Relevant bibliographies by topics / Romantic motifs

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Romantic motifs'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Romantic motifs"

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Deguy, Michel. "Motifs towards a Poetics." Royal Institute of Philosophy Lecture Series 21 (March 1987): 55–67. http://dx.doi.org/10.1017/s1358246100003477.

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Contemporary poetry—true to the changes brought about by the poetics of modernity at the turn of the century—far from glorifying the ‘lyrical illusion’ and from favouring ‘romantic’ identifications with heroes standing ‘alone against all’, that madness of a subject believing himself to be the only exception to the law, had in fact to tone down its song, had to pull down its hopes, had to interiorize its failures in order to turn them into paradoxes … What failures? The failures of the poets who thought they were failing. Contemporary poetry has therefore to meditate the different figures of paradoxical failure (the failure that is in no way a simple failure); namely, to distinguish the failures of Baudelaire from that of Rimbaud, from that of Mallarmé …
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Deguy, Michel. "Motifs Towards a Poetics." Royal Institute of Philosophy Lecture Series 21 (March 1987): 55–67. http://dx.doi.org/10.1017/s0957042x00003473.

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Contemporary poetry—true to the changes brought about by the poetics of modernity at the turn of the century—far from glorifying the ‘lyrical illusion’ and from favouring ‘romantic’ identifications with heroes standing ‘alone against all’, that madness of a subject believing himself to be the only exception to the law, had in fact to tone down its song, had to pull down its hopes, had to interiorize its failures in order to turn them into paradoxes … What failures? The failures of the poets who thought they were failing. Contemporary poetry has therefore to meditate the different figures of paradoxical failure (the failure that is in no way a simple failure); namely, to distinguish the failures of Baudelaire from that of Rimbaud, from that of Mallarmé …
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Лобзова, С. Л. "ТРАНСФОРМАЦИЯ РОМАНТИЧЕСКИХ МОТИВОВ В РОМАНЕ ПАТРИКА ЗЮСКИНДА «ПАРФЮМЕР»." Наукові записки Харківського національного педагогічного університету ім. Г. С. Сковороди "Літературознавство" 3, no. 93 (2019): 117–28. http://dx.doi.org/10.34142/2312-1076.2019.3.93.10.

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The article attempts to highlight the main romantic motifs that the modern German writer Patrick Süskind used in his novel Perfume: The Story of a Murderer. Symbolic for the contemporary cultural context figurative semantic constants (genius, loneliness, rejection, godlessness, etc.) are assigned to such motifs. The ways and means of rethinking romantic motifs in a modern novel are determined, the specifics of their transformation in a postmodern text is analyzed. The similarities between the work of Süskind and popular upbringing novels in the Enlightenment are noted: the main character of the modern German writer goes through the thorny path of formation, he improves his gift, thanks to which he hopes to change the world, subjugate other people to himself. The parody evangelical allusions that contribute to the deconstruction of the romantic figure of an unrecognized genius are analyzed. The postmodernist writer debunks and ridicules the hero, turning the imaginary king into a jester. Unlike the romantic hero, whose main function was to broadcast the divine will, Jean-Baptiste Grenouille refutes the truth of the Absolute by his existence and the ingenious gift inherent in him by nature. The article concludes that Süskind refers to a stable romantic model, implemented many times in literature and art, setting his own accents in his own way, bringing the romantic structure to its limit. This model goes through the second stage in its development, according to the Hegel’s triad, namely, the negation of negation, when any phenomenon turns into its opposite. Refuting the well-known Pushkin’s claim that “genius and villainy are two incompatible things”, the writer at the same time comes to the conclusion that evil, even without meeting a worthy opponent, is destructive to himself. We see further research prospects in the study of the novel in the context of the work of Süskind and modern German-language literature from the point of view of transforming the romantic tradition in the post-modern text.
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Mniсh, Roman. "MAGDALENE, A POEM BY INNOKENTY ANNENSKY: GOSPEL TEXT AT THE CROSSROADS OF LITERARY TRADITIONS." Проблемы исторической поэтики 19, no. 1 (February 2021): 308–27. http://dx.doi.org/10.15393/j9.art.2021.9022.

