abbey was constructed on the site of the Old Church (Vetusta Ecclesia), the wattle church traditionally associated with Joseph of Arimathea. The lavish decoration of the chapel is frequently mentioned in the literature. In many cases authors emphasize the old-fashioned, Romanesque character of much of the ornament in contrast to the seemingly more progressive contemporary early Gothic mouldings of nearby Wells Cathedral. Nevertheless, it is generally recognized that the designer of Glastonbury Lady Chapel knew of the latest dev

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Седов, Вл В. "Churches of the Intercession on the Nerl' and of the Nativity of the Theotokos in Bogolyubovo in the context of Lombardy's Romanesque architecture." Architectural archeology, no. 2 (December 20, 2020): 101–26. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-327-5.101-126.

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Статья посвящена проблемам происхождения архитектуры двух знаменитых памятников архитектуры Владимиро-Суздальского княжества времени князя Андрея Юрьевича Боголюбского: церкви Покрова на Нерли и церкви Рождества Богородицы в Боголюбове. Оба эти белокаменных храма не имеют точной даты; вероятно, они были сооружены в первой половине правления князя Андрея. Церковь Покрова сохранилась очень хорошо, а от первоначальной архитектуры церкви Рождества Богородицы остались только частично открытые основания стен и столбов. Автор уже опубликовал статью, в которой рассматриваются связи архитектуры церкви

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Niewöhner, Philipp. "„Byzantinisch“ oder „germanisch“? Zur Ambivalenz wilhelminischer Mosaiken am Beispiel der Erlöserkirche in Bad Homburg." Byzantinische Zeitschrift 113, no. 3 (2020): 905–22. http://dx.doi.org/10.1515/bz-2020-0039.

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AbstractThe Erlöserkirche at Bad Homburg was built between 1903 and 1908 at the instigation of Kaiser Wilhelm II. It combines a neo-Romanesque exterior with Norman-Sicilian mosaics inside. Both were „Germanic“ to the emperor, and the church embodied his all encompassing claim to the tradition of the medieval Holy Roman Empire of the German Nation. Alternatively, the contemporary Byzantinist Ernst Gerland pointed to a Byzantine origin of the Norman-Sicilian models (and thus subtly contradicted the „pan-Germanic“ myth). This „Byzantine“ reading has prevailed ever since, but does not stand up to

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Fergusson, Peter. "Modernization and Mnemonics at Christ Church, Canterbury: The Treasury Building." Journal of the Society of Architectural Historians 65, no. 1 (2006): 50–67. http://dx.doi.org/10.2307/25068238.

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The two-storied Treasury at Christ Church, Canterbury, survives as the least altered building from the extensive modernization of the convent undertaken between 1155 and 1167. It is marked by identical façades facing inward and outward from the monastery. These are adorned with elegant arcades mounting in quickening rhythms over their elevations, and with unusually exuberant and varied late Romanesque detailing. The Treasury was designed to serve newly defined purposes. In the upper story, these included the safekeeping of liturgical objects and vestments, monies from ecclesiastical and secula

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Vežić, Pavuša. "Memorije križnoga tlocrta na tlu Istre i Dalmacije." Ars Adriatica, no. 3 (January 1, 2013): 21. http://dx.doi.org/10.15291/ars.459.

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Generally speaking, paleochristian memoriae have emerged out of the funeral traditions of the pagan world of Antiquity with its particular expression of the cult of deceased, sustained with the culture that had come out of Christian theology and aesthetics. It came together withnew architectural forms some of which were characterized with cross-like forms, not only as a general symbol of new faith, but also as the spatial projection, model after which one had to build. It is defined by two axes that cross at the right angle, the framework of the overall architecturalcomposition, factor of buil

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Седов, Вл В. "Architectural and archaeological studies of the Nativity of the Theotokos church in Bogolyubovo (2018)." Architectural archeology, no. 2 (December 20, 2020): 80–100. http://dx.doi.org/10.25681/iaras.2020.978-5-94375-327-5.80-100.

