Academic literature on the topic 'Romanian Folk dancing'

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Journal articles on the topic "Romanian Folk dancing"

1

Rusu, Iulian. "6. Theodor Rogalski, Conductor, Composer and Professor. 3 Romanian Dances, Conducting Stylistic Analysis." Review of Artistic Education 21, no. 1 (2021): 35–45. http://dx.doi.org/10.2478/rae-2021-0006.

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Abstract Dancing in the culture of all peoples is a form of artistic manifestation with various functions, mystical, hunting warriors, etc., with deep roots in the very beginning of the first forms of organization of human communities. At national level, our people are the keeper of old and wonderful folk traditions, with dances of great wealth and variety. In our popular creation, the choreographic term “danse” is called “play”. Romanian dances have various ritual, ceremonial, or party functions, related to specific occasions. As a spatial deployment, they are divided into several categories:
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2

Szőnyei, Tamás. "Fear of the Folk Dance Houses: State Security Surveillance of the Magyar Nóta Scene and the Hungarian Folk Music Revival in the 1970s." Betekintő 18, no. 4 (2024): 33–52. https://doi.org/10.25834/bet.2024.4.2.

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In the early 1970s, following in the footsteps of great twentieth-century Hungariancomposers Béla Bartók and Zoltán Kodály, young musicians rediscovered, relearned,and handed down to their generation the treasures of traditional Hungarian folkculture: music and dance. The principal homes of this modern urban folk revivalwere the folk dancing houses. Here, young communities formed around the pioneering bands that regularly travelled to neighboring countries—particularlyRomania, home to a million-strong Hungarian minority—to learn musical practices and collect original music and dances from the
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Dissertations / Theses on the topic "Romanian Folk dancing"

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Mellish, E. S. "Dancing through the city and beyond : lives, movements and performances in a Romanian urban folk ensemble." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1432797/.

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This thesis investigates the lives, movements and performances of dancers in a Romanian urban folk ensemble from an anthropological perspective. Drawing on an extended period of fieldwork in the Romanian city of Timisoara, it gives an inside view of participation in organised cultural performances involving a local way of moving, in an area with an on-going interest in local and regional identity. It proposes that twentyfirst century regional identities in southeastern Europe and beyond, can be manifested through participation in performances of local dance, music and song and by doing so, it
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Books on the topic "Romanian Folk dancing"

1

Giurchescu, Anca. Romanian traditional dance: Acontextual and structural approach. Wild Flower Press, 1992.

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2

Giurchescu, Anca. Romanian traditional dance: A contextual and structural approach. Wild Flower Press, 1995.

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3

Ulian, Petru. Hora la Prislop: Tradiție și continuitate 1968-2008. Editura Grinta, 2008.

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Beijing zhong ti yin xiang chu ban zhong xin. Shi jie wu dao da shang. Beijing zhong ti yin xiang chu ban zhong xin --, 2006.

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Henzélyová, Aurélia. Prvé kroky k choreografii l̕udového tanca pre Rómov. Národné osvetové centrum, 2005.

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Henzélyová, Aurélia. Prvé kroky k choreografii l̕udového tanca pre Rómov. Národné osvetové centrum, 2005.

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7

György, Martin. A botoló tánc zenéje. MTA Zenetudományi Intézet, 2002.

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8

Bartók, Béla. Romanian Folk Dances, Sz. 56, for the piano (Alfred Masterwork Edition). Alfred Publishing Company, 1991.

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9

Grindea, Carola, and Miron Grindea. Dances of Rumania. Noverre Press, The, 2021.

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10

Folclor coregrafic. Editura Muzicală a UniuniiCompozitorilor și Muzicologilor din România, 1991.

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