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The article offers an interpretation of Innokenty Annensky's poem Magdalene written in 1885, but published only in 1997. This early work of the poet differs significantly from his poetry, known from published collections (Quiet Songs and Cypress Box), which are not characterized by an appeal to biblical images and motifs. In the poem Magdalene Annensky offers his interpretation of the Gospel story, depicting the conflict and struggle between human feelings (Mary Magdalene) and divine vocation (Jesus) in the dialogues between Magdalene and Jesus. Analysis of the structure of the poem allows us to determine the presence of three literary traditions in it: 1) ancient Greek tragedy and the chorus as one of its main actors; 2) a romantic poem about unrequited love (first of all, The Demon by Mikhail Lermontov) and the concept of romantic duality; 3) Faust by Johann Wolfgang Goethe. The combination of antique concepts (fate, destiny, metamorphosis) with the ideas of Christianity, as well as allusions to the works of Russian romantics, allowed the author to combine three aspects in the image of Mary Magdalene: ancient fate (destiny), Christian (Orthodox) holiness and romantic alienation from the world. The combination of these three aspects in the poem by I. Annensky forms a new quality: the romantic poem did not provide for the chorus as a character, and the ancient Greek tragedy did not allow for such lyrical digressions typical for a romantic poem. The Gospel text in the poem by I. Annensky is transformed in line with the three mentioned traditions, and thus the theme “grows” into a dramatic poem.
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Bogatyrova, K. V., and A. P. Rozum. "PRE-ROMANTIC MOTIFS IN VASYL RUBAN’S “ODE IN PRAISE OF LOVE”." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 4, no. 4 (2020): 1–6. http://dx.doi.org/10.32838/2663-6069/2020.4-4/01.

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Philippovsky, German Y. "N. A. Nekrasov and the English pre-Romanticists (to the origins of the poetic motif of Night)." Verhnevolzhski Philological Bulletin 2, no. 25 (2021): 8–18. http://dx.doi.org/10.20323/2499-9679-2021-2-25-8-18.

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The paper investigates the literary roots of «night-motifs» in N. Nekrasov`s epic «Who is Happy in Russia?» and his «night» poems «Knight for an Hour» and «Railroad» down to English poetry of XVII–XVIII cc.: metaphysical poetry by H. Vaughan (XVII c.) and greater didactic poem by E. Young (XVIII c.). Both mythological and lyrical «night» motifs of H. Vaughan`s poetry owed to ancient folk traditions of the poet`s Motherland – Wales, with its archaic Celtic language, rituals and sacred festivals (such as Samhein). E. Young`s poem «Complaint or night thoughts on life, death and immortality» (1743–1745) is closely related to later baroque culture, stressing the night-motif in the context of the poet`s contemplation of life, death and christian immortality of human soul. H. Vaughan`s and E. Young`s «night» poetry influenced greatly the sentimentalist and preromantic trends in European poetic traditions of XVIII–XIX cc. N. Nekrasov`s main epic poem with its profound night motifs, though continuing pre-romantic European traditions of H. Vaughan and E. Young, remains greatly indigenous and rooted deeply in both folk and poetic Russian orthodox culture.
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Krstic, Predrag. "Unwanted parenthood: Romanticism and Kant." Filozofija i drustvo 26, no. 1 (2015): 88–108. http://dx.doi.org/10.2298/fid1501088k.

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Over the Romantic reception of Kant, the author attempts to show a relationship between the Romanticism and the Enlightenment. First part of the paper reconstructs the social conditions that created the strange path of transformation of parts of Kant?s teachings in the romantic motifs. The second part follows the theoretical precomposition of Kant?s thought in Fichte and expressly deviation from it in Novalis and Schlegel. Third section presents the key moments of the Romantic critique of the Enlightenment mind, and fourth its ambiguous pracital-political effects. In conclusion, it is suggested that Romanticism tested and testified the transcending of limits of the very freedom for which Kant believed that man becomes worthy of only if it is used in a lawful and purposeful manner.
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Heinapuu, Ott. "Agrarian rituals giving way to Romantic motifs: Sacred natural sites in Estonia." Sign Systems Studies 44, no. 1/2 (July 5, 2016): 164–85. http://dx.doi.org/10.12697/sss.2016.44.1-2.10.