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В статье публикуются результаты археологических и натурных работ на памятнике белокаменной архитектуры Владимиро-Суздальского княжества, церкви Рождества Богородицы в Боголюбове середины XII в. Эта церковь разрушилась в начале XVIII в. и вскоре была полностью выстроена заново. Основания древнего храма, сохранившиеся в земле, остались нетронутыми. Они были частично открыты археологическими раскопками Н. Н. Воронина. В 2015 г. автором этой работы были проведены небольшие археологические работы, открывшие ранее неизвестные части церкви. В 2018 г. эти работы были продолжены. Были открыты ранее неи

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Vežić, Pavuša. "Dalmatinski šesterolisti - sličnosti i razlike." Ars Adriatica, no. 2 (January 1, 2012): 41. http://dx.doi.org/10.15291/ars.439.

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The discussion emphasizes the peculiarity and individuality of both the shape and style of Dalmatian hexaconchs. Together with the rotunda of Holy Trinity at Zadar, they surely represent the most original architectural creation of early medieval Dalmatia and its specific cultural milieu which grew from a twofold tradition in a true symbiosis of the European East and West in the Adriatic area. Their mutual interdependence in Dalmatia was articulated through the individual shapes of religious architecture. These hexaconchs are a form specific to only the innermost part of Dalmatia, centred on th

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Dudley, Martin. "‘The Rector presents his compliments’: Worship, Fabric, and Furnishings of the Priory Church of St Bartholomew the Great, Smithfield, 1828-1938." Studies in Church History 35 (1999): 320–32. http://dx.doi.org/10.1017/s0424208400014108.

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For nearly 900 years the Priory Church of St Bartholomew the Great has functioned as an expression of wider religious moods, movements, and aspirations. Founded in 1123 by Rahere, a courtier of Henry I, at a time when the Augustinian Canons gained a brief ascendancy over older forms of religious life, it represents the last flowering of English Romanesque architecture. The Priory was dissolved by Henry VIII, became a house of Dominicans under Mary, and saw the flames that consumed the Smithfield martyrs. Since Elizabeth’s reign it has been a parish church serving a small and poor but populous

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Urrutia-Aparicio, Maitane, A. César González-García, and Juan Antonio Belmonte. "East or Easter? Keys to the orientation of Romanesque churches along the Way of Saint James." Journal for the History of Astronomy 52, no. 3 (2021): 289–310. http://dx.doi.org/10.1177/00218286211026209.

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The pilgrimage along the Way of Saint James constituted the principal mechanism for the introduction of new currents of thought into the Iberian Peninsula, such as Romanesque architecture. Taking this into account, we examined whether the standard tradition on the orientation of Christian churches was followed. We measured the orientation of 108 churches built between the end of the 10th and 13th centuries near the French Way, in the ancient kingdoms of Leon and Castile. The statistical analysis shows a clear tendency to orientate the apse of the church eastwards, specifically slightly to the

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Watson, Christabel. "A Reassessment of the Western Parts of the Romanesque Cathedral of Santiago de Compostela." Journal of the Society of Architectural Historians 59, no. 4 (2000): 502–21. http://dx.doi.org/10.2307/991623.

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In the last two decades, it has generally become accepted that the Romanesque Cathedral of Santiago de Compostela was left unfinished after the death of Archbishop Gelmírez in 1140. Not until Master Mateo was given his contract in 1168 was the building finally completed. It is said that the whole of the west end was designed by Mateo as a homogeneous entity. This overturns Kenneth Conant's hypothesis that the cathedral was raised in one building program, from the mid-1070s to 1140. The aim of this paper is to propose a reassessment of the western parts of the cathedral. By a detailed study of

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Mikheienko, K. "Arched gables (zakomara) temple of the ХІІ century. Regional traditions". Research and methodological works of the National Academy of Visual Arts and Architecture, № 27 (27 лютого 2019): 33–43. http://dx.doi.org/10.33838/naoma.27.2018.33-43.

