Relevant bibliographies by topics / Romanian Experimental poetry

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  3. Book chapters

Academic literature on the topic 'Romanian Experimental poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Romanian Experimental poetry"

1

Balotescu, Florin-Cristian. "Space Porosities or How to Trespass Space as the First Frontier." Caietele Echinox 38 (June 30, 2020): 217–35. http://dx.doi.org/10.24193/cechinox.2020.38.18.

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This paper aims at both “mapping” the profile of a groundbreaking poetic discourse in contemporary Romania and correlating it to “planetary” trends. Furthermore, it argues that these artistic discourses reshape the status of poetry in general, by creating permeable, transgressive, and porous structures which conduct to new approaches of space – in its imaginary, poetic or planetary aspects – that we call noopoetic interspace or surspace. By getting closer to rather new theoretical and/ or artistic approaches like geocriticism (B. Westphal), viractualism and immersive creative environments (J.
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Pietraru, Iulia. "Poetici matematice și emoții în centrifugă: importuri terminologice din științele tari în discursurile poetice (semi)periferice." Transilvania, 2024. http://dx.doi.org/10.51391/trva.2024.06-07.14.

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In the texture of current poetic formulae in the Romanian poetic space (alt-lit, digital poetry, digital-realist, digital-scientist, retro-digital, minimalist-biographical poetry, etc.), the experimental-scientific one emerges, marginally, converting a voice imported from the hard sciences (Mathematics, Physics, Biology, and so on). Using as methodological support the theory of combined and uneven development, this paper aims to analyze the (semi-)peripheral poetic discourses modulated by terminological imports from the exact sciences and the way in which the affects are systematized in two zo
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Books on the topic "Romanian Experimental poetry"

1

Pop, Ion. Avangarda în literatura română. Editura Minerva, 1990.

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Tănăsescu, Antoaneta. Strategii ale comportamentului european. Paideia, 2003.

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Panorama poeziei avangardei ucrainene. Tracus Arte, 2017.

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Gibson, Mark, and Juana Gil, eds. Romance Phonetics and Phonology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198739401.001.0001.

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The research in this volume addresses several recurring topics in Romance Phonetics and Phonology with a special focus on the segment, syllable, word, and phrase levels of analysis. The original research presented in this volume ranges from the low-level mechanical processes involved in speech production and perception to high-level representation and computation. The interaction between these two dimensions of speech and their effects on first- and second-language acquisition are methodically treated in later chapters. Individual chapters address rhotics in various languages (Spanish, Italian
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Lange, Barbara Rose. Local Fusions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190245368.001.0001.

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Local Fusions: Folk Music Experiments in Central Europe at the Millennium explores musical life in Hungary, Slovakia, and Austria between the end of the Cold War and the world financial crisis of 2008. It describes how artists made new social commentary and tried new ways of working together as the political and economic atmosphere changed. The book presents case studies from Budapest, Bratislava, and Vienna, drawing from ethnographic research and from conversations about the arts in Central European publications. The case studies illustrate how young musicians redefined a Central European his
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Book chapters on the topic "Romanian Experimental poetry"

1

Fuller, David. "Hearing the Form: Breath and the Structures of Poetry in Charles Olson and Paul Celan." In The Life of Breath in Literature, Culture and Medicine. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_20.

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AbstractThis essay examines the ways in which the American poet Charles Olson, and the German-speaking Romanian Jewish poet Paul Celan, each in relation to specific post-war cultural circumstances, experimented with new ways of structuring poetry in relation to the breath: Olson in response to new global scientific, political, and intellectual currents; Celan in response to the Holocaust. The essay discusses not only how the poets wrote but also how they realised the printed forms of their poetry in performance, contrasting Olson’s literal performance of his theories with the different relatio
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