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Semiotic mechanisms involving sacred natural sites – or areas of land or water with special spiritual significance – that have been focal points in agrarian vernacular religion have been transformed in modern Estonian culture. Some sites have accrued new significance as national monuments or tourist attractions and the dominant way of conceptualizing these sites has changed.Sacred natural sites should not be presumed to represent pristine nature. Rather, they are products of complex culture-nature interactions as they have been formed in the course of traditional land management as well as different semiotic practices, including ritual and conservationist ones. The existence of sites encompassed by the term defies and blurs the rigid distinction between nature and culture.Individual sacred natural sites and categories of such sites can act as signifiers for a variety of different signifieds concurrently, acting as confluences of different sign systems and thus exemplifying the creolization of these systems as well as bringing about the hybridization of different landscape traditions in certain loci.Estonian literary culture has adopted motifs and narratives that define sacred natural sites more readily from other literary traditions than from the Estonian vernacular tradition; in turn, the vernacular tradition has also adopted and assimilated literary Romantic motifs.
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Khandarova, Olga V. "Персонажная система и мотивная структура повести Г. Башкуева «Убить время»." Oriental Studies 14, no. 2 (July 20, 2021): 384–92. http://dx.doi.org/10.22162/2619-0990-2021-54-2-384-392.

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Introduction. Gennady Bashkuev’s works attempt to comprehend the late Soviet and post-Soviet eras, and To Kill Time proves a most significant prose work of the writer. Goals. The article seeks to identify and analyze the relationship between the system of characters in the novel and its motif structure, which helps clarify the underlying idea of the work, eclectic in structure and close in form to a short story cycle. Methods. The study rests on the theses about a relationship between semantics of motif and character, predicativity of motif, and on the concept of motif complexes and leitmotif construction of the narrative. Results. The main character of the novel is the narrator, the narrative proper divided into childhood memories and those of recent past. The characters of childhood can be clustered into three groups: family, friends, adults —motifs of happiness, celebration, romantic dreams and that of loss are associated with them. The characters of adulthood are women and childhood friends who are associated with motifs of marginal life, betrayal, guilt, and that of romance. The motifs of ‘childhood’ and ‘adulthood’ memories are intertwined, and it is the motif structure that ensures the integrity of the narrative. The key role in the novel is played by the binary image — the saleswoman Inga and the city madwoman — that combines two main themes for the narrator’s self-reflection: childhood and women. The plot structure partly fits into the universal mythological scheme: a series of trials — sketches-events from the life of the autobiographical narrator — is built into somewhat a ‘mythological journey’ to finally end with the acquisition of ‘elixir’ — catharsis and spiritual liberation. Conclusions. The image of the protagonist, the narrator, is explicated in the text and is revealed in the system of motifs associated with characters of his memories. Analysis of the character system proves instrumental in revealing key ideas of the novel and interpreting its title: those are reflections about time that become a focus of the author’s viewpoint uniting the seemingly disparate stories.
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Filatova, Natalia. "Wizerunek Rosji w powieści Jana Czyńskiego Cesarzewicz Konstanty i Joanna Grudzińska, czyli Jakubini polscy: problem ewolucji stereotypów romantycznych." Roczniki Humanistyczne 67, no. 1 (July 4, 2019): 75. http://dx.doi.org/10.18290/rh.2019.67.1-6.