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Speaking about an originality of the early stages of development of Ancient Rus architecture in comparison with Byzantine architecture, the first thing mentioned is the usage of several domes. However, the decorative arched gables (zakomara), that became attribute of Ancient Rus arched gables temple, yet unknown in Byzantium, are almost not being mentioned. St. Sofia Cathedral in Novgorod represents the initial formation stage of such type of temple (A. Komech). The earliest decorative arched gable (zakomara) found has been preserved in this Novgorod cathedral. The process of formation of the

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Popovic, Marko. "Problems in the study of the medieval heritage in the Lim valley." Starinar, no. 55 (2005): 181–95. http://dx.doi.org/10.2298/sta0555181p.

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Discussing the results of archaeological investigation at two important medieval sites - remains of the monastery of St George at Mazici near Priboj and of the church at Drenova near Prijepolje - the author puts forward his critical observations that make significant revisions to the conclusions suggested by excavators. The remains of a monastery at Mazici have long ago been identified with the monastery of St George in the zupa (district) of Dabar known from early 13th-century records. In the 1310s a monastery of St George is referred to in association with the toponym of Orahovica. After a l

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Sisa, József. "Neo-Gothic Architecture and Restoration of Historic Buildings in Central Europe: Friedrich Schmidt and His School." Journal of the Society of Architectural Historians 61, no. 2 (2002): 170–87. http://dx.doi.org/10.2307/991838.

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Friedrich Schmidt, the foremost Gothicist of Austria, exerted seminal influence in central Europe through his activities as architect, restorer of historic buildings, and professor at the Vienna Academy of Fine Arts. His unorthodox teaching methods included personal tuition near the drawing board and study trips to examine medieval buildings, attended by students of different ethnic, religious, and cultural backgrounds from all corners of the monarchy and even beyond. The students' school society, called Wiener Bauhütte, or Vienna Building Lodge, published their drawings in albums under the sa

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DANIELEWSKI, MARCIN. "PHOTOGRAPHS FROM 1887. NEW SOURCES FOR THE STUDY OF THE ARCHITECTURE OF THE ROMANESQUE CHURCH OF THE BLESSED VIRGIN MARY IN INOWROCŁAW." Historia Slavorum Occidentis 9, no. 2 (2015): 1–3. http://dx.doi.org/10.15804/hso150207.

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Vežić, Pavuša. "Dalmatinski trikonhosi." Ars Adriatica, no. 1 (January 1, 2011): 27. http://dx.doi.org/10.15291/ars.428.

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The phenomenon of early Christian triconchal churches on the Adriatic has already been noted in the scholarly literature. A separate study ‘Le basiliche cruciformi nell’area adriatica’ was published by S. Piussi in 1978, followed by N. Cambi with the 1984 publication ‘Triconchal churches on the Eastern Adriatic’. However, both scholars include triconchal churches in the typological group of ‘cruciform basilicas’ or treat them together with the churches which have three apses with spaces between them placed along the nave. However, because of their specific morphology consisting of the closely

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Wienberg, Jes. "Iøjnefaldende arkitektur – Nordens middelalderlige rundkirker." Kuml 63, no. 63 (2014): 205–44. http://dx.doi.org/10.7146/kuml.v63i63.24466.

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Conspicuous architecture. Medieval round churches in ScandinaviaThe aim of this article is partly to argue why round churches were built and partly to present an updated overview of Scandinavian round churches.Round churches (fig. 1) are often seen as something unusual, deviant and mysterious, and in need of special explanation. Thus the most recent overview for many of them, the influential Swedish dissertation Nordens befästa rundkyrkor – The fortified round churches of Scandinavia – by Hugo F. Frölén from 1910‑11, states (wrongly) that all round churches were fortified.Today (2014), 34 roun

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Alttoa, Kaur. "Anmerkungen zur Baugeschichte der St. Olaikirche auf Worms (Vormsi) im Bistum Ösel-Wiek (Saare-Lääne)." Baltic Journal of Art History 14 (December 27, 2017): 7. http://dx.doi.org/10.12697/bjah.2017.14.01.

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Vormsi is a small island that belonged to the Oesel-Wiek bishopric during the Middle Ages. There is a church on the island that is dedicated to St Olaf, the Norwegian king who was undoubtedly the most popular saint among the Scandinavians. A short article written by Villem Raam in the anthology Eesti Arhitektuur (Estonian Architecture, 1996) is the only one worth mentioning that has appeared to date on the architectural history of the Vormsi church.The Vormsi church is comprised of a sanctuary and nave. Only the sanctuary was completed during the Middle Ages, and the stone nave was not complet

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Vežić, Pavuša. "Ikonografija romaničke katedrale u Dubrovniku." Ars Adriatica, no. 4 (January 1, 2014): 63. http://dx.doi.org/10.15291/ars.489.

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In order to deepen our contemporary knowledge about the Romanesque cathedral of Dubrovnik, it is of utmost importance to turn to the archaeological remains and the documented material evidence in order to establish its ground plan. On the basis of the ground plan and in combination with the way the Cathedral was depicted in the art works produced during the period from the fifteenth to the seventeenth century, while also taking into account the contemporary written sources, we can propose a reconstruction of the Romanesque Cathedral together with a number of architectural features which have n

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Garcia-Talegon, Jacinta, Adolfo C. Iñigo, Santiago Vicente-Tavera, and Eloy Molina-Ballesteros. "Heritage Stone 5. Silicified Granites (Bleeding Stone and Ochre Granite) as Global Heritage Stone Resources from Ávila, Central Spain." Geoscience Canada 43, no. 1 (2016): 53. http://dx.doi.org/10.12789/geocanj.2016.43.087.

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Silicified granites were used to build the Romanesque monuments in the city of Ávila, Spain. The building stones comprise two types of granite based on their technical properties and colour: Bleeding Stone (Piedra Sangrante) and Ochre Granite (Caleño). They were used as a facing stone in the city´s Romanesque monuments of the 12th century (e.g. the cathedral and church of San Pedro), and the famous city walls that constitute the best example of military Romanesque Spanish architecture. During the Gothic and Renaissance periods of the 13th and 15th centuries, silicified granites were used mainl

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Domínguez Burrieza, Francisco Javier. "Criterios prácticos de restauración arquitectónica a mediados del siglo XIX: la restauración de la iglesia románica de San Juan Ante Portam Latinam en Arroyo de la Encomienda (Valladolid)." Revista de Humanidades, no. 38 (November 20, 2019): 85. http://dx.doi.org/10.5944/rdh.38.2019.22580.

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Resumen: La restauración de la iglesia románica de San Juan Ante Portam Latinam, en Arroyo de la Encomienda (Valladolid), en 1876, refleja algunas de las ideas violletianas dominantes en la práctica restauradora española de la época, así como la aplicación de la Real Orden de 14 de septiembre de 1850. Se trata del trabajo más personal, en este campo, del reputado arquitecto Jerónimo Ortiz de Urbina Díaz de Junguitu. Perteneciente a las primeras promociones de la Escuela Especial de Arquitectura de Madrid, condiscípulo de Demetrio de los Ríos y Juan de Madrazo y amigo de Adolfo Fernández de Cas

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Legendziewicz, Andrzej. "creation and architectural transformation of the parish church of the Sacred Heart of Jesus in Żary from the early 13th to late 17th century." Archaeologia Historica Polona 29 (June 1, 2022): 113–34. http://dx.doi.org/10.12775/ahp.2021.007.