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The article focuses on the novel by Jan Czyński Cesarzewicz Konstanty i Joanna Grudzińska, czyli Jakubini polscy, analysed in the context of the Romantic cultural stereotypes concerning Polish-Russian relations formed after the November Uprising. While presenting the novel’s plot (the ambivalence surrounding the figure of Grand Duke Constantine, political life in the Kingdom of Poland, the opposition patriots vs. conformists, the operation of secret police services in Warsaw), the author proves that the pamphlet character of the novel (correlated with Czyński’s personal political involvement) makes it an instructive compendium of motifs constituting the image of Russia in Polish literature within the Romantic paradigm.
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Dissertations / Theses on the topic "Romantic motifs"

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Richerson, William Robert (Rob) III. "Evolutionary Motives and Consumer Food Choice in Romantic Relationships." UKnowledge, 2014. http://uknowledge.uky.edu/marketing_etds/3.

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This research examines the evolutionary eating patterns of consumers when eating with those they are in relationships with, moving beyond eating decisions made in isolation or in the presence of strangers. Across three studies, unique patterns of consumption emerge when males and females are in different stages of romantic relationships. I demonstrate that the evolutionary motives of mate acquisition and mate retention drive eating patterns for relationship partners relative to their gender. I show that females match the eating habits of males at early stages in the relationship but are more independent later in the relationship, while males match eating habits of females in later stages in the relationships but are more independent early in relationships. I discuss how evolutionary eating patterns contribute to high obesity rates, provide recommendations for avoiding unhealthy eating among couples, and shed light on common cultural beliefs about weight gain in social relationships.
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de, la Pava Velez Benjamin. "Celluloid love : audiences and representations of romantic love in late capitalism." Thesis, London School of Economics and Political Science (University of London), 2017. http://etheses.lse.ac.uk/3602/.

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My doctoral research analyses contemporary North American romantic films and the meanings brought to and made from them by socially and economically diverse audiences in London. It does so in the context of a historicised and ideologically alert account of connections between biological, psychoanalytic, anthropological and sociological theorisations of romantic love and its screen depictions. In particular, my audience-led textual analysis of discourses of Euro-American romantic love is driven by an engagement with three claims: First, that neoliberal or late-capitalist individualism has engendered a ‘crisis of romantic love’ which has reshaped the social and personal promises of coupledom and intimacy. Second, that popular film, the prime contemporary medium of representation for romance, cynically portrays this supposed crisis in an effort to capitalise on audience fears; and third, that audiences of these films experience the ‘crisis’, fashioning their romantic identities and practices in its shadow. Methodologically, the study involved a reflexive and recursive textual analysis of five North American films: Blue Valentine, (500) Days of Summer, Don Jon, Her, and Once. Using these films, I carried out 36 group interviews with (87) inhabitants of the multicultural Borough of Hackney, in East London, the results of which then fed into and informed my readings of the films. Subsequent thematic coding of group interviews revealed overlapping areas pertinent to the project: Technology, class, gender and coupledom. Findings include the suggestion that both romantic films and their audiences in Western Europe are currently adapting strategies, practices and ideas of romantic love and relationships to a new environment of precarious intimacy, technological mediation, and anxiety over economic, professional and personal stability. My analysis concludes that while intersections of class, race and gender continue to inflect audience experience and meaning-making, the current romantic environment that audiences are navigating - and that romantic films purportedly represent - is indeed markedly different from that of the last century. However, claims about the crisis of romantic love are not only greatly exaggerated, but usually also erroneously conflate the pain, anxiety and frailty of contemporary relationships and intimacy with a narcissistic, ego-centric definition of love as a form of consumption.
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Khalaf, Abd Al Jaleel Zeena. "La ville romanesque dans Salammbô de Gustave Flaubert et L'Amante du pharaon de Naguib Mahfouz." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030153.