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This article presents architectural transformations in the parish church of the Sacred Heart of Jesus (originally the Blessed Virgin Mary) in Żary. The church is one of themost interesting brick churches in the borderland between Silesia and Lusatia. Unfortunately, the church has featured very little in the literature, and only its non-extant Romanesque west arm is discussed. Based on the scant written sources, and the results of architectural researchand archaeological excavations, the author discusses the formation and transformation of the parish church from the 13th century to the end of t

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Kaczmarek, Romuald. "Relief with Crucifixion Scene in St Martin’s Church in Jawor – the Oldest Silesian Pictorial Epitaph and its Ideological and Artistic Contexts." Ikonotheka, no. 31 (September 20, 2022): 113–38. http://dx.doi.org/10.31338/2657-6015ik.31.5.

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This paper provides an analysis of the relief block with the Crucifixion scene preserved in the St. Martin’s parish church in Jawor, an important town in the Duchy Jawor-Świdnica in the 14th century. According to the 17th century’s written sources the relief was originally located on the wall of the church’s cemetery mortuary, however the primary written source pertaining to the artwork in question is the inscription running along its three sides. The slab commemorates Johann Sapiens and his family. It is the earliest preserved pictorial epitaph in Silesia and in this part of Europe. Its votiv

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Cirillo, Ettore, and Francesco Martellotta. "Acoustics of Apulian-Romanesque Churches: An Experimental Survey." Building Acoustics 9, no. 4 (2002): 271–88. http://dx.doi.org/10.1260/135101002320941440.

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A detailed acoustic survey was carried out of nine Romanesque churches built in Apulia, in Southern Italy. Despite the common architectural style the churches show specific features and have volumes ranging from 1500 m3 to 32000 m3. In each church both monaural and binaural acoustic parameters were measured according to the ISO 3382 standard. The results of the measurements are discussed in this paper, analysing both the distribution of the acoustic parameters inside each church, and how that distribution depends on specific characteristics. Finally, a discussion of the results as a whole is g

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Pawlak, Ewa, and Piotr Wawrzyniak. "Badania w kościele pw. Św. Apostołów Piotra i Pawła w Rąbiniu, pow. kościański. Przyczynek do studiów nad sakralną architekturą romańską w Polsce." Slavia Antiqua. Rocznik poświęcony starożytnościom słowiańskim, no. 58 (June 20, 2018): 137–58. http://dx.doi.org/10.14746/sa.2017.58.9.

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In late November and early December 2012, emergency archaeological and architectural research was carried out in the Parish Church of the Holy Apostles in Rąbiń, Kościan county. The relics of a stone Romanesque church were studied thoroughly; it is a clear-span building with a deep apse/chancel dating back to the first half of the 13th century. The subsequent phases of the church’s renovation from the 13th century until today have also been identified.

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Ștefania Urdaş, Florica. "Biserica fortificată din Hosman, județul Sibiu." Hiperboreea A1, no. 11 (2012): 15–19. http://dx.doi.org/10.5325/hiperboreea.1.11.0015.

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Abstract Hosman, in Saxon dialect - Hultsmänjen, Hultsmońen-and German-Holzmengen-belongs Nocrich common, Sibiu is located 8 km from Nocrich, 24 km from Sibiu and 36 Agnita city. In old documents the settlement is called when Holzmenia (1319) when Holzmengen (1479) names that could come from Holz = wood, charcoal = lots, is lots of wood. The fortress was built in the foothills and surrounding Romanesque church surrounded around the year 1270. At first it had three ships, an apse of the altar and belfry with five levels. Late Romanesque portal is similar to those in Avrig decoration, jerky, all

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Babic, Valentina. "The sculpture of the church of the holy virgin of the Studenica Monastery. Origin and models." Zograf, no. 43 (2019): 89–112. http://dx.doi.org/10.2298/zog1943089b.