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Lieux d'ouverture et de brassage culturel, les villes alimentent fantasmes et utopies. Elles grouillent, gagnent sur la campagne. L’enquête porte ici sur la ville antique, Carthage dans Salammbô de Gustave Flaubert et Abou de l’Égypte pharaonique dans L’Amante du pharaon de Naguib Mahfouz. La thèse interroge la représentation de la ville dans l’oeuvre romanesque de Gustave Flaubert (1821-1880), et de Naguib Mahfouz, maître de la littérature arabe (1911-2006). Notre point de départ est la question suivante : "Quelle est l’importance de la ville chez nos deux romanciers ?". L’analyse combine une perspective comparative, historique, et thématique. Elle met en valeur la réception créatrice par Mahfouz du roman français du XIXe siècle
Places of openness and cultural mixing, cities feed fantasies and utopias. They swarm, taking over the countryside. The subject of investigation here is the city in antiquity, Carthage in Gustave Flaubert's Salammbo, and the Egyptian city of Abou during the times of the Pharaohs in Naguib Mahfouz' Pharaoh's Lover. The thesis examines the representation of the city in the novels of Gustave Flaubert (1821-1880), and Naguib Mahfouz, the master of Arabic literature (1911-2006). Our starting point is the following question, "What is the importance of the city for the two novelists?" The analysis brings together comparative, historic and thematic perspectives. It show cases the creative manner in which Mahfouz received French 19th century novels
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Higgins, David. "Romantic genius and the literary magazine : biography, celebrity and politics /." London [u.a.] : Routledge, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016719938&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.

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Abu-Jamouse, Khalid. "'Lurid figures' : anxieties of motion, disfiguration and death in romantic biographical writings." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322889.

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Aidoudi, Wejdene. "Figures féminines dans l’œuvre de Zola : des romans aux films : lecture sémiologique." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0275/document.

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Cette thèse de doctorat s’articule autour de trois axes. Elle a trait d’abord à la configuration de la sexualité féminine dans l’œuvre des Rougon-Macquart et dans son adaptation cinématographique. La recherche est ainsi centrée sur la représentation du corps féminin et de sa métamorphose dans l’œuvre romanesque zolienne ainsi que dans l’œuvre filmique correspondante. Quant au deuxième axe de recherche, il se rapporte à l’étude des photogrammes, des lexies au niveau de l’incipit et de l’excipit des romans zoliens et à partir de l’ouverture et du dénouement des adaptations qui en ont été faites. Les divergences entre les romans et leur mise en scène interrogent par ailleurs la question de la fidélité du cinéma à la littérature dont il s’inspire, qui reste jusqu’au jour d’aujourd’hui une question assez problématique. Une analyse des seuils filmiques et romanesques a été jugée ainsi fort utiles. Ces seuils s’avèrent un espace où le sens de la créativité et le don artistique du concepteur de l’œuvre filmique ou romanesque voient le jour. Au terme de notre recherche, nous avons constaté que la femme zolienne évolue dans un milieu où interfèrent le réel, l’imaginaire et le symbolique. Et c’est à à travers son rapport avec les lieux et les objets que cette femme accède au rang de figure. La métaphore animalière constitue ainsi l’essence même de la figuralité zolienne qui met en relief ces corps féminins et les dotent d’une présence mythologique. Finalement le naturalisme zolien est-il d’une veine expressionniste
This doctoral thesis is structered around three axes. It deals with the configuration Of the female sexuality in the work of Rougon-Maquart and it its film adaptation. The research is centered on the representation of the female body and its metamorphosis in Zola’s novel works as well as in the corresponding film works. As for the second axis of research, it relates to the study of photograms in the incipit and excipit of Zola’s novels and from the opening and settlements that have been made. The divergences between the novels and their staging also question the question of the film’s fidelity to the literature on which it is based , which remains a rather problematic issue until today. An analysis of filmic and novel thresholds was found to be very useful. These thresholds turn out to be a space where the creativitity and artistic gift of the designer of the filmic or romantic work are born . At the end of our research, we have noticed that Zola’s female evolves in a background where the real , imaginary and symbolic interfere. And it is through her contact with the settings and objects that she reaches the rank of a figure. The animal metaphor thus constitutes the very essence of Zola’s figurality which hilghlights these female bodies and endows them with a mythological presence. Finally is Zolian naturalism an expressionist vein ?
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Spinelli, Valeska. "Violenza e malattia nei romanzi di Carmelo Samonà." Bern : [s.n.], 2005. http://www.zb.unibe.ch/download/eldiss/05spinelli_v.pdf.