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The paper deals with the architectural sculpture of the twelfth century Church of the Holy Virgin at the Studenica Monastery. Its parallels with Italian Romanesque sculpture have long been identified in academic literature, and attention has been drawn to the influence of classical sculpture, mostly in terms of style, which has been attributed to the impact of Byzantine art. The paper demonstrates that all the motifs present in Studenica?s sculptural decoration originate from Romanesque sculpture in the Italian regions of Emilia Romagna and Apulia. Most of them rely on ancient Roman models and

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Pynkyawati, Theresia, and Chandra Yuli K. "STUDY OF VARIOUS TYPES OF AESTHETIC ELEMENTS ON ARCHITECTURAL STYLES FACADE OF CHURCH ST. YUSUF CIREBON." International Journal of Built Environment and Scientific Research 6, no. 2 (2022): 83. http://dx.doi.org/10.24853/ijbesr.6.2.83-96.

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St. Yusuf 's Church located in Cirebon City is included in one of the oldest catholic church colonial buildings in West Java with a function as a gathering place and a place of worship for Christians. The church has an interesting facade in every part, starting from the roof, walls, columns and not too much use of such complicated ornaments. The facade of St. Yusuf 's Church certainly has a variety of types that affect the appearance of the facade in terms of aesthetic elements used as supporting elements and characteristics of a facade which is usually found in all colonial buildings in Indon

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Jukić, Vjekoslav. "The Sculpture of Rudina Abbey in a European Context Europe, Croatia, Romanesque art." Ars & Humanitas 9, no. 2 (2015): 231–46. http://dx.doi.org/10.4312/ars.9.2.231-246.

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The Benedictine Abbey of St. Michael in Rudine near Požega is an archaeological site known for more than a hundred years. The first explorations were done in 1906 and 1907 and ever since then Rudina has been explored in a stop and start manner. The archaeological site consists of two basic units: the monastery with a three-aisle, three- apse church, a cloister with the accompanying monastic buildings, and a small aisleless church with a rounded apse some fifty metres to the West. A considerable body of architectural sculpture has been found at the site, but the most important finding is a seri

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Jukić, Vjekoslav. "The Sculpture of Rudina Abbey in a European Context Europe, Croatia, Romanesque art." Ars & Humanitas 9, no. 2 (2015): 231–46. http://dx.doi.org/10.4312/ah.9.2.231-246.

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The Benedictine Abbey of St. Michael in Rudine near Požega is an archaeological site known for more than a hundred years. The first explorations were done in 1906 and 1907 and ever since then Rudina has been explored in a stop and start manner. The archaeological site consists of two basic units: the monastery with a three-aisle, three- apse church, a cloister with the accompanying monastic buildings, and a small aisleless church with a rounded apse some fifty metres to the West. A considerable body of architectural sculpture has been found at the site, but the most important finding is a seri

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Tomas, Ivana. "Sv. Mihajlo; Ston; arhitektura; skulptura; zidne slike; 10. stoljeće; 11. stoljeće; Mihajlo Višević; Stefan Vojislav." Ars Adriatica, no. 6 (January 1, 2016): 41. http://dx.doi.org/10.15291/ars.176.

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St Michael’s church in Ston is an important monument of medieval architectural heritage within a wider area of Dubrovnik and the only positively attested monument of the so-called southern Dalmatian single-nave dome type in the area of historical Zahumlje. The church stands on the top of the Gradac hill or St Michael’s Mount (107 m.a.s.l.), at the location of an earlier fortification. Based on an analysis of St Michael’s architecture, as well as its stone furnishing, the author has argued that the church is pre-Romaneseque in origin. It has also been suggested that the belfry (the structure to

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Meneses, Maria Ecilene, Marcondes Costa, and Rosane Balsan. "OS LATERITOS A SERVIÇO DA FÉ: A CATEDRAL NOSSA SENHORA DAS MERCÊS EM PORTO NACIONAL, TOCANTINS." Boletim do Museu de Geociências da Amazônia 9, no. 2 (2022): 1–10. http://dx.doi.org/10.31419/issn.2594-942x.v92022i2a1mensm.