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Decourt, Laetitia. "La mosaïque, le miroir et la bibliothèque. L’ironie romantique dans la prose littéraire des écrivains « mineurs » en Russie : les années 1820-1830." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040235.

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Au cours des années 1820-1830, l’ironie romantique a contribué à élargir le champ de la prose et de la langue littéraires, en se modelant sur une situation de communication orale puis en adoptant le ton de la lettre intime. Les figures de l’ironie romantique telles que la métalepse, l’auteur-narrateur tout-puissant ont servi à la fois de laboratoire pour la formation d’une langue littéraire et de schémas narratifs adaptés aux exigences de l’époque, de tribune aux réflexions sur le destin et le contenu de la prose littéraire russe, et d’« incubateur » pour le nouveau lecteur, en créant des lecteurs-interlocuteurs fictifs. Le corpus comprend : Gajdamak (1826-1827) d’O.M. Somov ; Rukopis’ […] Xabarova (1828) de P.L. Jakovlev ; Ispytanije (1830), Večer na kavkazskix vodax v 1824 godu (1830) et Strašnoe gadanie (1831) d’A.A. Bestužev-Marlinskij ; Strannik (1831-1832) d‘A.F. Vel’tman ; Pestrye skazki (1833) de V.F. Odoevskij ; Fantastičeskie putešestvija barona Brambeusa (1833), Bol’šoj vyxod u Satany (1834) et Teorija obrazovannoj besedy (1835) d’O.I. Senkovskij. La haute conscience intertextuelle des œuvres, leur poétique du jeu métaleptique, leur ambition encyclopédique et métalittéraire ont exprimé les processus qui transformaient la littérature russe de l’intérieur (références à Karamzin, Žukovskij, Puškin, Gogol’) et de l’extérieur (la littérature européenne). L’ironie romantique a donc permis l’évolution consciente et accélérée de la littérature russe vers le roman en prose et le réalisme du second XIXe siècle. Elle apparaît comme un phénomène de mode, mais aussi comme une source d’inspiration pour les théories formaliste et bakhtinienne, et pour le postmodernisme russe
Between 1820 and 1840, Romantic irony has contributed to widen the spectrum of Russian literary prose and language, fashioning itself after a situation of oral communication, then adopting the tone and structure of the intimate letter. Figures of Romantic irony such as the reader-conversationalist, the author as sole master, the metalepsis, served not only as a laboratory for the formation of a literary language and narrative plots adapted to contemporary demands, but also as a tribune for debates on the fate and content of Russian literary prose, and as an incubator for the new reader. Works such as Gajdamak (1826-1827) by O.M. Somov, Rukopis’ […] Xabarova (1828) by P.L. Jakovlev, Ispytanije (1830), Večer na kavkazskix vodax v 1824 godu (1830) and Strašnoje gadanije (1831) by A.A. Bestužev-Marlinskij , Strannik (1831-1832) by A.F. Vel’tman, Pestryje skazki (1833) by V.F. Odojevskij, Fantastičeskije putešestvija barona Brambeusa (1833), Bol’šoj vyxod u Satany (1834) and Teorija obrazovannoj besedy (1835) by O.I. Senkovskij, show a vivid self-consciousness, a widely shared concern for intertextuality and common poetics involving metaleptic games, encyclopaedic ambition. These reveal the transformation of Russian literary prose, working simultaneously from within (Karamzin, Žukovskij, Puškin, Gogol’) and from outside. Romantic irony in Russian literary prose therefore allowed a conscious and rapid evolution of Russian literature toward the novel in prose and the realism of the second XIXth century. Thus, Romantic irony appears not only as a fashion, but also as a distant source of inspiration for Formalist and Bakhtinian theories, and for postmodernist literature
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Zhang, Shuangyue. "Is honesty the best policy? Honest but hurtful evaluative messages in romantic relationships." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1123853679.