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The Nossa Senhora das Mercês cathedral is located in the city of Porto Nacional, Tocantins state. This rustic and impressive church was built on the Tocantins River right margin between the years of 1894 and 1903, by the French Dominican friars, supported by local population efforts. This cathedral exhibits a romanesque architectural style being constructed using local raw materials, mainly lateritic fragments (ferruginized sandstones), ceramic bricks and mortar prepared with soil, wood stove ashes and grasses. Despite of the well-known high chemical stability of these rocks due to iron oxides

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Fisković, Igor. "Još o romaničkoj skulpturi s dubrovačke katedrale." Ars Adriatica, no. 5 (January 1, 2015): 39. http://dx.doi.org/10.15291/ars.516.

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Medieval Dubrovnik was rich in Romanesque figural and decorative sculpture but only a small group of fragmentary carvings has been preserved to date due to the fact that the town suffered a devastating earthquake in 1667. The earthquake completely destroyed the monumental Cathedral of the Assumption of the Virgin which had been considered “la piu bella in Illyrico” on the basis of its sculptural abundance. Archaeological excavations undertaken beneath the present-day Baroque Cathedral, consecrated in 1713, unearthed several thousand fragments of high-quality sculptures. Their analysis has conf

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Chuyko, O. "PERCULIAR GALICIAN AND VOLHYNIAN CHURCH ARCHITECTURE OF THE 12th-13th CENTURIES: COMPARATIVE ASPECT." PARADIGM OF KNOWLEDGE 5, no. 43 (2020). http://dx.doi.org/10.26886/2520-7474.5(43)2020.7.

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The paper considers the issue of stylistic, constructive and technological similarity of temples of the Galicia-Volhynia and Vladimir-Suzdal lands of the 12th-13th centuries. Based on a comparative analysis of construction equipment, structural basis and plastic decor from both territories, as well as recent archaeological research, we make conclusions about the same guild of artisans, natives of Galician Rus, who later worked in the northeastern lands of ancient Rus.Based on the research of scholars of different generations, tracing their dispute over the priority of a particular architectura

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Lindholt, Pia Katrine, and Morten Larsen. "Vrejlev Klosterkirkes middelalderlige bygningshistorie." Kuml 68, no. 68 (2021). http://dx.doi.org/10.7146/kuml.v68i68.126066.

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The nunnery church at Vrejlev buildings history By the end of the Middle Ages, the Premonstratensian nunnery at Vrejlev was characterised by a large and voluminous church. However, the Late Medieval building incorporated several features derived from a large Romanesque church established already in the mid-12th century. This article deals with the buildings-archaeological evidence, which provides a detailed overview of the site’s complicated buildings history and thereby sheds light on an important ecclesiastical centre in Medieval Vendsyssel (figs. 1-6). The church was originally

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Gusar, Karla, and Dario Vujević. "Grob 75 s lokaliteta Pakoštane-Crkvina." Archaeologia Adriatica 7, no. 1 (2013). http://dx.doi.org/10.15291/archeo.981.

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In the course of archaeological excavations at the Pakoštane-Crkvina site from 2006 to 2013, the remnants of the Church of St. Mary, which was part of the medieval settlement of Zablaće, were unearthed. Auxiliary rooms and a medieval cemetery were uncovered beside the church. However, the features of grave 75 make it stand out. It is a constructed tomb with Romanesque style characteristics. The construction of this unusual grave can be dated to the 12th century. It can be compared to the tomb of the Abbess Vekenega in the Benedictine monastery of St. Mary in Zadar. Partial reconstruction is al

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Marosi, Ernő. "Remarks on the Question of the So-Called Monastic Schools of Architecture." Historical Studies on Central Europe 1, no. 1 (2021). http://dx.doi.org/10.47074/hsce.2021-1.01.

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The hypothetical interpretation of the beginnings of monastic architecture in Hungary in the eleventh century as corresponding to the Italian origin of the clergy cannot be proved, and the beginning of the dominating role of a three-apsidal, axially organized basilica in Hungary cannot be traced earlier than the last quarter of the eleventh century.The dominance of the type, which has been considered in Hungarian art history since the nineteenth century as a “national” building type, can be dated as of the last quarter of the eleventh century. It is not only the problem of monastic architectur

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