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Thesis (Ph. D.)--Ohio State University, 2005.
Title from first page of PDF file. Document formatted into pages; contains iii, v, 138 p.; also includes graphics. Includes bibliographical references (p. 128-138). Available online via OhioLINK's ETD Center
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Kupfer, Alexander. "Die künstlichen Paradiese : Rausch und Realität seit der Romantik ; ein Handbuch /." Stuttgart : Metzler, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2807261&prov=M&dok_var=1&dok_ext=htm.

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Books on the topic "Romantic motifs"

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Origins of narrative: The romantic appropriation of the Bible. Cambridge [England]: Cambridge University Press, 1996.

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Romantic art theories. Henley-on-Thames, Oxfordshire, England: Gresham Books, 1986.

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Romantic comedy. New York: Routledge, 2010.

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Leonardo DiCaprio: Romantic hero. Kansas City, Mo: Andrews McMeel, 1998.

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Leonardo DiCaprio: Romantic hero. London: Ebury, 1998.

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Kimmel, Daniel M. Love stories: Hollywood's most romantic movies. Stamford, CT: Longmeadow Press, 1992.

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Ganesh, Narayani. Eternal romantic: My father, Gemini Ganesan. New Delhi: Lustre Press, 2011.

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Eternal romantic: My father, Gemini Ganesan. New Delhi: Lustre Press, 2011.

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The Hollywood romantic comedy: Conventions, history, controversies. Malden, MA: Wiley-Blackwell, 2011.

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Fishman, Sylvia Barack. More than chemistry: The romantic choices of American Jews. New York, NY: Jewish Media Fund, 1995.

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Book chapters on the topic "Romantic motifs"

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Lipking, Lawrence. "The Genie in the Lamp: M. H. Abrams and the Motives of Literary History." In High Romantic Argument, edited by Lawrence Lipking, 128–48. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501727689-007.

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Lungu, D., C. Arion, A. Aldea, and S. Demetriu. "Assessment of Seismic Hazard in Romania Based on 25 Years of Strong Ground Motion Instrumentation." In Strong Motion Instrumentation for Civil Engineering Structures, 505–18. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0696-5_35.

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Baur, M., O. Novak, J. Eibl, and D. Lungu. "Soil-Structure-Interaction And Seismic Isolation, An Interdisciplinary Investigation At the multidisciplinary Seismic Test Site Incerc, Bucharest, Romania." In Strong Motion Instrumentation for Civil Engineering Structures, 369–81. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-010-0696-5_25.

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Iliescu, Mihaiela, Luige Vlădăreanu, Nicolae Bercan, and Alexandru Rogojinaru. "Electric-Motion Infrastructure in Romania - Research on Machining Processes of Mechanical Components of e-Motion Charging Station." In Communications in Computer and Information Science, 110–24. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63712-9_6.

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Craifaleanu, I. G., I. S. Borcia, and I. C. Praun. "Strong-Motion Networks in Romania and Their Efficient Use in the Structural Engineering Applications." In Earthquake Data in Engineering Seismology, 247–59. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-94-007-0152-6_17.

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Oser-Grote, Carolin M. "Romantik in der Antike? Die Motive ‚Abend‘ und ‚Nacht‘ in Gedichten des Ottocento und der Augusteischen Zeit." In Fabrica, 35–64. Wiesbaden: Vieweg+Teubner Verlag, 1997. http://dx.doi.org/10.1007/978-3-663-12112-1_2.

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Westwell, Arthur. "Correction of Liturgical Words, and Words of Liturgical Correctio in the Ordines Romani of Saint Amand." In Words in the Middle Ages / Les Mots au Moyen Âge, 89–107. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.usml-eb.5.120723.

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Poiata, Natalia, and Hiroe Miyake. "Broadband Ground Motion Simulation of the 2004 and 1977 Vrancea, Romania, Earthquakes Using Empirical Green’s Function Method." In Pageoph Topical Volumes, 179–95. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-72709-7_11.

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Vacareanu, Radu, Mihail Iancovici, and Florin Pavel. "Selecting and Scaling Strong Ground Motion Records Based on Conditional Mean Spectra. Case Study for Iasi City in Romania." In Springer Natural Hazards, 377–91. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29844-3_26.

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Haboucha, Reginetta. "Romantic Tales." In Types and Motifs of the Judeo-Spanish Folktales, 295–518. Routledge, 2021. http://dx.doi.org/10.4324/9781315730561-4.

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Conference papers on the topic "Romantic motifs"

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Haller, Piroska, Lorinc Marton, and Laszlo Budai. "Adaptive Transfer Protocol for Networked Motion Tracking." In Cluj-Napoca, Romania. IEEE, 2007. http://dx.doi.org/10.1109/iccp.2007.4352156.

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Fosco Bertola, Mauro. "»Ein Laut so klagevoll«. Lohengrin zwischen Richard Wagner und Salvatore Sciarrino." In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.49.

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Abstract:
The article reflects the presence of the dream motif in Richard Wagner’s romantic opera Lohengrin (1850) and in Salvatore Sciarrino’s own operatic version of the Lohengrin legend from 1983. By reading both works against the grain of Elsa’s dream the article highlights a) the philosophical premises of Wagner’s dream-theoretical reflections and their sociopolitical implications in Lohengrin, and b) how Sciarrino in his opera directly engages with both aspects, undoing at the dramaturgical as well as at the musical level, the metaphysical assumptions and the societal vision sustaining Wagner’s work.
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Szemkovics, Laurentiu-Stefan, Camelia Teodorescu, Andrei Ducman, and Cristian Cazacu. "COATS OF ARMS AND ZOOMORPHIC AND MYTHOLOGICAL MOTIFS IN THE MOGOSOAIA PALACE, ROMANIA." In 7th International Scientific Conference GEOBALCANICA 2021. Geobalcanica Society, 2021. http://dx.doi.org/10.18509/gbp210351s.

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Muntean, Alexandra. "SURFACE MOTIONS IN ROMANIA DERIVED FROM 15 YEARS OF CONTINUOUS GNSS MEASUREMENTS." In 17th International Multidisciplinary Scientific GeoConference SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgem2017/14/s05.054.

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Patarau, T., D. Petreus, R. Etz, and E. Lazar. "Techno-Economic Feasibility Study on an Off-Grid Renewable Energy Microgrid for an Isolated Greenhouse in Romania." In 2018 IEEE 18th International Power Electronics and Motion Control Conference (PEMC). IEEE, 2018. http://dx.doi.org/10.1109/epepemc.2018.8521934.

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IFTIMIE, Nicoleta-Mariana. "The Fallen Woman Motif in Two Plays by Oscar Wilde." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.31.

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Iliescu, Mihaiela, Nicolae Bercan, and Alexandru Rogojinaru. "Electric-Motion in Romania - Overview - Study on Machining Parameters of EV Charging Station Mechanical Components." In Special Session on Modelling Practical Paradigms of Green Manufacturing Systems. SCITEPRESS - Science and and Technology Publications, 2016. http://dx.doi.org/10.5220/0005906204480453.

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LEONTE, Nicoleta, Ofelia POPESCU, Adrian PRICOP, and Iancu RACHITA. "Influence of Body Mass Index over the Youngsters’ Motion." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.37.

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CIOCAN, Dana Maria, Alexandra MILON, and Gabriel MARES. "Study Regarding the Motives of Children Participation in Sport Activities." In 8th LUMEN International Scientific Conference Rethinking Social Action. Core Values in Practice | RSACVP 2017 | 6-9 April 2017 | Suceava – Romania. LUMEN Publishing House, 2017. http://dx.doi.org/10.18662/lumproc.rsacvp2017.15.

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Nemes, Ciprian, and Sorina Costinas. "Yield and availability analysis of grid-connected photovoltaic systems - a case study for Iasi region, Romania." In 2015 Intl Aegean Conference on Electrical Machines & Power Electronics (ACEMP), 2015 Intl Conference on Optimization of Electrical & Electronic Equipment (OPTIM) & 2015 Intl Symposium on Advanced Electromechanical Motion Systems (ELECTROMOTION). IEEE, 2015. http://dx.doi.org/10.1109/optim.2015.7426955.

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